Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents. The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes: Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762) Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinet Tune Book 1 and 2 (ED 21763, ED 21764): piano score of the method\'s performance pieces, with additional inserted clarinet part Daily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method Due to trilingual nature of all editions (German, English, French), they can be used universally. About the revision: The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity. The tune books contain all performance pieces from the Clarinet Method Op. 63 by Carl Baermann for clarinet and piano. Thanks to the revised editions, they are now available as scores with inserted solo part for the first time. Thus, the popular performance pieces and studies can also be used separately from the textbook ? as an addition to the repertoire of music lessons or simply as a collection of attractive performance pieces for pupils and advanced clarinettists. As with the two volumes of the Clarinet Method, the musical text of the tune books is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. / Éducatif / Recueil / Clarinette en Bb et Piano

Par HIKETICK PATRICK. Patrick Hiketick is a Belgian pianist and composer. As a composer he worked for nearly all theatre companies in Flanders and he wrote over a 100 different theatre plays, amongst which the complete oeuvre of Molière and Shakespeare. He was also the musical director for all Brecht plays for KNS theatre in Antwerp, where he worked as the home composer for 10 years. He than became the musical coordinator for the Royal Ballet of Flanders and he wrote several ballet compositions for symphony orchestra. He has his own close-harmony and jazz trio, and he works freelance as a composer and as artistic director in several musical productions. He composed many clarinet works for theFlanders Clarinet Quartet, and was honoured in Japan with concerts completely dedicated to his works. Patrick Hiketick is a Belgian pianist and composer. As a composer he worked for nearly all theatre companies in Flanders and he wrote over a 100 different theatre plays, amongst which the complete oeuvre of Molière and Shakespeare. He was also the musical director for all Brecht plays for KNS theatre in Antwerp, where he worked as the home composer for 10 years. He than became the musical coordinator for the Royal Ballet of Flanders and he wrote several ballet compositions for symphony orchestra. He has his own close-harmony and jazz trio, and he works freelance as a composer and as artistic director in several musical productions. He composed many clarinet works for theFlanders Clarinet Quartet, and was honoured in Japan with concerts completely dedicated to his works./ Répertoire / Clarinette et Piano

Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising

The Most Beautiful Meldoies In Easy To Intermediate-Level Arrangements. Par BRAHMS JOHANNES. James Rae has selected a variety of pieces from Brahms's orchestral and song repertoire and transcribed them for clarinettists in their earlier years of tuition through to more advanced levels. From Cradle Song through to Hungarian Dance No. 5, this album will be a treasure trove for developing players. - Arrangements for clarinet and piano of some of Brahms's most beautiful melodies - The pieces are of moderate length and suitable for players at elementary to more advanced levels - Ideal performance pieces and for extending the repertoire / Niveau : Facile / Répertoire / Clarinette et Piano

20 Famous Concert Pieces for Clarinet and Piano-The most important Clarinet literature in one volume: Best Of Clarinet Classics contains numerous original works for Clarinet in arrangements for Clarinet in Bb and Piano. With pieces from the early days of the instrument (C. Stamitz X. Lefèvre W.A. Mozart) via the era of virtuosos (C. Baermann I. Müller B.H. Crusell) the Romantic era and the age of Impressionism (N. Gade C. Debussy) to the 20th-century composers (C. Nielsen M. Reger).

Clarinet and Piano-Following the Henle edition of the Grand Concerto In F Minor Op. 5 (HN 1209) the series of Crusell’s Clarinet concertos has been expanded to include the one in B flat major op. 11. The Swedish composer washimself a prominent Clarinet virtuoso and the concertos were tailor-made for himself so to speak. Despite being technically very demanding the Concerto In B Flat Major avoids being overly virtuosic and wins usover with its melodic ingenuity. It is a very welcome addition to the early Romantic repertoire for the Clarinet. The clarinettist Nicolai Pfeffer edited the edition in an exemplary manner consulting the solesurviving source the first edition of 1829. Johannes Umbreit was responsible for the study score which wonderfully fits the hands.

Bernhard Heiden (1910 - 2000) was a German conductor composer and music teacher who settled in the United States in 1935. He started composing pieces at the age of 6 and studied Piano Clarinet and Violin from an early age. Much of his music is for either chamber groups or solo wind or string instruments with Piano. His Sonatina For Clarinet And Piano is one of this most frequently played works. It is written in three movements: Con Moto Andante and Vivace.

Clarinet and Piano-The circumstances in which these poetic “Soirée Pieces” (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forcedSchumann to flee with Clara to the countryside. Yet none of this is apparent in the music of these three pieces whose idyllic character signifies a longing for harmony and seclusion. Originally conceived for the clarinet theywere accompanied by alternative parts for violin and cello as early as the original print. We have subjected our editions to a thoroughgoing critique and include a section of detailed editorial notes.

While his contemporary Paul Hindemith found new approaches to composition Gál remained rooted in the Germanic tradition. The Sonata clearly follows in the footsteps of the great masters Brahms and Reger and though traditional in idiom is less complex and complicated than comparable works of these composers. The Sonata is available on CD together with the two Clarinet Sonatas by Brahms.

Six easy pieces. Par MULLER IVAN. Ivan Müller was born in Reval in Russia (now Tallinin, Estonia) on 3 December 1786 and died in Bückeburg (Germany) in 1854. In 1808/09 he performed widely as a clarinet virtuoso - in Berlin, Leipzig, Wien, Paris and many other places where he also presented the new ?clarinette omnitonique? in B flat which he had invented. The system of keys in use in Germany to this day is based on Müllers invention. As a composer Müller was an exponent of the early Romantic style and wrote numerous concertos for his chosen instrument as well as this Serenade for Clarinet and Piano (or Harp or Guitar). The editor Dieter Klöcker writes: ?These rather beautiful and accessible Romantic miniatures enjoyed great popularity in their day and I assume that even today they will meet with the approval of professional and amateur players alike.? / Niveau : facile - moyen / Date parution : 2023-05-06/ Répertoire / Clarinette et Piano

for B flat Clarinet and Piano-The ?Grande Sonate? for clarinet (or violin) and piano published by Artaria represents an early adaption of Mozarts quintet KV 581 whose autograph is not bequeathed. The editor Christopher Hogwood

More than 25 pieces for clarinet and piano-The pieces in Bravo! Clarinet take the student progressively through the early grades. They consist mainly of original material with a few arrangements too - some well known some more unusual. These pieces are intended to encourage the student to perform rather than merely play - whenever the opportunity arises!

Selected titles in popular styles-Get your Clarinet playing to really swing with this collection of Jazz solos! James Rae presents a set of 8 sizzling Jazz tunes in a wide variety of styles to guide you through your first steps into this exciting playing style. The pieces range from Cool Blues ballads and Country Blues shuffles to a drifting Blues Waltz and a riotous up-tempo Swing. All syncopations and unusual phrasings are introduced gradually and the key signatures have been kept very simple making this ideal for the early-intermediate player. All pieces include a full Piano accompaniment.

Clarinet Repertoire-Boosey Woodwind Method books contain a broad and balanced collection of pieces for beginners to explore music from different styles cultures and times including classical pop jazz and world music. You will experience real music right from the earliest stages of learning and develop musical skills with a unique system of practice activities.Boosey Woodwind Method: Clarinet Repertoire Book C is a fantastic book which contains classical to popular pieces to enrich your repertoire at an early stage.The keyboard accompaniment part is also included on a separate insert.

This collection of pieces is intended to open up the wealth of Romantic music to clarinettists in the early stages of their development. This volume includes 23 well-known and popular themes by the great composers of this era, along with several short solo studies.The pieces selected have been arranged for clarinet and piano, so that they are satisfying and enjoyable to play. They are suitable for studying in lessons, as well as repertoire for recitals and concerts. Of course, they may also be enjoyed when played at home, along with the accompaniment tracks on the CD. / Clarinette Et Piano