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ZITHER
Clarinet and Piano
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Suite (DESBONNET GERMAIN) (DESBONNET GERMAIN)
Français
Clarinet and Piano
Editions Buissonnieres
Par DESBONNET GERMAIN. Suite pour clarinette et piano de Germain Desbonnet Germa...
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Par DESBONNET GERMAIN. Suite pour clarinette et piano de Germain Desbonnet Germain Desbonnet était pianiste concertiste dès l'âge de 14 ans. Outre une longue carrière d'organiste et de professeur, il a composé (et compose encore) une ?uvre magistrale et méconnue de plusieurs centaines de pièces pour piano, orgue, voix, ch?urs et instruments divers. Cette Suite pour clarinette et piano a été créée en 1974. Derrière son apparente difficulté se cache une très grande force. Le premier mouvement, Impromptu, brillant et exubérant, est suivi par une extraordinaire et intense Méditation, magnifique. L'Interlude, tout en légèreté, précède un Final dans lequel la clarinette chante tous les registres avec une vitalité, une vivacité et une aisance non dénuée d'humour. / Date parution : 2003-04-01/ Répertoire / Clarinette et Piano
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Composer/Artist
Clarinet and Piano
Music Sales
Twenty-five clarinet solos from one of the world's finest clarinetists. Includes...
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Twenty-five clarinet solos from one of the world's finest clarinetists. Includes 'Air Mail Special', 'Clarinet A La Ring' and 'Paganini Caprice XXIV' / Clarinette Et Piano
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Klarinettenmusik Von Komponistinnen
Clarinet and Piano
Schott
13 Stücke für Klarinette und Klavier. Female composers such as Germaine Taille...
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13 Stücke für Klarinette und Klavier. Female composers such as Germaine Tailleferre, Johanna Senfter and Grazyna Bacewicz are justifiably becoming increasingly popular. This new edition presents pieces for A and Bb clarinet from the classical, romantic and modern eras. / Niveau : 3-4 / Recueil / Clarinette et Piano
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(DESBONNET GERMAIN) (DESBONNET GERMAIN)
Français
Clarinet and Piano
Editions Buissonnieres
Par DESBONNET GERMAIN. Germain Desbonnet, concertiste international et composite...
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Par DESBONNET GERMAIN. Germain Desbonnet, concertiste international et compositeur, nous offre ici sept pièces inspirées de la musique traditionnelle bretonne et créées en 1999. Ce sont de véritables duos écrits pour le piano et la clarinette (ou la bombarde, la flûte, le hautbois ou la trompette). Inspirées par des mélodies traditionnelles, Germain Desbonnet les développe, les enrichit d'harmonies nouvelles et propose aux instrumentistes à vents une ?uvre variée et originale dans laquelle le piano tient sa place, en perpétuel échange avec le soliste. Ces pièces pleines de vitalité, de fraîcheur et de sensibilité seront, pour les instrumentistes débutants ou confirmés, une source intarrissable de plaisir musical, alternant une énergie communicative, inspirée des airs traditionnels et une rare sensibilité soutenue par une extréme richesse harmonique. Bien plus que de simples arrangements, ces compositions enchanteront les amateurs de musiques traditionnelles. Nul doute que Germain Desbonnet, « jeune » compositeur breton, prend peu à peu sa place dans les figures montantes des auteurs du XXIe siècle./ Répertoire / Clarinette et Piano (ou Bombarde, Flûte, Hautbois,
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Suites sur des airs populaires (DESBONNET GERMAIN) (DESBONNET GERMAIN)
Clarinet and Piano
Editions Buissonnieres
Par DESBONNET GERMAIN. Ces six pièces écrites par Germain Desbonnet, concertis...
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Par DESBONNET GERMAIN. Ces six pièces écrites par Germain Desbonnet, concertiste international et compositeur, nous montrent que la bombarde sait être à l'aise dans des partitions exigeantes et la placent au plus haut niveau parmi tous les instruments dits « classiques ». Ces compositions redonnent une nouvelle jeunesse à des airs traditionnels enrichis d'harmonies nouvelles/ Répertoire / Clarinette et Piano (ou Trompette, Flûte, Hautbois
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Fêtes médiévales (DESBONNET GERMAIN) (DESBONNET GERMAIN)
Clarinet and Piano
[Sheet music]
Editions Buissonnieres
Par DESBONNET GERMAIN. / Répertoire / Clarinette et Piano (ou Bombarde, Flûte,...
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Par DESBONNET GERMAIN. / Répertoire / Clarinette et Piano (ou Bombarde, Flûte, Hautbois,
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Eduardo Toldra: Oracio Al Maig: Clarinet: Instrumental Work
Español
Clarinet and Piano
[Sheet music]
Unión Musical Ediciones
Oracio Al Maig
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3 Chants
Français
Clarinet and Piano
[Sheet music]
Billaudot
La référence GB1672 de l'éditeur Billaudot dont l'auteur célèbre est Lemair...
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La référence GB1672 de l'éditeur Billaudot dont l'auteur célèbre est Lemaire Félix, qui a pour titre TROIS CHANTS, a été écrite et composée pour Clarinette et plus particulièrement pour Clarinette Et Piano. Cette partition musicale appartient à la catégorie Classique. / Clarinette Et Piano / Partition
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Sur Mesure - Cahier 2 (TAMAI REMI)
Français
Clarinet and Piano
[Sheet music]
Billaudot
Pièces Pour Commencer en Duo - Volume 2. Par TAMAI REMI. / Répertoire / Clarin...
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Pièces Pour Commencer en Duo - Volume 2. Par TAMAI REMI. / Répertoire / Clarinette et Piano
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Sur Mesure - Cahier 1 (TAMAI REMI)
Français
Clarinet and Piano
[Sheet music]
Billaudot
Pièces Pour Commencer en Duo - Volume 1. Par TAMAI REMI. / Répertoire / Clarin...
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Pièces Pour Commencer en Duo - Volume 1. Par TAMAI REMI. / Répertoire / Clarinette et Piano
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Impromptu (MAILLOT JEAN)
Français
Clarinet and Piano
[Sheet music]
Combre
Par MAILLOT JEAN. / Niveau : Elémentaire / classique / Répertoire / Clarin...
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Par MAILLOT JEAN. / Niveau : Elémentaire / classique / Répertoire / Clarinette et Piano
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Pierre-Max Dubois: Romance For Clarinet And Piano: Clarinet: Instrumental Work
Clarinet and Piano
Leduc, Alphonse
Composed by Pierre-Max Dubois Romance is a piece for Bb Clarinet and Piano acco...
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Composed by Pierre-Max Dubois Romance is a piece for Bb Clarinet and Piano accompaniment dedicated to Fred Lockwood. This melodious piece is perfect for intermediate players. Interesting for both players and for the audience it is a nice piece to play during a recital. Starting with the Piano the Clarinet begins with the main theme after four measures “Allegretto”. Then follows a section “Piú Mosso” which is quite lyrical before the main theme is played again leading to the harmonious Piano finale. Pierre Max Dubois (1930-1995) was a French composer who was awarded thePrix de Rome in 1955. Mainly composing classical music his works are mainly for woodwinds. He is one of the founder of the Les Six and which included his professor Darius Milhaud.
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Zurück Zur Gegenwart?
Clarinet and Piano
Schott
Inwieweit ist die oft zu hörende These berechtigt, der zufolge sich die zeitgen...
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Inwieweit ist die oft zu hörende These berechtigt, der zufolge sich die zeitgenössische Musik der letzten Jahre in völlig neuartiger Weise auf die Gegenwart bezieht und sich in ihr eine konzeptionelle Wende vollzieht? Die 68. Frühjahrstagung des Instituts für Neue Musik und Musikerziehung in Darmstadt vom 23. bis 26. April 2014 diskutierte grundsätzliche Erfahrungen und Auffassungen zu dem, was Aspekte wie etwa Engagement, Alltäglichkeit oder Wirklichkeitsbezug in Musik überhaupt heißen können. Sie porträtierte die Komponisten Helmut Lachenmann und Manos Tsangaris. Und sie brachte KomponistInnen der mittleren und jüngeren Generation ins Gespräch, die mit bestechender Energie und einer neuen Vielfalt an digitalen Möglichkeiten auf einen Paradigmenwechsel zielen: Brigitta Muntendorf, Annesley Black, Trond Reinoldtsen, Hannes Seidl, Martin Schüttler, Mesias Maiguashca und Manos Tsangaris. Weitere AutorInnen des Bandes sind Jörn Peter Hiekel, Dieter Mersch, Patrick Frank, Lydia Jeschke, Wolfgang Rüdiger, Rainer Nonnenmann, Barbara Balba Weber, Wolfgang Lessing und Raoul Mörchen. / Livre
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Concertstuck pour Clarinette en Sib et Piano
Clarinet and Piano
Leduc, Alphonse
Raymond Gallois Montbrun (1918-1994) composed his Concertstück for Clarinet and...
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Raymond Gallois Montbrun (1918-1994) composed his Concertstück for Clarinet and Piano in 1946 two years after he won the Grand Prix de Rome. His Violin Concerto 'Japan' Symphony and Concertstück for Clarinet and Piano remain popular to this day. Concertstück for Clarinet and Piano begins with a virtuosic Clarinet cadenza covering a wide range on the instrument. The piece remains virtuosic throughout with many changes of tempo articulation dynamics rhythms key signatures and time signatures throughout. As a suitable and varied piece for the repertoire of advancedclarinetists Gallois Montbrun's Concertstück for Clarinet and Piano cannot be missed.
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Pierne: Canzonetta Op.19: Clarinet: Instrumental Work
Clarinet and Piano
Leduc, Alphonse
Gabriel Pierné (1863-1937) was a French composer conductor and organist. Despi...
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Gabriel Pierné (1863-1937) was a French composer conductor and organist. Despite being predominantly remembered as a conductor his Canzonetta remains a recognised piece in the Clarinet repertoire. Pierné studied at the Paris Conservatoire before taking up the position of chief conductor for the concert series Concerts Colonne in 1910. He remained in the post until 1933 and during this time he notably conducted the world premiere of Igor Stravinsky's The Firebird. Pierné composed for a variety of instruments Canzonetta for Clarinet with Pianoaccompaniment being one of four solo works by the composer. This Pierné piece for Clarinet contains many characteristics typical of the French style such as lyrical melodies a significant number of performance directions flourishes of semiquavers chromaticism and many changes in dynamics. Canzonetta is a varied piece essential to the repertoire of aspiring clarinetists.
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Jan Van der Roost: Clarinet Concerto: Clarinet: Instrumental Work
Clarinet and Piano
De Haske Publications
for Solo Bb Clarinet and Piano-Cette oeuvre en deux mouvements pour clarinette e...
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for Solo Bb Clarinet and Piano-Cette oeuvre en deux mouvements pour clarinette et orchestre fut commandée par Musica Reservata vof Belgique et est dédiée à Eddy Vanoosthuyse un bon ami et confrère du compositeur. Elle connut du succès à sa première mondiale le 10 décembre 2008à Salt Lake City (Etats-Unis) interprétée par l?orchestre Utah Philharmonia sous la direction de Robert Baldwin avec Eddy Vanoosthuyse comme soliste. Par la suite l?oeuvre fut mise de côté pendant quelques années surtout parce que les agendaschargés des deux protagonistes ne leur permettaient pas de trouver le temps pour un enregistrement discographique. Pour finir l?oeuvre fut enfin enregistrée en juin 2015 à Nagoya (Japon) avec le Central Aichi Symphony Orchestra mené par l?étoilemontante vénézolane SergioRosales. La même semaine le 12 juin l?oeuvre fut présentée en concert pour la première fois au Japon par les mêmes interprètes et connut ici aussi un grand succès. Après Concerto Doppio pour deux clarinettes et orchestre à cordes composé en 2001 voici la deuxième oeuvre de concert de Jan Van der Roost qui met la clarinette en vedette.Le premier mouvement Doloroso e Contemplativo transmet le côté sérieux de la clarinette et par conséquent il n?y figure presque pas de virtuosité ou de spectacle. Au contraire l?orchestration colorée et variée qui est entrelacée autour de lapartie solo est bien plus qu?un simple accompagnement et prend la forme de partenairemusical d?importance comparable au soliste. Une introduction un peu mystérieuse mène à une première apogée orchestrale en passant par des cellules musicales ascendantes. Ensuite on entend l?entrée du soliste d?abord par des idées musicales plusfragmentaires puis par des lignes mélodiques plus longues. L?orchestre entre en dialogue avec le soliste et son instrumentation délicate et colorée crée un parfait encadrement musical. Vers la fin l?atmosphère du début est réaffirmée et lesoliste finit par la même note par laquelle il avait commencé.Le deuxième mouvement Giocoso e Con Bravura est une toute autre histoire : ici le côté virtuose et parfois presqu?acrobatique de la clarinette est exploré. Des cascades imposantes et continuelles de notes demandent une dextérité exceptionnelleau soliste ce qui à un certain moment et « récompensé » par l?orchestre par un clin d?oeil au « Hallelujah » de Handel ? vraiment mérité après ces feux d?artifice ! De temps en temps l?instrument solo présente une phrase humoristique : laclarinette ne peut pas que chanter briller et pleurer mais aussi rire et plaisanter. Plusieurs passages sont presque caricaturaux ! La palette variée de cet instrument magnifique est démontrée parfaitement parfois avec un brin d?humour oud?ironie. En effet les deux mouvements contrastants de ce concerto démontrent les différentes facettes de l?instrument qui s?est établi sur la scène de musique classique ainsi que la musique légère (quel nom peu prom
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Tune Book 2 op. 63 Band 2 (BAERMANN CARL)
Clarinet and Piano
Schott
Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method ...
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Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents. The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes: Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762) Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinet Tune Book 1 and 2 (ED 21763, ED 21764): piano score of the method\'s performance pieces, with additional inserted clarinet part Daily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method Due to trilingual nature of all editions (German, English, French), they can be used universally. About the revision: The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity. The tune books contain all performance pieces from the Clarinet Method Op. 63 by Carl Baermann for clarinet and piano. Thanks to the revised editions, they are now available as scores with inserted solo part for the first time. Thus, the popular performance pieces and studies can also be used separately from the textbook ? as an addition to the repertoire of music lessons or simply as a collection of attractive performance pieces for pupils and advanced clarinettists. As with the two volumes of the Clarinet Method, the musical text of the tune books is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. / Éducatif / Recueil / Clarinette en Bb et Piano
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Tune Book 1 op. 63 Band 1 (BAERMANN CARL)
Clarinet and Piano
Schott
Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method ...
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Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents. The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes: Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762) Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinet Tune Book 1 and 2 (ED 21763, ED 21764): piano score of the method\'s performance pieces, with additional inserted clarinet part Daily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method Due to trilingual nature of all editions (German, English, French), they can be used universally. About the revision: The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity. The tune books contain all performance pieces from the Clarinet Method Op. 63 by Carl Baermann for clarinet and piano. Thanks to the revised editions, they are now available as scores with inserted solo part for the first time. Thus, the popular performance pieces and studies can also be used separately from the textbook ? as an addition to the repertoire of music lessons or simply as a collection of attractive performance pieces for pupils and advanced clarinettists. As with the two volumes of the Clarinet Method, the musical text of the tune books is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. / Éducatif / Recueil / Clarinette en Bb et Piano
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Gabriel Fauré: Clarinet Album: Clarinet: Instrumental Album
Clarinet and Piano
[Sheet music]
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Intermediate/advanced
Universal Edition
Contents: Berceuse Op.56 Après un Reve Op.7/1 Mai Op.1/2 Le Jardin de Dolly ...
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Contents: Berceuse Op.56 Après un Reve Op.7/1 Mai Op.1/2 Le Jardin de Dolly Op.56 Pavane Op. 50 Lydia Op. 4/2 Elégie Op. 24 Kitty-Valse Op. 56
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Wolfgang Amadeus Mozart: Clarinet Concerto In A K.622: Clarinet: Instrumental
Clarinet and Piano
[Sheet music]
Barenreiter
Clarinet and Piano-In this clarinet & piano reduction:Urtext solo clarinet partR...
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Clarinet and Piano-In this clarinet & piano reduction:Urtext solo clarinet partReconstructed basset-clarinet partPreface with suggestions for the embellishment of the first movement fermatas from an early 19th century sourceIn late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? and Orchestra K.622 known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler and the music follows the three-part structure of Allegro Adagio and a Rondo finale.This work was first published in 1801 and by no less than three publishers. It is one of the most important worksin the Clarinet repertoire and remains a popular work to the present date.Urtext of the New Mozart EditionFull score & performance material (BA4773) Clarinet in A & Piano reduction (BA4773-90) and study score format 22.5 x 16.5cm (TP254) available for saleClarinet in B-flat & Piano reduction (BA4773-38)Reconstructed version for Basset Clarinet and Orchestra full score (BA4773-01)
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Wolfgang Amadeus Mozart: Clarinet Concerto In A K.622: Clarinet: Instrumental
Clarinet and Piano
[Reduction]
Barenreiter
Transposed version into B-flat major for Bb Clarinet & Piano-In late 1791 Mozart...
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Transposed version into B-flat major for Bb Clarinet & Piano-In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? and Orchestra K.622 known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler and the music follows the three-part structure of Allegro Adagio and a Rondo finale.This work was first published in 1801 and by no less than three publishers. It is one of the most important works in the Clarinet repertoire and remains a popular work to the present date.Urtext of the New Mozart EditionFull score & performance material (BA4773) Clarinet in A & Piano reduction (BA4773-90) and study score format 22.5 x16.5cm (TP254) available for saleClarinet in B-flat & Piano reduction (BA4773-38)Reconstructed version for Basset Clarinet and Orchestra full score (BA4773-01)
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Sonatas for Clarinet and Piano op. 120: Clarinet: Instrumental Work
Clarinet and Piano
Barenreiter
Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for C...
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Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising
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Theme From The Filmthe Pianist (KILAR)
Clarinet and Piano
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
Par KILAR. 'The Pianist'' is a story of W adys aw Szpilman, pianist and composer...
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Par KILAR. 'The Pianist'' is a story of W adys aw Szpilman, pianist and composer who lived in Warsaw during the war and escaped from train to Auschwitz. ''It is my most personal movie'' - said Roman Pola ski. ''The Pianist'' won a main prize ''Golden Palm'' at Cannes Festival as well and was awarded in 7 categories by ''Cesar'' in France including music). Roman Pola ski and Wojciech Kilar has met twice in the past and worked together at making ''Death and a Maiden'' (1994) and ''The Ninth Gate'' (2000). / TV, Film, Comédie musicale / Recueil / Clarinette et Piano
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Bohuslav Martinu: Sonatina For Clarinet And Piano H.356: Clarinet: Instrumental
Clarinet and Piano
[Score and Parts]
Leduc, Alphonse
Composed in 1956 by Bohuslav Martinu the Sonatina for Bb Clarinet and Piano is ...
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Composed in 1956 by Bohuslav Martinu the Sonatina for Bb Clarinet and Piano is a neo-classical piece. This work to be played as a single movement has been written in three different sections: Moderato Andante and Poco Allegro. The rhythms are reminiscent of a Polka and a March and the piece contains unexpected syncopation. Being one of Bohuslav Martinu‘s later works it was written in New York after he spent some time in Paris. Bohuslav Martinu (1890-1959) was a Czech composer and a violinist. Even though he was interested in different style including Romanticism Jazz and Expressionism he wrote mainly neo-classical pieces including 16 symphonies 14 ballets and 15 operas.
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Carol Barratt: Bravo! Clarinet: Clarinet: Instrumental Album
Clarinet and Piano
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Easy
Boosey and Hawkes
More than 25 pieces for clarinet and piano-The pieces in Bravo! Clarinet take th...
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More than 25 pieces for clarinet and piano-The pieces in Bravo! Clarinet take the student progressively through the early grades. They consist mainly of original material with a few arrangements too - some well known some more unusual. These pieces are intended to encourage the student to perform rather than merely play - whenever the opportunity arises!
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Schubert F. - Clarinet Album
Clarinet and Piano
Universal Edition
Schubert for clarinet Together with Ludwig van Beethoven, Franz Schubert is cons...
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Schubert for clarinet Together with Ludwig van Beethoven, Franz Schubert is considered to be the founder of romantic music in German-speaking countries. He mainly owes this reputation to the composition of more than 600 songs, many of which, even today, are an integral part of every singers repertoire. For this album James Rae has selected some of Schuberts most beautiful melodies from both his vocal and instrumental works and arranged them for clarinet. Its expressive sound, coupled with Schuberts unique melodies, is a homage to the great composer and should enrich every clarinet players repertoire. Heidenröslein An die Nachtigall An die Musik Das Wandern Ständchen Du bist die Ruh Entre-Acte aus Rosamunde Ballett aus Rosamunde Menuetto und Trio aus Symphonie Nr. 5 Marche Militaire Schubertiade (Coverfoto von Schmid)
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Wolfgang Amadeus Mozart: Clarinet Quintet KV 581: Clarinet Ensemble:
Clarinet and Piano
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Intermediate/advanced
Peters
Sometimes referred to as the Stadler Quintet Clarinet Quintet KV 581 is Mozart...
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Sometimes referred to as the Stadler Quintet Clarinet Quintet KV 581 is Mozart's only completed Clarinet Quintet and was written in 1789 for the clarinetist Anton Stadler. Â This idyllic flowing piece was originally written for basset Clarinet but is almost always played on a Clarinet in A or B-flat. It remains to this day one of the composer's most admired works. Â The work is arranged here for Clarinet and Piano. Â
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Concertino Op 15 pour Clarinette et Orchestre Version Clarinette et Piano
Clarinet and Piano
Leduc, Alphonse
pour Clarinette et Orchestre ou Piano-Jeanine Rueff (1922-1999) was a French com...
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pour Clarinette et Orchestre ou Piano-Jeanine Rueff (1922-1999) was a French composer and music educator. Her Concertino for Clarinet and orchestral or Piano accompaniment was first published in 1950 and remains a popular alternative piece in the advanced clarinetist's performance repertoire. Rueff wrote extensively for the Saxophone and Clarinet and her compositions are often used as required contest solos. Concertino is fast and contains complex rhythms. Other appealing musical features include chromaticism triplet motifs and the exploitation of the entire range of the Clarinet. Rueff's Concertino provides a challengingyet riveting piece for advanced clarinetists.
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Carl Maria von Weber: Clarinet Concerto No.1 In F Minor Op.73: Clarinet:
Clarinet and Piano
Musikverlag Robert Lienau
Weber’s Concerto No.1 In F Minor Op.73 for Clarinet and Orchestra is a fa...
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Weber’s Concerto No.1 In F Minor Op.73 for Clarinet and Orchestra is a fantastic work and remains ever popular in the instrument's repertoire today. This is an exciting and demanding piece that will provide an enjoyable challenge for the accomplished clarinetist.This version is for Clarinet with Piano Accompaniment and has been revised and edited by Carl Barmann. The solo clarinet part has also been included on a separate insert.
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Sonate Op. 167 (SAINT-SAENS CAMILLE)
Clarinet and Piano
[Sheet music]
-
Advanced
FLEX Editions
Par SAINT-SAENS CAMILLE. Cette sonate en 4 mouvements fait partie des 3 sonates ...
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Par SAINT-SAENS CAMILLE. Cette sonate en 4 mouvements fait partie des 3 sonates pour bois (hautbois, clarinette et basson) composées en mai et juin 1921. Elles sont les derniers numéros du catalogue de Saint-Saëns. - RENAUD ESCRIVA / Niveau : Difficile / Répertoire / Clarinette en Sib et Piano
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