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RACHMANINOFF S. - PIANO CONCERTOS 1, 2 & 3 - SCORE
Conducteur
Dover Publications
Just as Serge Rachmaninoff's piano virtuosity ranked him among the greatest pian...
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Just as Serge Rachmaninoff's piano virtuosity ranked him among the greatest pianists of the twentieth century, his compositions for piano and orchestra won him an important position among modern composers. Among the works that ensure his reputation are the first three piano concertos, reprinted here from the authoritative full-score Russian editions.
Rachmaninoff wrote the stirring Piano Concerto No. 1 in the years 1890–91, while he was still a young student at the Moscow Conservatory, and revised it nearly three decades later in 1917, when he began to devote his life mainly to his international career as a piano virtuoso. The immense and enduring success of the Piano Concerto No. 2, completed in 1901, has made this romantic work one of the most performed and recorded in the concerto literature and one of the most familiar compositions in all of music. The powerful and expressive Piano Concerto No. 3 was composed for a concert tour of America, during which Rachmaninoff appeared with great success as composer, pianist, and conductor. Like the first two concertos, it remains a repertoire favorite in concert halls around the world.
All three acclaimed works are reprinted in this finely made yet remarkably inexpensive Dover edition. Musicians and music lovers will find it a convenient single-volume source from which to study intimately three major works of the twentieth century.
Reprint of the State Music Publishers, Moscow, 1965 edition. / Partitions classique / Ensemble et orchestre / Conducteur / DOVER
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Jock Jams Super Book - Conductor
Conducteur
[Score]
Hal Leonard
Short timeout versions of just about every hot jammin', slammin', rockin', poppi...
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Short timeout versions of just about every hot jammin', slammin', rockin', poppin', tune you could ever think of playing in the stands! Includes over 30 stands favorites such as: The Hey Song, Devil with the Blue Dress, Get Ready for This, We Will Rock You, Y.M.C.A., Wild Thing, Gimme Some Lovin', Born to Be Wild, Walk This Way, Twist and Shout, and many more. (Grade 3) / Conducteur
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Coursing (Score) (KNUSSEN OLIVER)
Conducteur
[Sheet music]
Faber Music Limited
Par KNUSSEN OLIVER. '. . .fresh as paint in its firing of a melodic line that ju...
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Par KNUSSEN OLIVER. '. . .fresh as paint in its firing of a melodic line that just goes on in a kind of angular strain, shuttled from one instrumental colouring to another.'Paul Griffiths, The Times, 12 February 1991/ Répertoire / Conducteur
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Symphony For Brass (Score) (ARNOLD MALCOLM)
Conducteur
[Sheet music]
-
Easy
Faber Music Limited
Par ARNOLD MALCOLM. Hugo Cole says '. . .a serious and substantial work. . .The ...
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Par ARNOLD MALCOLM. Hugo Cole says '. . .a serious and substantial work. . .The slow movement, based on a dramatic unison, reminds us that Berlioz is one of Arnold's favourite composers. With the art that conceals art, Arnold makes us forget the limitations of the medium, and exploits these players' particular skills in ways that make it seem as though the skills must have been acquired to do justice to the piece'. The Guardian, 10th July 1979 / Niveau : Assez Facile / Répertoire / Conducteur
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Horn Concerto [No. 1] K. 412 (386B)
Conducteur
[Score]
Breitkopf & Härtel
The two-movement, incompletely transmitted Horn Concerto in D major K. 412 was l...
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The two-movement, incompletely transmitted Horn Concerto in D major K. 412 was long considered as Mozart?s first horn concerto - it is, however, his last, and was written between March and December 1791. Mozart undertook revisions in the autograph ? which contains the most important orchestral parts next to the entire solo horn part ? in order to adjust the work to the modest technical abilities of the planned soloist Joseph Leutgeb. Mozart revised and completed the first movement, eliminated lower notes in the solo part, rewrote difficult passages and expanded orchestral interludes to give Leutgeb additional breath rests. Mozart also made similar simplifications in the second movement as well, but his early death prevented the completion of the work.Robert D. Levin reconstructed both versions of the concerto on the basis of the autograph. Next to the version revised by Mozart (?post correcturam?), he now presents the original version (?ante correcturam?) for the first time in a musical text revised and supplemented according to rigorous philological criteria. / Conducteur
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ZEMLINSKY A. - STRING QUARTET N°2 OP.15 - SCORE
Conducteur
G. Henle
Alexander Zemlinsky
Quatuor à cordes n° 2 op. 15
Dominik Rahmer (Edi...
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Alexander Zemlinsky
Quatuor à cordes n° 2 op. 15
Dominik Rahmer (Editeur)
Edition Urtext, Studien-Edition (partition de poche), reliure paperback
Pages 79 (XII+67), Dimension 17,0 x 24,0 cm
La musique d’Alexander Zemlinsky est longtemps injustement restée dans l’ombre de la deuxième École de Vienne, considérée comme «plus progressiste». Certes, Zemlinsky était amicalement très proche de l’une des personnalités les plus en vue de cette école, Arnold Schönberg, mais il n’a jamais franchi le pas de la radicalité dodécaphonique. Il n’en composa pas pour autant des œuvres moins originales ou moins personnelles. Et c’est justement son deuxième Quatuor à cordes, élaboré dans les années 1913-1915, qui conduisit la forme et la tonalité, telles qu’on se les représentait alors, jusqu’à leurs dernières limites. L’œuvre, en un seul mouvement, mais qui comprend plus de 1200 mesures, est d’une grande diversité, et fait partie des contributions les plus frappantes de son époque; elle avait depuis longtemps besoin d’une nouvelle édition critique.
L’édition Urtext de la maison Henle corrige un grand nombre de fautes et d’imprécisions figurant dans l’édition originale, qui apparurent lors de la comparaison minutieuse faite avec les sources manuscrites autographes de Vienne et de Washington. Même les indications métronomiques transmises par Zemlinsky dans une seule correspondance épistolaire ont été pour la première fois prises en considération. Ces travaux éditoriaux ont été aimablement soutenus par le Fonds Alexander Zemlinsky de Vienne. / Partitions classique / Ensemble et orchestre / Conducteur / HENLE VERLAG
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De Profundis Clamavi (Full Score) (LALANDE MICHEL-RICHARD DE)
Conducteur
[Sheet music]
Faber Music Limited
Par LALANDE MICHEL-RICHARD DE. The grand motets of Michael-Richard de Lalande (1...
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Par LALANDE MICHEL-RICHARD DE. The grand motets of Michael-Richard de Lalande (1657-1726), principal Chapel Music Director for Louis XIV and Louis XV, marked the high point of sacred music under the ancien régime. De Profundis is the best-known of Lalande's motets, and is a justly celebrated work. Edited by distinguished scholar Lionel Sawkins (editor of Charpentier's 'Te Deum'), this practical performing edition of De Profundis Clamavi brings the work of this still relatively unknown composer to light./ Répertoire / Conducteur
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STRAUSS RICHARD - SERENADE A VENTS EN MI BEMOL MAJEUR OP.7 - SCORE
Conducteur
G. Henle
Richard Strauss
Sérénade à vent en Mi bémol majeur op. 7
Norbert G...
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Richard Strauss
Sérénade à vent en Mi bémol majeur op. 7
Norbert Gertsch (Editeur)
Edition Urtext, Studien-Edition (partition de poche), reliure paperback
La très romantique sérénade pour instruments à vent en un mouvement op. 7 a été composée par un Richard Strauss alors tout juste âgé de 18 ans. Cette œuvre aujourd’hui encore extrêmement appréciée des instrumentistes à vent rappelle, dans son effectif comme dans sa structure, la «Gran Partita» de Mozart, que Strauss prit certainement en exemple. La Sérénade ne fut pas exécutée dans sa patrie bavaroise, mais créée à Dresde en 1882 sous la direction de Franz Wüllner, chef d’orchestre alors très estimé qui avait également tenu Rheingold (L’Or du Rhin) et la Walküre (La Walkyrie) de Richard Wagner sur les fonts baptismaux, puis, plus tard, avait créé les poèmes symphoniques de Strauss Till Eulenspiegel (Till l’Espiègle) et Don Quixote (Don Quichotte). Un grand honneur donc pour le jeune Bavarois! L’éditeur Norbert Gertsch présente ici ce petit chef-d’œuvre – partition et parties séparées –, pour la première fois en qualité d’Urtext, ce pour quoi, outre la première édition, le manuscrit autographe fit également l’objet d’un difficile examen. / Partitions classique / Ensemble et orchestre / Conducteur / HENLE VERLAG
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Coffret Scores (BEATLES THE)
Conducteur
[Sheet music]
-
Intermediate
Novello & Co Ltd.
Par BEATLES THE. In over one thousand pages, the complete music and lyrics, in f...
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Par BEATLES THE. In over one thousand pages, the complete music and lyrics, in full 'rock score' transcriptions, of all the 203 songs they wrote and recorded as The Beatles, plus nine by others which they covered on their early albums. All transcribed with separate staves for vocals, each guitar (in tab and standard notation) and all other instruments...the essential Beatles collection. / Niveau : Intermédiaire / Rép International / Recueil / Conducteur
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Just A Gigolo - I Ain'T Got Nobody
Français
Conducteur
[Score]
-
Easy
Martin, Robert
/ Conducteur / niveau : Or:2 / Partition
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Just A Gigolo
Français
Conducteur
[Score]
-
Easy
Martin, Robert
/ Conducteur / niveau : Or:1+ / Partition
41.10 EUR - Sold by LMI-partitions
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