Für Den Einzel- Und Gruppenunterricht, Teil 1 Für Anfänger. Braun, Gerhard (Trad. ) / Méthode / Répertoire / Flûte Traversière et Piano

Für Den Einzel- Und Gruppenunterricht, Teil 1 Für Anfänger. Wurz, Hanns (Trad. )/ Répertoire / Flûte Traversière et Piano

Par PERISSINOTTO F.. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Danse volatile de Perissinotto F. qui a été composé pour Flûte Traversière / Niveau : 1er Cycle / Répertoire / Flûte Traversière et Piano

Par PERISSINOTTO F.. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Une nuit à Paris de Perissinotto F. qui a été composé pour Flûte Traversière / Niveau : 2ème Cycle / Répertoire / Flûte Traversière et Piano

Die lange Verbindung zwischen dem Flötisten Ernesto Köhler (1849 - 1907) und dem Verleger Julius Heinrich Zimmermann nahm 1880 ihren Anfang mit der Ausgabe von E. Köhlers Flötenschule, Zimmermanns erstem Verlagswerk überhaupt! Die Schule und auch die Etüden Ernesto Köhlers sind bis heute Standardwerke des Flötenunterrichts. Darüber hinaus komponierte er aber auch mehr als 100 Werke für sein Instrument, von denen viele ebenfalls bei Zimmermann erschienen. Die Serenaden op. 59, op. 70 und op. 74 erschienen 1892 zum ersten Mal bei Zimmermann und liegen hier in einer revidierten Neuausgabe vor. Sie sind typische Vertreter der damals so beliebten Salonstücke, nicht allzu virtuos, aber doch technisch anspruchsvoll. / Flûte Et Piano

Die neue Querflötenschule. Par WACHTER / ELISABETH WEINZIERL. Flöte spielen ist eine sehr beliebte Flötenschule. Neben der weiterhin erhältlichen Gesamtausgabe der Klavierbegleitungen zu allen sechs Bänden der Schule gibt es auch einzelne Hefte mit den Klavierbegleitungen zu jedem der Bände - hier die Begleitungen zu Band F. / Niveau : Intermédiaire / Méthode / Date parution : 1905-07-08/ Méthode / Flûte Traversière et Piano

In Fa Op.X N.5 - Rv 442 F.Vi-1 - Tomo 46 --Vivaldi's Concerto in F RV 433 for Flute Strings and Basso Continuo. Called in both cases 'La tempesta di mare ' the work's opening Allegro has a characteristic thumping unison repeated-note theme with the flute soloist trading short lines in imitation with the orchestral violins in the outer sections and warbling maniacally above the ripieno in the central episodes. The opening closes on a big half cadence and then moves into the quiet central Largo with the flute soloist becalmed in the eye of the storm and haunted by memories and ghosts. The closing Presto opens with a powerful unison theme with the flute soloist performing the first long lyrical lines of the workagainst the thrusting violins and basso continuo.

The volume 'Klassik für Kinder' provides young flute players with a selection of 26 easy works for lessons and concerts. The selected pieces range from the Baroque era via the Classical period to the Romantic era. Apart from original pieces, the editors have deliberately included easy arrangements of well-known masterpieces as well in order to facilitate access to the classical concert literature.The pitch range found in the pieces (not higher than E6) can be easily mastered by pupils from the second year of tuition. The collection is particularly suitable to work on various aspects of interpretation and musical performance.The enclosed CD contains all pieces as a complete version (for listening) and as pure piano accompaniment (for playing along).The 'Klassik für Kinder' series is also available for violin, clarinet, piano, guitar, and most recently for violoncello as well. / Flûte Et Piano

For Flute and Piano Accompaniment (reduced from Concerto in F for Flute and Orchestra) with a Cadenza by Gian-Luca Petrucci.

Grades 1 - 4-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the

The Cantilène is based on a melody of the 18th century, probably by Giovanni Battista Pergolesi (1710-1736), popular in several countries with different texts: 'Que ne suis-je la fougère', 'Bonne nuit les petits', 'Adieu, pauvre carnaval', 'San Pantzar', 'Wa habibi', among others.The Humoresque is a varied rondo using the characteristic tonalities of the txistu (a basque flute with three holes) : F major, D minor, C major, A minor, B flat major, G minor, Eb major, C minor, Ab major and F minor. / Flûte Et Piano