Par MILLER JOHN. When John Hurt was rediscovered in 1963, he was presented with a very rare opportunity to expand and re-write his musical legacy, late in life. And he did just that, recording over seventy songs previously unrecorded by him, adding to the repertoire of thirteen titles he had recorded in 1928. In The Guitar of Mississippi John Hurt - The Rediscovery Years, John Miller focuses on performances that John Hurt recorded in between 1963 and his death in 1966, presenting transcriptions of 24 of those performances. The richness and variety of John Hurt's music is showcased in these songs, with everything from low-down blues in E to raggy numbers in C to waltzes in D featured. Transcriptions are provided in TAB and standard notation, lyrics for all of the songs are provided, and where verse accompaniments are provided in the transcriptions, indications are given to show where the vocal sits relative to the accompaniment. Audio clips of Mississippi John Hurt playing each transcribed song are available via a download link. If you're a fan of Mississippi John Hurt's music, The Guitar of Mississippi John Hurt - The Rediscovery Years will give you the most complete collection of his later performances available anywhere. / Niveau : Intermédiaire / Date parution : 2019-05-27/ Tablatures / Guitare

Do you wonder why lots of practice on scales and arpeggios hasn't made you feel fluent and creative when soloing? If so, then this book is the missing link for you! Line Games is an organized series of practical studies for the development of single-note guitar technique and jazz vocabulary simultaneously. Many examples are transcribed from the recorded solos of great jazz guitarists (Wes Montgomery, Pat Martino, Joe Pass, etc.) and then the book gives you the tools to develop complete fluency in creating similar lines on your own! Randy Vincent's Line Games is a serious, well-conceived book on jazz guitar. It has a tremendous amount of useful information which can be truly helpful to guitarists seeking thorough knowledge and training in jazz music.? ? Kenny Burrell Topics Covered Include: Basic six-note scales commonly used by the jazz greats. How to use all of the chromatic notes to make playing inside the chord changes sound more interesting and melodic. Triad pairs for modern-sounding lines, as used by all the great players from Coltrane on. Exercises that will give you the tools to create many interesting chord extensions from a few simple arpeggios. How to build long lines across many chord changes. How to use thematic development for more cohesive solos. Fingerings often given to aid in getting these lines under your fingers. Plus much more! 156 pages. More Endorsements: This book is probably the most complete explanation of linear improvisation as applied to the guitar that I have come across. Randy Vincent goes into his subjects, which include a novel take on hexatonic applications, chromatic neighbor tones, and various scale forms and arpeggios, with unprecedented thoroughness. It is also refreshing to see the emphasis on thematic development, and I like how some of the great recorded guitar solos are often used as illustrative examples. I highly recommend it.? ? Ben Monder Randy has come up with another Winner. This is one of the most comprehensive studies I have ever encountered concerning single line improvisation!? ? Vic Juris With all the books on jazz improvisation available I didn't think it was possible to find one that offers a new perspective but Randy Vincent's Line Games does just that. It's a great book! There are many real- world examples of players using the archetypal bebop hexatonic sound and many examples of ways to practice and utilize the sound. In suggesting ways of practicing and using the scale Randy gets you started, but it's up to the reader to strike out on their own ? in my opinion the best way to really grasp a sound or concept. There is a whole lot of material here and I'm looking forward to working with it for a long time. Thanks, Randy!!? ? Bruce Saunders With the plethora jazz guitar books on the market today, one must sort through dozens to find one that yields the results of a tried and true method for learning to play jazz as applied to the guitar. I was pleasantly surprised to find a new book that I feel to have such qualities. This being the jazz guitar book written by Randy Vincent called Line Games for Sher Music Co. Inside, you'll find dozens of examples, explanations, techniques, and the application of the jazz language employed by all the great jazz guitarists we know and love. Great job, Randy!? ? Henry Johnson

With Guitar Jam Along: 21 Rock Classics you can learn to play a variety of rock tunes from the best of heavy metal to the cream of modern rock. With standard notation and TAB as well as 3 CDs with demonstrationand backing tracks this book is all you'll need to learn every note of these rock songs. Featuring riff-heavy favourites like Ace Of Spades The Boys Are Back In Town and Paranoidand some stunning solos in Iron Maiden's Number Of The Beast and Def Leppard's Pour Some Sugar On Me Guitar Jam Along covers the classic rock canon. If you want to learn somemodern rock hits though songs like Can't Stand Me Now Mr. Brightside Sex On Fire and Don't Sit Down 'Cause I've Moved Your Chair will satisfy all contemporary Guitar gods. Eachof these 21 songs features standard notation tablature guitar chord boxes and symbols as well as full lyrics. While you're learning the song you can use the accompanying 3 CDs to listen to full performance versions with theGuitar included to hear in its entirety. Then you can use the accompanying 3 CDs to Jam Along with the professionally recorded backing tracks. For guitarists of all tastes the number ofgreat songs included here makes Guitar Jam Along an excellent way to improve your repertoire. Learn to play accurately some essential rock Guitar riffs solos and chord progressions as well as songs bymodern masters of the Guitar.

DVD Two-Jorma Kaukonen's in-depth breakdown of the fol-blues classic 'I Know You Rider' covers the licks chord shapes bas runs and right hand picking he uses in his powerful arrangement of this song. You'll learn rhythmic figures 'back packing' 'double time patterns' vibrato accompaniment ideas runs up the neck and other invaluable techniques to add to your fingerpicking repertoire.'Water Song' a classic Jorma origianl is an instrumental showpiece in open G that encompasses harmonized scales octave runs string bends right hand rolls and other intriguing guitar moves. Finally Jorma teaches 'San Francisco Bay Blues' a ragtime-style standard that's filled with the guitarlicks and tricks that have made this a perennial favourite of guitar fingerpickers for generations.

The Renaissance Guitar. This book/audio series provides solos, duets and songs covering four centuries of composers for the guitar and lute family. Taken from original sources, and carefully fingered for the modern player, the transcriptions are as faithful as possible to the original while at the same time offering a practical performing score. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Par GORDON ANDREW D.. With the continued worldwide success of the book series Ultra Smooth Jazz Grooves that I co-authored with sax player Frank Villafranca based on compositions that we wrote for our band The Super Groovers, I have now authored this series of Smooth Jazz books for the following instruments: Piano/Keyboards, Guitar/Bass, Flute, Clarinet, Violin, Tenor and Alto Saxes, Trumpet and Trombone. Smooth Jazz covers a wide variety of different styles and I have combined elements of Jazz, Rock, Pop, Blues, Latin, GospeL Funk and R

for the Fingerstyle Guitarist-We all grew up with the sounds of Motown. In this double DVD lesson Alberto Lombardi puts his fingerstyle talents to arrange four all time Motown great hits.You Can?t Hurry Love: What a happy uplifting song! The key is to get a good groove! An alternating bass reminiscent of Chet Atkins was perfect for most of the song. Alberto uses a tiny bit of percussion on the guitar to capture the original bass groove. Being an up-tempo tune a few blues licks are added to give an electric guitar feel. Harmonics are introduced in the chorus to replicate the background vocals of the Supremes.How Sweet it is (To Be Loved By You): This arrangement is based primarily on James Taylor?s cover of Marvin Gaye?s original version. Alberto replicates Taylor?s tenderness and subtleties of his voice with embellishments slides and legatos.My Girl: This song has a killer guitar riff! You can?t loose it in the arrangement. Alberto starts only with the riff and bass and then blends the riff with the bass part leaving room for the melodic vocals. As for all Motown vocal parts it?s full of subtleties and the arrangement preserves these.I Heard it Through the Grapevine: Marvin Gaye sang like an angel! Alberto captures this expressiveness both using the same refined lines and also the rough sweetness of his attitude. Very close attention was focused on building a bass line that works very close to the original but appropriate for the ?fingerstyle transformation? of the song. You got to keep it snappy and grooving. Harmonics impersonate the breathy vocals of the female background singers while the bass keeps the groove riff going.

Filmed at the Smithsonian Jazz Cafe Randy Johnston makes the classics soar with his performances of Body and Soul Here's That Rainy Day and If Ever I Would Leave You. The jazz times never stop onthis classic 12 track DVD.On March 18th 2005 with his latest CD approaching the pinnacle of the jazz chart Randy Johnston captured the energy of the moment in front of a packed house at the Smithsonian JazzCafe. Bassist Tom Pietrycha and drummer Tony Leone joined Randy on this exhilarating blend of originals and covers including John Coltrane’s Impressions and Don Militello's Seems Like Times Are Changin.Aseasoned professional with several world tours under his belt Randy has performed and recorded with Lou Donaldson Dr. Lonnie Smith Houston Person Etta Jones Lionel Hampton Brother Jack McDuff Warne Marsh Lee Konitz JoeyDeFrancesco Tom Harrell Irene Reid Rashid Ali and other jazz notables. Born in Detroit Randy studied at the University of Miami before moving to New York City in the early 1980s.

Gig Savers Complete Edition-Corey Christiansen: Jazz Guitar Essentials combines nine of the author's previous editions into a comprehensive book that explains the key concepts of jazz Guitar in an accessible approach. Each chapterincludes melodic/harmonic examples with fretboard diagrams standard notation and tablature. Part 1 includes lessons on jazz lines with chapters on digital patterns guide tones and targeting. Part 2 presents thebasics of chord construction and voicing techniques. Triads seventh chords and chords with tensions/embellishments are covered including their inversions drop and quartal voicings. Part 3 presents comprehensive warm-upand technical exercises. Studies begin at the most basic level and progress in difficulty. This chapter provides guitarists with tools for constructing their own technical exercises. Part 4 presents accompaniment patternsfor a wide variety of pop styles such as folk rock/blues country/bluegrass jazz and some Latin styles including bossa nova and samba. Basic fingerstyle accompaniment patterns are taught with rhythmic notation and stringnumbers. Part 5 presents alternate changes and substitutions for the blues that can be easily transposed. (Chapters 3 4 and 5 also are presented in Rock Guitar Essentials: Gig Savers Complete Edition). Part 6includes lessons on common jazz chord substitutions. Topics include chord embellishment alteration degree substitution (iii for I vi for I ii for V) tritone substitution and many other tricks for spicing up chordprogressions. Part 7 covers jazz Guitar comping an essential role in accompaniment. A number of chord shapes and rhythms are taught in the style of Freddie Green bebop and more modern styles. Blues progressions and anetude are included for practicing your comping. Part 8 presents a wealth of information about playing over the last two measures of jazz tunes. The method breaks down the harmonic structures frequently found at the end of