Dans ce DVD, Ronnie Earl vous explique ses techniques inspirées de plus grands bluesmen : B.B. King, Little Walter, Muddy Waters... Pour suivre ces explications, la partition en solfège et tablature apparaît sur l'écran, chaque main est filmée : elles vous sont montrées simultanement ce qui facilite la compréhension. Le resultat est unique : Ronnie Earl en professeur particulier! En bonus vous trouverez une biographie, une séléction de sa discographie, et un livret de partition. 59 min Sous titres français. / Guitare / Dvd

The ragtime and early jazz music pioneers during the first decades of the last century didn???t know that the sounds they created would echo in the music that people loved for years to come. They started an American music traditionthat is alive to this day. I was born and raised in Sweden and I have always enjoyed the music from that era but being a Guitarist I never thought that playing back-up in a jazz band was for me. I???d rather do something with thesesongs so that they would fit my approach playing fingerstyle Guitar.Many of the early jazz songs and of course classical ragtime often is played as Piano music with a steady left hand playing bass notes and chords togetherwith the right hand playing a syncopated melody on top. This style of playing is very similar to the alternating bass style on the Guitar. So these tunes easily lend themselves to a fingerstyle arrangement.With classicalragtime I approach arranging by transcribing the original Piano sheet-music. The important thing is to find keys that suit the Guitar and then decide what notes not to play since it is not technically possible to play all thenotes in a Piano score on the Guitar. I like to play in keys that will give me the opportunity to use open strings in the bass while the melody moves up and down the neck. This is especially important since my aim is to make myarrangements not too difficult to play so that the player can concentrate on the music instead of being too concerned with the technical aspects of his/her playing. The most important challenge though is to make the tune soundlike Guitar music not Piano music played on the Guitar.

Add to your repertoire with this collection of early jazz and swing standards! The companion CD features a two-guitar recording of each tune and the book includes full guitar parts in standard notation and tab with chord diagrams plus detailed notes on the song origins and arrangements.

for Fingerstyle Guitar. This is a collection of twenty-five solo fingerstyle guitar arrangements of famous early blues, centuries-old ballads, and traditional folk songs. If you want to learn how to play a melodic fingerstyle solo break between the verses of a song, then these arrangements are a great way to start. All songs include standard notation with fingering indications, tablature, guitar chords, lyrics, and online audio. Songs include: Barbara Allen · Frankie and Johnny · The House of the Rising Sun · John Henry · Loch Lomond · Scarborough Fair · and more. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Now even beginning guitarists can play their favorite classic rock hits with this collection of easy guitar arrangements. Includes: All I Wanna Do · Bad Moon Rising · Black Dog · Born in the U.S.A. · Born on the Bayou · Born to Run · Can't Cry Anymore · Casey Jones · China Grove · Copperline · Desperado · Down on the Corner · Early Mornin' Rain · Everyday Is a Winding Road · Fortunate Son · Friend of the Devil · Go Your Own Way · Going Down the Road Feelin' Bad · Harvest Moon · Heart of Gold · A Horse With No Name · Hotel California · I Need You · I'm on Fire · If It Makes You Happy · and many more.

Classic AC/DC: The Early Years. All the classic songs from two of the most popular early albums from AC/DC High Voltage and Let There Be Rock. Songs include: It's a Long Way to the Top · Rock n Roll Singer · The Jack · Live Wire · T.N.T. · She's Got Balls · High Voltage · Go Down · Dog Eat Dog · Let There Be Rock · Bad Boy Boogie · Problem Child · Overdose · Whole Lotta Rosie · many more.

Guitar Play-Along Volume 124-The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab listen to the sound-alike audio to hear how the guitar should sound and then play along using the separate backing tracks. The audio is available online for download or streaming and it is enhanced so you can adjust the recording to any tempo without changing pitch! 8 songs: After Hours (The Antidote) (Ronny Jordan) · Breezin' (George Benson) · Cause We've Ended As Lovers (Chieli Minucci) · High Five (Chuck Loeb) · Night Rhythms (Lee Ritenour) · Smiles and Smiles to Go (Larry Carlton) · Up 'N' at 'Em (Norman Brown) · Wishful Thinking (Earl Klugh).

Bert Jansch was one of the most influential and unique guitarists to emerge from the British folk music scene of the sixties.His influence can be traced in the playing of Neil Young Jimmy Page Johnny Marr andcountless others. Over the course of nearly fifty years he produced a prodigious body of work as a solo guitarist singer and songwriter as a member of the seminal'folk-baroque' band Pentangle as a duo with his equallyrevered friend John Renbourn and in a variety of other ensemble situations.On The Guitar Of Bert Jansch Taught By Rolly Brown we explore a representative selection from the folk traditional and bluessegment of his Guitar arrangements ranging from simple early folk Guitar settings like 'Running From Home' to his most iconic sophisticated and original accompaniments(e.g. Reynardine Black Waterside). These are carefullyarranged little gems and his virtuosity as a guitarist allowed him to have a very specific and beautifully wrought arrangement while still showing an ability to create a number of subtle variations which occurred in hisrecordings over the years.Rolly Brown first heard Bert's playing in the mid-60s and has been a fan ever since. Along with basic arrangements Rolly discusses variations introductions and endings whereappropriate.Titles include Running From Home Blues Run The Game Strollin' Down The Highway In The Bleak Midwinter and more.

Century Spain. Par KOONCE FRANK. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. * A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. * A companion volume to The Baroque Guitar in Spain and the New World (MB21122). * Intended to help bridge the gap between scholarly editions and performance editions. * An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open firststring as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuelathat were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions byproviding a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. A 188-page anthology, edited for modern guitar, from the seven books forvihuela that were published in Spain between 1536 and 1576 A companion volume to The Baroque Guitar in Spain and the New World (MB21122) Intended to help bridge the gap between scholarly editions and performance editions Anintroduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. / Niveau : Intermédiaire / Tablatures / Guitare Tablatures

Par BEATLES THE. Authentic Guitar transcriptions of the very best of The Beatles, taken from their earlier years, with notes and tablature by Jesse Gress. All the greats from 1962-1966 are featured, including Help! , All My Loving and Can't Buy Me Love . / Niveau : Elémentaire / Rép International / Tablatures / Guitare Tablatures

Series: Stefan Grossman?s Early Masters of American Blues Guitar Category: Guitar Method or Supplement Format: Book

Timeless Solos is a play on words. The solos in this volume contain no time signatures or bar lines. I did this because I wanted the solos to be very expressive in interpretation yet 'free-form' in structure. The companionrecording presents my interpretation of these works. You may interpret them differently and that is fine! All solos are in notation and tablature. When writing these solos I first envisioned the form as an extended 'cadenza'.However from my earlier trumpet playing days I recalled that especially in the 19th century a cadenza was a momentary break in a solo which gave the performer a chance to dazzle the audience with his or her virtuosity. Thesesolos are not about that. Rather they are a vehicle to give the guitarist an opportunity to move the listener with the performer's expressive ability. I also thought of these solos in the form of a 'chant'. However most chantsare monophonic in form and these solos in various parts present a fairly lush harmonic structure. While the solos were written for a 7 string guitar they may be played successfully on a 6 string guitar. Alternate notes for thosefound on the 7th string are shown in the tablature part. Also the solo Peace is written in Dropped D tuning and makes little use of the 7th string pedal tones. The solos are contemplative in nature and provide ample opportunityfor individual expression and interpretation. I hope you enjoy playing and performing these works.