Par FERNANDEZ MICHELE. Having written this for her son in 1998, composer Michele Fernández brings us this highly emotional and rewarding work for jazz ensemble. The nostalgic opening solo section (which is optional) leads to a sizzling salsa groove which gradually intensifies throughout. The distinctive melody is complemented with lushly scored countermelodies, and all rhythm section parts are carefully notated for authenticity. Playable with 1 or 2 percussionists. / Date parution : 2022-11-29/ Répertoire / Jazz Ensemble

Par ZAREMBA DREW. Brincando com Fogo by Drew Zaremba is a fiery baião Latin played at half note = 100 BPM. Lead trumpet range is to written G on top of the staff, suggested written solos for tenor 1 and trumpet 2, space for drum fills, auxiliary percussion, optional instruments to include vibes, plus non-stop action. Energy abounds! (6:16) / Date parution : 2022-10-12/ Répertoire / Jazz Ensemble

A superior chart in every way! Patrick Williams' 'Aurora' is a samba at 120 BPM that features optional horns in F, and full instrumentation with two auxiliary percussion parts. There is plenty of solo space for a variety of instruments and a huge shout chorus. Check this chart out! (1:54) / Ensemble De Jazz

This Cuban-flavored salsa is interspersed with some funk grooves. At 190 BPM, this chart includes written solos for trumpet 2 and tenor, and a lead trumpet range is to written A above the staff. Also includes Latin percussion and vibraphone parts. Hot stuff! (3:56) / Ensemble De Jazz

'Rhythm Is Gonna Get You' arranged by Victor López, is hot and exciting Latin rock! This groove is loaded with tons of energy plus it has a cool melody hook, no solos, two auxiliary percussion parts, all the usual optional parts plus flute, clarinet, and vibes. Lead trumpet range to written A above the staff, and the tempo is around 120 BPM. It's gonna get you! (2:40) / Ensemble De Jazz

A straight-eighth groove that's a little funky plus a catchy melody at 130 BPM, and you have a winner. Features written solos for tenor, trumpet 2, or guitar, lead trumpet range to written A, a great bari sax part, and optional parts for Latin percussion and vibes. Excellent writing. (5:15) / Ensemble De Jazz

Par KOSMA JOSEPH / FERNANDEZ MICHELE (Arr.). Your students will love this very accessible, yet exciting Salsa twist on this timeless jazz standard. The rhythmic horn writing and expertly detailed rhythm section parts will enable your band to sound authentic on this Cuban Son-Montuno style version. Playable with 1 or 2 percussionists. / Date parution : 2022-11-29/ Répertoire / Jazz Ensemble

Composer/arranger Carl Strommen has proven he has the right stuff to write for younger bands. This light and easy Latin original starts simply and builds. As it builds, you may recognize the chord progression to the classic pop tune, Sunny. The cowbell helps maintain the energy and drive for this chart, the solos for alto sax and trumpet are written or ad-lib, and the brass ranges are modest. Additional percussion parts can be added if desired. The lower instruments have an easy yet meaty part in this chart. The bottom line is a quality chart that's fun to play, educational and well received by the audience. This title is available through SmartMusic. (3:50)

Enregistré par Chick Corea et l'origine sur le CD and ldquo - changement, and rdquo - Chick rend hommage à l'ère du hard bop et Miles Davis en particulier avec ce blues modale tempo modéré. Version de Mark Taylor pour les jeunes joueurs commence par un petit groupe jouant la tête avant le saxes reprendre sur le second refrain. Y compris l'espace solo pour piano et aussi un solo flexible article avec des échantillons écrits pour tous les joueurs, ce graphique bien écrit fera toute bande sonore polie. / Saxophone Alto, Saxophone Tenor, Saxophone Baryton, Trompette, Trombone, Guitare, Piano, Contrebasse, Percussions, Tambours Congas, Vibraphone Et Flûte Traversière En Partition

Enregistré par Chick Corea et l'origine sur le CD and ldquo - changement, and rdquo - Chick rend hommage à l'ère du hard bop et Miles Davis en particulier avec ce blues modale tempo modéré. Version de Mark Taylor pour les jeunes joueurs commence par un petit groupe jouant la tête avant le saxes reprendre sur le second refrain. Y compris l'espace solo pour piano et aussi un solo flexible article avec des échantillons écrits pour tous les joueurs, ce graphique bien écrit fera toute bande sonore polie. / Saxophone Alto, Saxophone Tenor, Saxophone Baryton, Trompette, Trombone, Guitare, Piano, Contrebasse, Percussions, Tambours Congas, Vibraphone Et Flûte Traversière En Partition