Segueing immediately from “Blackbird / Yesterday” the final production begins with a brief drum solo reminiscent of those performed by Ringo Starr before moving to the cheerful melody of “Sgt. Pepper's LonelyHearts Club Band”. Concluding with a swift yet natural transition to the last song ever recorded by all four Beatles “The End” appropriately provides a grounded and powerful sense of closure to the program.

In total contrast to “Eleanor Rigby” this arrangement draws on the lyrical nature of these graceful and well-known melodies of “Blackbird” and “Yesterday”. Tom Wallace's genius is on display ashe interweaves both melodies in natural and effortless transition. The pace of this up-tempo ballad moves well and at 1:20 provides a nice change of pace without lingering too long.

The Beatles le groupe pop le plus intemporel et le plus légendaire de tous les temps est entré dans lhistoire avec une série considérable de hits mondiaux que lon apprécie toujours à leur juste valeur. Filip Sandras a réalisé un arrangement de grande qualité sur la base de 'Eleanor Rigby' 'We can Work it Out' 'Get Back' et 'Hey Jude'. Jouable par tous les orchestres.

Following Lady Madonna Tom's arrangement of Eleanor Rigby sets a more serious and dramatic tone beginning with a mallet feature that incorporates subtle hints of the familiar melody followed by a bold and dramatic impact by the full band.

Never was wishing someone a happy birthday quite as dramatic or fun as with this classic rocker recorded by The Beatles on their White Album. The bass line alone has become iconic!

This timeless rock and roll classic was most famously recorded by the Beatles in 1963 and immortalized in the 1986 movie Ferris Bueller's Day Off. Guaranteed winner for the stands or field!

Richard alternates between a lyrical ballad tempo and moments of up-tempo swing in this creative arrangement of the Beatles classic. A trumpet soloist is featured as well as some tasty sax figures and woodwind colors. Effectively done.