SKU: HL.49003538
ISBN 9790001034876. UPC: 073999336337. 9.0x12.0x0.088 inches.
Die acht Sonaten von Guilmant orientieren sich am klassischen Standard. Ursprunglich fur die Cavaille-Coll-Orgel gedacht, lassen sie sich jedoch ebenso gut auf ausserfranzosischen Orgeln ausfuhren. Zur Zeit Ihrer Entstehung waren Sie ein Novum fur die Orgel und ihre Literatur, die beide im 19. Jahrhundert an Bedeutung verloren hatten. Guilmants Kompositionen, reich an Melodik, Harmonik und vollendeter Satztechnik, spiegeln Klangmoglichkeiten und Farbenreichtum der ihm zur Verfugung stehenden Orgeln wider. Sein Einfallsreichtum und seine flussige Kompositionstechnik beeinflussten die Entwicklung der Orgelfuge in ahnlicher Weise, wie Mendelssohn dieses fur die Klavierfuge bewirkt hatte. Im Zeitraum des Vierteljahrhunderts, in dem Guilmant seine Orgelsonaten schuf, vollzogen sich im Bereich der instrumentalen Spieltechnik bedeutende Veranderungen. An Spieler und Instrument wurden nun grossere Anforderungen gestellt.
SKU: HL.49003543
ISBN 9790001034920. UPC: 884088057725. 9.0x12.0x0.22 inches.
SKU: HL.49003541
ISBN 9790001034906. UPC: 073999351514. 9.0x12.0x0.115 inches.
SKU: AP.12-0571507824
ISBN 9780571507825. English.
The Faber Early Organ Series is among the most comprehensive anthologies of early organ music ever published. In 18 volumes it spans two centuries and six geographical regions, presenting a broad and balanced view of the main forms, styles and composers. Within each geographical region the pieces, most of which are for manuals only, are arranged by date of composition or publication. The presentation is both scholarly and practical; all of the music has been newly edited from the earliest surviving sources according to a systematic editorial method that preserves as many features of the original notation as possible while making it fully accessible to modern players. In every volume, an informative Introduction sets the music in historical context. There are also helpful sections on Ornamentation and Registration, and a Critical Commentary giving detailed information on the sources.
SKU: AP.12-0571507727
ISBN 9780571507726. English.
SKU: AP.36-M362291
ISBN 9798892705783. UPC: 676737997571. English.
Camille Saint-Saëns (1835-1921), while most well-known for his chamber and orchestral works, also composed much for the organ, having himself been appointed organist at both Saint Merri (1853-1857) and Madeleine (1857-1877), the latter post he held for 20 years. He is one of the 19th century's most important composers and performers for the organ, counted together with other greats such as Gigout, Guilmant, and Widor. Saint-Saëns wrote MARCHE RELIGIEUSE, Op. 107, for organ in 1897. Reprint edition.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: SU.80101396
Trilogy on B-A-C-H (2017) uses as its musical material a familiar four-note theme: the letters B-A-C-H (the last name of Johann Sebastian Bach) treated as a musical motive: B-flat, A, C, B-natural (H in German note naming). Starting with Bach himself, this theme has been used by a truly enormous number of composers over the centuries. Most B-A-C-H themed works (at least those for organ), tend to be extremely contrapuntal, likely taking their cue from much of Bach's own organ music. This piece explicitly goes in the other direction and use the theme primarily motivically/melodically and as a generating force for the kind of mixed modality that is typical of Cooman's music. The first movement is an energetic march. The second movement is a lyric meditation containing both an arioso and a short quasi-passacaglia, in which the B-A-C-H motive repeats slowly in the pedals. The last movement is a free fantasia: the motive appears both in chorale-like long notes and as a fast, turning figure. Instrumentation: Organ Duration: 12' Composed: 2017 Published by: Zimbel Press.
SKU: HL.49045908
ISBN 9790001167833. UPC: 841886033795. 9.0x12.0x0.064 inches. Transcription: Oskar Gottlieb Blarr.
First, Oskar Gottlieb Blarr planned the organ editing of Penderecki's Agnus Dei from the Polish Requiem as a private homage to the esteemed master. Meanwhile, the piece has also been successfully performed by other organists, who proved the organ performance of the poignant Agnus Dei sustainable. As in his other organ works, Blarr followed strict criteria: the strict maintenance of intervals, postures, articulation and phrasing.
SKU: HL.49017947
ISBN 9790001157933. 9.0x12.0x0.216 inches.
With his organ symphonies, the composer Enjott Schneider (born 1950) from Munich has been a profound sensation in recent years and seen world premieres at major European organ events. The Organ Symphony No. 6 'Te Deum' (premiered at Bruckner's St. Florian above Bruckner's tomb in 2008 and recorded there on CD) adopts the five-part structure and several motifs from Bruckner's 'Te Deum', thus becoming a forceful compact work pervaded by the Gotteslob. 1: 'Te Deum' is based on Bruckner's original figuration of fifths and eighths which is connected with the Latin Te Deum; 2: 'Te Ergo' is a 'preghiera' with pleading and praying gestures; 3: 'Aeterna fac' is an extremely virtuoso perpetuum mobile; 4: 'Salvum Fac' a basso ostinato and finally 5: 'In te, Domine speravi' a toccata which, after taking many detours, inevitably leads to the C major.
SKU: FZ.2662
ISBN 9790230626620. 24.00 x 33.00 cm inches.
This facsimile of an original by Nicolas Clerambault is part of our French classical music collection. Clerambault - First organ book - Organ. Edition : Paris, l'Auteur, Foucault, c. 1714. Extremely elegant and legible engraving, allowing the music to be easily read. Preface by: Philippe Lescat: Clerambault's organs,Jean Saint-Arroman: use of the organ pieces - notation - terminology - ornamentation - registrations. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France).
SKU: AP.36-M312091
ISBN 9798892701907. UPC: 659359604232. English.
Camille Saint-Saëns (1835-1921), while most well-known for his chamber and orchestral works, also composed much for the organ, having himself been appointed organist at both Saint Merri (1853-1857) and Madeleine (1857-1877), the latter post he held for 20 years. He is one of the 19th century's most important composers and performers for the organ, counted together with other greats such as Gigout, Guilmant, and Widor. Saint-Saëns wrote the beautiful ÉLÉVATION, OU COMMUNION in E Major for organ or harmonium in 1859.
SKU: AP.36-M334891
ISBN 9798892702157. UPC: 659359663536. English.
Camille Saint-Saëns (1835-1921), while most well-known for his chamber and orchestral works, also composed much for the organ, having himself been appointed organist at both Saint Merri (1853-1857) and Madeleine (1857-1877), the latter post he held for 20 years. He is one of the 19th century's most important composers and performers for the organ, counted together with other greats such as Gigout, Guilmant, and Widor. Saint-Saëns wrote BÉNÉDICTION NUPTIALE in F Major for organ in 1859.
SKU: AP.12-0571507778
ISBN 9780571507771. English.
SKU: AP.36-W723091
ISBN 9798892705776. UPC: 676737997298. English.
Camille Saint-Saëns (1835-1921), while most well-known for his chamber and orchestral works, also composed much for the organ, having himself been appointed organist at both Saint Merri (1853-1857) and Madeleine (1857-1877), the latter post he held for 20 years. He is one of the 19th century's most important composers and performers for the organ, counted together with other greats such as Gigout, Guilmant, and Widor. Saint-Saëns wrote this FANTAISIE No. 2, Op. 101 in D-flat Major for organ in 1895. Reprint edition.
SKU: JK.01589
Fifteen favorite closing hymns arranged for organ prelude in a continuous medley, allowing you to begin anywhere and end anywhere.Titles included in this volume: God Be With You Lord We Ask Thee Ere We Part Sing We Now at Parting Thy Spirit Lord Hath Stirred Before Thee Lord I Bow My Head As Shadows Falls Lord Dismiss Us Come Let Us Sing an Evening Hymn Abide With Me Father This Hour Has Been One of Joy We Have Partaken of Thy Love Great God to Thee The Lord Be with Us Now the Day is OverComposer: Various Arranger: Brent Jorgensen Difficulty: Medium.
SKU: AP.36-M241991
ISBN 9798892703802. UPC: 659359546006. English.
Camille Saint-Saëns (1835-1921), while most well-known for his chamber and orchestral works, also composed much for the organ, having himself been appointed organist at both Saint Merri (1853-1857) and Madeleine (1857-1877), the latter post he held for 20 years. He is one of the 19th century's most important composers and performers for the organ, counted together with other greats such as Gigout, Guilmant, and Widor. Saint-Saëns wrote the FANTAISIE No. 3 in C, Op. 157 for organ in 1919.
SKU: CA.2440900
ISBN 9790007068967.
Facsimile edition of the Ochsenhauser Orgelbuch, with critical first edition. Almost 270 years following its completion, for the first time the Ochsenhauser Orgelbuch, a unique collection of organ music from southern Germany, will be published and thus made accessible to the music world. In honor of the completion of the restoration of the Gabler organ in Ochsenhausen this important, with its wonderful color illustrations, has been published in a high-quality limited two-volume edition.
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