SKU: YM.GTP01096649

ISBN 9784636966497.

15 famous melorides by Composers in romantic era arranged for children. The purpuse of this book is NOT to study piano technique, but to touch the sound of each era through the historical masterpieces.
15Shou Lai Zi Lang Man Zhu Yi Shi Qi De Zhu Ming Xuan Lu . Ben Shu De Mu De Bing Fei Gang Qin Ji Qiao Jiao Xue . Er Shi Yong Er Duo Qu Qin Shen Gan Shou Mei Ge Shi Qi Yin Le De Te Dian .

Schubert: 1. Wild Rose Op.3/3; 2. Erlkonig Op.1; 3. Piano Quartet Op.114 Trout - 4th movement; 4. Ave Maria O.52/6; 5. Impromptus Op.142/3 Chopin: 6. Piano Concerto No.1 Op.11 - 1st movement; 7. Study OP.10/3; 8. Grand Waltz Brillante Op.18; 9. Prelude Op.28/15 Raindrop; 10. Waltz OP.64/1 Tchaikovsky: 11. Piano Concerto No.1 Op.23 - 1st movement; 12. Famous Scene from The Swan Lake Op.20; 13. Garland Waltz from The Sleeping Beauty Op.66; 14. March from The Nutcracker Op.71; 15. Dance of the Candy Fairy from The Nutcracker Op.71.

SKU: BT.EMBZ20004A

English-German-Hungarian.

Supplementary Volume 16 of the New Liszt Edition contains free arrangements and technical exercises. In the first section can be found early versions of three arrangements. The first consists of the first and intermediary versions of a transcription of Die Rose, a song Schubert composed to a poem by Schlegel. The arrangement of the second movement of Berlioz's Harold Symphony also draws on literary inspiration: Lord Byron's (1788-1824) narrative poem Childe Harold's Pilgrimage (1812-18) was a literary experience Liszt shared with Berlioz. The fantasy on themes from Bellini's opera La sonnambula [The Sleepwalker] (here the first version of 1842, and the second version dating from the following decade are given) is important in music history because it was while he worked on this (and other operatic fantasies) that Liszt developed a new concept of the form, which took shape in more complex and more concentrated fantasies than before. Particularly interesting material can be found in the appendix. In addition to sketches and drafts for arrangements of Spanish themes, there are three sources published here for the first time, which shed light on technical aspects of Liszt's piano teaching. These are three sets of exercises: the first written by Liszt himself for Valérie Boissier in 1832; the second a copy in an unidentified hand from the same period or slightly later; and finally the third which was noted down in 1871 by Henri Maréchal in Rome based on the composer's dictation. This latest volume of the New Liszt Edition includes a detailed preface in German, English, and Hungarian containing new research findings, together with five manuscript facsimiles and critical notes. Simultaneously with the cloth-bound Complete Edition, a practical paperback version has been published, the contents of which are identical to those of the hardcover edition, minus the inclusion of critical notes.

SKU: HL.14029096

9.0x12.0x0.047 inches. English.

No.45 From the Promenade Series of Piano Music Arranged For 1 Piano-4 Hands.