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Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Guitar (622)
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Cello (260)
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Cello, Piano (138)
Marching band (133)
String Orchestra (123)
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Musical course - Solfege (111)
Soli (SATB), Choeur Mixte (SAT… (108)
Piano, Vocal and Guitar (106)
Keyboard (103)
Trumpet, Piano (95)
Easy Piano (90)
Harpsichord (86)
2 Pianos, 4 hands (81)
Viola, Piano (78)
Flute and Guitar (75)
Clarinet and Piano (73)
Alto Saxophone (72)
Ensemble A Vent (71)
Partition de Poche (70)
2 Guitars (duet) (68)
Lyrics and Chords (65)
Voice solo (63)
Wind ensemble (60)
Saxophone (59)
Piano Trio: piano, violin, cel… (59)
Alto Saxophone and Piano (59)
Choral 3-part (59)
Solistes SAT, Choeur SATB, 2 F… (55)
Soprano voice, Orchestra (54)
French horn (54)
Chant (53)
Choral 2-part (52)
Trombone (52)
Oboe (51)
Accessoire (50)
Clavecin Et Cordes (49)
Flute, Basso continuo (49)
Treble (Alto) Recorder (48)
Clavecin Et Instruments A Cord… (48)
Recorder (48)
Double Bass (48)
Flûte Traversière ou Hautboi… (47)
CD (47)
Oboe, Piano (duet) (47)
Orchestre de Chambre (Flûte Å (44)
Solistes SATB, Choeur SATB, 2 … (43)
Organ, Trumpet (duet) (41)
Accordion (41)
2 Choeurs Mixtes (SATB Et SATB… (41)
2 Flutes (duet) (41)
Conducteur (40)
Soli (ATB), Choeur Mixte (SATB… (40)
2 Violins (duet) (39)
Harp (39)
Solistes SATB, Choeur SATB, 2 … (38)
String Trio: violin, viola, ce… (37)
Tenor Saxophone (37)
Solistes SATB, Choeur SATB, Fl… (36)
Saxophone Quartet: 4 saxophone… (36)
Solistes SATB, Choeur SATB, 4 … (36)
Woodwind Quintet: flute, oboe,… (35)
Flute, Violin, Keyboard (basso… (34)
Harpsichord and Strings (34)
Solistes SATB, Choeur SATB, Ha… (33)
Orchestre (33)
Bass guitar (32)
Choral TTBB (32)
Recorder Quartet (32)
Carte Postale (32)
Trombone and Piano (30)
All Instruments (29)
Tuba and Piano (28)
Biography (28)
Solistes SATB, Choeur SATB, 2 … (27)
Flûte Traversière, Hautbois,… (27)
Flute, Orchestra (27)
Double bass, Piano (duet) (27)
Violin, Cello (duet) (26)
Solistes SATB, Choeur SATB, Tr… (26)
Brass Quartet: 4 trombones (26)
2 Saxophones (duet) (26)
2 Clarinets (duet) (26)
Soprano, Basse, Choeur Mixte e… (25)
Choeur SATB/SATB, (8 Instrumen… (25)
2 Recorders (duet) (25)
French Horn and Piano (25)
Brass Quartet (25)
Trio (25)
Solistes ATB, Choeur SATB, FlÃ… (24)
2 Violons, 2 Altos, Violon ou … (24)
2 Violons, Alto, Violoncelle e… (24)
Trompette, Instruments à Cord… (24)
Solistes SATBB, Choeur SATB, 2… (24)
Soli (T (Evangelist), B (Jesus… (24)
Soprano voice, Piano (24)
2 Cellos (duet) (24)
School Ensemble (24)
Descant (Soprano) Recorder (24)
Soli (STB), Choeur Mixte (SSAT… (23)
Solo A, Choeur SATB/SATB, 2 Or… (23)
Soli (SSATB), Choeur Mixte (SS… (23)
Solistes SAB, Choeur SATB, 3 F… (23)
C Instruments (23)
4 Guitars (Quartet) (23)
High voice, Piano (23)
Choeur SATB/SATB, (Basse Conti… (23)
Ukulele (23)
Violon, Instruments A Cordes E… (22)
Treble (Alto) Recorder, Basso … (22)
Violon, Alto et Basse Continue… (21)
2 Clavecins Et Cordes (21)
Partition D'Orchestre In 16 Po… (21)
Violon, Cordes et Basse Contin… (21)
Bassoon (21)
Soli (STB), Choeur Mixte (SATB… (21)
Low voice, Piano (21)
Choeur SATB/SATB, ou Basse Con… (21)
Parties Supplémentaires (20)
String Trio: 2 violins, cello (20)
Solistes STB (SB/TB/SATB), Cho… (20)
Saxophone ensemble (20)
Partie Séparée (20)
2 Violons ou 2 Hautbois, Alto,… (20)
Violin, Viola (duet) (20)
Cello, Orchestra (20)
Orgue Et Orchestre (20)
Baritone voice, Piano (20)
Bassoon, Piano (duet) (20)
Soli (SAB), Choeur Mixte (SATB… (20)
Clarinet Quartet: 4 clarinets (20)
2 Flutes, Piano (20)
Violin, Basso continuo (20)
Exemplaire Complet (19)
Solistes TB, Choeur SATB, 2 Fl… (19)
Solistes SB, Choeur SATB, 2 Ha… (19)
Euphonium, Piano (duet) (19)
Medium voice, Piano (19)
Tenor voice, Piano (19)
Tuba (19)
3 Clavecins Et Cordes (18)
Flûte Traversière, Violon et… (18)
Alto, Choeur Mixte et Orchestr… (18)
Choral Unison (18)
Recorder Ensemble (18)
Solistes SATB, Choeur SATB, (C… (17)
Solistes SATB, Choeur SATB, (a… (17)
Solistes SATB, Choeur SATB, 2 … (17)
Solistes SATB, Choeur SATB, 3 … (17)
Solistes ATB, Choeur SATB, 3 T… (17)
Travaux Pour Choeurs (17)
Solistes SATB, Choeur SATB, (4… (17)
Soli (SAB), Choeur Mixte (SATB… (17)
Alto, Cordes et Basse Continue… (17)
Soli (SATB, Soprano Aussi Chor… (17)
3 Recorders (trio) (17)
Mandolin (17)
Choeur SATB/SATB, 3 Trompettes… (16)
Solistes SATB, Choeur SATB, 2 … (16)
Hautbois, Basson et Piano ou O… (16)
Solistes SATB, Choeur SATB, (C… (16)
3 Guitars (trio) (16)
Solistes SSATB, Choeur SSATB, … (16)
Flûte Traversière, Clarinett… (16)
Choeur Mixte, Soprano et Orche… (16)
Soli (SB), Choeur Mixte (SATB)… (16)
Solistes SAB, Choeur SATB, Cto… (16)
Solistes ATB, Choeur SATB, 2 H… (16)
Choeur SATBB/SATBB, 4 Trompett… (16)
2 Violins, Piano (16)
2 Flûtes Traversières et Vio… (16)
Soli (SATB), Choeur Mixte (SAT… (16)
7 Instruments à Vent (16)
Trompette et Quatuor à Cordes… (16)
Orchestra, Violin (16)
Soli (AT), Choeur Mixte (SATB)… (16)
Recorder, Piano (16)
Saxophone and Piano (16)
Descent (Soprano) Recorder, Pi… (16)
Piano Accompaniment (16)
Cello Ensemble (16)
Melody line, (Lyrics) and Chor… (16)
Flûte Traversière, Hautbois,… (15)
Solo SATB, Choeur SATB, Hautbo… (15)
Solistes SA, Choeur SATB, 3 Tr… (15)
Double Choeur Mixte, Soprano e… (15)
Solistes TB, Choeur SATB, 2 Ha… (15)
Solistes SATB, Choeur SATB, Ba… (15)
Choeur Mixte (SATB) Et Instrum… (15)
2 Violons, Alto, Violoncelle o… (15)
Solistes STB, Choeur SATB, 3 C… (15)
Solistes TB, Choeur SATB, 2 Co… (15)
Instruments Cuivre (15)
Solistes SATB, Choeur SATB, 2 … (15)
Choeur SAATB, 2 Hautbois, Haut… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Soli (ATB), Choeur Mixte (SATB… (15)
Basse, Choeur Mixte et Orchest… (15)
Solistes SATB, Choeur SATB, 2 … (15)
2 Euphoniums et Piano ou Orgue… (15)
Viola and orchestra (15)
Clavecin (15)
Soli (T (Evangelist), B (Jesus… (15)
3 Violons, Instruments à Cord… (14)
Solistes ATB, Choeur SATB, (Ct… (14)
Solistes STB, Choeur SATB, 2 C… (14)
Solistes SAB, Choeur SATB, 2 H… (14)
Flûte Traversière, Violon, I… (14)
Solistes STB, Choeur SATB, Tro… (14)
Solistes SATB, Choeur SATB, 3 … (14)
Solistes ATB, Choeur SATB, 2 H… (14)
Solistes ATB, Choeur SATB, (Tr… (14)
Solistes SATB, Choeur SATB, 2 … (14)
Solistes SATB, Choeur SATB, (C… (14)
Soli (SATB), Choeur Mixte (SAT… (14)
Solistes STB, Choeur SATB, (Co… (14)
2 Choeurs Mixtes Et Orchestre … (14)
Flûte Traversière, Cordes Et… (14)
Solistes ATB, Choeur SATB, Tro… (14)
Choeur de Femmes (14)
Choeur Mixte (SATB/SATB) Basse… (14)
Solo S, Flûte Traversière, 2… (14)
Solistes SATB, Choeur SATB, 2 … (14)
Solistes SATB, Choeur SATB, (C… (14)
Alto, Ténor, Choeur Mixte et … (14)
Solistes ATB, Choeur SATB, 2 F… (14)
Treble (Alto) Recorder, Piano (14)
Flute, Harpsichord (14)
Solistes ATB, Choeur SATB, Tro… (14)
Solistes STB, Choeur SATB, Cor… (13)
Solistes STB, Choeur SATB, Cor… (13)
Solistes SAB, Choeur SATB, 2 F… (13)
Choeur SATB/SATB (2 Hautbois, … (13)
Solistes SATB, Choeur SATB, Tr… (13)
Solistes SATB, Choeur SATB, Tr… (13)
Solistes SSATB, Choeur SATB, 3… (13)
Flûte Traversière, Violon, A… (13)
Solistes SATB, Choeur SATB, 2 … (13)
Solistes ATB, Choeur SATB, 2 F… (13)
Solistes AT, Choeur SATB, Trom… (13)
Basse, Choeur Mixte (SATB) Et … (13)
Solo B, Choeur SATB /2 Hautboi… (13)
Soli (STB), Choeur Mixte (SATB… (13)
Solistes SATB, Choeur SATB, (C… (13)
Soli (SATB), Choeur Mixte (SAT… (13)
Solistes SAB, Choeur SATB, (2 … (13)
Solistes SATB, Choeur SATB, 2 … (13)
Solistes ATB, Choeur SATB, 2 H… (13)
Solistes SATBar, Choeur SATB, … (13)
Solistes ATB, Choeur SATB, Tro… (13)
Solistes SATB, Choeur SATB, 2 … (13)
Solistes SB, Choeur SATB, 2 Tr… (13)
Choeur SATB, 3 Trompettes, Tim… (13)
Solistes ATB, Choeur SATB, Hau… (13)
Tenor Saxophone and Piano (13)
Guitare, Violon, Alto (12)
Solistes SBar, Choeur SSATB, 2… (12)
Solistes AT, Choeur SATB, Cor … (12)
Ensemble de Vents (12)
Flûte à Bec F1, Violon et Ba… (12)
Choeur SSAM, (4 Instruments Co… (12)
Piano, Flûte Traversière, Al… (12)
Solistes SATB, Choeur SATB, Tr… (12)
Flûte Traversière, 2 Clarine… (12)
Solistes ATB, Choeur SATB, (Ct… (12)
Solistes SATB, Choeur SATB, Co… (12)
Guitar Ensemble (12)
Piano Quartet: piano, violin, … (12)
Solistes SATB, Choeur SATB, 2 … (12)
Solistes SATB, Choeur SATB, (C… (12)
Choeur Mixte (SATB, Partie(s) … (12)
Solistes STB, Choeur SATB, (Ct… (12)
Solistes SAB, Choeur SATB, Cor… (12)
Solistes SAB, Choeur SATB, 2 H… (12)
Soli (SSTB) Et Orchestre Choeu… (12)
Trompette, Trombone et Piano (12)
Solistes SATB, Choeur SATB, 2 … (12)
2 Violons Et Orchestre (12)
Clavecin, 2 Violons, Alto et V… (12)
Solistes SB, Choeur SATB, 2 Ha… (12)
Piano and Orchestra (12)
Cordes et Basse Continue (12)
Flûte Traversière, Violon et… (12)
Cor ou Hautbois et Trompette, … (12)
2 Violons, Basse Continue et O… (12)
Soprano, Trompette, 2 Violons,… (12)
Flute Quartet: 4 flutes (12)
Bass Trombone and Piano (12)
Solistes ATB, Choeur SATB, FlÃ… (11)
Solistes ATB, Choeur SATB, 2 H… (11)
2 Violins and Basso (11)
Choeur SATB, 2 Hautbois, 3 Tro… (11)
Choeur SATB, 2 Hautbois, 2 Cor… (11)
Choeur SATB/SATB, 2 Hautbois (… (11)
Solistes SATB (Solo T, Auswahl… (11)
Flute, Clarinet (duet) (11)
Solistes SAT, Choeur SATB, 2 H… (11)
Choeur SSATB, 2 Clarines, 2 Vi… (11)
4 Parties Solo, Choeur Et Orch… (11)
Solo B, Choeur SATB, 2 Flûtes… (11)
Solistes SAT, Choeur SATB, 2 H… (11)
4 Cellos (11)
Solistes SATB, Choeur SATB, Tr… (11)
Solistes STB, Choeur SATB, 2 H… (11)
Choeur SATB/SATB, (2 HautboiSB… (11)
Choeur SATB/SATB, 2 Hautbois, … (11)
Soli (AB), Choeur Mixte (SATB)… (11)
Solistes ATB, Choeur SATB, 2 H… (11)
Solistes SATB, Choeur SATB, Ha… (11)
Choeur SATTB et Basse Continue… (11)
3 Clarinets (trio) (11)
Solistes ATB, Choeur SATB, 2 H… (11)
Ensemble à Cordes (11)
Banjo (11)
Solistes SATB, Choeur SATB, 2 … (10)
Solo S, Choeur SATB, 2 Cors, 2… (10)
Solistes (STB), Choeur Mixte (… (10)
Soprano, Choeur Mixte et Piano… (10)
Solistes SATB, Choeur SATB, 2 … (10)
Choeur SSATTB et Basse Continu… (10)
Choeur SATB, 2 Trompettes, Tim… (10)
Basse, Choeur Mixte (SATB), Ha… (10)
Choeur SSATTB, 2 Trompettes, 4… (10)
Solistes SB, 2 Hautbois, Taill… (10)
4 Clavecins Et Cordes (10)
Orgue, 2 Hautbois, Cor Anglais… (10)
Solistes SAB, Choeur SATB, 2 F… (10)
Choeur SATB/SATB (8 Instrument… (10)
Clavecin, 2 Flûtes A Bec Et I… (10)
Solistes et Choeur SSATTB, 2 V… (10)
Violon 3 (Partie Séparée) (10)
2 Trompettes, Cordes Et Basse … (10)
Cello, String Bass (duet) (10)
Mezzo-Soprano voice, Piano (10)
Ensemble Instrumental Et Petit… (10)
Clarinet, Orchestra (10)
Clavecin ou Piano et Instrumen… (10)
Hautbois, Cordes et Basse Cont… (10)
Marimba (10)
Descant (Soprano) Recorder, Ba… (10)
Flute ensemble (10)
Guitare et Musique de Chambre (10)
Music Theory (10)
Piano Quintet: piano, violin, … (10)
Partition D'Orchestre (10)
Solo S, Choeur SATB, Hautbois,… (9)
Alto (Partie séparée) (9)
Choeur SATB/SATB, (Instruments… (9)
Violon, Violoncelle Et Orchest… (9)
Solistes ATB, Choeur SATB, Hau… (9)
Solistes SATB, Basson, 2 Violo… (9)
Choeur SATB et Basse Continue (9)
Clavecin, Flûte Traversière,… (9)
Choeur SSATB, Violon, Orgue (C… (9)
2 Violons, Instruments A Corde… (9)
Tenor, Basse, Choeur Mixte Et … (9)
Solistes, Choeur SATB, 2 Flût… (9)
Solistes ATB, Choeur SATB, Tro… (9)
Solo S, Trompette, Instruments… (9)
Solistes STB, Choeur SATB, 3 T… (9)
Solistes SATB, SATB et Orchest… (9)
3 Parties Solo, Choeur Et Orch… (9)
Hautbois, Violoncelle Et Orche… (9)
2 Flûtes A Bec Alto, 2 Hautbo… (9)
Choeur SATB, 2 Litui (2 Cors),… (9)
Voice, Guitar (9)
Solistes SB, Choeur SATB, Haut… (9)
Contrebasse (Partie séparée)… (9)
String Quintet: 2 violins, 2 v… (9)
Solistes SATB, Choeur SATB, Fl… (9)
Musical Awakening (9)
Violon Solo, 2 Violons, Alto, … (9)
Conducteur et Poche (9)
Solistes SAB, Choeur SATB, 2 H… (9)
Solistes S (A) TB, Choeur SATB… (9)
Choeur De Chapelle, Choeur Mix… (9)
Accordion ensemble (9)
3 Euphoniums et Piano ou Clavi… (9)
Clavecin (Ou Flûte Traversiè… (9)
Alto et Orchestre (9)
Violoncelle (Partie Séparée)… (9)
Basse et Orchestre (9)
Euphonium (9)
Quatuor Variable (9)
Drums (9)
Opera (9)
Flûte Et Clavecin (9)
Choeur SATTB, Cornet à Bouqui… (8)
2 Trompettes Sib, 1 Cor, 1 Tro… (8)
Hautbois et Quatuor à Cordes (8)
Flute, Clarinet, Horn and Bass… (8)
2 Flûtes Traversières ou FlÅ (8)
Trompette, Cor et Piano ou Org… (8)
Hautbois, Violon (2 Violons) E… (8)
2 Trompettes Et 2 Trombones (8)
Soli (SSATB), Choeur Mixte (SA… (8)
Flûte Traversière, Violon et… (8)
Flûte Traversière et Trio à … (8)
Solistes SATB, Choeur SATB, (2… (8)
Solistes (SATB), Choeur Mixte … (8)
Choeur SSATB, (5 Instruments e… (8)
Flûte Traversière et 4 Clari… (8)
Hautbois, Violon, Instruments … (8)
Flûte Traversière (Ou Violon… (8)
Solistes STB, Choeur SATB, (Co… (8)
Solistes SB, Choeur SATB, Haut… (8)
Solistes TB, Choeur SATB, Flû… (8)
Choeur SATB et Basse Continue,… (8)
2 Trumpets, Keyboard (piano or… (8)
Solo Baryton, Choeur SATB, 2 H… (8)
Flute, Cello, Piano (trio) (8)
Flûte Traversière, 2 Violons… (8)
Choeur SATB (4 Instruments) et… (8)
Trombone, Organ (8)
Hautbois, Instruments à Corde… (8)
Hautbois et 4 Clarinettes (8)
Guitare, Flûte Traversière A… (8)
Flute, Violin and Violoncello (8)
Choeur Mixte (SATB, Partie(s) … (8)
Hautbois, Instruments à Corde… (8)
Clarinette et Quatuor à Corde… (8)
Alto, Basse, Choeur Mixte et O… (8)
Pocket, Study conductor (8)
Orgue, Soprano, Alto, Tenor, B… (8)
Choeur SSATB, 2 Violons (Corne… (8)
2 Violons Et Instrument(s) A C… (8)
Choeur SSATB, 2 Hautbois, 2 Vi… (8)
Trio à Cordes (8)
Choeur SATB/SATB, 2 Trompettes… (8)
Organ and Brass Quartet (8)
Solistes SATB, Choeur SATB, Fl… (8)
Violoncello, Basso continuo (8)
Flûte Traversière et Quatuor… (8)
Flûte Traversière ou Violon)… (8)
Choeur Mixte (SSATB) Et Instru… (8)
Trompette ou Cornet, Trombone … (8)
String Trio: 3 violins (8)
Solo instrument and Organ (8)
Viola da Gamba, Harpsichord (8)
Jazz Ensemble (8)
Solo A, 2 Violons, 2 Altos et … (7)
Solistes SATB, Choeur SATB, Vi… (7)
Hautbois, Hautbois D'Amour et … (7)
Choeur Mixte (SATB), Choeur De… (7)
Cor en Fa (7)
Solistes SSATB, Choeur SSATB, … (7)
Soli (SATB), Choeur Mixte (SAT… (7)
Choeur SATB/SATB ou Basse Cont… (7)
2 Hautbois, Cor Anglais et Bas… (7)
Flûte à Bec C2, F1, C1 et F … (7)
Solistes SATB, Choeur SATBB, 2… (7)
Solistes SAB, Choeur SATB, ou … (7)
Choeur Mixte (SATB, Partie(s) … (7)
Flûte à Bec Alto ou Flûte T… (7)
4 Euphoniums (7)
Oboe, Clarinet, Bassoon (trio)… (7)
Solistes SATTB, 2 Violons, 2 A… (7)
Flûte Traversière Solo (7)
2 Hautbois, Hautbois D'Amour e… (7)
Hautbois, Cor Anglais et Basso… (7)
Vibraphone (7)
Bass Clarinet (7)
Solistes SATB, 2 Violons, 2 Al… (7)
Soli (SB) Et Orchestre (7)
Solistes ou Choeur SATB, c.-f.… (7)
Ensemble à Vents (7)
Hautbois ou Flûte Traversièr… (7)
Flûte Traversière et Claveci… (7)
Solistes SSATB, Choeur SATB, B… (7)
Livre Musical (7)
Soprano, Flûte Traversière e… (7)
Cello, Guitar (duet) (7)
2 Hautbois, Basson, 3 Trompett… (7)
Concert band, Choral (7)
Baryton (7)
Choeur et Orchestre (7)
Ensemble (7)
Clarinet Ensemble (7)
Bb Instruments (7)
Solistes (SATB), Choeur Mixte … (7)
Solo Flûte Traversière, 2 Vi… (6)
Quintette (6)
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Johann Sebastian Bach: St Mark Passion BWV247: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
[Sheet music]
Barenreiter
Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247):...
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Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247): A reconstruction.Recitatives and turbae by Reinhard Keiser (1674-1739). Although all that survives of Bach's “St. Mark Passion” is Picander's libretto virtually all the arias and choruses can be reconstructed from “parody” versions. The original recitatives and turbae however are probably lost forever. Rather than rewriting these numbers “in Bachs's style” the editor Austin Harvey Gomme has added passages from Reinhard Keiser's setting of the Passion (a setting highly esteemed by Bach who performed it several times) thereby allowing this lost work to be performed in its entirety. A detailed prefacesheds further light on this unique reconstruction based on the New Bach Edition. Full score (BA5209) and vocal score (BA5209-90) available for sale Performance material (BA5209-72) available for hire.
58.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
5.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
12.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata No. 21 - BWV 21: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
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Johann Sebastian Bach: Cantata No. 21 - BWV 21: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
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Johann Sebastian Bach: Cantata No. 21 - BWV 21: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...
(+)
Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
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Johann Sebastian Bach: Cantata No. 21 - BWV 21: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
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Johann Sebastian Bach: Cantata BWV 80 Ein feste Burg ist unser Gott: Mixed
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Cantata for the Feast of Reformation-Ein feste Burg ist unser Gott BWV 80 (A Mig...
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Cantata for the Feast of Reformation-Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God)Cantata for the Feast of ReformationThere are practically no surviving original sources for Bach's great Reformation Cantata 'Ein feste Burg ist unser Gott'. It is possible that the original form of the Cantata was written in Weimar in 1715 to which Bach later made various additions and alterations to transform it into a Reformation Cantata for Leipzig. Although scholarly opinion as to the sources is divided there is no doubt that the opening chorus based on Martin Luther's chorale melody 'Ein feste Burg' is one of Bach's greatest achievements.Urtext ofthe New Bach EditionPerformance material (BA10080) vocal score (BA10080-90) & study score format 22.5 x 16.5cm (TP1080) available for sale
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Score
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
[Sheet music]
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Bach's original setting of the Magnificat in E-flat major written for Christmas ...
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Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Part
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Bach's original setting of the Magnificat in E-flat major written for Christmas ...
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Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Part
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Bach's original setting of the Magnificat in E-flat major written for Christmas ...
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Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Part
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Bach's original setting of the Magnificat in E-flat major written for Christmas ...
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Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Parts
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Bach's original setting of the Magnificat in E-flat major written for Christmas ...
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Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Vocal
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
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Bach's original setting of the Magnificat in E-flat major written for Christmas ...
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Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Part
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
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Bach's original setting of the Magnificat in E-flat major written for Christmas ...
(+)
Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Part
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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Johann Sebastian Bach: Cantata BWV 91 Gelobet Seist Du Jesu Christ: SATB: Part
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Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christ...
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Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christmas DayThe cantata Gelobet seist du Jesu Christ was composed by J. S. Bach for Christmas Day 1724. It belongs to that yearly set of ?chorale cantatas? the texts of which were mostly derived from a single chorale. The anonymous author of the text used to retain literally the first and last verses of the selected chorale but paraphrased the middle verses more or less freely in the form of recitatives arias and ariosi.Urtext of the New Bach EditionPerformance material (BA10091) Vocal score (BA10091-90) & study score format 22.5 x 16.5cm(TP1091) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Parts
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 91 Gelobet Seist Du Jesu Christ: SATB: Parts
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Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christ...
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Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christmas DayThe cantata Gelobet seist du Jesu Christ was composed by J. S. Bach for Christmas Day 1724. It belongs to that yearly set of ?chorale cantatas? the texts of which were mostly derived from a single chorale. The anonymous author of the text used to retain literally the first and last verses of the selected chorale but paraphrased the middle verses more or less freely in the form of recitatives arias and ariosi.Urtext of the New Bach EditionPerformance material (BA10091) Vocal score (BA10091-90) & study score format 22.5 x 16.5cm(TP1091) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Part
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Part
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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