Tonalité : A-Dur -. Par HEINICHEN JOHANN DAVID. Gattungen: Magnificat - Verwendung / Anlässe: Marienfeste, Marianische Gesänge - Verwendung / Kirchenjahr: Advent, Wei cor achten - Langue : Latin / Hymnes et chorals / Répertoire / Solistes SAT, Choeur SATB, 2 Flûtes Traversières,

Kantate Zum 3. Pfingsttag. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Vernon (Trad. ) - BWV 184/ Répertoire / Solistes SAT, Choeur SATB, 2 Flûtes Traversières,

Kantate Zum 3. Pfingsttag. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Vernon (Trad. ) - BWV 184 / Date parution : 1987-07-01/ Répertoire / Solistes SAT, Choeur SATB, 2 Flûtes Traversières,

Kantate Zum 3. Pfingsttag. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Vernon (Trad. ) - BWV 184 / Date parution : 1987-05-01/ Répertoire / Solistes SAT, Choeur SATB, 2 Flûtes Traversières,

Tonalité : A-Dur -. Par HEINICHEN JOHANN DAVID. Gattungen: Magnificat - Verwendung / Anlässe: Marienfeste, Marianische Gesänge - Verwendung / Kirchenjahr: Advent, Wei cor achten - Langue : Latin/ Répertoire / Solistes SAT, Choeur SATB, 2 Flûtes Traversières,

Kantate Zum 3. Pfingsttag. Par BACH JOHANN SEBASTIAN. Horn, Paul (Arr. ) - Wicker, Vernon (Trad. ) - BWV 184 / Date parution : 1987-07-01/ Répertoire / Solistes SAT, Choeur SATB, 2 Flûtes Traversières,

Version Hellmann/Koch. Par BACH JOHANN SEBASTIAN / KOCH JOHANNES H.E.. BWV 247 / Date parution : 1976-02-01/ Répertoire / Solistes SAT, Choeur SATB, 2 Flûtes Traversières,

Fassung Ii. Par BACH JOHANN SEBASTIAN. BWV 245 / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Fassung Ii. Par BACH JOHANN SEBASTIAN. The St. John Passion ranks alongside the St. Matthew Passion, the Christmas Oratorio, the Magnificat and the B minor Mass as one of the great vocal works from Johann Sebastian Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he substantially revised the general concept of the piece and also changed numerous details. All previous editions of the St. John Passion have combined readings from various layers of sources and thus present the work in a form which was never heard during Bach’s lifetime. Consequently, the wish often expressed by conductors to perform anauthentic version by Bach could not be easily achieved. The present critical, new edition of the St. John Passion fulfills this wish and for the first time makes available the complete music of the second version of the work as it was performed under Bach’s direction in 1725. Since a number of movements were replaced by others, including the opening chorus, this version differs most dramatically from the “standard” version which is well known today. / Date parution : 2005-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Tonalité : Es-Dur -. Par MENDELSSOHN-BARTHOLDY FELIX. Gattungen: Messen-Sätze - Reihen bei Carus: Stuttgarter Ausgaben (Urtext) - Verwendung / Kirchenjahr: Wei cor achten - Langue : Latin/ Répertoire / Solistes SSATB, Choeur SATB, 2 Flûtes Traversières

Kantate Zum 2. Pfingsttag. Par TELEMANN GEORG PHILIPP. This early work, probably composed during the period 1701–1705, is in a style and form customary during the 17th century, combining biblical words with paraphrased verses. The words depict “gentle breezes” giving place to the rushing wind at thecoming of the Holy Spirit. Suitable for Whitsun./ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières

Kantate Zum 2. Pfingsttag. Par TELEMANN GEORG PHILIPP. This early work, probably composed during the period 1701–1705, is in a style and form customary during the 17th century, combining biblical words with paraphrased verses. The words depict “gentle breezes” giving place to the rushing wind at thecoming of the Holy Spirit. Suitable for Whitsun./ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières