Trilogia popolare - Edizione critica (ril. brochure). Par VERDI GIUSEPPE. Anlässlich des 200-jährigen Jubiläums von Giuseppe Verdi erschien 2013 der 4-bändige Schuber POPULAR TRIOLOGY mit den drei bekanntesten Opern des Komponisten: RIGOLETTO (1851) und IL TROVATORE (1853), jeweils in einem Band sowie LA TRAVIATA (1853)in zwei Bänden. Der elegante, kostengünstige Schuber enthält Klavierauszüge, die auf den kritischen Ausgaben der Partituren beruhen, die bei RICORDI in Zusammenarbeit mit THE UNIVERSITY OF CHICAGO PRESS erschienen sind (RIGOLETTO: Martin Chusid, ed. IL TROVATORE:David Lawton, ed. LA TRAVIATA: Fabrizio Della Seta, ed. ) / Opéra-opérette / Répertoire / Voix et Piano Réduction

Opera Completa. Par TESTI FLAVIO. Opera Completa / Opéra-opérette / Répertoire / Voix et Piano Réduction

Ed. Critica Di Charles S. Brauner - Riduzione Per Canto E Pianoforte. Par ROSSINI GIOACHINO. Reduction for voice and piano based on the critical edition of the orchestral score. In two volumes. Volume 1 contains Act One, with characters, instrumentation, index of pieces, source notes, a preface, and critical notes. Volume 2 contains Act II and Act III. 'Mosè in Egitto (1818) is the fourth of the nine opere serie that Rossini composed for Naples between 1815 and 1822. As his letters to his mother show, Rossini was very proud of this opera, considering it an especially fine achievement that might appeal more to posterity than to the audiences of his day. In fact, it proved to be one of his most frequently performed opere serie. The present reduction for voice and piano, in two volumes, derives from the critical edition of the score, published by Fondazione Rossini Pesaro in collaboration with Casa Ricordi by Charles S. Brauner: the edition is based mainly on the autograph score now housed in the Bibliothèque nationale de France in Paris. This autograph score is complete but it is not completely autograph and many sections have offered some problems for the reconstruction of the text: the recitative in Act I and the Aria Mosè in Act II are not by Rossini, the first five recitatives in Act II are not in Rossini’s hand and may or may not be by Rossini, also not in Rossini’s hand is the Aria Amaltea, although undoubtedly by Rossini because borrowed from his earlier opera Ciro in Babilonia. The Preface and the Critical Commentary offer for the first time some valid tools to reconstruct the entire history of the opera, since the first performance in Naples (1818, 1819) to the Parisian ones (1822 – 1840). In particular in the appendices are included the original Aria Faraone which, composed by Michele Carafa for the first two productions of the opera in Naples in 1818 and 1819, was later replaced by the Aria Faraone Rossini himself composed in 1820 and, in Appendix II, the new ending of the recitative following Duetto N. 3 which Rossini composed for one of the Parisian performances, after 1822. ' Mosè in Egitto (1818) is the fourth of the nine opere serie that Rossini composed for Naples between 1815 and 1822. As his letters to his mother show, Rossini was very proud of this opera, considering it an especially fine achievement that might appeal more to posterity than to the audiences of his day. In fact, it proved to be one of his most frequently performed opere serie. The present reduction for voice and piano, in two volumes, derives from the critical edition of the score, published by Fondazione Rossini Pesaro in collaboration with Casa Ricordi by Charles S. Brauner: the edition is based mainly on the autograph score now housed in theBibliothèque nationale de France in Paris. This autograph score is complete but it is not completely autograph and many sections have offered some problems for the reconstruction of the text: the recitative in Act I and the Aria Mosè in Act II are not by Rossini, the first five recitatives in Act II are not in Rossini's hand and may or may not be by Rossini, also not in Rossini's hand is the Aria Amaltea, although undoubtedly by Rossini because borrowed from his earlier opera Ciro in Babilonia. The Preface and the Critical Commentary offer for the first time some valid tools to reconstruct the entire history of the opera, since the first performance in Naples (1818, 1819) to the Parisian ones (1822 & 1840). In particular in the appendices are included the original Aria Faraone which, composed by Michele Carafa for the first two productions of the opera in Naples in 1818 and 1819, was later replaced by the Aria Faraone Rossini himself composed in 1820 and, in Appendix II, the new ending of the recitative following Duetto N. 3 which Rossini composed for one of the Parisian performances, after 1822. / Niveau : Intermédiaire / Répertoire / Voix et Piano Réduction

Ed. Critica Di C. Bacciagaluppi - Riduzione Per Canto E Pianoforte. Par PERGOLESI GIOVANNI BATTISTA. Pergolesi wrote his Mass in D major for an unknown occasion. The composition however is similar in quality and commitment to his other Mass in F major. Numerous manuscript copies all over Europe testify to the fortunate reception of the work in the eighteenth century. As was traditional in Naples, Pergolesi limited his composition to the “Kyrie” and “Gloria”. The festive character of the work is emphasized by the rich scoring for vocal soloists, five-part choir and a full orchestra of strings and winds. This edition, made with strict philological criteria, is based as its main source on a set of parts preserved partly in Naples, partly in Montecassino. These parts were made for aperformance conducted by the composer, who added various autograph annotations. Among the secondary sources are two period Neapolitan scores, today in Bologna and Dresden. The book includes a historical introduction (which traces the history of the genre in Naples and the relationship between the two Masses by Pergolesi) and the critical notes. / Niveau : Intermédiaire / Messe / Répertoire / Voix et Piano Réduction

Ed. Tradizionale - Opera Completa. Par CIMAROSA DOMENICO. Langue: Italian/English(UK) / Opéra-opérette / Répertoire / Voix et Piano Réduction

Per Orchestra, Riduzione Per Canto E Pianoforte. Par DONATONI FRANCO. Langue: English(UK)/Deutsch/Français/Nederlands / Niveau : Intermédiaire / Répertoire / Voix et Piano Réduction

Ed. Tradizionale - Opera Completa. Par MALIPIERO GIAN FRANCESCO. Italian / Opéra-opérette / Répertoire / Voix et Piano Réduction

Opera Completa. Par ROSSELLINI RENZO. Opera Completa / Opéra-opérette / Répertoire / Voix et Piano Réduction

Based on Critical Edition by Marco Bizzarini - A. Borin. Par VIVALDI ANTONIO. The publications of the vocal score series are based on the critical edition of the full scores. The preparation of these vocal scores was realized by the Editorial Staff ofCasa Ricordi. / Opéra-opérette / Répertoire / Voix et Piano Réduction