SKU: HL.48024687
ISBN 9781540058775. UPC: 888680952945.
Jacques Offenbach was not only a composer of inexhaustible imagination, but also a virtuoso cellist. Even after his first years in Paris, he liked to perform as a musician again and again. To mark his 200th birthday in 2019, the Offenbach Edition Keck OEK publishes original compositions by the 'Mozart of the Champs-Elysees' for 'his' instrument plus piano accompaniment. The pieces are suitable for amateur studies and concert performances alike - not only in the anniversary year! Some of them were already available in older separate editions, some of them have been unpublished until now. In the present edition, they are published in three volumes according to their musical relation, based on the multiple award-winning editorial standards of the OEK. Vol. 1 contains dance-like pieces (Tarantelle / Trois Andante / Marche chinoise), Vol. 2 baroque-style parodies (Musette / Chant des mariniers galants dapres Rameau / Tambourin dapres Rameau) and Vol. 3 Romantic character pieces (La Course en traineau / Introduction et valse melancolique / Reverie au bord de mer / Deux ames au ciel).
SKU: HL.48024686
ISBN 9781540058768. UPC: 888680952938.
SKU: FH.VA5
ISBN 978-1-55440-567-1.
This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. A rich and varied selection of music in each of these nine progressive volumes of repertoire appeals to violists of all ages. From the Preparatory Level through Level 8, students will be exposed to quality selections originally written for viola, fun arrangements of traditional fiddle and folk tunes, as well as contemporary pieces by notable composers such as Violet Archer, Carey Cheney, and Fritz Kriesler.Concertos and Concertinos:Concerto in C Minor, op. 12, no. 3 - Seitz, Friedrich- First MovementConcerto in G Major, TWV 51:G9 - Telemann, Georg Philipp- Third Movement- Fourth MovementConcerto in D Minor, op. 3, no. 6, RV 356 - Vivaldi, Antonio arr. Christine Donkin- Third MovementSonatas and Sonatinas:Sonata in E flat Major - Dittersdorf, Carl Ditters vonSonata - Cerha, Friedrich- First Movement- Second MovementSonata in G Major, op. 2, no. 6 - Flackton, William arr. Harold Birston- Second Movement- Third MovementConcert Repertoire:Langsam, op. 102, no. 2 - Schumann, RobertLa Provencale - Marais, Marin arr. May MukleArioso - Bach, Johann Sebastian arr. Mark MrozinskiTambourin - d'Hervelois, Louis de Caix arr. Paul DoktorGypsy Pavan - Mozetich, MarjanSpace Dance - Mozetich, MarjanNocturne, op. 186, no. 2 - Kalliwoda, Johann WenzelCradle Song - Bridge, Frank.
SKU: FH.WS3
ISBN 978-1-55440-552-7.
Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. Nine progressive volumes of Repertoire expose students to original works and arrangements of diverse styles from W.A. Mozart to Violet Archer, with selected works by notable jazz artist Paul Desmon (Take Five), and living composer Phil Woods. Each level provides opportunities to explore Baroque, Classical, Romantic, and contemporary works, with original, unaccompanied selections from Levels 5 through 8 that use extended techniques such as multiphonics, key clicks, and bisbigliando. Earlier works pre-dating the origin of the saxophone have been carefully arranged with consideration of the unique quality of the instrument. Exposure to these works help to develop musicianship and an understanding of tonality, creating well-rounded and versatile performers. Selections written for both E_Alto and B_Tenor include piano accompaniments that function with both instruments.Eb Saxophone:Mainly Transcriptions:Sonata, op. 2, no. 1 - Benedetto Marcello, arr. Jason Noble- Third Movement- Fourth MovementMazurka, op. 67, no. 2 - Frederic ChopinSonata, BWV 1033 - attr. Johann Sebastian Bach, arr. Stephen Chatman- Menuet I- Menuet IITambourin (from Iphigenie en Aulide) - Christoph Willibald Gluck, arr. Christine DonkinAnglois con Variationi - Johann Gottlieb Nicolai, arr. Stephen ChatmanMainly Original Repertoire for Saxophone:Song - Walter S. HartleyIt's a Raggy Waltz - Dave Brubeck, arr. Paul Harris and Beverley CallandDancing Under the Afghan Sky - Christiaan VenterFlight - Noel GallonBb Saxophone:Mainly Transcriptions:Serenade - attr. Roman Hoffstetter, arr. John HarleSonata, K 13 - Wolfgang Amadeus Mozart- Menuetto I- Menuetto IIIntermezzo (from Cavalleria Rusticana) - Pietro Mascagni, arr. Eugene RousseauSinfonia (Arioso) - Johann Sebastian Bach, arr. Mark MrozinskiMainly Original Repertoire for Saxophone:Dancing Under the Afghan Sky - Christiaan VenterGrand Ole Duke - James RaeThe Blue Fox - Frank J. Halferty.
SKU: HL.48024688
ISBN 9781540058782. UPC: 888680952952.
SKU: BT.9781408105276
ISBN 9781408105276. English.
The perfect book for pupil and teacher.
SKU: FH.VA1
ISBN 978-1-55440-563-3.
This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. A rich and varied selection of music in each of these nine progressive volumes of repertoire appeals to violists of all ages. From the Preparatory Level through Level 8, students will be exposed to quality selections originally written for viola, fun arrangements of traditional fiddle and folk tunes, as well as contemporary pieces by notable composers such as Violet Archer, Carey Cheney, and Fritz Kriesler.Baroque and Classical Repertoire:Minuetto and Trio - Albrechtsberger, Johann Georg arr. Paul JenkinsVittoria, mio core! (Win My Heart!) - Carissimi, Giacomo arr. Christine DonkinTambourin - Rameau, Jean-Philippe arr. Christine DonkinHornpipe a l'inglese - Galliard, John Ernest arr. Christine DonkinMusette in D Major, BWV Anh. 126 - Bach, Johann Sebastian arr. Kathleen WoodIf Love's a Sweet Passion, from The Fairy Queen - Purcell, Henry arr. Kathleen WoodGerman Dance - Haydn, Franz Joseph arr. Jason NobleTraditional and 19th-century Repertoire:Linstead Market - Jamaican folk song arr. Harold BirstonNocturne - Alard, Jean-DelphinBig Foot Lou - Gearen, Joseph arr. Forrest KinneySakura (Cherry Blossoms) - Japanese folk song arr. Joanne MartinShe's Like the Swallow - Canadian folk song arr. Forrest KinneyNouvelle agreable! (Good News!) - 18th-century French carol arr. Christine Donkin20th-century Repertoire:The Underworld of Worms and Other Crawlies - Wilkinson, Marguerite and Philip BassDill Pickles - Johnson, Charles L. arr. Zav RT and Christine DonkinBudapesto - Cheney, CareyFull Steam Ahead - Jones, KennethThe Puppet Show, op. 5, no. 1 - Trott, Josephine transc. Barbara BarberThe Caissons Go Rolling Along - Gruber, Edmund L. arr. Forrest KinneyCasting the Nets - Jones, Kenneth.
SKU: BO.B.3340
ISBN 9788480207591.
English comments: My dedication to the string instruments has been a constant throughout my compositional career and I knew that sooner or later the time would come to compose a concerto for violin and orchestra. That moment came in the autumn of 2002 and after ten months of uninterrupted work I finished it in August of 2003. It is a work structured similarly to the traditional concertos. An important impetus for the elaboration of my concerto was due to the ill-fated violinist Ginette Neveu. Her version of Sibelius' Concerto has always stayed with me. For this reason the first movement, Moderato-Allegro, begins with a contemplative atmosphere similar to that of Sibelius' Concerto in which the principal thematic ideas appear tentatively. These ideas, two rhythmic and two melodic, are reaffirmed through a broad development that culminates in an orchestral fullness. A calm, mysterious passage recalls the introduction and after becoming blurred, three bars burst in leading to the rapid section of the movement. Soloist and orchestra engage in a dialectic struggle of a dramatic nature. The agitation subsides leaving only a tranquil and suggestive clarinet phrase. This will be taken up by the soloist who leads up to the movement's most dramatic moment playing an accelerating triplet figure supported by an orchestral pedal in crescendo. From here the soloist's cadenza emerges beginning with soft double notes. It finishes with an ascending progression and the soloist settles into the high register to elicit the orchestra's intervention in a soft and transfigured atmosphere. Once internalised the second movement, Adagio poco sostenuto e leggero begins. It has a solemn character and opens with two trumpet calls answered by the violoncellos and the contrabasses. The violin soloist introduces and plays two nostalgic themes, the first in the low register and the second, more extensive, in the middle register. The soft and delicate Misterioso e leggero begins with the violin singing on high. The rhythm of the constant quaver figures gradually accelerates until the soloist provokes a dramatic full orchestra as in a cadenza. Once again, the Calmo, in which the soloist with less and less orchestral attire serenely bids farewell. A rising series of double stops by the soloist serves to initiate the Finale-Scherzo. In 6/8 rhythm and with the character of a rondo it carries us along in a carefree, virtuosic ambiance. The principal motives, brief and concise, emerge from the happy, playful theme presented by the soloist. With an intricate progression of rapid sixths in double stops it reaches a tense and somewhat combative moment. However this resolves itself in a diminuendo that the soloist peacefully takes up with the notes re-la to commence the cadenza. This culminates in a series of tied notes to reintroduce the principal theme. A moment of melodic suspension serves as a farewell before the brief and jovial final coda. --The authorComentarios del Espanol:A lo largo de mi carrera compositiva mi dedicacion a los instrumentos de cuerda ha sido constante y sabia que, tarde o temprano, llegaria el momento de componer un concierto para violin y orquesta. Este llego en otono de 2002 y, tras diez meses de trabajo ininterrumpido, lo termine en agosto de 2003. Se trata de una obra estructurada de manera similar a los conciertos tradicionales. Un importante impulso a la elaboracion de mi concierto lo debo al recuerdo de la malograda violinista Ginette Neveu. Su version del concierto de Sibelius ha permanecido siempre dentro de mi. Por ese motivo, el primer movimiento Moderato-Allegro se inicia con una atmosfera contemplativa cercana a la del mencionado Concierto, en la que aparecen cautamente las principales ideas tematicas. Con un amplio desarrollo se llega a un lleno orquestal en el que estas ideas -dos ritmicas y dos melodicas- quedan reafirmadas. Un pasaje calmo y misterioso rememora la introduccion. Tras desdibujarse, irrumpen tres compases que nos llevan a la parte rapida del movimiento. Solista y orquesta establecen un combate dialectico de caracter dramatico. La inquietud desaparece hasta una tranquila e insinuante frase del clarinete. Esta sera recogida por el solista, quien, a base de una figuracion de tresillos cada vez mas rapidos apoyada por un pedal de la orquesta in crescendo, conduce hacia el momento mas dramatico del movimiento. De aqui nace la cadenza del solista, que se incia con suaves notas dobles. Finaliza con una progresion ascendente y el solista se coloca en el registro agudo para llamar la intervencion de la orquesta dentro de una atmosfera suave y transfigurada. Interiorizado es el segundo movimiento Adagio poco sostenuto e leggero. Con dos llamadas de las trompas respondidas por los violonchelos y contrabajos inicia el Adagio de caracter grave. El violin solista introduce y canta dos temas nostalgicos. El primero en el registro grave y el segundo, mas amplio, en el medio. Inicia el Misterioso e leggero, de caracter suave y delicado. Con el violin cantando en agudo. La constante figuracion de corcheas acelerara poco a poco el ritmo hasta que el solista a modo de cadenza provocara un dramatico lleno orquestal. De nuevo el Calmo, donde el solista, cada vez con menos ropaje orquestal, se despide serenamente. Una subida de dobles cuerdas a cargo del solista sirve para iniciar el Finale-Scherzo. Este, en ritmo de 6/8 y con caracter de rondo, nos transporta en un clima virtuosistico y despreocupado. Del tema alegre y jugueton presentado por el solista nacen los principales motivos, breves y concisos. Con una intrincada sucesion de rapidas sextas en doble cuerda se llega a un momento crispado y algo combativo que, sin embargo, se resolvera en un diminuendo que el solista recoge apaciblemente con las notas re-la para inciar la cadenza. Esta culmina con un suave rosario de notas en ligado para introducir de nuevo el tema principal. Un momento de suspension melodica sirve como despido antes de la breve y jovial coda final. La obra fue estrenada el 23 de septiembre de 2005 en el Teatre Monumental de Madrid por la Orquesta Sinfonica de RTVE con Markus Placci de solista y Uwe Mund de director. Gravacion: RNE y Canal Clasico de TVE. --El Autor.
SKU: CA.338150
ISBN 9790007254933. Language: Spanish/German. Text: Munzer-Dorn, Markus.
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