A series of popular music for working string quartets. Light enjoyable repertoire pieces and entertaining encores. Each folio contains five pieces. Contents: \'Bridge Over Troubled Water\', \'Candle In The Wind\', \'(Everything I Do) I Do It For You\', \'Killing Me Softly With His Song\', \'Without You\'. / Quatuor A Cordes

Irish Music for Strings Score + Parties. Par AUTEURS DIVERS. The cheerful and often melancholic melodies of Ireland lend themselves well for easy string quartet or ensemble repertoire. Wonderful tunes such as 'A Lovely Lass” and 'The Foggy Dew” have been arranged by Speckert for two violins, viola and cello. In all pieces the viola can be replaced by a third violin. 'Fiddle Tunes” forms part of the 'Easy String Ensemble” series./ Répertoire / Ensemble à Cordes

Par BACEWICZ GRAZYNA. Grazyna Bacewicz realised at a very early age that her main purpose in life was to compose music. Already during the 1920s, as a student of Lódz Conservatoire, as part of her lessons in harmony and counterpoint, she made attempts at composing, in which she tried to resolve nagging technical problems and impart an artistically satisfying form to them. She grew up in an atmosphere of anti-romantic tumult and the emerging neoclassical style. She assimilated the main attributes of that current in a natural way: the need to forge logical formal constructs based on new harmonic principles, not determined by the major–minor system, and also a freedom in the shaping of textures, a fixed element of which was the combining of homophony with more or less strict polyphonic forms. One example of such a strategy is the String Quartet from her student years, signed with the date 1929–1930, which the composer did not include in her official catalogue of works. In the first movement (Allegro moderato), one can distinguish two principal subjects, served in the form of the incomplete exposition of a fugue. The chromaticised first subject, with its strongly highlighted head motif, appears in the cello, with an answer coming four bars later in the first violin. After a short bridge, the first violin intones the second subject, of a different character (dolce), and the answer appears a bar later and an octave lower in the viola. Both subjects can be heard also in the closing coda, and the space between them is filled by counterpoints based largely on ostinato figures of various sorts – a technique that Bacewicz would hone to perfection in her later work. The middle fughetta (Molto adagio), with a subject stated just once, and in only three parts (cello, first violin, viola), acts as an intermezzo. The third movement (Allegro molto moderato) is a double fugue with strongly contrasting subjects. The first subject, in the form of a chromaticised melodic continuum, exposed by the cello, is initially shown with the traditional arrangement retained (answered by the viola and second violin at a fifth, and by the first violin an octave above). The second subject (energico) is a structure shaped by the opening repetition of a motif of perfect fifths, then octaves combined with staccato-tremolo figurations. As the work unfolds, the two subjects appear simultaneously in original and inverted form, coming together in the closing Cadenza in a uniform idea crowned by strong (fff) chords repeated towards the end. - Malgorzata Gasiorowska/ Répertoire / Quatuor à Cordes

Par BACH JOHANN SEBASTIAN. Bach would almost certainly have approved of this arrangement of his organ work (BWV 582) for string quartet by John Cooley, as it conveniently has four contrapuntal parts, and he was well known for making arrangements of his own works, according to instrumental resources at his disposal. Moreover, the parts mostly fit well within the ranges of violin, viola and cello, although notes have been raised by an octave in a few places. This quartet version is therefore simply the four parts written out separately, following Bach?s original version note for note. It is quite ?notey? but straightforward and accessible technically to reasonably good players as there are no tricky rhythms or high notes. As well as this organ piece arrangement, SJ Music has also published John Cooley?s arrangements of Mozart?s piano duets K497 and K521 for piano trio and piano quartet respectively, Bach?s concerto for violin and oboe for string quartet, and one of Purcell?s trio sonatas for string trio. / Date parution : 2022-03-16/ Répertoire / Quatuor à Cordes