Niveau Intermediaire-This Acoustic Guitar method is designed for guitarists already possessing the foundations for progress in the practice of their instrument. Clear and comprehensive La Guitare Acoustique En Autodidacte aims to help intermediate-level guitarists to enhance their skills by mastering new playing techniques including use of the right and left hand and rhythmic beats. This Acoustic Guitar method is designed for guitarists already possessing the foundations for progress in the practice of their instrument.Clear and comprehensive La Guitare Acoustique En Autodidacte aims to help intermediate-level guitarists to enhance their skills by mastering new playing techniques including use of the right and left hand and rhythmic beats.

48 great classical guitar solos for intermediate to advanced level players-The Classical Guitar Collection contains 48 classical guitar solos from classical greats such as Mozart Grieg Purcell and J.S. Bach. This collection features many of Julian Bream?s classic arrangements of well-known guitar masterpieces for Intermediate to Advanced level guitar students.

New Pieces - Fortgeschritten. Par COLES PAUL. / Niveau : Intermédiaire / Recueil / Guitare Classique

Media Comments:(...)A publication that is relevant and enjoyable to use on your own as it is in a tutorial setting is a rare thing indeed but wonderfully achieved here by Richard Graf in his book of duos Guitar for Two. Entertaining titles of original works include Mission Possible (an entertaining spoof version of Mission Impossible) and Reggae for Carmen (an amusing mix of Stevie Wonder’s Masterblaster and the Habañera from Carmen) as well as other more traditional arrangement of tunes such as Danny Boy and House of the Rising Sun. The relatively simple top line combined with the more detailed accompaniment offers a range of challenges which will make this book of usethroughout the easy to intermediate stages of learning the guitar. A CD included allowing accompanied performance of the pieces at home. Although the CD is performed on steel-strung guitars this book is nevertheless also perfectly relevant for classical guitarists. Graf has pitched his writing to provide challenging yet idiosyncratic pieces within a framework of highly entertaining styles.(...)(Music Teacher 6/03)Contents: Graf Richard: RichBlues · Bonfa Luiz: Manha de Carneval (Black Orpheus) · Graf Richard: Rain in Spain · Scarborough Fair · Graf Richard: Mission Possible · Russian Tango (Dark Eyes) · Graf Richard: Whatz up · Reggae for Carmen (Habanera) · Graf Richard: Sad Tango · Graf Richard: Flip Flap · House of the Rising Sun · Graf Richard: Bolero · Danny Boy · Oh Happy Day · Graf Richard: Zeit vergeht

The duets in Ten Concert Pieces for Classic Guitar Duo are written in different musical styles and varying degrees of difficulty. In addition to several pieces emulating the Baroque and Classical periods the collectionincludes compositions inspired by the bossa nova jazz blues and even the musical cross-pollination of the stride piano style. Ideal for recital concert or festival settings audiences as well as intermediate to moderatelyadvanced guitarists will enjoy the timeless international flavor of these engaging original compositions. Written in standard notation only.

The legendary flamenco guitarist and best-selling Mel Bay Publications author Juan Serrano is well-known for his sound recordings transcriptions of his music and technical methods for flamenco guitar. Now the music that formedhis technical repertory and was the musical foundation given to his by his father Antonio el del Lunar (guitarist for all the flamenco singers of his time including Pastora Pavon-Nina de los Peines) is at your fingertips in thisbook that contains completely unreleased flamenco puro that is the foundation of one of the world's leading guitarists. These falsetas or variations on flamenco forms (toques) are graded so they are valuable for beginners intermediate advanced and professional flamenco guitarists--or for classical guitarists that want to learn flamenco.

Media Type : Book Level : Multiple Levels Musical Genre : Flamenco Number of pages : 176 This beginning guitar method is written for aspiring classical or flamenco guitarists who want to learn how to read music up to the intermediate level. Music from the Spanish tradition such as Romanza, Pica-Pica, El Vito, Café de las Chinitas, Perfidía, La Virgen de la Macarena and flamenco music of Juan Serrano provides a technical and musical foundation that improves facility in playing scales, arpeggios, tremelo, and rasgueado. Tablature is not included as the one of the primary aims of this book is to improve note reading and the comprehension of the fundamental elements of music. Performances of all musical examples are available online that includes one performance at tempo for each of the more than 230 musical examples. Short repertoire pieces from Gaspar Sanz, Dionisio Aguado, Fernando Sor, Mauro Guiliani, Ferdinand Carulli, and Mateo Carcassi are included at the end of the book and are repertoire studies that will prepare guitarists for further study in classical and/or flamenco guitar.

Paolo Bellinati presents his long-awaited solo Guitar arrangements of 10 of the 12 compositions featured on the companion online video. Written in standard notation only with brief performance notes for each piece these arrangements would best be approached by the intermediate to advanced classic Guitarist.In this collection masterful Brazilian Guitarist Paolo Bellinati has meticulously transcribed his solo Guitararrangements of ten melodies by his beloved countryman and pioneering bossa nova composer Antonio Carlos Jobim. Bellinati particularly laboured over his arrangements of Jobim's instrumentalcompositions i.e. songs without lyrics as these 'reveal a much more sophisticated Jobim closer to his favourite classical composers.The book also contains arrangements of lyrical songs of a more introspectiveand romantic character including 'Luiza' which Bellinati regards as 'The most beautiful and perfect Brazilian song ever written'. Includes access to online video.

Intermediate-level guitarists will enjoy playing through this varied collection of pieces all in one volume. A wide gamut of composers from the Renaissance to the nineteenth century is included along with a few anonymous contributions. Continuing with the techniques and carefully thought-out fingerings and notation employed in Dr. Afshar???s previous publication (Beginning Pieces for Classical Guitar) selections like ???Carcassi Study #3??? and ???Sor Studies Nos. 5 and 6??? require the execution of rest stroke technique on their melodies in order to distinguish them clearly from the concurrent free-stroke accompaniment. In the same spirit ???Study No. 5??? by Fernando Sor has beenwritten out in a way that clearly shows the melody as it appears on beats one and three. The nine-movement suites by Gaspar Sanz and Robert de Vis?e introduce the student guitarist to Baroque dances and ornamentation

Media Type : Book Level : Beginning-Intermediate Musical Genre : Classic Number of pages : 76 Traditionally the classic guitar has been either excluded or inadequately represented in orchestration textbooks, resulting in much misinformation about its technique, its practicality in various performance contexts, and its character. The guitar's unique tuning, broad timbral variety and intimate nature pose a formidable challenge to non-guitarist composers, for whom an extensive amount of time would be required to gain even a minimal hands-on acquaintance. For most composers this is an unrealistic expectation, leading to time-consuming consultations and extensive drafting or rewriting. The purpose of this book is to provide the non-guitarist composer with the fundamental tools needed to write idiomatically for the guitar. The first of its kind for the guitar, the reference was written in consultation with dozens of composers and conceived with three types of end users in mind: - Experienced composers with a concern for writing idiomatically for the guitar. - Guitarists who are commissioning a work from a composer who has never written for the instrument. - Libraries that wish to add this essential sourcebook to their music reference section. The very structure of the book reflects the composer's own intuition by addressing such questions as: - How is the guitar constructed? - What does successful guitar music look like? - How is the guitar played? - How does the guitarist interpret music and express emotion? - Which musical elements and gestures are most effective? - How do these elements combine to create an effective pacing of idioms? By examining the parameters of successfully written pieces, The Composer's Desk Reference for the Classic Guitar provides an expedient resource of ideas and illustrations contributing to the fluency of both first-time and seasoned guitar composers.

15 Songs Arranged for Solo Guitar in Standard Notation & Tab-Sound like a pro with these 15 solo Guitar arrangements carefully written for intermediate-level Guitarists. Each solo combines melody and harmony in one superb fingerpicking arrangement.The book also includes an easy introduction to basic fingerstyle Guitar. Songs include Creep • Daughters • Everybody Hurts • Fast Car • Hey There Delilah • Iris • Sunny Came Home • To Be with You • Wake Me up When September Ends and more.

Open tunings have been used by many country blues guitarists. From the alternating bass styles of Furry Lewis and Mississippi John Hurt to the evocative and haunting sounds of Skip James to the ragtime blues of Blind Blake. In this series we discuss some of the finest guitar arrangements played in open tunings. For the intermediate guitarist. Notation and tablature with three compact discs. / Guitare (Fingerpick) / 32 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

15 Songs Arranged for Solo Guitar in Standard Notation & Tab. The arrangements in this book are carefully written for intermediate-level guitarists. Each solo combines melody and harmony in one superb fingerpicking arrangement. The book also includes an easy introduction to basic fingerstyle guitar.