Arranged by Roberto Fabbri. Full score and 21 parts: 1) C Instr. (Flute Violin Guitar) / Bb Instr. (Clarinet Trumpet) / 2) C Instr. (Flute Violin) / 2) Bb Instr. (Clarinet Trumpet) / 3) Eb Instr. (Sax Horn Viola) / 4) Bass (Cello Trombone) / Piano / Percussions / Easy Violin

Arrangement and Orchestration by Andrea Cappellari. Full score and 19 parts: 1) C Instr. (Flute Violin) / 1) Bb Instr. (Clarinet) / 2) C Instr. (Flute Violin) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Violin) / 3) Bb Instr. (Clarinet) / 4) C Instr. (Clarinet Trumpet) / 4) Eb Instr. (Alto Sax.) / 5)r. (Violin) / 5) Bb Instr. (Clarinet) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin) / 6) Bb Instr. (Clarinet) / 6) Eb Instr. (Alto Sax.) / Guitar / Piano 1 / Piano 2 / Bass Cello Bassoon / Percussions / Four Hands Piano ad libitum. Performanceile also without Piano.

Uses: General ReformationScripture: Psalm 36:5; Lamentations 3:22-23; Psalm 89:8The faithfulness of Christ is the foundation of this outstanding original. A noble theme lifts the message to amazingheights while the considerate vocal writing makes this selection useful for church choirs of any size. With piano only or with the beautiful orchestration this sacred choral anthem is a tuneful reminder of God's glory andmajesty. Available separately: SATB Orchestration (Score and parts for Piano Flute 1&2 Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Timpani Percussion 1&2 Harp Violin 1&2 Viola Cello Double Bass) StudioTrax CD. Duration: ca. 3:33.

Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fisher Hall Lincoln Center New York City 10th June 2004. Orchestration 3 Flutes 3rd dbl. Piccolo2 Oboes1 English Horn in F3 Clarinets in Bb 3rd dbl. Bas Clarinet in Bb2 Bassoons1 Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba1 (set of) Timpani2 Percussion (two players)1: Bass Drum (large) Chinese Cymbal Mark Tree2: TamTam (large) Vibraphone Antique Cymbal1 Harp1 Piano dbl. CelestaStringsAll non-octave transposing instruments are notated in their relevanttranspositions.Horns notated in bass clef sound a fourth above the notated pitch.All accidentals apply to each single note only except tied notes. Naturals for 'safety'. Programme Note This piece marks the conclusion of what could now be called 'The Nightshade Trilogy' three pieces which explore the contrasting worlds of Light and Darkness. As opposed to the earlier chamber work Nightshade which dealt with extremes of high and low pitches and the chamber orchestra composition Second Nightshade a two-fold piece contrasting darkness/anxiety and light/calm Final Nightshade for full symphony orchestra takes us on a journey in which the forces of dark and light struggle - and co-exist - in a predominantly polyphonic web with brooding undertones. The melodic point-of-departure is not surprisingly to be found in either of the two preceding pieces of the Trilogy but in an older piece Corpus Cum Figuris from 1985. Over the ensuing years I've dreamt on and off of 'doing something' with the opening measures of this older work perhaps even building a new composition on that very simple inward-looking time was ripe and there's a nice nostalgia angle to the idea: Corpus Cum Figuris was the first piece of mine to be

Rollo Dilworth's exciting arrangement of this gospel favorite is an exuberant celebration of the birth of Jesus our Savior and King. The gospel swing rhythms scored for 3 trumpets piano bass guitar and percussion create adriving energetic anthem full of spirit and joy. Not to be missed! Surely to become a seasonal favorite year after year.Available separately: SATB SSA TTBB BonusTrax CD and ePak(C). Performance Time: Approx. 3:50.

Uses: General Lent Ash Wednesday Holy WeekScripture: I John 1:9; Psalm 51:10-12; Hebrews 8:12From the pages of concert music repertoire comes an adaptation that incorporates the power of theoriginal masterwork with the impact of a new sacred text. Contemplative in nature the cry for forgiveness and mercy rises like a prayer from the luxurious textures of the choral sonority. Linear voice leading gives thisthrough-composed anthem an organic quality flowing with emotion and religious devotion. A noble orchestration crowns the whole with dignity and nobility. Available separately: SATB Orchestration StudioTrax CD. (Orchestrationinstrumentation: Score & parts for flute 1&2 oboe clarinet 1&2 bassoon horn 1&2 trumpets 1-3 trombone 1-3 tuba timpani percussion 1&2 harp piano violin 1&2 viola cello double bass). Duration: ca. 4:47.

Score-Morton Gould's Philharmonic Waltzes (Waltz Suite In Three Parts). Full score. Playing time: 9 minutes.Instrumentation: 2 Flutes (2nd on Piccolo) 2 Oboes 2 Clarinets Bass Clarinet (on 2ndClarinet part) 2 Bassoons Contra Bassoon 4 Horns 3 Bb Trumpets 3 Trombones Tuba Percussion (3) Timpani Piano Harp Strings.

Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra conducted by David Robertson 29th November 2002.3 Flutes 1st and 2nd also Alto Flutes in G 3rd also Piccolo3 Oboes 3rd also Cor Anglais in F3 Clarinets in Bb 3rd also Bass Clarinet in Bb3 Bassoons 3rd also Contra Bassoon4 Horn in F3 Trumpets in Bb3 Trombones1 TubaTimpani4 Percussion four playersPlayer 1 - Vibraphone Glockenspiel Water Chime Bell Tree Japanese Wood Blocks Cymbal (Suspended) TamTam (Medium)Player 2 - Triangle Tubular Bells Crotales Marimba Chinese CymbalPlayer 3 - TamTam (Large) Java Gong(Large very low) Bell Lyra (Handheld) Sizzle CymbalPlayer 4 - Bass Drum Glockenspiel Xylophone1 Harp1 Piano also CelestaStrings - 16/14/12/10/8All transposing instruments are notated in their relevant transpositions.Any accidental apply only to the note that it immediately precedes except tied notes.Naturals appear occasionally 'for safety'.'LISTENING EARTH' is a symphonic drama a one- movement composition in four parts based on the work by two writers Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English a classical scholar essayist poet and politician but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems nature paintings I was immediately convinced when I carne across the Addison hymn that here was exactly what I wanted to use as my major source of inspiration for this piece commissioned by and written for The Berlin Philharmonic. I don't refer to the hymn in its entirety but have chosen the following 3 excerpts all acting as mottos for the first three sections of the piece thus turning the piece into a straightforward tonepoem in the classical

Gordon Goodwin's stellar reputation as a writer is well deserved. A funky half-time shuffle groove for big band, Gordon's clever opening melody statement is played by altos and trumpets with solo space provided for piano, alto, or tenor sax. The burnin' shout chorus will make this an all time favorite chart for every library. Percussion part included. As recorded on Gordon Goodwin's Big Phat Band: Swingin' for the Fences. This chart grooves!

A ballet in five movements for orchestra was commissioned by The Royal Opera House for Sir Kenneth MacMillan and The Royal Ballet. The first performance was given at The Royal Opera House on 19th March 1992.Scoring 4 FLUTES;2 OBOES; COR ANGLAIS; 2 CLARINETS IN BFLAT(2ND DOUBLING CLARINET IN E FLAT); BASS CLARINET IN B FLAT; 2 BASSOONS; CONTRA BASSOON; 4 HORNS IN F; 4 TRUMPETS IN C; 2 TROMBONES; 1 BASS TROMBONE; TUBA; HARP; CELESTA; TIMPANI; SOPRANOSTEEL PAN; PERCUSSION; STRINGS.The duration of this work is 34 minutes Conductor's score piano score and orchestral parts are available on hire.

Uses: General Pentecost Evangelism Reformation Church AnniversaryScripture: I Corinthians 12:12-27; I Peter 2:9-10; Acts 20:28The last e-mail between two best friends J. Paul Williams and JosephMartin contained the text of this inspiring testimony of faith. Written for a church Paul served during the early days of his ministry this anthem was completed posthumously and represents the crowning effort for this popularwriting team. Strong arching melodic gestures sequence and crescendo lifting to the heights these words: “grace is our miracle we are your church O Christ.” Available separately: SATB StudioTrax CD (Accomp. SplitTrax Perf.) Orchestration (Score & Parts for Flute 1 & 2 Oboe Clarinet 1 & 2 Bassoon Horn 1 & 2 Trumpets 1-3 Trombone 1 & 2 Bass Trombone/Tuba Timpani Percussion Harp Piano Violin 1 & 2 Viola Cello DoubleBass). Duration: ca. 3:53.

The Easy Funk Play-Along series for wind and brass instruments now also contains parts for the rhythm section. Now it is possible to provide live accompaniment to a varied wind ensemble consisting of flutes, clarinets, saxophones, trumpets and/or trombones (4 parts in each tune book with CD) on piano/keyboards, guitar, electric bass and percussion - ideal for school and music school ensembles.The score and all parts are available individually and can be used simultaneously in instrumental lessons. / Guitare Basse

This unique series allows you to form a jazz quartet with three players, playing either the same instrument or playing any combination of flute, clarinet, alto saxophone or trumpet. The CD contains accompaniments from a tight jazz backing band, which makes playing in a swing style easy.

By Henry Mancini. Arranged by Bob Cerulli. By Henry Mancini / arr. Bob Cerulli. For Full Orchestra. Full Orchestra. Intermediate Full Orchestra. Movie; TV. Level: 2.5 (grade 2.5). Conductor Score