30 beliebte Melodien aus Pop und Klassik leicht arrangiert von Hans-Günther Kölz. Par . / Date parution : 2021-12-09/ Recueil / Accordéon

Traite des accords des claviers droit et gauche et de la façon de s?en servir. Théorie et pratique, 57 morceaux tous styles, tous niveaux.

This collection of 15 accordion arrangements of tunes by Clifton Chenier (1925-1987) clearly demonstrates why he is known as the undisputed King of Zydeco music. Written for the piano accordion as opposed to the Cajun buttonaccordion all of the selections in this book are transcribed from Chenier's 1965-1987 recordings on Arhoolie Records. The featured tunes are: 'Ain't No Need of Cryin'' 'Tu le Ton Son Ton ' 'I'm Coming Home ' 'Jole Blonde ''Calinda ' 'Louisiana Two-Step ' 'Ay Ai Ai ' 'Louisiana Blues ' 'Black Gal ' 'Big Momou ' 'I'm on the Wonder ' 'Zydeco Cha Cha ' 'I'm a Hog for You ' 'Zydeco et Pas Sale ' and 'Black Snake Blues.' Dix Bruce con- tributes a fineessay on the colorful life of Clifton Chenier. A delightful companion CD recording is available in the spirit of Chenier's signature cry- 'Laissez les bon ton roulet!' (Let the good times role!) Note: 10 songs out of 15 areon the cd 96616CD Clifton Chenier '60 Minutes with the King of Zydeco.' The other 5 songs are transcribed from other Arhooolie CDs by Clifton Chenier.

This collection by Bruce Bollerud welcomes you to the international world of Accordion music. The book contains samples of ethnic folk music from Europe and the Americas and forms the foundation of a basic folkAccordion repertoire. Access to online audio is also included.These songs are from many nations. They are crowd pleasers and they are fun to play. I have played most of these songs in the various bands Ihave played with over the years. These melodies have stood the test of time so what are you waiting for? Open the book get your accordion out and let's play some music!One word about these songs: I generallylearn a song and then play it by heart-by memory as opposed to playing it by reading from a sheet of music. I believe this allows for more personal expression and interpretation which can be affected by audience response or theway I feel at the time. You'll notice that on most of the performances on the audio download available online I didn't play repeats. Because of the limited time available on a disc we found we couldn't fit all the tunes if weplayed them as written. - Bruce Bollerud

Accordion and Violin soli part for It Is Pain Flowing Down Slowly On A White Wall for Accordion and Strings by Bent Sørensen (2010-11). Co-commissioned by ULTIMA - Oslo Contemporary Music Festival Trondheim Soloists and Telemark Chamber Orchestra. Programme Note It is pain flowing down slowly on a white wall – the sentence – the title – was given to me by a Hungarian woman in August 2008. She put a note with the sentence in my hand after a festival and told me that my music reminded her of the sentence written by a Hungarian poet. It is music full of slow motion – full ofsorrow – full of tangos with no dancers. Maybe I imagined the tears of an accordion player flowing down slowly on the bellow of the instrument. (Bent Sørensen)

Par PAUSET BRICE. '(...) L'accordéon est un instrument unique: ses 'claviers' n'ont pas d'équivalent tant dans leur forme que dans leur ergonomie - c'est aussi un instrument à vent, mais sans embouchure qui le relierait aux poumons de l'instrumentiste - c'est un instrument à anches battantes, comme l'est la régale pour laquelle Monteverdi a prévu de tenir le continuo pour les moments les plus terrifiants de son Orfeo. Ce qui me fascine le plus, c'est la plasticité du réseau symbolique propre à la relation de l'instrument à son interprète: on tient l'accordéon contre son ventre, sur ses genoux, comme s'il s'agissait d'un enfant à qui l'on raconte une histoire le soir. Les mouvements symétriques, alternants évoquent chez moi le mouvement de balancier d'un berceau. Mais c'est aussi un instrument très violent dans l'athlétisme qu'il requiert de la part de celui qui le manipule, très violent, également, par la virtuosité qu'il peut dégager: une virtuosité méchante, macabre. C'est pour toutes ces raisons que la pièce que j'écris actuellement (l'encre des premières esquisses est encore fraîche) pourrait être décrite comme une collection de berceuses, chacune entendue du point de vue d'un jeune enfant expérimentant autant de moments oniriques, allant de l'extase aux cauchemars les plus traumatisants.' Brice Pauset / contemporain / Date parution : 2007-06-10/ Répertoire / Accordéon

Personne n?osait, Caruhel l?a fait ! Enfin édité de manière somptueuse (dessins originaux, histoires, commentaires...) une première série de classiques qui apporteront une irrémédiable bonne humeur dans les soirées de famille (dès que les enfants seront couchés !). Les morceaux sont classés en trois niveaux de difficulté, avec CD d?accompagnement.

A collection of carefully written and graded Accordion pieces to be used as a supplement to Accordion Methods. It provides extra material for rapid progress and different abilities in class to compound knowledge of certain fundamentals and add to the variety of pieces a student has to play. Part of the renowned flexible Palmer-Hughes Accordion Method this volume will fit into the development of students and ensure that they enjoy the instrument and have interesting and rewarding music to play.

17 hits from the Lads from Liverpool have been arranged for accordion. Includes: All You Need Is Love • Eleanor Rigby • The Fool on the Hill • Here Comes the Sun • Hey Jude • In My Life • Let It Be • Ob-La-Di Ob-La-Da • Penny Lane • When I'm Sixty-Four • Yesterday • and more.

After many years of teaching Accordion Jeanette and Lars Dyremose realised that there was a real need to supplement the existing Accordion literature with works focusing pedagogically on the development of specific skills necessary to master the technical demands of the instrument. This book not only contains some excellent pieces of Accordion repertoire but also gives information on the methodology behind 'The Life-Giving Bellows Playing' a study they believe to be a prerequisite for artistic Accordion playing.

After many years of teaching Accordion Jeanette and Lars Dyremose realised that there was a real need to supplement the existing Accordion literature with works focusing pedagogically on the development of specific skills necessary to master the technical demands of the instrument. This book not only contains some excellent pieces of Accordion repertoire but also gives information on the methodology behind 'The Life-Giving Bellows Playing' a study they believe to be a prerequisite for artistic Accordion playing.

24 treasured sacred favorites arranged for Accordion including: 'Amazing Grace' 'Beautiful Savior' 'Come Thou Fount of Every Blessing' 'Crown Him with Many Crowns' 'Holy Holy Holy' 'It Is Well with My Soul' 'Just a Closer Walk with Thee' 'A Mighty Fortress Is Our God' 'Nearer My God to Thee' 'The Old Rugged Cross' 'Rock of Ages' 'What a Friend We Have in Jesus' and more.

Né en 1948 à Rome, Philippe Hersant a accompli toutes ses études musicales au Conservatoire national supérieur de musique de Paris, notamment dans la classe de composition d?André Jolivet, avant d?être boursier de la Casa Velasquez de 1970 à 1972 puis de la Villa Médicis de 1978 à 1980. Depuis 1973, il est producteur d?émissions radiophoniques à France Musiques. À la tête d?un catalogue riche d?environ soixante pièces (sans compter ses partitions pour le cinéma ou la scène théâtrale), Philippe Hersant est largement reconnu par le monde musical actuel. Se refusant à ruser avec l?histoire, Philippe Hersant s?est forgé un langage qui prolonge le cours de toute la musique occidentale. Et sans jamais chercher à faire école, il fut l?un des premiers de sa génération à se situer, de nouveau, dans l?espace tonal et modal. Il n?en bannit pas moins toute inclination néo-classique. Au contraire, il revendique le maniérisme et la profonde subjectivité de sa mémoire comme sources et guides de creation.