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Saskia Apon: The Lonesome Knight: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
The composition the Lonesome Knight was based on a fairytale. The piece was writ...
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The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was a knight who went to fight and defeat the dragon that had beenkilling the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to findhis way home but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins in the festivities but after a long evening is once more leftalone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomes greatly disillusioned when there is none to be found. Inhis desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon a spark ingnites between themand they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit however it was her love of composition thatremained her focus. Self-taught she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet The Dutch Brass Ensemble The Rotterdam Trombone Quartet and the brass band quintet Brass Ability. Atpresent she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Hercompositions and arrangements can be found on many diverse Cds.The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was aknight who went to fight and defeat the dragon that had been killing the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far awayfrom his home and now is lost. He roames around trying to find his way home but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins inthe festivities but after a long evening is once more left alone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomesgreatly disillusioned when there is n
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Saskia Apon: The Lonesome Knight: Brass Band: Score
Brass ensemble
Gobelin Music Publications
The composition the Lonesome Knight was based on a fairytale. The piece was writ...
(+)
The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was a knight who went to fight and defeat the dragon that had beenkilling the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to findhis way home but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins in the festivities but after a long evening is once more leftalone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomes greatly disillusioned when there is none to be found. Inhis desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon a spark ingnites between themand they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit however it was her love of composition thatremained her focus. Self-taught she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet The Dutch Brass Ensemble The Rotterdam Trombone Quartet and the brass band quintet Brass Ability. Atpresent she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Hercompositions and arrangements can be found on many diverse Cds.The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was aknight who went to fight and defeat the dragon that had been killing the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far awayfrom his home and now is lost. He roames around trying to find his way home but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins inthe festivities but after a long evening is once more left alone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomesgreatly disillusioned when there is n
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Jan Van der Roost: Centennial Prelude: Brass Band: Score & Parts
Brass ensemble
De Haske Publications
This short opening music was composed on commission of the symphonic band of Jan...
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This short opening music was composed on commission of the symphonic band of Jan Van der Roost's village (= Kontich near Antwerp / Belgium). In 1991 this community band celebrated its 100th anniversary. After composing commissioned pieces from different countries (even from Japan) this was the most 'near' commission he ever received indeed!It is a short but varied piece featuring all sections of the band. After a short introduction played by the brass instruments a crisp rhythm starts and boxes the main theme. After a second theme played by brass and percussion a short melodical passage brings some 'rest'. At the end the fanfare of the introductionreoccurs.Although this 'Centennial Prelude' isn't a really demanding piece it sounds colourful and energetic. It has been recorded on CD by the band of the 'Royal Dutch Airforce' and the 'Desford Colliery Brass band'.
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Philip Sparke: Marcho Brioso: Brass Band: Score & Parts
Brass ensemble
Anglo Music
Marcho Brioso was commissioned by The Brioso Brass a British-style brass band ...
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Marcho Brioso was commissioned by The Brioso Brass a British-style brass band from Hokkaido Japan. They gave the first performance in January 2012.The commission was for a bright and breezy march that the band could use as their theme tune so Marcho Brioso falls into the composer’s series of Broadway-style marches which includes Slipstream  The Bandwagon and Jubiloso.After a short introduction a solo cornet plays the main theme accompanied by a euphonium counter-melody. A secondary phrase from the horns and baritones leads to a tuttiversion of the main theme which is followed by the traditional ‘bass’ strain. A change of key heralds the trio section which features a cantabile melody on euphonium; this is then taken up by the full band after a short bridge passage and further change of key.This takes us back to the home key which sees a quiet staccato version of the main theme lead to a recapitulation and a short coda which brings the march to a close.
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Joseph Horovitz: Music Hall Suite: Brass Ensemble: Parts
Brass ensemble
Novello & Co Ltd.
For Brass Quintet-Joseph Horovitz. Suite of five pieces for brass quintet: two t...
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For Brass Quintet-Joseph Horovitz. Suite of five pieces for brass quintet: two trumpets horn trombone and tuba. Set of parts.This work was composed in 1964 at the request of the well known American tuba player Roger Bobo. It was soon taken into the repertoire of the Philip Jones Brass Ensemble who gave the first BBC broadcast. The first recording was on Pye records by the Hallé Brass Ensemble. Since then it has become a regular repertoire piece and recorded as well as broadcast all over the world.The Suite consists of five movements all illustrating aspects of the Burlesque Theatre Music Hall circus and cabaret so popular at the end of the 19th century and into the 20th. Thetitles of the short movements are: Soubrette Song Trick Cyclists Adagio Team Soft Shoe Shuffle and Les Girls.The five orchestral brass instruments (two trumpets horn trombone and tuba) are exploited in a chamber music manner but the cumulative effect has a theatrical quality in keeping with the title.
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Philip Sparke: Dreamsong: Brass Band and Solo: Score & Parts
Brass ensemble
Anglo Music
for Euphonium and Brass Band-Dreamsong was commissioned by Geir Ulseth and the N...
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for Euphonium and Brass Band-Dreamsong was commissioned by Geir Ulseth and the Nidaros Brass Band from Trondheim Norway. After a short introduction the soloist introduces a rather nostalgic melody accompanied by the lower brass parts. A fast central section is then played by the band which leads to a climax. Eventually the main melody played by the solo Cornet and Flugel Horn returns overlaid with an ornamented counter-melody from the soloist who then closes the piece with a short cadenza.
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Per Nørgård: Musaic: Brass Ensemble: Score
Brass ensemble
Wilhelm Hansen
Musaic (1969) by Per Nørgård - for Brass Ensemble and Electronics. Instr.: 5 C...
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Musaic (1969) by Per NørgÃ¥rd - for Brass Ensemble and Electronics. Instr.: 5 Cornets 3 Trombones and Electronics Progamme Note Among my compositions for brass band three (“Backlight” “Massifs” - crystals - cascades” “Musaic”) all belong to a three-dimensional space. Thus “Massifs - crystals - cascades” was proclaimed from a mountainside towards the audience in the Norwegian town Tromsø and “Backlight” to the special room of the new concert hall at The Music Conservatory of Jutland Denmark. “Musaic” was composed in 1969 for the inauguration of Edition Wilhelm Hansen’s new branch in Ã…rhus Jutland. Short movements for brass were intermittently heard on the street. In the concert hall all the movements were however heard - also the ones already played; by means of a continuous tape individual fragments of the ´street music´ were gradually collected into one concluding uninterrupted piece lasting all in all 10 minutes a mus(a)ic/muza(i)k… A synthesis can be heard on a CD from 2007 (by the Brass Ensemble of The Royal Danish Conservatory Jutland) with the note that the work might be much longer when performed live. Per NørgÃ¥rd (2007) Parts available: KP01903A
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Per Nørgård: Musaic: Brass Ensemble: Parts
Brass ensemble
Wilhelm Hansen
Musaic (1969) by Per Nørgård - for Brass Ensemble and Electronics. Instr: 5 Co...
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Musaic (1969) by Per NørgÃ¥rd - for Brass Ensemble and Electronics. Instr: 5 Cornets 3 Trombones and Electronics Progamme Note Among my compositions for brass band three (“Backlight” “Massifs” - crystals - cascades” “Musaic”) all belong to a three-dimensional space. Thus “Massifs - crystals - cascades” was proclaimed from a mountainside towards the audience in the Norwegian town Tromsø and “Backlight” to the special room of the new concert hall at The Music Conservatory of Jutland Denmark. “Musaic” was composed in 1969 for the inauguration of Edition Wilhelm Hansen’s new branch in Ã…rhus Jutland. Short movements for brass were intermittently heard on the street. In the concert hall all the movements were however heard - also the ones already played; by means of a continuous tape individual fragments of the ´street music´ were gradually collected into one concluding uninterrupted piece lasting all in all 10 minutes a mus(a)ic/muza(i)k… A synthesis can be heard on a CD from 2007 (by the Brass Ensemble of The Royal Danish Conservatory Jutland) with the note that the work might be much longer when performed live. Per NørgÃ¥rd (2007) Â
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Gavin Higgins: Ivory Ghosts: Brass Band: Score
Brass ensemble
Faber Music Limited
Gavin Higgins wrote Ivory Ghosts in 2006 for brass ensemble as one of a collecti...
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Gavin Higgins wrote Ivory Ghosts in 2006 for brass ensemble as one of a collection of short pieces composed in support of the charity Brass Band Aid. It is a haunting miniature created in response to the horrors of the illegal trade in African elephant ivory. This definitive version for brass band and percussion was prepared for the Tredegar Town Band.
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Gavin Higgins: Ivory Ghosts: Brass Band: Score and Parts
Brass ensemble
Faber Music Limited
Gavin Higgins wrote Ivory Ghosts in 2006 for brass ensemble as one of a collecti...
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Gavin Higgins wrote Ivory Ghosts in 2006 for brass ensemble as one of a collection of short pieces composed in support of the charity Brass Band Aid. It is a haunting miniature created in response to the horrors of the illegal trade in African elephant ivory. This definitive version for brass band and percussion was prepared for the Tredegar Town Band.
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Philip Sparke: Flying the Breeze: Brass Band: Score
Brass ensemble
Anglo Music
Flying the Breeze opens with three repeated B's (representing the initials of th...
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Flying the Breeze opens with three repeated B's (representing the initials of the Breeze Brass Band from Japan who commissioned this work). A short introduction leads to a robust theme from the baritones and euphoniums which is taken up by cornets and trombones. A restless bridge passage leads to a syncopated tune from the solo cornet and then to a third theme from a solo trombone. A graceful second subject leads back to a recall of the introductory material before a full-scale recapitulation. An intense allargando leads to a full-band version of the second subject under a running cornet passage which leads to a short coda.
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Philip Sparke: Flying the Breeze: Brass Band: Score & Parts
Brass ensemble
Anglo Music
Flying the Breeze opens with three repeated B's (representing the initials of th...
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Flying the Breeze opens with three repeated B's (representing the initials of the Breeze Brass Band from Japan who commissioned this work). A short introduction leads to a robust theme from the baritones and euphoniums which is taken up by cornets and trombones. A restless bridge passage leads to a syncopated tune from the solo cornet and then to a third theme from a solo trombone. A graceful second subject leads back to a recall of the introductory material before a full-scale recapitulation. An intense allargando leads to a full-band version of the second subject under a running cornet passage which leads to a short coda.
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Ensemble Classics for Brass Quartet - Book 2: Brass Ensemble: Part
Brass ensemble
Rubank Publications
East- to medium-level arrangements of favorite classics for brass quartet (two t...
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East- to medium-level arrangements of favorite classics for brass quartet (two trumpets/cornets and two trombones/baritones) in score format. Includes short arrangements of works by Wagner Smetana Bach Borodin Tchaikovsky Brahms and more. Includes score and parts.
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Ensemble Classics for Brass Quartet - Book 1: Brass Ensemble: Part
Brass ensemble
Rubank Publications
Easy- to medium-level arrangements of favorite classics for brass quartet (two t...
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Easy- to medium-level arrangements of favorite classics for brass quartet (two trumpets or cornets F horn and trombone or baritone B.C.) in score format. Includes short arrangements of works by Elgar Bach Smetana Mozart Schumann Brahms and more.“Careful training in small groups is a decided step toward the mastery of the basic fundamentals of rhythm precision balance and intonation.” - H. Voxman Includes score andparts.
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Samuel Barber: Mutations from Bach: Brass Ensemble: Score and Parts
Brass ensemble
Schirmer
This work is a short sequence of transformations of the plain-song Christe Du L...
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This work is a short sequence of transformations of the plain-song Christe Du Lamm Gotts. It is scored for Brass Ensemble (Four Horns 3 Trumpets 3 Trombones Tuba) and Timpani).
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Sydney Hodkinson: Mosaic: Brass Ensemble: Score and Parts
Brass ensemble
Associated
Score and Parts-Sydney Hodkinson has been active as a teacher and composer in Am...
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Score and Parts-Sydney Hodkinson has been active as a teacher and composer in America since 1963. Mosaic written in 1964 is in three parts all based on a harmonic nucleus played by the full ensemble in the opening two measures. The first partdeals with long angular melodies and a short repeated fragment. Part 2 contains slow expressive lines and Part 3 taxes the brass players by containing several very quick disjunct opints culminating in rapid double-tounged chordsremeniscent of the opening.
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M. Goddard: Plain Sailing: Brass Ensemble: Instrumental Album
Brass ensemble
Spartan Press
Brass Pack-Brass Pack. Versatile music and very easy wherein each of the five ...
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Brass Pack-Brass Pack. Versatile music and very easy wherein each of the five short pieces sounds good in two three or four parts.Grade: 2 - 4
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Simon Dobson: Clarion Alarum: Brass Band: Score and Parts
Brass ensemble
Faber Music Limited
Clarion Alarum: Fanfare No.1 for Brass Band is a short fanfare for brass band c...
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Clarion Alarum: Fanfare No.1 for Brass Band is a short fanfare for brass band contrasting the brilliance of the sound of cornets and trombones with the warmer tones of horns euphoniums and tubas. Brass Band Grade 5: 1st Section Duration: 2.5 minutesÂ
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Malcolm Arnold: Prelude Dance and March: Brass Band: Score & Parts
Brass ensemble
Fentone Music
Little Suite for Orchestra No. 1: Op 53-Malcolm Arnold is one Britain’s b...
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Little Suite for Orchestra No. 1: Op 53-Malcolm Arnold is one Britain’s best-loved composers. In 1948 he composed a very short suite for the National Youth Orchestra of Great Britain - entitled simply To Youth. Seven years later he took To Youth and made some fairly major revisions including a complete new movement and the Little Suite for Orchestra was born. The Little Suite for Orchestra follows a very similar pattern to the later suites for brass band starting with a bold strident Prelude which strangely ends quietly before a lovely lilting Dance composed in 3/8 time. Finally a rollicking and militaristic March brings the suite to a conclusion. This arrangement for brass band by Robin Norman is sure tobecome a classic in the brass band repertoire.
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Malcolm Arnold: Prelude Dance and March: Brass Band: Score
Brass ensemble
Fentone Music
Little Suite for Orchestra No. 1: Op 53-Malcolm Arnold is one Britain’s b...
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Little Suite for Orchestra No. 1: Op 53-Malcolm Arnold is one Britain’s best-loved composers. In 1948 he composed a very short suite for the National Youth Orchestra of Great Britain - entitled simply To Youth. Seven years later he took To Youth and made some fairly major revisions including a complete new movement and the Little Suite for Orchestra was born. The Little Suite for Orchestra follows a very similar pattern to the later suites for brass band starting with a bold strident Prelude which strangely ends quietly before a lovely lilting Dance composed in 3/8 time. Finally a rollicking and militaristic March brings the suite to a conclusion. This arrangement for brass band by Robin Norman is sure tobecome a classic in the brass band repertoire.
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Simon Dobson: Clarion Alarum: Brass Band: Score
Brass ensemble
Faber Music Limited
Clarion Alarum: Fanfare No.1 for Brass Band is a short fanfare for brass band c...
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Clarion Alarum: Fanfare No.1 for Brass Band is a short fanfare for brass band contrasting the brilliance of the sound of cornets and trombones with the warmer tones of horns euphoniums and tubas. Brass Band Grade 5: 1st Section Duration:Â 2.5 minutes
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Nigel Hess: New York.: Brass Band: Score
Brass ensemble
Faber Music Limited
'New York'... or to be more precise Manhattan. For anyone who is familiar with ...
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'New York'... or to be more precise Manhattan. For anyone who is familiar with this bizarre and wonderful city this piece needs no explanation. This brass band transcription has been made by Phillip Littlemore and provides a driving and punchy 4 minute work for brass band. 'New York' is the third movement of 'East Coast Pictures' originally written for wind band commissioned in 1985 by the British Youth Wind Orchestra with funds from National Westminster Bank plc. These three short ‘pictures’ were inspired by several visits by the composer to a small part of the USA’s East Coast an area that provides great extremes in the geography and the people.This work has recently been recorded on the CD ‘East Coast Pictures’ by the Leyland Band conducted by Michael Fowles and is available from this site (catalogue number: 0-571-52109-6).
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Philip Sparke: South Down Pictures: Brass Band: Score
Brass ensemble
Anglo Music
South Down Pictures was commissioned by Millenium Brass 2000 an organisation co...
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South Down Pictures was commissioned by Millenium Brass 2000 an organisation comprising three brass bands from the county of Sussex England.The bands (Patcham Silver Hangleton and Brighton Silver) had got together to organise many events to mark the new millennium and these culminated in a concert in Hove Town Hall on July 9th 2000 when all three bands combined to give the first performance of South Down Pictures. The composer spent much of his childhood amongst the South Downs a range of hills in Sussex which runs parallel to the sea.Opening with a strong unison passage interrupted briefly by faster figures based on the interval of a fifth South Down Picturesdevelops with an often-passionate legato melody. Reaching a climax this is then followed by the main vivo section of the work whose main theme is based on the earlier ‘fifth’ figures. A bridge passage leads to a short chorale figure and a rhythmic climax which dissolves into a plaintive cornet solo over staccato chords. This theme is taken up by the whole band and leads back to a recapitulation of the main theme and earlier material. The cornet tune returns triumphantly in the major key before the opening unison passage reappears to provide a stirring coda.
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Philip Sparke: South Down Pictures: Brass Band: Score & Parts
Brass ensemble
Anglo Music
South Down Pictures was commissioned by Millenium Brass 2000 an organisation co...
(+)
South Down Pictures was commissioned by Millenium Brass 2000 an organisation comprising three brass bands from the county of Sussex England.The bands (Patcham Silver Hangleton and Brighton Silver) had got together to organise many events to mark the new millennium and these culminated in a concert in Hove Town Hall on July 9th 2000 when all three bands combined to give the first performance of South Down Pictures. The composer spent much of his childhood amongst the South Downs a range of hills in Sussex which runs parallel to the sea.Opening with a strong unison passage interrupted briefly by faster figures based on the interval of a fifth South Down Picturesdevelops with an often-passionate legato melody. Reaching a climax this is then followed by the main vivo section of the work whose main theme is based on the earlier ‘fifth’ figures. A bridge passage leads to a short chorale figure and a rhythmic climax which dissolves into a plaintive cornet solo over staccato chords. This theme is taken up by the whole band and leads back to a recapitulation of the main theme and earlier material. The cornet tune returns triumphantly in the major key before the opening unison passage reappears to provide a stirring coda.
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Nigel Hess: New York.: Brass Band: Score and Parts
English
Brass ensemble
[Score and Parts]
Faber Music Limited
'New York'... or to be more precise Manhattan. For anyone who is familiar with ...
(+)
'New York'... or to be more precise Manhattan. For anyone who is familiar with this bizarre and wonderful city this piece needs no explanation. This brass band transcription has been made by Phillip Littlemore and provides a driving and punchy 4 minute work for brass band. 'New York' is the third movement of 'East Coast Pictures' originally written for wind band commissioned in 1985 by the British Youth Wind Orchestra with funds from National Westminster Bank plc. These three short ‘pictures’ were inspired by several visits by the composer to a small part of the USA’s East Coast an area that provides great extremes in the geography and the people.This work has recently been recorded on the CD ‘East Coast Pictures’ by the Leyland Band conducted by Michael Fowles and is available from this site (catalogue number: 0-571-52109-6).
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Nigel Hess: The Catskills: Brass Band: Score and Parts
English
Brass ensemble
[Score and Parts]
Faber Music Limited
In upstate New York lie the Catskill Mountains - an extraordinary combination of...
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In upstate New York lie the Catskill Mountains - an extraordinary combination of tranquillity and power peace and majesty. Once seen they call you back again and again. This brass band transcription has been made by Phillip Littlemore and explores the sonorous and warm sounds of the brass band. The Catskills is the second movement of East Coast Pictures originally written for wind band and was commissioned in 1985 by the British Youth Wind Orchestra with funds from National Westminster Bank plc. These three short ‘pictures’ were inspired by several visits by the composer to a small part of the USA’s East Coast an area that provides great extremesin the geography and the people.
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Jan de Haan: Variations on a Chord: Brass Band: Score
Brass ensemble
De Haske Publications
Variations on a Chord was composed on the occasion of the second lustrum of the...
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Variations on a Chord was composed on the occasion of the second lustrum of the Dutch Brass Band Championships celebrated in 1990. The piece is the immediate sequel to Contrasten a piece which was composed in 1986 and which is performed all over the world. Not only was the final chord of this previous work used as a starting point for the new composition but Variations on a Chord is also the first concert piece for brass band composed by Jan de Haan since then. The several variations are based on a solemn theme. The so-called minor-major seventh chord is easily detectable. The structure of the piece is such that the lyrical theme is preceded by a majestic introduction and isfollowed by eight variations each strongly contrasting in character. The piece finishes in a short but extremely spectacular coda.
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Nigel Hess: The Catskills: Brass Band: Score
Brass ensemble
Faber Music Limited
In upstate New York lie the Catskill Mountains - an extraordinary combination of...
(+)
In upstate New York lie the Catskill Mountains - an extraordinary combination of tranquillity and power peace and majesty. Once seen they call you back again and again. This brass band transcription has been made by Phillip Littlemore and explores the sonorous and warm sounds of the brass band. The Catskills is the second movement of East Coast Pictures originally written for wind band and was commissioned in 1985 by the British Youth Wind Orchestra with funds from National Westminster Bank plc. These three short ‘pictures’ were inspired by several visits by the composer to a small part of the USA’s East Coast an area that provides great extremesin the geography and the people.
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Jan de Haan: Variations on a Chord: Brass Band: Score & Parts
Brass ensemble
De Haske Publications
Variations on a Chord was composed on the occasion of the second lustrum of the...
(+)
Variations on a Chord was composed on the occasion of the second lustrum of the Dutch Brass Band Championships celebrated in 1990. The piece is the immediate sequel to Contrasten a piece which was composed in 1986 and which is performed all over the world. Not only was the final chord of this previous work used as a starting point for the new composition but Variations on a Chord is also the first concert piece for brass band composed by Jan de Haan since then. The several variations are based on a solemn theme. The so-called minor-major seventh chord is easily detectable. The structure of the piece is such that the lyrical theme is preceded by a majestic introduction and isfollowed by eight variations each strongly contrasting in character. The piece finishes in a short but extremely spectacular coda.
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