Cello Solo-Prelude-Labyrinth-Exit by Anders Brødsgaard for Cello solo (1994-2002). Prelude was commissioned by Louise Lerche-Lerchenborg for Lerchenborg Musikdage 1994. Labyrinth-Exit was commissioned by Det Unge Tonekunstnerselskab in 2002. Score revised in 2018.  

Instrument : cello Series : Cello Library Nombre de Pages : 16 'The idea of writing a 'Jazz Suite for cello solo' came out when I tried to imagine how it would have sounded like if one of the baroque masters (Gabrielli, Buxtehude, Bach) had lived in our time and wanted to write a suite of dances. I thought it would probably still keep some of the conventions of the traditional form, like maybe the use of a Prelude to establish the key and the alternation of slow with fast movements. But some things would have definitely been different: the harmonies, for example would probably have been more complex and not always tonal. Also the popular dances used as a workbench for the suite would have been not gigues or Bourees but perhaps latin american or Jazz standards. Well, since the great masters are unfortunately not able at the moment to accept my challenge, I had to write it myself. I hope you will enjoy it. The famous cello player Janos Starker says: Lucio Amanti is a very fine cellist and imaginative composer. His Jazz Suite is an enjoyable mix of jazz and classicism. I much appreciate his work.' (Janos Starker) Content : Prelude - Allemande - Courante - Sarabande Portrait of Resi - Grove I/II - Finale: Latin moto perpetuo

These fifteen well-known pieces have been imaginatively arranged by the ever-popular Chris Tambling for cellists of grade 1 to 2 standard with Piano accompaniment.Christopher Tambling (b.1964) studiedthe Organ with Malcolm McKelvey at Christ's Hospital Horsham Sussex. He went on to gain Organ scholarships to Cantebury Cathedral and St Peter's College Oxford where he studied with Geoffrey Webber and David Sanger and wasOrganist of Pusey House. He started his teaching career at Sedbergh School in Cumbria where he was Organist from 1986 to 1989: he then became Director of Music at Glenalmond College near Perth in Scotland also taking on rolesof Perth City Organist and Conductor of Perth City Orchestra.Tunes You Know Book 1 (Cello) includes Amazing grace Ave Maria Can Can from 'Orpheus in Underworld' Cocklesand Mussels Early One Morning Hallelu! Hornpipe form 'Water Music' Jupiter from 'The Planets' Largo from 'New World' Symphony Marche Militaire Waly Waly Prelude form 'Te Deum' Spring from 'The Four Seasons' The Entertainer and When the Saints Go Marching In.

Scholarly critical edition with many corrections in the score and orchestral parts.Clear presentation of orchestral parts in an enlarged format 25.5 cm x 32.5 cm.?Prélude A L?Aprés-Midi D?Un Faune? often referred to as the first composition of the ?modern? era is one of Debussy?s most popular and frequently performed orchestral works. The piece comes down to us in an array of sources and several important ones are drawn upon for the first time in Bärenreiter?s scholarly-critical edition.Most of the currently available editions are based on the first edition from 1895 which however contains many engraver errors.When the corresponding orchestral parts are also taken into consideration countless discrepancies are revealed.Bärenreiter?s Urtext edition incorporates readings of a printed copy of the score from c. 1908 which shows corrections and emendations by the composer. These important changes found in no other source include metronome markings different pitches and additional notes as well as added tempo and articulation markings which all subtly enhance Debussy?s finely sculpted work. There is even a breath mark added to the famous solo Flute passage which opens the work.