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Kaija Saariaho: Dreaming - Variation On The Chiacona Of Colombi: Cello: Score
Cello
Chester
Scored for solo Cello Dreaming is Kaija Saariaho's contribution to the set of t...
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Scored for solo Cello Dreaming is Kaija Saariaho's contribution to the set of thirty-two works by various composers written for the collection Mystery Variations in 2011.The piece is precededby a statement of the famous Chiacona by 17th century composer Giuseppe Colombi upon which it is based.
7.99 GBP - Sold by Musicroom UK
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A Comprehensive String Method - Book 2 (Cello): Cello: Instrumental Tutor
Cello
FJH
New Directions For Strings:-New Directions for Strings - Cello Book 2 emphasises...
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New Directions For Strings:-New Directions for Strings - Cello Book 2 emphasises the expansion of students' musical horizons through the reinforcement of the US National Standards for Musical Education. Specific activities include theory improvisation and composition as well as singing. History and culture notes throughout the book increase students' knowledge of various composers and musical styles.New Directions for Strings represents the first method ever written by a team of pedagogues representing each of the four stringed instruments. With more than 100 years of combined teaching experience the authors of New Directions® for Strings explore many newdirections including equal integration of all the instruments a tetrachord-based approach to support proper development of the left hand and ensemble opportunities that occur throughout the book.Based on more than 100 years of combined teaching experienceWritten by a team of pedagogues representing each of the four stringed instrumentsSupplemental music by Soon Hee Newbold and Elliot Del BorgoIncludes 2 Play-Along CDs with each student book and the Teacher's Manual
9.95 GBP - Sold by Musicroom UK
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11 Oblique Strategies
Cello
Bote and Bock
The composer states:'The term 'oblique strategies? was coined jointly by British...
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The composer states:'The term 'oblique strategies? was coined jointly by British musician Brian Eno and German-born British visual artist Peter Schmidt to describe a series of printed cards they developed throughout the 1970's. The cards had their origins in sets of uncannily similar working principles that both artists had established independently, and featured aphorisms intended as a means of triggering inspiration or providing useful stimulus during the creative process, particularly when encountering difficulties of fatigue or time constraint.As Eno and Schmidt wrote in their introduction to the first edition in 1975: 'They can be used as a pack (a set of possibilities being continuously reviewed in the mind) or by drawing a single card from the shuffled pack when a dilemma occurs in a working situation. In this case, the card is trusted even if its appropriateness is quite unclear. They are not final, as new ideas will present themselves, and others will become self-evident?.I chose eleven of Eno and Schmidt's strategies, ordering them in a way that revealed to me a logic and potential inter-relatedness within a hitherto disparate set of single ideas I had assembled for solo cello, each of them in turn a reflection upon the commission's initial purpose of creating a test piece for the 2014 Emanuel Feuermann cello competition.It's my hope then that the resultant composition may provide not only an interesting test of the competitors' talents but also offer the interpreter an opportunity to reflect upon the delights and pitfalls of creativity as he or she comes to terms with the various musical and technical challenges to be found within these ten minutes of music for solo cello.? / Violoncelle
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Scrape: Cello: Instrumental Work
Cello
Wilhelm Hansen
Scrape for Cello Solo with Metal Plate Playback Track (CD) and Diffusion. Progr...
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Scrape for Cello Solo with Metal Plate Playback Track (CD) and Diffusion. Programme Note Scrape was written for Kammerensemble Neue Musik (KNM)’s HouseMusik event at Siemens factory (Dynamowerk) Berlin 20th June 2009 and first performed by Ringela Riemke with sound diffusion by André Bartetzki and distortion by the composer. Scrape was written under the influence of Deleuze & Guattari’s reflections on sound territory and classical music and also in relation to the huge industrial territory of the Siemens turbinefactory in Berlin. The piece brings together various pre-recorded and live metal scraping sounds with the instrumental timbres of a cello. Sounds from these disparate sources sometimes merge and are sometimes presented as clearly contrasting. The piece seeks possible relations between musician instrument metal-plate industrial sound and the resonating industrial building and seeks these relations anew each time it is transferred to a new cellist or performance space. Juliana Hodkinson
32.50 GBP - Sold by Musicroom UK
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Fiser Lubos - Sonates Pour Violoncelle
Cello
Barenreiter
Fi?er, Lubo? Sonatas for Violoncello - Highly effective concert pieces - Fingeri...
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Fi?er, Lubo? Sonatas for Violoncello - Highly effective concert pieces - Fingering and bowing for the Sonata for Violoncello solo by Marek Jerie - Foreword by Joná? Hájek (Cz/Eng/Ger) This edition contains three cello compositions by Lubo? Fi?er: Sonata for Violoncello and Piano (1975), Sonata for two Violoncellos and Piano (1980), and Sonata for Violoncello solo (1985-1986). Lubo? Fi?er was a remarkable personality in the Czech music scene of the 20th century. He is known for combining traditional notation and aleatory elements. The music of the sonatas is dramatic and expressive. These are effective concert pieces with a performance duration of approximately eight minutes each. The edition is based on first prints of the works supplemented by various other sources. The part of the Sonata for Violoncello solo was revised by cellist Marek Jerie during the composer?s lifetime.
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A Portfolio of Cello Exercises Part 2 (BUNTING CHRISTOPHER)
Cello
[Sheet music]
SJ Music
Par BUNTING CHRISTOPHER. Warming up and keeping one?s basic technique in peak co...
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Par BUNTING CHRISTOPHER. Warming up and keeping one?s basic technique in peak condition, (or working to get to peak condition) is fundamentally important, yet many cellists do not have routine exercises to follow. This book, the second of a two volume set, which complements book 1, provides the exercises that every cellist needs, for both the left and right hands: bow off the string; right arm choreography; shifting; winter skating; various portamenti; fives; string crossing; octaves; resilience exercises; double-stopping ritual; pizzicato; a few spiccati; bow control ? accents. Christopher Bunting (1924-2005), the cellist and composer, gave concerts, broadcasts and masterclasses throughout Europe, Australasia and the United States. The Daily Telegraph described him as ?a master?. Die Welt remarked on his ?highly developed musical comprehension, prodigious technique and outstanding artistry?, and the Swedish press called him ?one of the greatest instrumentalists of today?. He thought deeply about the psychological and physical influences that lie behind technique./ Etude / Violoncelle
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Bright Sheng: Seven Tunes Heard in China: Cello Solo: Instrumental Album
Cello
[Sheet music]
Schirmer
Based on folk melodies and other songs collected by the composer from various re...
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Based on folk melodies and other songs collected by the composer from various regions of China Seven Tunes Heard In China was written for Cellist Yo-Yo Ma and first performed October 1995. Duration 20 minutes. Edited byYo-Yo Ma.
16.99 GBP - Sold by Musicroom UK
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