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James
GUITAR
Choral SATB
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James Whibourn: The Wounds: SATB: Score
Choral SATB
[Score]
-
Intermediate
Chester
The Wounds was expertly composed by British composer James Whitbourn for SATB c...
(+)
The Wounds was expertly composed by British composer James Whitbourn for SATB chorus Speaker Violin Cello and Organ. This product include the full score. Jamesinternational reputation as a composer began very early on as a programme maker at the BBC. “The Wounds is intended as a devotional work and is best heard in the context of a liturgical event in - or close to -Passiontide. Each section continues from the previous one without pause to create a seamless whole.” James Whitbourn
19.99 GBP - Sold by Musicroom UK
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The Choral Collection (WHITBOURN JAMES)
Choral SATB
SATB, Organ
[Sheet music]
Chester
Par WHITBOURN JAMES. This glorious collection of beautiful choral music by compo...
(+)
Par WHITBOURN JAMES. This glorious collection of beautiful choral music by composer James Whitbourn includes fifteen short works drawn from his oeuvre from the first few years of the 21st century. Many of his greatest compositions are included in The Choral Collection, with many of the pieces working perfectly for seasonal performances, while also reflecting the many fruitful collaborations of Whitbourn's distinguished career. All works are arranged for SATB Choir. James Whitbourn has become renowned throughout the world for his acclaimed compositions and settings of numerous texts. He has been described as truly original and an innovator of contemporary British choral music, collaborating with people like Archbishop Desmond Tutu and the Choir of King's College, Cambridge. The former appears here, as A Prayer Of Desmond Tutu, a setting of one of the Archbishop's prayers. His arrangements and compositions for the King's College Choir have been universally critically acclaimed, with A Great And Mighty Wonder, Nunc Dimittis and Were You There? representing these hugely popular collaborations. Whitbourn has also had a very close relationship with the BBC since his beginnings as a composer, working with them on three pieces within The Choral Collection. Eternal Rest and Give Us The Wings Of Faith were both composed specifically for television broadcast, the former (in its orchestral form) was played for the funeral of the Queen Mother in 2002. His longest work, for which he is most famous, is a setting of text from'the Diary of Anne Frank'. There Is No Speech Or Language comes from this work, taking its text from other sources, but that still maintain the beauty and tragedy of the wider piece. The Choral Collection of fifteen compositions by James Whitbourn is full of beautiful, haunting, uplifting and inspiring melodies for SATB Choir and Organ Accompaniment from one of the most treasured British choral composers. The brilliant choice of texts throughout is matched only by the sheer compositional skill of Whitbourn in evoking the emotions of the words in the musical form. Also included are suggestions for seasonal song use, a list of recordings, and fascinating song notes written by Whitbourn himself. The joy of choral singing is nowhere more evident than in a work by James Whitbourn, and performances of any piece within this collection is sure to be remembered for a long time to come./ Recueil / Choeur Mixte (SATB) et Orgue
22.40 EUR - Sold by LMI-partitions
(Seller in french langage)
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3-10 days - In Stock Supplier
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James Whitbourn: James Whitbourn: The Choral Collection: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Chester
This glorious collection of beautiful choral music by composer James Whitbourn i...
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This glorious collection of beautiful choral music by composer James Whitbourn includes fifteen short works drawn from his oeuvre from the first few years of the 21st century. Many of his greatest compositions areincluded in The Choral Collection with many of the pieces working perfectly for seasonal performances while also reflecting the many fruitful collaborations of Whitbourn's distinguished career. Allworks are arranged for SATB Choir. James Whitbourn has become renowned throughout the world for his acclaimed compositions and settings of numerous texts. He has been described as truly originaland an innovator of contemporary British choral music collaborating with people like Archbishop Desmond Tutu and the Choir of King's College Cambridge. The former appears here as A Prayer Of Desmond Tutu a setting ofone of the Archbishop's prayers. His arrangements and compositions for the King's College Choir have been universally critically acclaimed with A Great And Mighty Wonder Nunc Dimittis and Were You There?representing these hugely popular collaborations. Whitbourn has also had a very close relationship with the BBC since his beginnings as a composer working with them on three pieceswithin The Choral Collection. Eternal Rest and Give Us The Wings Of Faith were both composed specifically for television broadcast the former (in its orchestral form) was played for thefuneral of the Queen Mother in 2002. His longest work for which he is most famous is a setting of text from'the Diary of Anne Frank'. There Is No Speech Or Language comes from this work taking its text from othersources but that still maintain the beauty and tragedy of the wider piece. The Choral Collection of fifteen compositions by James Whitbourn is full of beautiful haunting
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Choral Pops Collection : James Bond
Choral SATB
SATB, Piano
Novello & Co Ltd.
Novello Choral Pops: James Bond is a brilliant collection of James Bond theme tu...
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Novello Choral Pops: James Bond is a brilliant collection of James Bond theme tunes all expertly arranged for SATB Choir and accompanying Piano. This superb collection includes theme songs from Bond films On Her Majesty's Secret Service, Diamonds Are Forever, The Spy Who Loved Me, License To Kill, and most recently released Skyfall . Watch and listen to Skyfall here: / Choeur Mixte (SATB) Et Piano
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James Bond: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
-
Intermediate/advanced
Novello & Co Ltd.
Novello Choral Pops: James Bond is a brilliant collection of James Bond theme tu...
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Novello Choral Pops: James Bond is a brilliant collection of James Bond theme tunes all expertly arranged for SATB Choir and accompanying Piano.This superb collection includes theme songs from Bond films On Her Majesty's Secret Service Diamonds Are Forever The Spy Who Loved Me Licence To Kill and most recently released Skyfall.Watch and listen to Skyfall here:
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Jameson Marvin: Characters to Paint: SATB: Vocal Score
Choral SATB
[Vocal Score]
Schirmer
Jameson Marvin Choral Series-Composed for the Boston-based professional choir Th...
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Jameson Marvin Choral Series-Composed for the Boston-based professional choir The Jameson Singers this choral work by Jameson Marvin sets a moving text by Phillis Wheatley that unfolds in long vocal lines with broad dynamics and liberaluse of rubato. This is the convergence of visual literary and musical art and offers tremendous room for discussion among the performers as they uncover the depth of this work.
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Seven Angels (MACMILLAN JAMES)
Choral SATB
SATB, Piano
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Advanced
Boosey and Hawkes
Par MACMILLAN JAMES. A setting of passages from the Book of Revelation, with par...
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Par MACMILLAN JAMES. A setting of passages from the Book of Revelation, with particular reference to the angels who appear with seven trumpet blasts, heralding a series of apocalyptic scenes. Commissioned by Jeffrey Skidmore, director of Ex Cathedra, and first performed by them at Birmingham Town Hall in 2015. The composer states, ?There is a vividness and strangeness in these dramatic texts, which are endlessly fascinating and disturbing. The instruments used here are based on the various instrumental types mentioned throughout scripture ? trumpets, harp, bells, cymbals, tabor, rebec.? These are scored for mostly in their modern forms, but shofars (Jewish ritual temple trumpets) and early trumpets are also used. The choral writing shows a similar contrast between traditional and contemporary scoring, with polyphony and homophony alongside extended vocal techniques, including Sprechstimme. Leading choral director Paul Spicer comments, ?This is an extremely dramatic work which draws the listener into the apocalyptic story line ? The ending is cataclysmic.? / Niveau : Difficile / Date parution : 2022-11-08/ Répertoire / Choeur SATB et Piano
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Sing Out! A Cappella - Book - Audio Download
Choral SATB
[Sheet music + Audio access]
Novello & Co Ltd.
Vocal coach and choral director Mark De-Lisser, who has edited and arranged the ...
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Vocal coach and choral director Mark De-Lisser, who has edited and arranged the highly acclaimed Sing Out! series, here turns his attention to the a cappella repertoire, with five uplifting songs for SATB choir in this sixth pop repertoire book in the series.As before, these songs have each been selected for their positive lyrics and heart-warming feel, making them ideal to teach to adults and children. With an enticing selection of pop songs, including Sigma's Higher, Jess Glynne's Don't Be So Hard on Yourself, Ronnie Laws' Always There, Coldplay's Paradise and James Bay's Hold Back the River, this compilation has something for everyone.Arranged for the first time for SATB choir, this book includes a download card with access to full demonstrations and individual rehearsal tracks of each vocal line recorded by members of ACM Gospel Choir. The scores feature keyboard reductions for ease of learning. Helpful hints for performing the pieces and an introduction to beat-boxing are also included in this book, giving you everything you need to learn these well-loved songs. / Choeur Mixte (SATB)
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James Davy: Drop Drop Slow Tears (Novello New Choral Series): SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
Drop drop slow tears was written for The Arcadian Singers of Oxford University ...
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Drop drop slow tears was written for The Arcadian Singers of Oxford University for a recording in 2002. The work is set in a simple three-verse format beginning with upper voices whose melting harmonies are intended to convey dropping tears. The second verse sung by lower voices is more urgent but subsiding to a serene final verse. Here all eight voice parts sing in rich almost claustrophobic harmonies ending on a blurred final chord that fades gently avoiding a firm conclusion.The Novello New Choral Series is an inspiring selection of new works from a range of contemporary composers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around.James Davy (b.1980) has worked with many choirs in churches and cathedrals around the UK most recently as Assistant Director of Music at Blackburn Cathedral. He is a composer with a real affinity for the voice and has developed a keen ear for effective timbres harmony and word-setting. He has had several works broadcast on radio and television and has written for choirs around the UK and USA. In 2010 he won the Choir & Organ Composition Competition.
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James Whitbourn: Veni Et Illumina: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Chester
James Whitbourn's Veni Et Illumina is a work for SATB Choir SA Choir and Organ ...
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James Whitbourn's Veni Et Illumina is a work for SATB Choir SA Choir and Organ Accompaniment. Commissioned by the Cathedral Choral Society and J. Reilly Lewis Music Director the work was firstperformed in Washington National Cathedral Washington D.C. on 12th December 2015. A full performance lasts around 5 minutes. This is the Vocal Score.
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James Hook: The Lass Of Richmond Hill: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
J. Curwen and Sons
The Lass Of Richmond Hill was first composed in 1790 for SATB choir. It has been...
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The Lass Of Richmond Hill was first composed in 1790 for SATB choir. It has been transposed to the key of C Major and arranged with a Piano reduction by the English composer and conductor Henry Leslie(1822-1896) who was well known for supporting amateur choral groups. The lyrics were written by Leonard McNally (1752-1820) and tell the story of a girl who lives on Richmond Hill whose ?charms all other maids?surpass?.James Hook (1746-1827) was a British composer organist and harpsichordist. He was born in Norwich but spent his working life in London teaching giving recitals and composing operas and other vocalworks. His music was often performed at both Drury Lane and Covent Garden.
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James Whitbourn: Veni Et Illumina: SATB: Score and Parts
Choral SATB
SATB, Orchestra
[Sheet music]
Chester
James Whitbourn's Veni Et Illumina is a work for SATB Choir SA Choir Organ Br...
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James Whitbourn's Veni Et Illumina is a work for SATB Choir SA Choir Organ Brass and Percussion. Commissioned by the Cathedral Choral Society and J. Reilly Lewis Music Director the work was firstperformed in Washington National Cathedral Washington D.C. on 12th December 2015. A full performance lasts around 5 minutes. This is the Score and Parts.
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Jameson Marvin: Two from Hymns and Anthems: SATB: Vocal Score
Choral SATB
[Vocal Score]
Schirmer
Jameson Marvin Choral Series-These two short selections from Jameson Marvin's Hy...
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Jameson Marvin Choral Series-These two short selections from Jameson Marvin's Hymns and Anthems can be described as “choral counterpoint for church choirs”. “God Thoughts” and “Majesty ofMountains” are two gems can be used as responses in worship or combined as a lovely anthem.
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James Whitbourn: Set Me As A Seal: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Chester
James Whitbourn's Set Me As A Seal Upon Thine Heart for SATB and Organ. Composed...
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James Whitbourn's Set Me As A Seal Upon Thine Heart for SATB and Organ. Composed for the wedding of James Roman and Grace SvatekTrinity Church Princeton New Jersey November 4 2017 Duration: 4.5minutes James Whitbourn's setting of the text popular at weddings Set me as a seal upon thine heart is a worthy competitor for Walton's well-known version. For SATE choir and not too demanding -though needing vocal clarity and accurate pitching - it is in an ABA form the gentle opening and concluding sections separated by the build-up to the climax on a C-sharp major chord at the end of the phrase 'many waterscannot quench love' followed by a brief organ interlude before subsiding to a piano ending. The whole is lightly and supportively accompanied on the organ. It is well worth considering by choirs needing new ideas for theirwedding playlist. - Organists' Review
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James Whitbourn: There Is No Speech Or Language: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
-
Intermediate
Chester
Contemporary British composer and conductor James Whitbourn an award-winning cr...
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Contemporary British composer and conductor James Whitbourn an award-winning creator of Choral music film and television scores and works for the concert hall may be best known for his largest composition theoratorio Annalies which sets words from The Diary of Anne Frank. The text in this extract is not Anne Frank’s but is drawn from Psalms and Lamentations. The stately chordal movement lends an appropriately solemn tone to awork that has understated power.
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James Whitbourn: James Whitbourn: Were You There?: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Chester
Were You There? was expertly composed by James Whitbourn for SATB Chorus and Org...
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Were You There? was expertly composed by James Whitbourn for SATB Chorus and Organ. The piece was written for Stephen Cleobury and the Choir of King's College Cambridge.British composerand conductor James Whitbourn had an international reputation as a composer from the start of his career as a Programme maker at the BBC; during his time there he produced many award-wining programmes anddeveloped a style that gave him a direct connection with an audience.This well accomplished composer has received many awards for his work including among others two Grammy nominations and a Royal Television SocietyAward.In the June 2015 edition of 'Sunday by Sunday' Were You There? is described as 'effective atmospheric and not too difficult.'
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James Whitbourn: Gratias Agimus Tibi: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Chester
Gratias Agimus Tibi is a work by James Whitbourn for Unaccompanied Voices (in an...
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Gratias Agimus Tibi is a work by James Whitbourn for Unaccompanied Voices (in any combination) with an optional 'Amen' for SATB Choir and Organ ad lib. A setting of Latin text by Nigel Palmer the workwas composed for the college grace of St Stephen's House Oxford. Please note that the lyrics are in Latin. A review in the June 2016 edition of Organist's Review says that 'this anthem would be ofgreat use for St Stephen's Day and any service that may focus on the Saints...Another enjoyable composition from James Whitbourn who is fast becoming a very important and original voice in the field of church music.'
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James Whitbourn: James Whibourn: The Wounds (Vocal Score): SATB: Vocal Score
Choral SATB
[Vocal Score]
-
Intermediate
Chester
The Wounds was expertly composed by British composer James Whitbourn for SATB c...
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The Wounds was expertly composed by British composer James Whitbourn for SATB chorus Speaker Violin Cello and Organ. This selection includes the full Vocal score. Whitbourn's international reputation as a composer began very early on as a programme maker at the BBC.?The Wounds is intended as a devotional work and is best heard in the context of a liturgical event in - or close to - Passiontide.Each section continues from the previous one without pause to create a seamless whole.? James WhitbournIn the January/February 2015 edition of Choir & Organ Jeremy Summerly writes that 'the honesty anddirectness of the presentation of music and words...will be seriously appealing.'
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James Whitbourn: The Wounds: Piano Trio: Parts
Choral SATB
[Part]
-
Intermediate
Chester
The Wounds was expertly composed by British composer James Whitbourn for SATB c...
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The Wounds was expertly composed by British composer James Whitbourn for SATB chorus Speaker Violin Cello and Organ. This selection include Cello Organ and Violin parts.James' international reputation as a composer began very early on as a programme maker at the BBC.?The Wounds is intended as a devotional work and is best heard in the context of a liturgical event in - orclose to - Passiontide. Each section continues from the previous one without pause to create a seamless whole.? James Whitbourn
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James Michael Stevens Joseph M. Martin: Come Walk with Me: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Come Walk with Me is a journey of faith tracing the footsteps of Jesus throughou...
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Come Walk with Me is a journey of faith tracing the footsteps of Jesus throughout his extraordinary ministry. James Stevens' well-crafted part writing makes this expressive anthem accessible to all choirs. Joseph Martin'spicturesque text visually transports the listener to the days of Christ's ministry on earth. Appropriate for Lent or general use this simple yet effective choral will be a welcome addition to your library.
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G.A. Young James Michael Stevens: God Leads Us Along: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
James Stevens takes a tender gospel hymn classic and infuses it with a choral se...
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James Stevens takes a tender gospel hymn classic and infuses it with a choral sensitivity. Lilting innocently like a Celtic folksong this hymn is a delightful choice for Christ the Shepherd Sunday or for any emphasis on God'sleadership in our life. Begin by reading some of Psalm 23 to set the tone and allow the Chopin-like piano introduction to set the spirit of calm that permeates this splendid worship song.
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James E. Green: Gloria A Dios: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hinshaw Music Inc.
The compositional duo of James Green and Valerie Showers Crescenz has been highl...
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The compositional duo of James Green and Valerie Showers Crescenz has been highly successful in creating new choral works. This Gloria is set to a Spanish text and given an idiomatic stylistic flavor that will be extremely attractive to students and audience alike. The addition of hand-held percussion instruments really provides energy.
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James Whitbourn: James Whitbourn: Video Caelos Apertos: SATB: Vocal Score
Choral SATB
SATB A Cappella
[Vocal Score]
-
Intermediate/advanced
Chester
Video Caelos Apertos (For SATB Chorus Unaccompanied) by James Whitbourn was co...
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Video Caelos Apertos (For SATB Chorus Unaccompanied) by James Whitbourn was commissioned for the singers of Medina High School Ohio Tyler L. Skidmore conductor to mark their tour to England andtheir visit to St Stephen’s House Oxford.The March 2015 issue of Organist's Review gave Video Caelos Apertos a glowing appraisal stating that it's 'a youthful joyful and positive workwhich succeeds in capturing the visionary quality of the text.'Duration: c. 4 min
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James Whitbourn: Agnus Dei From Missa Carolae: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Chester
POD-James Whitbourn's Agnus Dei From Missa Carolae. Missa Carolae was commission...
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POD-James Whitbourn's Agnus Dei From Missa Carolae. Missa Carolae was commissioned by Rochester Cathedral the second oldest cathedral in England to mark the 1400th anniversary ofits foundation. It was first performed there on 24 December 2004 by the Rochester Cathedral Choirs Andy Findon (Fife) the Locke Brass Consort Edmund Aldhouse (Organ) Joby Burgess and Catherine Ring (Percussion) directed byRoger Sayer. The work is intended to invoke a dance-like spirit which is true to the origin of the carol as a simple dance form. The choir parts should be very well-known so that the singers can sing with the whole oftheir bodies and not just their voices. This version is a reduced scoring for SATB (unchanged) with Organ and optional Piccolo and also acts as the vocal score to the full version. In this scoring the Piccolo adds to theeffectiveness of the piece. In either scoring the Piccolo may be replaced with a Flute Fife or even a more rustic Pipe as was used at the first performance. The original scoring for SATB with Piccolo Brass (3 Trumpetsand 3 Trombones) Percussion (2 players) and Organ accompaniment is the preferred version. Full score and parts are available on hire from the publisher or full score on sale (CH71621). The Piccolo part (CH79893-01) is common toboth scorings and is available on sale or hire with the full version. The Organ accompaniment in this score is for performance of the version for SATB Piccolo and Organ only. An A4 spiral-bound version of this score may bepreferable for the organist (CH79893-02). The separate Organ part - available on hire - must be used for the version with instruments.An ad lib. part for the congregation (CH70961 pack of 50) is incorporated into the fullscoring of Missa Carolae. Reference to the entries of the congregation is made in the vocal score for occasions when it is used in conjunction with the full instrumentation.
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Holy Thursday
Choral SATB
SATB, Piano
Boosey and Hawkes
Combining the 'Ubi Caritas? text with two dramatically different 'Holy Thursday?...
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Combining the 'Ubi Caritas? text with two dramatically different 'Holy Thursday? texts of the same name by William Blake, James Lavino has created a work for SATB divisi choir, SATB semi-chorus and organ that is both thrilling and thought provoking. Chosen by Philip Brunelle for the Cathedral series and performed by his world renowned 'Vocal Essence? choir, this work requires both advanced singers and conductor but produces a powerful emotional impact. / Choeur Mixte (SATB) Et Piano
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James Whitbourn: Alleluia Jubilate: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Chester
For SATB chorus and Organ commissioned for the Choir Schools’ Associatio...
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For SATB chorus and Organ commissioned for the Choir Schools’ Association conference 2008 originally for upper voices.'With Latin words from Psalm 66 (the translation is at the top of the score!) the lively andrhythmic setting of Jubilate Deo by James Whitbourn for SATB would thrill any choir especially a school choir and indeed this is an adaptation of the setting the composer made in 2008 for upper voices written for the ChoirSchools’ Association. Rhythmic yet with straightforward harmonies and a lively organ accompaniment there is enough challenge to keep the interest of singers and a nimble fingered organist under a competent conductor. Thisexciting piece will thrill the singers and audience!' - Sunday by Sunday (RSCM)
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James Whitbourn: Winter's Wait (SATB/Organ): SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Chester
Christmas Carol for SATB choir and Organ.First performed December 12th 2010 in t...
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Christmas Carol for SATB choir and Organ.First performed December 12th 2010 in the Chapel of King’s College Cambridge by the choir of King’s College Cambridge conducted by Stephen Cleobury. James Whitbourn - Winter's Wait by musicroom
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James MacMillan: Ave Maris Stella: Mixed Choir: Vocal Score
Choral SATB
Boosey and Hawkes
Ave Maris Stella is a setting by James MacMillan of the traditional vesper hymn ...
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Ave Maris Stella is a setting by James MacMillan of the traditional vesper hymn (‘Hail O Star of the ocean’) commissioned by Christopher Gray and the Choir of Truro Cathedral. The texture is homophonic and sustained with much use of pedal points in the chord progressions and the closing amens bring a melodic flowering in the sopranos. A welcome addition to the repertoire for choirs of all abilities from the pen of this leading choral composer.
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James Whitbourn: Beatus Vir: SATB: Vocal Score
Choral SATB
[Vocal Score]
Chester
James Whitbourn's Beatus Vir for SSATB choir with a Piano accompaniment for re...
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James Whitbourn's Beatus Vir for SSATB choir with a Piano accompaniment for rehersal. Commissioned for the Choir of St Matthew’s Church Northampton. First performed on StMatthew’s Day 21 September 2017 conducted by Justin Miller. 'With the wedding season soon to be upon church musicians James Whitbourn’s new five-minute wedding anthem Set me as a seal upon thineheart deserves a warm welcome. It would be easy to learn quickly if rehearsal time is limited with vocal lines that are not demanding and helpfully supported by the organ. But the music itself has a haunting intense beauty thatis very special. Judge for yourself with the performance on YouTube that appears to have been made at the wedding for which it was written. St Matthew Northampton for which Walter Hussey commissioned so notably continues an enterprising music commissioning policy most recently with Whitbourn’s setting of Beatus Vir. The commission was for the feast day of St Matthew last September and the published score describes the text asbeing the Gradual for St Matthew. But that rather limits what is simply the first two verses of Psalm 112 and deserves to be sung throughout much of the church year. Forget Monteverdi and other lively settings of Beatus vir:here we have a contemplation on how blest is the person who trusts in the Lord. Despite a dramatic outburst on ‘potens in terra’ (‘mighty in the land’) the work ends as it began with an extended gentlesetting of the word ‘Beatus’.' - Sunday by Sunday
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James Whitbourn: The Voices Stilled (Agnus Dei): SATB: Vocal Score
Choral SATB
[Vocal Score]
Chester
The Voices Stilled (Agnus Dei) by James Whitbourn was commissioned by John Snell...
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The Voices Stilled (Agnus Dei) by James Whitbourn was commissioned by John Snelling and the Shipley Arts Festival (director Andrew Bernardi) and first performed on 14 July 2013 in Lancing College Chapel by theWestminster Williamson Voices (director James Jordan) choirs from across West Sussex and the Bernardi Chamber Orchestra with Bruce Martin (flute) conducted by the composer. Vocal Score
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