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The King\\\\
GUITAR
Choral SATB
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The Choral Collection (WHITBOURN JAMES)
Choral SATB
SATB, Organ
[Sheet music]
Chester
Par WHITBOURN JAMES. This glorious collection of beautiful choral music by compo...
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Par WHITBOURN JAMES. This glorious collection of beautiful choral music by composer James Whitbourn includes fifteen short works drawn from his oeuvre from the first few years of the 21st century. Many of his greatest compositions are included in The Choral Collection, with many of the pieces working perfectly for seasonal performances, while also reflecting the many fruitful collaborations of Whitbourn's distinguished career. All works are arranged for SATB Choir. James Whitbourn has become renowned throughout the world for his acclaimed compositions and settings of numerous texts. He has been described as truly original and an innovator of contemporary British choral music, collaborating with people like Archbishop Desmond Tutu and the Choir of King's College, Cambridge. The former appears here, as A Prayer Of Desmond Tutu, a setting of one of the Archbishop's prayers. His arrangements and compositions for the King's College Choir have been universally critically acclaimed, with A Great And Mighty Wonder, Nunc Dimittis and Were You There? representing these hugely popular collaborations. Whitbourn has also had a very close relationship with the BBC since his beginnings as a composer, working with them on three pieces within The Choral Collection. Eternal Rest and Give Us The Wings Of Faith were both composed specifically for television broadcast, the former (in its orchestral form) was played for the funeral of the Queen Mother in 2002. His longest work, for which he is most famous, is a setting of text from'the Diary of Anne Frank'. There Is No Speech Or Language comes from this work, taking its text from other sources, but that still maintain the beauty and tragedy of the wider piece. The Choral Collection of fifteen compositions by James Whitbourn is full of beautiful, haunting, uplifting and inspiring melodies for SATB Choir and Organ Accompaniment from one of the most treasured British choral composers. The brilliant choice of texts throughout is matched only by the sheer compositional skill of Whitbourn in evoking the emotions of the words in the musical form. Also included are suggestions for seasonal song use, a list of recordings, and fascinating song notes written by Whitbourn himself. The joy of choral singing is nowhere more evident than in a work by James Whitbourn, and performances of any piece within this collection is sure to be remembered for a long time to come./ Recueil / Choeur Mixte (SATB) et Orgue
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The Naxos Book Of Carols (with CD) (PITTS ANTONY)
Choral SATB
[Sheet music + CD]
Naxos
Par PITTS ANTONY. The Naxos Book of Carols is collection of both the very old an...
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Par PITTS ANTONY. The Naxos Book of Carols is collection of both the very old and the very new. Commissioned by the leading international classical music label, Naxos, these twenty-four arrangements of traditional and original carols tell the Christmas story - from the hope of Advent and the message of the Angels, to the humble birth of the baby in Bethlehem and the coming of the King of kings. This collaboration between Naxos and Faber Music has brought this volume, containing all 24 carols in four narrative sequences, in new arrangements for SATB choir with minimum divisi. There is a good mix of accompanied and a capella (even the latter have optional accompaniments) and there is practical guidance on how the carols may be used by congregations, as well as choirs with varied resources. The original CD, performed by the award-winning choir Tonus Peregrinus and directed by the composer Antony Pitts, is included within the book making it incredible value for money. / Choral Music / Recueil / Voix Mixtes
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Sing, Choirs!: Anthems, Psalms And Hymns For Choirs (SATB/Organ)
Choral SATB
SATB, Organ
Novello & Co Ltd.
Sing, Choirs! is a library in miniature. It contains many of the Christian churc...
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Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue
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James Whitbourn: James Whitbourn: The Choral Collection: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Chester
This glorious collection of beautiful choral music by composer James Whitbourn i...
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This glorious collection of beautiful choral music by composer James Whitbourn includes fifteen short works drawn from his oeuvre from the first few years of the 21st century. Many of his greatest compositions areincluded in The Choral Collection with many of the pieces working perfectly for seasonal performances while also reflecting the many fruitful collaborations of Whitbourn's distinguished career. Allworks are arranged for SATB Choir. James Whitbourn has become renowned throughout the world for his acclaimed compositions and settings of numerous texts. He has been described as truly originaland an innovator of contemporary British choral music collaborating with people like Archbishop Desmond Tutu and the Choir of King's College Cambridge. The former appears here as A Prayer Of Desmond Tutu a setting ofone of the Archbishop's prayers. His arrangements and compositions for the King's College Choir have been universally critically acclaimed with A Great And Mighty Wonder Nunc Dimittis and Were You There?representing these hugely popular collaborations. Whitbourn has also had a very close relationship with the BBC since his beginnings as a composer working with them on three pieceswithin The Choral Collection. Eternal Rest and Give Us The Wings Of Faith were both composed specifically for television broadcast the former (in its orchestral form) was played for thefuneral of the Queen Mother in 2002. His longest work for which he is most famous is a setting of text from'the Diary of Anne Frank'. There Is No Speech Or Language comes from this work taking its text from othersources but that still maintain the beauty and tragedy of the wider piece. The Choral Collection of fifteen compositions by James Whitbourn is full of beautiful haunting
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The Novello Book Of British Folksongs
Choral SATB
SATB, Piano
Novello & Co Ltd.
The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable col...
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The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included, both old and new, of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus with Piano accompaniment, making this a brilliant way to enhance your choir's repertoire.This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams, Gustav Holst, Paul Mealor and George Dyson. Tunes like A-Hunting We Will Go, Auld Lang Syne, Bonny At Morn, Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs, the arrangements here are at once beautiful and touching, coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme, whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements, either the most beautiful, the funniest, or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs, this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs, this collection includes songs like There Were Three Ravens, Yarmouth Town, My Love Is Like A Red, Red Rose, Dance To Your Daddy and The Rio Grande, as well as an extensive and fascinating introduction by Jeremy Summerly.The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny, often dramatic, but always enjoyable to sing, and their diversity reflects the different people, landscapes and cultural history of the British Isles. These folk tunes can be traced back through British history, evolving through the oral tradition, continually changing lyrics and melody, being amended and sculpted according to the people who sung them. These timeless tunes have been recorded in this innovative Novello Book Of British Folksongs For Mixed-Voice Choir, however, the joy of these songs is you can put your own spin on them, adapting them to how you want them sung and continuing their legacy. This wonderful collection is a fantastic addition to any choir's performance repertoire, and is sure to lead to success for the choir and audience for many years to come. / Choeur Mixte (SATB) Et Piano
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Georg Friedrich Händel: Let God Arise HWV 256b Chapel Royal Anthem: SATB: Score
Choral SATB
SATB, Strings
Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...
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Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God Arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text waswritten in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
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Dave Brubeck: They All Sang Yankee Doodle: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Associated
'Yankee Doodle' with variations is the most concise way to describe the piece co...
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'Yankee Doodle' with variations is the most concise way to describe the piece commissioned by the New Haven Symphony Orchestra to commemorate Conneticut's participation in The United States Bicentennial. 'Yankee Doodle' a tune dating back to the Middle Ages in Holland and England (and used by the British as early as 1755 to poke fun at untrained American troops in the French and Indian war) is interwoven with other folk and national melodies to stitch a patchwork or a musical collage. It is a personal view of American history.'To explain my approach to They All Sang Yankee Doodle I must explain my own background because the piece is made up ofmusical memories imprinted from early childhood.My earliest musical memories are a juxtaposition of sounds - hymns and Bach chorales from the church next door where my mother was choir director; early twenties jazz from my oldest brother's dance band; classical piano from my middle brother and my mother's piano studio; and cowboy songs and turn-of-the-century ballads that I have always identified with my father. Concord California where I was born was once part of a land grant from the Mexican government and the Spanish-Mexican influence remained strong even as the town expanded from a sleepy settlement into an American microcosmos with a wide variety of ethnic groups. Over fifty years ago most of us who sang 'Yankee Doodle' in Concord could not trace our ancestry to the founding fathers. Those of us with Anglo-Saxon names were at the end of the Westward push our forefathers having left behind the Eastern cities a few generations before settling for a time mid-continent then restlessly pushing further West. Little is known of my paternal grandfather for instance except that he had come to California from Indiana walking across Nevada desert to become one of the first settlers in Mordoc Indian territory.Of course the native American the Indian was there to greet each new migration and it is his
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Andrew Cusworth: There Is No Rose (Novello New Choral Series): SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
There is no rose may be considered as having three distinct but musically interl...
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There is no rose may be considered as having three distinct but musically interlinked phases. The first is reflective in nature a set of musings on the mysteries of Mary as the Mother of God the nature of God Creation and the Trinity; the music lends a sense of the rising expectation appropriate to the season of Advent. This increasing tension breaks out into the angelic chorus Gloria in excelsis Deo a brief glimpse of something other which is then echoed by the fading repetitions of Gaudeamus (we rejoice). Finally the poem moves on joining the procession towards Christmas; a new key the expanding range and Transeamus (we go/proceed/cross over) fading intothe distance serve to provide a musical metaphor for the journey.The Novello New Choral Series is an inspiring selection of new works from a range of contemporary composers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around.Andrew Cusworth (b.1984) read music at Magdalene College Cambridge where he was also an Organ Scholar. Recent compositions include Factum est silentium for double choir and organ which won the first New Music for St Paul’s Cathedral Composition Competition and Give ear O ye heavens which was shortlisted for the King James Bible Trust Composition Awards. 'This is a piece whose effect greatly exceeds its simple means and it would be welcome in any serious carol service.' - Jeremy Summerly Choir & Organ
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Noel!: Carols And Anthems For Advent, Christmas And Epiphany
Choral SATB
Novello & Co Ltd.
Noel! is an exciting collection for mixed voice choirs, selected and edited by D...
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Noel! is an exciting collection for mixed voice choirs, selected and edited by David Hill. The contents range from the Renaissance to the present: the polyphony of Victoria and Byrd, via Bach, familiar settings of traditional and lesser known carols through the ages, and works by today's composers including Richard Rodney Bennett, Judith Bingham, John Tavener and Judith Weir. Mixed voice choirs of all levels will find here new arrangements of favourite carols as well as stimulating works for the Christmas season, from the easy to learn to the more challenging and unconventional. / Choeur SATB
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Short Anthems For Small Choirs (SHORT ANTHEMS)
Choral SATB
[Sheet music]
Kevin Mayhew
Par SHORT ANTHEMS. / Recueil / Choeur Mixte (SATB)
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The Novello Book Of Hymns
Choral SATB
Novello & Co Ltd.
The Novello Book Of Hymns is a collection of 50 favourite hymns, inspiringly and...
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The Novello Book Of Hymns is a collection of 50 favourite hymns, inspiringly and engagingly written for SATB Choirs. Edited by David Hill, all the arrangements in this book are designed to be singable by congregations without music, and can be used in any church or school service.As well as providing uplifting versions of hymns, these arrangements also work well as easy anthems, enabling church and school choirs to learn an often striking and dramatic piece of music quickly and easily.The hymns have been arranged by a range of well-loved composers including Richard Lloyd, John Bertalot, David Hill, Stephen Jackson, Philip Moore, Christopher Robinson and many others.Editor of the collection David Hill is a Choral Advisor to Novello. He is Chief Conductor of the BBC Singers, Musical Director of the Bach Choir, Chief Conductor of the Southern Sinfonia, Associate Guest Conductor of the Bournemouth Symphony Orchestra, Music Director of Leeds Philharmonic Society, and Professor of Choral Conducting at Yale University. / Choeur Mixte (SATB)
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Georg Friedrich Händel: The King Shall Rejoice: SATB: Vocal Score
Choral SATB
[Vocal Score]
Schirmer
For the occasion of the coronation of King George II and Queen Caroline which t...
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For the occasion of the coronation of King George II and Queen Caroline which took place in Westminster Abbey on October 11 1727 Handel wrote four splendid anthems and personally supervised their performance which was according to all reports one of great magnificence. The four anthems were enthusiastically received and one or more of them has been performed at every British coronation since 1727. Anthem No. 2 ('The King Shall Rejoice') although less well-known than Anthem No. 1 is an equally splendid example of Handel's ceremonial style - what Burney has affectionately termed his 'big bow-bow manner'. This work contains an opening Allegro brilliant and elegantrather than pompous; a grandiose setting of 'Glory and great worship hast thou laid upon him'; and a lively fugal Alleluia as a conclusion.For six-part chorus of mixed voices with organ or piano accompaniment. Edited and with keyboard reduction by William Herrman.
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There Is No Rose Of Such Virtue
Choral SATB
Novello & Co Ltd.
There is no rose of such virtue is an anonymous mediaeval text, already well kno...
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There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting, the second gives the melody to the tenors and surrounds them with hushed, wordless writing for the other parts, and the third explores a freely canonic relationship between the tenor and soprano lines before carrying the previous verse-endings to a higher, more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse, where the texture of the music attenuates again to four parts, and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence. Francis Pott (b. 1957) began musical life as a chorister at New College, Oxford. He held open music scholarships at Winchester College and at Magdalene College, Cambridge, where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist, Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda's College, Oxford, and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music, University of West London, later leading research across the University's Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in over three dozen countries worldwide, published by four major UK houses and released extensively on CD. Winner of four national composition awards, in 1997 he received first prize in the piano solo section of the S. S. Prokofiev Composing Competition, Moscow. In 2006 and 2011 he was a nominated finalist in the BASCA/BBC Annual Composer Awards. In summer 2012 he was winner of the international composing competition of the Cheltenham Festival, which sought new piano variations on the arioso song Bist du bei mir, well known in the arrangement by J. S. Bach. Francis lives with his wife and two children on the outskirts of Winchester. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. / Choeur Mixte (SATB)
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Stan Pethel: Praise My Soul the King of Heaven: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Uses: General Christ the KingScripture: Psalm 103:1 Ezekiel 34:11-16 Ephesian...
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Uses: General Christ the KingScripture: Psalm 103:1 Ezekiel 34:11-16 Ephesians 1:15-23 Matthew 25:31-46We experience Stan Pethel's more traditional side with this elegant hymn adaptation forChrist the King Sunday. Written with a classical approach and decorated with a festive trumpet descant this anthem will be welcome in churches of many worship vocabularies. Thrilling!
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Georg Friedrich Händel: The King Shall Rejoice HWV 260 Coronation Anthem: Mixed
Choral SATB
SATB, Piano
Barenreiter
Coronation Anthem for Mixed Choir and Orchestra-Zadok The Priest HWV 258 (BA1025...
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Coronation Anthem for Mixed Choir and Orchestra-Zadok The Priest HWV 258 (BA10258) and The King Shall Rejoice HWV 260 (BA10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king’s anointment HWV 260 his actual coronation. Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for Large Choir and Orchestra it comes as no surprise that motifs from Zadok the priest have found their way into the official hymn of the UEFA Champions League. The present editions by the authoritative Handel scholar Stephan Blaut are the first to offerthese two anthems based on the Urtext from the Halle Handel Edition. Bilingual Forewords (Ger/Eng) Idiomatic Piano reductions Based on the Halle Handel Edition Full score parts and vocal score available for sale
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Georg Friedrich Händel: The King Shall Rejoice HWV 260 Coronation Anthem: Mixed
Choral SATB
SATB, Orchestra
Barenreiter
Coronation Anthem for Mixed Choir and Orchestra-Zadok The Priest HWV 258 (BA1025...
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Coronation Anthem for Mixed Choir and Orchestra-Zadok The Priest HWV 258 (BA10258) and The King Shall Rejoice HWV 260 (BA10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king’s anointment HWV 260 his actual coronation. Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for Large Choir and Orchestra it comes as no surprise that motifs from Zadok the priest have found their way into the official hymn of the UEFA Champions League. The present editions by the authoritative Handel scholar Stephan Blaut are the first to offerthese two anthems based on the Urtext from the Halle Handel Edition. Bilingual Forewords (Ger/Eng) Idiomatic Piano reductions Based on the Halle Handel Edition Full score parts and vocal score available for sale
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Nico Muhly: Looking Up: SATB: Vocal Score
Choral SATB
[Vocal Score]
St Rose Music Publishing
Nico Muhly's Looking Up for SATB and Orchestra. Programme note:Looking Up is a p...
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Nico Muhly's Looking Up for SATB and Orchestra. Programme note:Looking Up is a piece for large chorus and orchestra and is in three sections played without pause. In the 16th century a variety of psalters in meter were printed in England with the idea of making psalm-singing something that could happen easily at home with the rhyming meter being an aid to memorization. These translations are wonderful exercises in brevity and sometimes clumsy rhymemaking and were usually prefaced by a lengthy explanation as to their merits; the title of one of the first such volumes in English is: The Psalter of Dauid newely translated into Englysh metre in such sortthat it maye the more decently and wyth more delyte of the mynde be reade and songe of al men. I thought it would be appropriate to set one of these introductions and the first section of Looking Up sets the preface to Thomas Ravenscroft’s psalter (1621) in which he writes: “The singing of Psalmes (as say the Doctors) comforteth the sorrowfull pacifieth the angry strengtheneth the weake humbleth the proud gladdeth the humble stirres up the slow reconcileth enemies lifteth up the heart to heavenly things and uniteth the Creature to his Creator.” It begins meditatively but eventually grows agitated and fervent with a vision of the “quire of Angels and Saints” “redoubling and descanting” — an ecstatic and terrifying vision of the skies opening up. Ravenscroft then encourages the use of instrumental music for worship at which point a long acrobatic orchestral interlude with jagged edges antagonizes the choir who sing a kind of private anxious meditation on two pitches. One of the most delicious biblical texts is an Apocryphal prayer known as the Benedicite or the Prayer of the Three Children (the same who were rescued by an angel after King Nebuchadnezzar tried to have them burnt in an oven for not bowing to his image). The text is repetitive obsessive and a gift to composers
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The King's Singers: Folk Songs and Fantasies: Mixed Choir a Cappella: Vocal
Choral SATB
[Vocal Score]
Hal Leonard
In this 50th Anniversary year of The King's Singers there is much celebrating to...
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In this 50th Anniversary year of The King's Singers there is much celebrating to be done. A 3 disc CD has been recorded by the current members of the group and from that new recording the most popular songs have been selected for this collection. Known for their consummate artistry in all genres and styles their interpretations of pop and folk music are legendary. Songs include: 'And I Love Her' 'And So It Goes' 'Danny Boy' 'Down by the Riverside' 'Down with Love' 'I'll Follow the Sun' 'Loch Lomond' 'Love Is Here to Stay' 'MLK' 'Quand Tu Dors Pres De Moi' and 'That Lonesome Road'.
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Noël! 3 - Carols And Anthems For Advent Christmas And Epiphany
Choral SATB
SATB, Organ
Novello & Co Ltd.
Noël! 3 is an exciting collection of Advent, Christmas and Epiphany music for m...
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Noël! 3 is an exciting collection of Advent, Christmas and Epiphany music for mixed-voice choirs, from the easy to learn to the more challenging and unconventional. The contents range from the Baroque to the present: familiar settings of traditional and lesser-known carols through the ages to Howells, Berkeley and Warlock, and works by today's composers including Richard Rodney Bennett, Paul Mealor, John Tavener, Francis Pott and Richard Allain. Mixed-voice choirs of all levels will enjoy these new arrangements of favourite carols as well as stimulating original works for the Christmas season. / Choeur SATB Et Orgue (Ou Piano)
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John Tavener: Five Anthems From The Veil Of The Temple: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
-
Intermediate
Chester
The Veil of the Temple is a journey from darkness into light. Care and attenti...
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The Veil of the Temple is a journey from darkness into light. Care and attention has been given to the key chosen for each anthem and to the voicings so that these versions are attractive to the broadest possiblerange of amateur as well as professional singers. The breathtakingly simple Mother Of God here I stand and the quietly ecstatic Awed by the Beauty are for unaccompanied chorus. The remaining three anthems are scoredwith Organ accompaniment: the sonorous You mantle yourself in light; the contemplative What God is we do not know and the radiant O Mary Theotokos.
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John Tavener: Favourite Anthems: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Chester
This album features 16 of John Tavener's anthems for SATB choir. Contents inclu...
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This album features 16 of John Tavener's anthems for SATB choir. Contents include: 'A Christmas Round' 'Advent Antiphon' 'Agnus Dei' 'As one who has slept' 'Exhortation and Kohima' 'TheFounder’s Prayer' 'God is with us (A Christmas Proclamation)' 'A Hymn to the Mother of God' 'The Lamb' 'Mother of God here I stand' 'Nunc dimittis' 'O that we were there' 'Rocking' 'Song for Athene' 'Today theVirgin' and 'What God is we do not know'.
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John Tavener: They Are All Gone Into The World Of Light: SATB: Vocal Score
Choral SATB
SATB A Cappella
[Vocal Score]
Chester
Composer's Note'The words of this piece are taken from the poem They are all gon...
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Composer's Note'The words of this piece are taken from the poem They are all gone into the world of light by Henry Vaughan. The music came to me after attending the beautiful and moving funeral of MarianneYacoub wife of the eminent heart surgeon Sir Magdi Yacoub who has been such a great support to me over many years.' - JohnTavenerThey Are All Gone Into The World Of LightThey are all gone into the world of light!And I alone sit ling’ring here;I see them walking in an air of glory Whoselight doth trample on my days:My days which are at best but dull and hoary Mere glimmering and decays.Dear beauteous Death! the jewel of the just Shining nowhere but in the dark;Could man outlookthat mark!And into glory peep.Either disperse these mists which blot and fillMy perspective still as they pass:Or else remove me hence unto that hill Where I shall need noglass. - Henry Vaughan
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The King's Singers: Bob Chilcott - North American Folksongs: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hal Leonard
Collection-Bob Chilcott joined the King's Singers in 1987 and sang tenor in the ...
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Collection-Bob Chilcott joined the King's Singers in 1987 and sang tenor in the group for 12 years while also serving as their primary arranger. This collection includes 8 favorite North American folksongs now available for the first time in a single volume. Includes: Black Is the Color of My True Love's Hair Feller from Fortune The Gift to Be Simple The Golden Vanity I Bought Me a Cat L'habitant de Saint-Barbe The Lazy Man She's Like the Swallow.The pieces in this collection are for SATB divisi a cappella.
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Douglas Nolan Patricia Mock: O Worship the King with Praise: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Uses: General Call to Worship Christ the KingScripture: Daniel 7:9-10; I Corin...
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Uses: General Call to Worship Christ the KingScripture: Daniel 7:9-10; I Corinthians 13:8Like a dance of praise this festive original leaps from the page and into the heart. Emerging from an insistent pedal tone thecries of “O Worship the King” sound the invitation to gather and sing. A shining piano part adds to the joy. Ideal for an opening anthem! Score and Parts (pno el bass dm fl 1-2 ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-2 tba hp timp perc 1-2 vn 1-2 va vc db) available on CD-ROM and as a digital download.
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John Purifoy: My God I Love Thee (My Eternal King): Mixed Choir a Cappella:
Choral SATB
[Vocal Score]
Brookfield Press
Uses: General Christ the KingScripture: Deuteronomy 6:4-9; Joshua 22:5; I John ...
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Uses: General Christ the KingScripture: Deuteronomy 6:4-9; Joshua 22:5; I John 5:1-5A rich hymn text is the backdrop for this anthem of devotion from John Purifoy. The opening may be sung a cappellaor accompanied; either option beautifully lays the groundwork for the reverent nature of the piece. Useable all year long and especially effective for Christ the King Sunday.
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Mack Wilberg: I Sing The Mighty Power Of God: Mixed Choir: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Oxford University Press
This anthem will feel immediately familiar to many listeners! Wilberg has adapte...
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This anthem will feel immediately familiar to many listeners! Wilberg has adapted the words of a traditional hymn and set them to the melody of O little town of Bethlehem. With a lively accompaniment and spirited counter-melody the result is a sparkling and jubilant work that will suit both concerts and services of thanksgiving throughout the year.Mack WilbergMack Wilberg is the Music Director of the Mormon Tabernacle Choir. He was appointed Music Director in March 2008 having served as Associate Music Director since May 1999. He is a former professor of music at Brigham Young University where he received his bachelor's degree; his master'sand doctoral degrees are from the University of Southern California. In addition to his conducting responsibilities he is active as a pianist choral clinician composer arranger and guest conductor throughout the United States and abroad. In addition to the many compositions he has written for the Mormon Tabernacle Choir his works have been performed by artists such as Renée Fleming Frederica von Stade Bryn Terfel The King's Singers and narrators Walter Cronkite and Claire Bloom. Wilberg's arrangements and compositions are performed and recorded all over the world. With their grandeur energy and craftsmanship they inspire performers and audiences everywhere.
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