To General George Washington-The grand and energetic opening contrasting styles careful attention to articulations and rich harmonies make this one sound more advanced than it actually is. Consider using Heroic Tribute as the opening piece for your young band festival performance. The easy but bright and colorful Percussion along with excellent use of the Woodwind and Brass sections make this an ideal contest piece. There are plenty of teaching opportunities packed into this majestic new mini-overture for young bands. In fact even if your band usually plays higher grade level music you should still give this one serious consideration. Occasionally it’s good idea to rehearse a high-quality easiercomposition where your entire ensemble can concentrate fully on ensemble playing phrasing tone quality etc. and not worry about just chasing notes. This piece provides great cross-curricular teaching opportunities with history.A great teaching piece as well as a gem in performance!

Fun for all!! The chorale style opening soon turns into a rousing funky-jazzy-gospel riff-style roof-raiser that will have your audience tapping along. It's nice for the concert band to get the opportunity to play something 'jazzy' once in a while and you know the audience will love it as much as the band does.Plenty of opportunity to study jazz-style phrasing in the concert band interesting Percussion parts a catchy tune and good linear motion for all move GETTIN' GOSPEL to the 'top of the list'. The only danger here is that the band might like it a little TOO much and want to play it every day.

The Yiddish word ‘Klezmer’ has been derived from the Old Hebrew words ‘Kley’ (tool instrument) and ‘Zemer’ (song singing making music).Klezmer is the traditional music of Jews from Eastern Europe.Yiddish musicians (Klezmorim) were regularly invited to come and play at Yiddish weddings as well as several other Jewish celebrations and festive occasions. Despite its close connection with traditional Eastern European folk music Klezmer music has succeeded in preserving its distinctive Jewish character. ‘Klezmer Discovery’ is a voyage of discovery through the richly varied music of the Jewish people from Eastern Europe.The introduction consists of anumber of motives from different traditional melodies (a Mitzve Tenzel and L’cha Dodi) followed by a melody in 3/8th time (Kandel’s Hora). This dance melody originally came from Bessarabia (present-day Moldavia) and was taken along to America by Jewish musicians round 1900. Subsequently ‘Der Terk in Amerika’ a composition by famous clarinet player Naftule Brandwein can be heard. A number of fast cheerful dance melodies (bulgars) form the finale of ‘Klezmer Discovery’ (Lebedyk un Freylekh Lomir sich iberbetn and Sherele).

Par ANDERSON LEROY. Like most of Leroy Anderson\'s efforts, Belle of the Ball is light, effervescent, and devoid of conflict or disharmony. Anderson looked upon the piece as a modern-day American revival -- or revitalization -- of the Viennese waltz tradition. Having said that, the main theme sounds rather unlike a Strauss waltz, but the voice of Tchaikovsky is evident in its playful, fantasy-like character. The melody is rhythmic and comes in short groups of notes, beginning with two notes, then three, then expanding further; the music skates along elegantly. The middle section features a delightful variation on the theme, in which Anderson\'s gentle-belled sonorities impart a playful innocence. This exclusive Southern band edition by Mark Rogers reintroduces Anderson\'s enchanting work to new generations of audiences. / Date parution : 2022-09-20/ Répertoire / Concert Band

Lunteren a village on the Veluwe (a wooded region in the Netherlands) sets the scene annually for a village festival dominated by folklore. Festa Paesana (Italian for village festival) is set to music by several folkloric sketches. The theme in Festa Paesana is partly based on a Dutch anthem (Wien Neerlands bloed); when other lyrics are used it is also known as the Lunteren anthem.The work begins with a festive introduction completed by chimes and drums in which pieces of the Lunteren anthem are heard. The music then transitions to represent a horse auction. We hear horses run their first rounds in the auction ring while being whipped. The following theme is partly basedon the anthem. The tension of the traditional auction is amplified by an ever-increasing cadence reaching its climax when the word ?Sold!? is shouted. The night ends with a majestic variation on the Lunteren anthem.The next morning when the tower clock hits seven times the village is awaked by the reveille of the heralds. In a fugatic version of the anthem we can hear the village slowly come to life. This evolves with the chiming of all towers in the village; the celebration can begin. Carriages drawn by horses rumble through the village and thus it is easy to hear when a horse hesitates or runs amuck. A traditional folk dance group then dances a whirling waltz while the audience shares their pleasure. Musicians march along the scene and take over the waltz theme in their march. Until deep in the night the musicians are still heard playing in the streets. Meanwhile we hear the anthem theme being played in a choral variation (in minor). The first time it is played quietly as a preparation for Sunday. Then it is played in a celebrating way enabling the devout village residents to remember the past pleasant celebration with satisfaction.

Par ALLEN VIRGINIA. This charming A-B-A form tone poem takes us on a memorable pleasure sailboat ride on the Chesapeake. Skillful scoring and natural melodies make sure this piece will show your group well on the concert stage. After a calm opening, the contrasting detached middle section of the piece sparkles as you feel the gentle breeze pick up to push the boat along on a joyously exciting cruise. Pleasing to play and pleasant to hear, you’ll want to add Virginia Allen’s Sailing to your music library right away. / Niveau : 2.5 / Pièce de concert / Répertoire / Concert Band

Simple aleatoric passages help recreate the effect of an erupting volcano in this powerful yet extremely playable composition. Using bass drum to suggest the groaning of the volcano the lyrical opening foreshadows the wildness of the eruption and in transition students play any notes and rhythms desired. As the lava begins to flow a cacophonous ostinato appears over a menacing theme in the trumpets and low voices. In addition to the regular part an optional advanced snare drum part is included for accomplished percussionists. The combination of styles along with exciting new sounds for young band make this a must for your next concert! (2:40)

This charming A-B-A form tone poem takes us on a memorable pleasure sailboat ride on the Chesapeake. Skillful scoring and natural melodies make sure this piece will show your group well on the concert stage. After a calm opening the contrasting detached middle section of the piece sparkles as you feel the gentle breeze pick up to push the boat along on a joyously exciting cruise. Pleasing to play and pleasant to hear you’ll want to add Virginia Allen’s Sailing to your music library right away.

This charming A-B-A form tone poem takes us on a memorable pleasure sailboat ride on the Chesapeake. Skillful scoring and natural melodies make sure this piece will show your group well on the concert stage. After a calm opening the contrasting detached middle section of the piece sparkles as you feel the gentle breeze pick up to push the boat along on a joyously exciting cruise. Pleasing to play and pleasant to hear you’ll want to add Virginia Allen’s Sailing to your music library right away.

With a name like Yankee Doodle how could you help but be a little bit of your rocker? This arrangement explores the wacky side of Yankee Doodle even throwing in a few other well-known songs along the way. Every part of the band gets to play the melody even if only a few notes here and there.

With a name like Yankee Doodle how could you help but be a little bit of your rocker? This arrangement explores the wacky side of Yankee Doodle even throwing in a few other well-known songs along the way. Every part of the band gets to play the melody even if only a few notes here and there.

Steps Ahead is a new BandQuest work by Michael Gandolfi that takes young players on a journey! Along the way there are musical/compositional techniques that are intended to educate the performers about basic compositional techniques that areintended to educate the performers about basic compositional techniques. ?Steps Ahead is a delightful piece with something interesting for every instrument in the ensemble. Each of its three sections addresses a kind of compositional technique ?transposition tutti (a 2-part homophonic section) and developing tutti (parts of the band enter to build to a 2-part homophonic tutti). Less experienced players might enjoy the challenges of easy syncopation and musical lines constructed with largerintervals.? ?Tom Duffy series editor.BandQuest® an exciting series of new music and accompanying curricula for band is a program published by the American Composers Forum. The series was started as a response to feedback from music educators that there is a pressing need for new fresh band music. The heart of this program is new works written by a diverse group of leading American composers who have created challenging pieces that are a true departure from standard middle school repertoire. Visit www.bandquest.org to learnmore about this innovative series and email bandquest@composersforum.orgto request a free downloadable audio catalog.

Based on the famous Canadian Brass version by master arranger Luther Henderson here is a wonderful adaptation for concert band by Michael Brown. Opening with a bluesy medium swing feel the tuba section is featured on the melodyalong with a small group of players. Mid-way through the arrangement the style changes to an up-tempo Dixieland style with the melody cleverly traded between various sections of the band. This rousing number is sure to be afavorite.