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GUITAR
Concert Band / Harmonie
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Quartette Pour Flûtes à Bec … (24)
Guitar Tab, Voice, Bass, Drum (24)
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Ensemble (23)
Lap Steel Guitar (23)
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Clavecin Et Instruments A Cord… (21)
Lyrics only (21)
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2 Choeurs Mixtes (SATB Et SATB… (20)
2 Violons, Alto et Basse Conti… (20)
Saxophone ensemble (20)
Quintette à vent (20)
Violin, Guitar (duet) (20)
Conga (20)
Book (20)
Soli (ATB), Choeur Mixte (SATB… (19)
Solistes SATBB, Choeur SATB, 2… (19)
Cajon (19)
Flûte Traversière, Clarinett… (19)
Ukulélé Soprano (19)
Brass Quartet: 4 trombones (19)
2 Violins and Basso (19)
Voix Mixtes (19)
Lute (19)
Saxophone Ténor et Piano (19)
Petit Choeur AT, 2 Flûtes Tra… (18)
Trumpet, Orchestra (18)
Baritone Ukulele (18)
Euphonium, Piano (duet) (18)
Ocarina (18)
Fanfare Band (18)
Woodwind Quintet (18)
Clavecin (18)
Concert Band ou Harmonie et Ba… (17)
5 Recorders (17)
Solistes SATB, Choeur SATB, 2 … (17)
Cornet and Piano (17)
Piccolo, Piano (17)
2 Violons, Violoncelle et Cont… (16)
2 Flutes, Piano (16)
Guitar, String Quartet (16)
Organ, Piano (duet) (16)
Quatuor à Cordes ou Orchestre… (16)
Ensemble Mixte (16)
Scores (16)
Bongos (16)
Euphonium en Do et Piano (15)
Choeur Mixte (SATB) Et Instrum… (15)
Solistes TB, Choeur SATB, 2 Co… (15)
Brass Quartet: 2 trumpets, hor… (15)
Cello Ensemble (15)
2 Hautbois Et Orchestre (15)
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Flute, Oboe, Clarinet, Bassoon… (15)
Orchestre De Chambre (15)
Choeur De Femmes (15)
Bass Clarinet (15)
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3 Violons, Instruments à Cord… (14)
Quatuor de Cuivres, Orgue et V… (14)
Flûte Traversière, Violon, I… (14)
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Ensembles de Cordes (14)
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Autoharp (14)
Trompette en Sib (14)
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Voix Et Orchestre (14)
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Saxophone Baryton (13)
Solistes SATB, Choeur SATB, 2 … (13)
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Violon 1 (13)
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Electric bass, Drums (13)
Trio (13)
Chamber Music (13)
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Libretto (13)
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Flute, Clarinet, Piano (trio) (12)
Choeur SATB/SATB, ou Basse Con… (12)
Harpe et Quintette à Cordes (… (12)
Musique de Chambre ou Orchestr… (12)
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Mélodie 1 Partie de Trompette… (12)
Ensemble Instrumental et Petit… (12)
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Soprano (12)
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Tenor Banjo (12)
Quintette à Cordes (Fac-simil… (12)
Violon 2 (12)
Flûte Traversière, Hautbois,… (12)
Soprano, Trompette, 2 Violons,… (12)
Guitare Flatpick et Plectre (12)
Viola da Gamba (12)
Drum set and Piano (12)
Bagpipe (12)
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Brass ensemble, Organ (12)
2 Harps (duet) (12)
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Solistes SATB, Choeur SATB, 2 … (11)
Solistes SATB, Choeur SATB, 2 … (11)
Petit Choeur SSATTB, 2 Violons… (11)
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Solo A, Choeur SATB/SATB, 2 Or… (11)
Choral SSATTB (11)
Solistes SBar, Choeur SATB, 2 … (11)
2 Hautbois, Basson, Cordes Et … (11)
Clarinette, Saxophone, Trompet… (11)
Guitar and Bass Tablatures, Ch… (11)
Piano, Violin, Bandoneon, Guit… (11)
2 Saxophones, Piano (11)
Choeur SSATB, 2 Hautbois, 3 Vi… (11)
Soli (AB), Choeur Mixte (SATB)… (11)
Gemischter Chor (SSAATBB) und … (11)
Ensemble à Cordes (11)
Baritone Saxophone (11)
Percussions Diverses (11)
Choeur SSATB, 2 Cornets à Bou… (11)
Solo B, Trompette, Violon, Alt… (11)
Chants Minés, Saynétes Et Ba… (11)
Guitare Tablatures Flatpick et… (11)
Saxophone (band part) (11)
Djembe (11)
Soprano, Piano (11)
Flûte à Bec et Piano (11)
2 Cellos, Piano (11)
Voix et Instruments Divers (11)
Concertina (11)
Solistes (STB), Choeur Mixte (… (10)
Solistes SST, Choeur SSAATB, 2… (10)
Baritone Horn and Piano (10)
Trumpet ensemble (10)
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Quintette avec Piano (10)
Choeur SSATTBB (TTBB), 2 Tromp… (10)
Solistes SAT, Choeur SATB, 2 F… (10)
Choral, Organ (10)
Flute, Violin, Piano (10)
Choeur de Femmes (SSA) avec Ch… (10)
Orgue, 2 Violons, 2 Altos, 2 V… (10)
Clavier Electronique et Ligne … (10)
Choeur Mixte (SATB) Et 4 Instr… (10)
4 Instruments Cuivre (Trompett… (10)
Quatuor A Cordes Et Orchestre … (10)
Voice (10)
Cornet (10)
Xylophone (10)
Cor en Fa (10)
4 Cellos (10)
Guitare (Fingerpick) (10)
Recorder, Bass Continuo (10)
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Gemischter Chor (SATB) und Orc… (9)
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4 Euphoniums (9)
Ochestre à Cordes (9)
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Guitare (Flatpick) Et Plectre (9)
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Fake Book (9)
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Mallet Percussions (9)
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Flûte Traversière Clarinette… (9)
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2 Violons, Violoncelle, Cordes… (9)
Opéra Full Score (9)
2 Trumpets, Keyboard (piano or… (9)
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Petit Ensemble Contemporain (9)
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Flügelhorn (9)
Saxhorn and Piano (9)
Set de Cordes (9)
Mariachi (9)
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Medium Voice (9)
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Violoncelle ou 2 Violoncelles … (8)
Quatuor (8)
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Flute and Strings Trio (8)
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Clarinet, Violin, Cello, Piano… (8)
Hautbois, 2 Flûtes Traversiè… (8)
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Choeur SATB, (4 Instruments, C… (8)
Clarinette en La, 2 Violons, A… (8)
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Marches militaires (8)
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Soprano Saxophone and Piano (8)
Soli (SATB), Choeur Mixte (SAT… (8)
Choeur D'Enfants (SMezA) Avec … (8)
Bassoon, Orchestra (8)
Solistes SB (B), Choeur SATB, … (8)
Piano Trio: Violin, Viola, Pia… (8)
K7 (8)
Quintette de Cuivres (8)
Flûte Traversière, Alto et V… (8)
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Trio A Cordes (8)
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Partition D'Orchestre (8)
Ballets sans Chant (8)
Lyrics & Chords (8)
Bass Trombone and Piano (8)
2 French horns (duet) (8)
4 Parties Mixtes (8)
Flûte Traversière, Clarinett… (7)
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Clavecin, Violon, Violoncelle … (7)
Vibraphone, Piano (7)
Soprano, Choeur Mixte à 4 Voi… (7)
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Petit Orchestre (7)
Soli (SB), Choeur Mixte (SATB)… (7)
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Viola da Gamba, Basso continuo… (7)
Concert Band et Solistes (7)
Solistes SSA, Choeur SSA, 2 Vi… (7)
Choeur TTBB, Piccolo, 2 Flûte… (7)
Clarinette, 2 Violons, Viole e… (7)
Choeur SATB, 2 Hautbois, 2 Cla… (7)
Horn and String Quartet (Quint… (7)
Clavier (7)
Quintette (7)
Soli (SATB), Choeur Mixte (SAT… (7)
4 Instruments Variés (Flûtes… (7)
2 Choeurs Mixtes Et Orchestre … (7)
Quatuor de Cuivres et Orgue (7)
Soli (ATB), Choeur Mixte (SATB… (7)
Trompette ou Bugle ou Cornet o… (7)
Solistes SATB, Choeur SATB, Or… (7)
Choeur D'Enfants (SMezA) Avec … (7)
6 Instruments à Cordes et Bas… (7)
String trio (7)
Livre Musical (7)
Mélodie, Chant Et Piano (7)
Soli (STB), Choeur Mixte (SATB… (7)
Flûte, Cor (Violoncelle) et P… (7)
1 Ou 2 Accordéon(s) (7)
Trumpet, Trombone (duet) (7)
Recorder, Guitar (duet) (7)
Ukulele Ensemble (7)
Mélodie 3 Partie de Saxophone… (7)
2 Clarinets, Piano (7)
2 Oboes and English horn (7)
5 Part Ensemble (7)
Bass Clarinet, Piano (7)
2 Recorders, Basso continuo (t… (7)
Madrigaux (7)
Voix et Ensemble Instrumental (7)
ENS::Ensemble d'cole (7)
Flûte Traversière (Ou Hautbo… (7)
Guitare Flatpick et Fingerpick… (7)
2 Trompettes (duo) (7)
String quartet: 4 violins (7)
Voix Mixtes SAB et Piano (7)
5 Voix (SSATB) et Basse Contin… (7)
Flute, Violin, Guitar (7)
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Mélodie 2 Partie de Saxophone… (6)
Clavier ou Orgue Electronique (6)
Flûte A Bec, Chant Et Percuss… (6)
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Klavier und Orchester (6)
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3 Trombones et Fanfare (6)
Orchester (6)
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Flute, Bassoon (duet) (6)
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Clarinet and Viola (6)
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2 Trompettes ou Plus (6)
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Ballade fra Fantasistykker for Piano op
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Ballad from Fantasy Pieces for Piano Op. 36. Par BACKER-GRONDAHL AGATHE. Agathe ...
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Ballad from Fantasy Pieces for Piano Op. 36. Par BACKER-GRONDAHL AGATHE. Agathe Backer Grøndahl’s ‘Ballade’ can best be described as a Romantic character piece. Such one-movement piano pieces with titles that loosely indicate a mood/idea made out a central genre in the 19th century. In Backer Grøndahl’s production, several of these are grouped under the term ‘fantasy pieces’. There are six collections with a total of 48 fantasy pieces on her opus list and ‘Ballade’ is from the first of these (Op. 36), published in 1895. ‘Ballade’ is a broader work than the other fantasy pieces. It is built around a dramatic theme that keeps returning after episodes with strongly contrasting thematic material. The arrangement is close to Backer Grøndahl’s original composition. It is transposed a semitone down: from E flat minor to D minor. The arrangement contains some challenging passages and is well-suited for amateur bands of a certain level. The instrumentation makes no special demands beyond normal concert band instrumentation and will sound just as good in small as in large bands. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Bleak Forest
Concert Band / Harmonie
[Score and Parts]
Symphonic Dimensions Publishing
Par ZIEGELBACK ANDREAS. Bleak Forest is a piece for smaller concert bands and of...
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Par ZIEGELBACK ANDREAS. Bleak Forest is a piece for smaller concert bands and offers the musicians above all space to improve their sound and their effect playing. The technical requirements are therefore deliberately kept low. With this piece, the composer won the VLAMO International Composition Contest 2022. Thematically, the work is influenced by the composer's childhood memories. In his hometown there was a dark and mysterious forest, that seemed to the children in the small village to be magical. Without a reasonable explanation, every trip into the woods was exciting and somewhat terrifying. There were tales of dangerous animals, which can be heard at the beginning of the piece, as well as magical beasts. The magic of the forest is depicted musically from bar 70 in the andante section. The snapping of the fingers represents single raindrops. From bar 99 onwards, we hear the trek home, with the occasional moments of trepidation as the children spook each other with their fanciful tales. In the end, though, we arrive safely at home because after all, magical beasts only exist in fairy tales… don’t they? Andreas Ziegelbäck studied music education at the Mozarteum University in Salzburg, and history at the Paris Lodron Universität, Salzburg. In addition to his studies, he trained in ensemble conducting for wind orchestra with conductor and composer Thomas Doss. It was Doss who sparked Ziegelbäck’s interest in composing. In 2021, Andreas Ziegelbäck completed his composition studies with Johannes Maria Staud. In 2020, he took part in a brass band composition masterclass in Bern with Oliver Waespi, followed by a premiere by the Swiss Army Brass Band. / Date parution : 2023-10-31/ Répertoire / Concert Band / Harmonie
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Cantina Band
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Par WILLIAMS JOHN / HVEEM DAVID (Arr.). «Cantina Band (or «Mad About Me») was...
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Par WILLIAMS JOHN / HVEEM DAVID (Arr.). «Cantina Band (or «Mad About Me») was written by John Williams in 1977 for the film Star Wars (later Star Wars IV: A New Hope). Even with quite a bit of the Star Wars music being quite well known, Cantina Band is literally in a style of its own. In the Star Wars-universe this style is called «jizz», Williams’ take on the more well-known genre «jazz». Williams was tasked by Star Wars-creator George Lucas to make music that sounded like «several creatures in a future century finding some 1930's Benny Goodman swing band music ... and how they might attempt to interpret it» and ended up with Cantina Band #1 and #2. Both numbers are played in the legendary scene taking place in Chalmun's Spaceport Cantina where Luke Skywalker and Obi-Wan Kenobi gets in a fight causing even the band to stop playing. The band, which goes by the name Figrin D'an and the Modal Nodes, comes from the planet Clak'dor VII and specializes in jizz and the nearby, slightly older style of jatz. Performers of this music often go by the name 'jizz-wailers', and the Bith people from Clak'dor VII are especially well suited for jizz-wailing since they can hold every note as long as they want thanks to a unique respiratory system - something many perhaps would like to be able to do in the performance of this arrangement as well. The arrangement is relatively faithful to Williams' original version, but with a somewhat different ending. Although the woodwind section undoubtedly has the biggest technical challenges, an understanding of the musical style is the very key to making the arrangement sound good - and here all groups must work together. Playing lightly but quite articulated, and very precise, will be an absolute necessity to get the music drifting off all the way to Tatooine. In measure 113 there is a small improvised solo in either trombone or trumpet, but if you want the real authentic Cantina Band-sound this is of course done on a steel drum. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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3 Letzte Motetten
Concert Band/Harmonie
[Score and Parts]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
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Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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3 Letzte Motetten
Concert Band/Harmonie
[Score]
Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ans...
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Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Good Vibes
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Par TORSKANGERPOLL IDAR. This piece for beginning band was written as a commissi...
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Par TORSKANGERPOLL IDAR. This piece for beginning band was written as a commission for Norsk Noteservice to the “Music for Beginners” serie. The piece is a feelgood item with limited range for all instruments, suitable for young players. The rhythmic structure is repetitive and polyphony is often in the “call and response” form. Hence it is an easy piece to read and play. The refrain is rhythmically unison making it easy for all to play syncopated rhythms. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Intrada for a Festive Occation
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Par TORSKANGERPOLL IDAR. This piece was commissioned by Torskangerpoll Musikklag...
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Par TORSKANGERPOLL IDAR. This piece was commissioned by Torskangerpoll Musikklag as a massed-band item for their “Storm Festival” in 2016. The “Storm Festival” is a festival for from bands all over Norway with concerts, parades and a lot of fun in the small Western Norway town of Måløy. The music is built around two motifs used throughout the piece. This piece is a good concert-opener or a character piece. Beware of the changing articulations in this piece, the contrast between marcato and legato is a vital part of the character of the piece. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Cardigan Bay (DE HAAN JACOB)
Concert Band/Harmonie
[Score]
De Haske Publications
Fantasia on the Welsh Hymn Tune 'Aberystwyth'. Par DE HAAN JACOB. Cette œuvre e...
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Fantasia on the Welsh Hymn Tune 'Aberystwyth'. Par DE HAAN JACOB. Cette œuvre est fondée sur l’hymne « Aberystwyth », qui emprunte le nom d’une ville côtière à l’ouest du Pays de Galles. C’est l’hymne préféré de Jacob de Haan parmi les 120 Hymns for Brass Band. L’œuvre se compose de trois mouvements ininterrompus où le thème de l’hymne se présente sous diverses formes attrayantes pour former une pièce variée qui enchantera les musiciens autant que leurs auditeurs. / Date parution : 2022-07-23/ Répertoire / Concert Band/Harmonie
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Finale from The New World Symphony
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Par DVORAK ANTONIN. This arrangement was written for Norwegian School Band Madla...
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Par DVORAK ANTONIN. This arrangement was written for Norwegian School Band Madlamark Skolekorps to their participation at the Norwegian Championships 2023. The arrangement will work excellent also for a wind ensemble (one player to each part), but the clarinet parts should always be doubled. Euphonium II is optional, but it’s recommended to use also this when there are two players or more on this instrument. Concerning percussion, timpani is the most important part, but it’s recommended to also cover cymbals and mallet percussion. The articulation and dynamics are kept as close as possible to the original version by Dvorak. However, some changes has been made to make it more suitable for a wind instrumentation. The timpani part is identical to the original version except for some places when the trumpet signals are doubled in the timpani part. Staccato notation should not be played short here, but rather separated. At faster passages, the music should be played endurant or legato if possible. This arrangement is a good opportunity to perform music of highest quality where musicality, phrasing, balance and intonation are very important, and, where each musician and part are deeply involved in the music making. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Song for Frances
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Solo for Euphonium and Concert Band. Par OLSEN VADSTEN OYSTEIN. “Song for Fran...
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Solo for Euphonium and Concert Band. Par OLSEN VADSTEN OYSTEIN. “Song for Frances” is a classic love ballad, written for concert band and brass band, with a soloist on euphonium. The piece always has the soloist in focus and gives him plenty of room to show off, both a warm sound and technical skills. In the first part of “Song for Frances”, the basic melody is clearly presented, while the rest of the piece is more of a written 'as if improvisation' with various melodic and technical 'whims'. The piece will be perfect for any euphoniumist looking for a challenge. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Coconut Island
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Kokosmøttøya. Par ROGERS SCOTT. A trip to Coconut Island is always enjoyable! ...
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Kokosmøttøya. Par ROGERS SCOTT. A trip to Coconut Island is always enjoyable! Soft Latin rhythms, a relaxing tempo, and tutti rhythm figures combine to create the perfect vacation. Coconut Island introduces young musicians to Latin rhythms. The percussion parts are built up of short, repeating patterns that are easily learned. The melody is mostly made up of short diatonic patterns and falling intervals of a third, making the piece easily attainable for young players. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Music Xperience (DE HAAN JACOB)
Concert Band/Harmonie
[Score]
De Haske Publications
Par DE HAAN JACOB. La ville de Zevenhuizen (Sept Maisons), dans la province née...
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Par DE HAAN JACOB. La ville de Zevenhuizen (Sept Maisons), dans la province néerlandaise de Groningen, a conçu l’idée de réunir 777 musiciens pour un concert expérimental à ciel ouvert. C’est dans ce contexte que Jacob de Haan a été prié d’écrire une œuvre pour célébrer le cinquantenaire de Concordia, l’association musicale locale. Le nombre total de musiciens n’a pas été tout à fait atteint, mais cela n’a pas empêché l’événement d’être un grand succès. Maintenant, la musique a été publiée dans une compilation qui rassemble les mélodies les plus attrayantes dans divers styles de rock et de ballades. Le thème de clôture captivant de Music Xperience persistera dans l’esprit de nombreux auditeurs et interprètes longtemps après la fin du concert. / Date parution : 2022-07-20/ Répertoire / Concert Band/Harmonie
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Pineapple Punch
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Par ESPLO HAAKON. Pineapple Punch, a lively, fun and lively piece of music with ...
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Par ESPLO HAAKON. Pineapple Punch, a lively, fun and lively piece of music with challenges for all instrumental groups. You have a great opportunity to work with both rhythm, articulation and understanding of style. Pineapple Punch is entertaining and suitable for any concert. The piece has a light Latin touch and is fun to play for the musicians. The first voices provide a challenge, while the lower voices are simpler in rhythm and range. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Schola Vitae
Concert Band / Harmonie
[Score and Parts]
Symphonic Dimensions Publishing
Par SADELER GEORGES. Schola Vitae, dedicated to the former director of UGDA Musi...
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Par SADELER GEORGES. Schola Vitae, dedicated to the former director of UGDA Music School in Luxembourg, Paul Scholer, describes in an 8-minute piece that learning and playing music is a school for life. Starting with popular scales that ascend and descend through various keys, an essential tool familiar to every musician appears: the metronome. It sets the tempo, and musicians practice their themes together or against each other, register by register. In music, however, it's not just about technique and precision, but also about emotions. Music connects people, fosters friendships, and accompanies them through the highs and lows of life. The sense of togetherness in music becomes increasingly audible. Everyone works together and pulls in the same direction to ultimately achieve something great. Georges Sadeler, born in 1988 is a Luxembourgish composer and saxophonist with the Grand Ducal Military Band of Luxembourg. His father kindled his interest in composing and arranging at an early age, a study he later continued under his two teachers Marco Pütz and Claude Lenners, both of whom taught at the Conservatoire of Music, Luxembourg. He gradually began to establish his own style, combining the enormous range of possibilities of contemporary music and classical music and, in the years that followed, he won six first prizes at various national and international composition competitions. His works have since been performed all over Europe. / Date parution : 2023-10-31/ Répertoire / Concert Band / Harmonie
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Sword Dance
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
Sverddansen. Par ROGERS SCOTT. The sword dance is a tradition in many cultures. ...
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Sverddansen. Par ROGERS SCOTT. The sword dance is a tradition in many cultures. The Scottish sword dances date back to the 15th century. This traditional melody captures all the excitement and energy of the sword dance through insistent rhythms, variation in dynamics and a big accelerando at the end. Articulations should be clear and crisp, and the accelerando at the end should be as fast as you dare! / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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Hedwig's Theme
Concert Band/Harmonie
[Score and Parts]
Norsk Noteservice
From 'Harry Potter and the Philisopher's Stoine'. Par WILLIAMS JOHN / ROGERS SCO...
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From 'Harry Potter and the Philisopher's Stoine'. Par WILLIAMS JOHN / ROGERS SCOTT (Arr.). Hedwig's Theme is the easily recognizable melody that musically binds together all of the Harry Potter films. Composer John Williams has used the tune as a leitmotif, setting it in different moods according to the situations in the movie, yet always reminding the listener of it’s connection to the main characters of the film. The melody is intervalic, with many interesting dissonances. Normally, this would make the tune difficult for young players, but their familiarity with this particular melody gives them easier access to these dissonances and unusual intervals. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie
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