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Piano and Orchestra
GUITAR
Flute and Piano
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Camille Saint-Saëns: Romance opus 37: Flute and Accomp.: Score & Parts
Flute and Piano
Durand
pour flûte ou violon et piano-Camille Saint-Saëns completed the Romance in D...
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pour flûte ou violon et piano-Camille Saint-Saëns completed the Romance in D Flat Major on 25 March 1871. If in his concertos for solo instrument and orchestra Saint-Saëns freed himself from the Viennese classical model (reconfiguring it with originality but in the light certainly of the formal experimentations of Schumann and of Biedermeier virtuosity) in the Romance opus 37 and other works of similar form (opus 27 36 and 48) he adopted the Romantic ternary Liedform (A–B–A) – in particular that of Schumann’s Stücke and Mendelssohn’s Lieder ohne Worte – and transcended the idiomaticity of the respective solo instruments nowinterchangeable ad libitum (Flute or Violin in the case of opus 37) thereby making the pieces more widely usable and emphasizing their cantabile quality.
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Concerto for flute and orchestra (1985)
Flute and Piano
[Sheet music]
Fennica Gehrman
Huilukonsertto. Par ENGLUND EINAR. Einar Englund?s (1916-1999) Flute Concerto (1...
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Huilukonsertto. Par ENGLUND EINAR. Einar Englund?s (1916-1999) Flute Concerto (1985) is beyond dispute one of his greatest works. Its finest attributes are its rich melodic invention, colourful instrumentation and immediate message. Add to these its rewarding solo part, and the result is truly one of his best concertos ? and works. He himself did not hesitate to regard it as such. It was premiered in Helsinki on September 16, 1985, having been completed at Ljugarn on the Swedish island of Gotland at the end of June. The Finnish Radio Symphony Orchestra was conducted by Leif Segerstam, and the soloist was the concerto?s dedicatee, Mikael Helasvuo. The Flute Concerto opens with a Ritornello in which the flute's playful, dance-like passages make sharp contrast with the orchestra's heroic stance. In the mellow Canzona which follows, the flute plays rhapsodically over repetitive orchestral figures. The work's 'action-packed' finale hints at parody in its military march-like opening, but also gives rein to the lyricism already familiar from the second movement. This product includes the solo flute part and the piano reduction. The orchestral study score (composer?s manuscript) is available for sale (product number 9790550117471). The performance material is available for hire from the publisher. Duration: c. 23? Instrumentation of the orchestra: 3(III=picc)222?4330?14?harpsichord( celesta)?hp?str / Date parution : 2022-05-31/ Répertoire / Flûte Traversière et Piano
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Concerto For Flûte And String Orchestra Op. 29
Flute and Piano
Bote and Bock
/ Flûte Traversière Et Piano
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Jacques Ibert: Concerto For Flute And Orchestra: Flute: Instrumental Work
Flute and Piano
[Sheet music]
Leduc, Alphonse
Published in 1934 this is one of the most frequently interpreted flute concert...
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Published in 1934 this is one of the most frequently interpreted flute concertos by Jacques Ibert (1890-1962) a neoclassical composer who won the Prix de Rome in 1919. Written for the French flautist Marcel Moyse it is rated as difficult and is composed of three movements: Allegro Andante and Allegro Scherzando. The first Allegro is challenging with a rapid suite of sixteen notes followed by a theme more lyrical. Andante the second movement is lyrical and recalls its suites Escales (1924). Finally Allegro Scherzando reminds us of French drama through its theatricality and can be difficult for the soloist due to itsrhythmic part. Jacques Ibert (1890-1962) also composed many symphonic suites operas and seven orchestras including Angelique (1926) and Divertissement (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.
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Wolfgang Amadeus Mozart: Concerto In G For Flute And Orchestra K.313: Flute:
Flute and Piano
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Schirmer
In a letter dating from 1777 Mozart reported to his father from Mannheim that Jo...
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In a letter dating from 1777 Mozart reported to his father from Mannheim that Johann Baptist Wendling principal Flautist of the famous Mannheim Orchestra had been approached by a wealthy Dutch businessman by the name of De Jean who was prepared to pay 200 gulden for three easy flute concertos and four flute quartets for his own use. Mozart accepted the commission. By the day before the Dutchman left Mozart had delivered only three of the quartets andtwo concertos for which he had been paid 964 gulden. The composer who was himself being pressed by his father to continue his own journey to Paris with his mother was full of excuses writing back to Salzburg on 14 February 'It is not surprising I have been unable to finish them for I never have a single hour's quiet here...Moreover you know I become quite powerless when I am obliged to write for an instrument I can't stand.' There is more than a hint of disingenuousness in Mozart's words for this was the height of the period during which he was being distracted from his work by his new-found love for the Mannheim singer Aloysia Weber. (He ultimatelymarried her sister Constanze.) If Mozart's dislike of the Flute was as great as he claimed there are few signs in the Flute Concerto No.1 in G major particularly in the expressive central Adagio ma non troppo. The outermovements are an Allegro maestoso and a concluding Rondo: Tempo di Menuetto. The work is scored for two oboes (replaced by flutes in the Adagio) two horns and strings. This Great Performers' Edition is edited byJames Galway.
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Concerto Flûte Et Orchestre (JOLIVET ANDRE)
Flute and Piano
[Sheet music]
Heugel
Par JOLIVET ANDRE. Andre Jolivet (1905-1974) composed this Concerto for Flute an...
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Par JOLIVET ANDRE. Andre Jolivet (1905-1974) composed this Concerto for Flute and Strings in 1949. Initially written for Flute and String Orchestra, this version contains the scores for the Flute and the Piano and lasts 12 minutes. This strong> Concerto for Flute and Strings is quite unusual as it was only created in two movements, each divided into a slow introduction and a fast main part. Used as one of the main pieces of the Geneva music contest ; Concours de Genève in 2014, this concerto requires advanced skills. Andre Jolivet is a French composer who was really inspired by theAntiquity and had a strong interest for atonality. He also wrote many chamber music pieces, eleven concertos, some orchestral and some vocal music./ Répertoire / Flûte Traversière et Piano
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Wolfgang Amadeus Mozart: Concerto For Flute Harp And Orchestra C Major: Flute &
Flute and Piano
[Reduction]
G. Henle
Mozart was neither a flautist nor a harpist but his Double Concerto has become ...
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Mozart was neither a flautist nor a harpist but his Double Concerto has become the best-known music for both these instruments. Now its musical text has been prepared for Henle by the star flautist András Adorján following the autograph score even in those passages where other editions make arbitrary changes. No less a musician than Robert D. Levin has added historically convincing cadenzas as editorial suggestions; the lean and euphoniousPiano reduction was prepared by the experienced arranger Jan Philip Schulze. Our edition is the first to present the Harp part in form of a performance score. This new volume completes Henle?s series of up-to-date urtext editionsof Mozart?s surviving concertos and chamber music with Flute.
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André Jolivet: Concerto For Flute And String Orchestra: Flute: Instrumental Work
Flute and Piano
Heugel
André Jolivet (1905-1974) composed this Concerto for Flute and Strings in 1949....
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André Jolivet (1905-1974) composed this Concerto for Flute and Strings in 1949. Initially written for Flute and String Orchestra this version contains the scores for the Flute and the Piano and lasts 12 minutes. This strong>Concerto for Flute and Strings is quite unusual as it was only created in two movements each divided into a slow introduction and a fast main part. Used as one of the main pieces of the Geneva music contest “Concours de Genève” in 2014 this concerto requires advanced skills. André Jolivet is a French composer who was really inspired by theAntiquity and had a strong interest for atonality. He also wrote many chamber music pieces eleven concertos some orchestral and some vocal music.
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Georg Philipp Telemann Edvard Grieg: Album Vol. VII for Flute and Piano: Flute
Flute and Piano
[Sheet music + CD]
Dowani
DOWANI 3 Tempi Play Along is an effective and time-tested method of practicing t...
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DOWANI 3 Tempi Play Along is an effective and time-tested method of practicing that offers more than conventional play-long editions. DOWANI 3 Tempi Play Along enables you to learn a work systematically and with accompaniment at different tempi.Thefirst thing you hear on the CD is the concert version in a first-class recording with solo instrument and orchestral continuo or piano accompaniment. Then the piano or harpsichord accompaniment follows in slow and medium tempo for practicepurposes with the solo instrument heard softly in the background at slow tempo. Finally you can play at the original tempo to the accompaniment of an orchestra piano or basso continuo.Allversions appearing on the CD were recorded live by renownedsoloists accompanists and orchestras. There are no synthesised sounds in a DOWANI edition! 1 G. Ph. Telemann (1681-1767): Allegro - 'Der getreue Musikmeister (Polonoise')2 L. Mozart (1719-1787): Allegro ('Children`s Symphony')3 M. Moszkowski (1854-1925): 'Spanischer Tanz' op. 124 E. Grieg (1843-1907): 'Anitras Tanz' - Peer Gynt (Suita No 1)
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Arias for Flute and Piano: Flute and Accomp.: Score and Part
Flute and Piano
Southern Music Ltd
Sir James Galway first came upon Gilbert and Sullivan's wonderful operettas whil...
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Sir James Galway first came upon Gilbert and Sullivan's wonderful operettas while playing with Sadler's Wells Opera orchestra which later became English National Opera. His fondness for good tunes with which the G
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By the Forest Brook Am Waldesbach Op. 33: Flute and Accomp.: Score and Part
Flute and Piano
Southern Music Ltd
PAUL WETZGER (1870-1937) was a German flutist composer born in Dahme near Lübe...
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PAUL WETZGER (1870-1937) was a German flutist composer born in Dahme near Lübeck. At a young age he took violin lessons from the local music director later switching to flute. By 15 years of age Wetzger had played his first concert in the main church of Dahmen and was second flutist of the municipal orchestra. He later became solo flutist with the municipal orchestra of Essen and taught at the Essen conservatory. He wrote numerous pieces for flute and several chamber music works also editing works by the French composer/flutist Jules Demersseman. Wetzger's Am Waldesbach (By the Forest Brook) ideally for flute and orchestra or piano was a staple of celebrated flutistMarcel Moyse recorded by him in 1935 on the French Columbia label. Since then it has become a favorite in the flute teaching repertory perhaps most notably included Toshio Takahashi's famous Suzuki Flute Method. This Southern Music edition faithfully captures this classic piece as performed by living legend of the flute Sir James Galway.
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Wolfgang Amadeus Mozart: Andante for Flute and Orchestra C major KV 315: Flute:
Flute and Piano
G. Henle
Cette célèbre pièce pour flûte a vraisemblablement été conçue comme alter...
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Cette célèbre pièce pour flûte a vraisemblablement été conçue comme alternative au mouvement lent du concerto pour flûte en Sol majeur de Mozart. Dans sa réduction pour piano l?Andante fait maintenant partie intégrante du répertoire pédagogique et domestique pour cet instrument. Ce succès tient certainement en particulier à la merveilleuse et ample cantilène de la partie de flûte. En outre du fait de son faible niveau de difficulté (3) cette dernière est aussi accessible aux élèves flûtistes.
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Sergei Rachmaninov Erik Satie: Solos for Flute: Flute: Instrumental Album
Flute and Piano
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Intermediate/advanced
Carl Fischer
36 Repertoire Pieces with piano accompaniment-Solos For Flute: 36 Repertoire Pie...
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36 Repertoire Pieces with piano accompaniment-Solos For Flute: 36 Repertoire Pieces With Piano Accompaniment is a collection of fantastic Flute pieces and arrangements with Piano Accompaniment compiled and edited by David Peck.These will provide an enjoyable challenge for the advancing flautist.The solo Flute part is also included on a separate insert.
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Jules Massenet: Méditation de Thaïs pour Flûte et Piano: Flute: Instrumental
Flute and Piano
[Sheet music]
Heugel
The instantly recognisable and ever-popular Méditation from the opera Thaïs b...
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The instantly recognisable and ever-popular Méditation from the opera Thaïs by Jules Massenet (1842-1912) remains a strong favourite in the classical repertoire superbly arranged for Flute and Piano by French flautist Paul Taffanel. Massenet first studied music with his mother before entering the Paris Conservatoire. He is best known for his operas of which he composed over thirty. Thaïs was first performed at the Opéra Garnier in Paris in 1894 and continues to be one of the composer's most performed operas. The famous Méditation isan intermezzo originally for Violin and Orchestra which has since been arranged for many different instruments making it a frequent concert piece. The arrangement for Flute and Piano remains in the original key of D major and displays the passionate religious intentions. Taffanel's adaptions include breath marks phrasing changing octaves for some notes and articulation among other aspects. Massenet's Méditation is challenging through its use of lyricism in the upper register yet it remains a favoured and popular piece in the Flute's repertoire.
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Thais Meditation Flûte Et Piano (MASSENET JULES)
Flute and Piano
[Sheet music]
Heugel
Par MASSENET JULES. The instantly recognisable and ever-popular Meditation, from...
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Par MASSENET JULES. The instantly recognisable and ever-popular Meditation, from the opera Thaï s by Jules Massenet (1842-1912), remains a strong favourite in the classical repertoire, superbly arranged for Flute and Piano by French flautist, Paul Taffanel. Massenet first studied music with his mother before entering the Paris Conservatoire. He is best known for his operas, of which he composed over thirty. Thaï s was first performed at the Opera Garnier in Paris in 1894 and continues to be one of the composer's most performed operas. The famous Meditation, isan intermezzo, originally for Violin and Orchestra, which has since been arranged for many different instruments, making it a frequent concert piece. The arrangement for Flute and Piano remains in the original key of D major and displays the passionate religious intentions. Taffanel 's adaptions include breath marks, phrasing, changing octaves for some notes and articulation, among other aspects. Massenet 's Meditation is challenging through its use of lyricism in the upper register, yet it remains a favoured and popular piece in the Flute's repertoire. / Opéra-opérette / Répertoire / Flûte Traversière et Piano
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Sergei Rachmaninov: Vocalise Op.34 No.14: Flute: Instrumental Work
Flute and Piano
Boosey and Hawkes
Rachmaninov wrote Vocalise for Voice and Piano but did not set a text to it un...
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Rachmaninov wrote Vocalise for Voice and Piano but did not set a text to it unlike the other songs in the Op. 34 set. It immediately became popular and the composer fashioned several transcriptions of the work including one for Piano and another for Orchestra. This edition is arranged for Flute and Piano.
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Wolfgang Amadeus Mozart: Concerto for Flute and Orchestra G major K.313: Flute:
Flute and Piano
G. Henle
Concerto for Flute and Orchestra G major K.313
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Henri Tomasi: Concerto For Flute And Orchestra: Flute: Instrumental Work
Flute and Piano
[Sheet music]
Leduc, Alphonse
Concerto For Flute And Orchestra
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Hue: Nocturne For Flute And Orchestra: Flute: Instrumental Work
Flute and Piano
[Sheet music]
Leduc, Alphonse
Nocturne For Flute And Orchestra
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Wolfgang Amadeus Mozart: Concerto For Flute And Orchestra In D KV314: Flute:
Flute and Piano
[Reduction]
G. Henle
Concerto For Flute And Orchestra In D KV314
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Lennox Berkeley: Concerto For Flute And Orchestra Op.36: Flute: Instrumental
Flute and Piano
[Sheet music]
Chester
Flute and Piano reduction.
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Mozart Wolfgang Amadeus - Rondo In D K.anh.184 - Flute And Piano
Flute and Piano
Peters
Instrumentation : Fl - Pf (originally for Violin and Orchestra, K.373) ...
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Instrumentation : Fl - Pf (originally for Violin and Orchestra, K.373) Editor :Sonntag
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Ezra Laderman: Concerto for Flute and Orchestra: Flute & Piano: Instrumental
Flute and Piano
Schirmer
(Piano reduction)
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Walter Piston: Concerto for Flute and Orchestra: Flute & Piano: Instrumental
Flute and Piano
Associated
(piano reduction)
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Carl Nielsen: Concerto For Flute And Orchestra: Flute: Instrumental Work
Flute and Piano
[Sheet music]
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Advanced
Wilhelm Hansen
Piano Score based on The Carl Nielsen Edition Series II Instrumental Music Vol....
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Piano Score based on The Carl Nielsen Edition Series II Instrumental Music Vol.9 Part 2.
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