Gade 'Tango Fantasia' and other short pieces from Denmark by Andersen Svendsen and Hartman arranged for Flute and Piano. Edited by James Galway and Toke Lund Christiansen.

Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works for the flute thisamong them. Susan Milan acclaimed soloist and teacher has edited this elegant edition. Susan Milan writes: 'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'

Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme.Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works for the flute this among them. Susan Milan acclaimed soloist and teacher has edited this elegant edition.SusanMilan writes....'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'

(11 Pieces for Flutists Of All Ages) for Flute and Piano-In February of 2006 Schocker was featured in Flute Talk which was no surprise given his popularity among the Flute-playing public. The cover photo the four-page spread and the inclusion of the third movement ?Sarabande ? all pointed to his collection of short pieces Dances and Daydreams.?Short easy movements with a wide range of expressions and styles? says Schocker. A sure-fire Schocker hit it is a perfect addition to a flutist?s repertoire along with Schocker?s Airborne and Green Places.

Grade 1-Grade By Grade Flute: Grade 1 - Book/CD draws on the rich and varied Boosey & Hawkes catalogue of classical contemporary and educational repertoire highlighting composers such as Serge Prokofieff Dmitri Shostakovich Karl Jenkins Carol Barratt and Christopher Norton alongside arrangements of traditional music from around the world by Peter Wastall Vera Gray and others. This practical anthology provides the complete repertoire resource for the aspiring Grade 1 Flute and creates the perfect package for teaching exam preparation and performance all carefully selected by JanetWay. Grade By Grade Flute: Grade - 1 Book/CD includes:   19 pieces & short studies each complemented by a useful practice and performance tip. Grade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercises. Selection of sight-reading activities. Aural awareness tasks. Piano accompaniment booklet. CD of full performance demonstrations Piano backing tracks and grade-appropriate aural awareness resources.  

Bach’s Suite No.2 In B Minor BWV 1067 is one of the four surviving orchestral suites or Ouvertures - that is dance suites in the French style – as he would have named them. The second suite for Flute Strings and Basso Continuo is a beautiful work comprising 8 short movements and is arranged here for Flute with Piano Accompaniment by Erich List and Johannes Weyrauch. This Urtext edition provides you with an accurate realisation of the composer’s original intentions (for the Flute part that is) and thoroughly detailed editorial markings and suggestions.

100 Progressive Melodies of 3 to 8 Notes with Piano Accompaniment. Level: Beginner The First Book of Classical Flute offers a selection of 100 melodies from classic repertoire, the result of Andrea Cappellari's many years of research and experience in music teaching. Students of any age will be able to perform melodies by classical composers from the very first lessons. All 100 short melodies consist of a minimum of three and a maximum of eight notes. Only basic rhythmic note values are used, from the eighth note to the whole note. The pieces are presented in progressive order of difficulty, and are in the most appropriate keys for the instrument. The simple piano accompaniments encourage ensemble playing at a beginner level and the recorded piano accompaniments are an excellent tool for practicing. A few selected melodies also have a second flute part as part of the recorded accompaniment. The book also includes a separate instrumental pull-out part. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Two Miniatures For Flute And Piano is a pair of short pieces from the late classical period carefully arranged as performance solos for the Flute with Piano. Beethovenâ??s Sonata In B Flat wascomposed ca. 1790 and is one of the very few pieces that he wrote for the Flute. The Rondo In E Minor was written in 1810 by Mozartâ??s youngest son Franz Xaver Wolfgang who often struggled to gain recognition on his ownmerits during his lifetime. Two Miniatures has been arranged by Louis Moyse (1912-2007) a noted French flautist pianist composer music editor and pedagogue. Raised in Paris he was educatedby his father Marcel also a famous flautist but spent most of his working life in North America.

The opera Carmen after a short story by Prosper Merimee and the incidental music to the play L'Arlesienne by Alphonse Daudet are without doubt the most important works of Bizet. It is significant for him that his imagination was aroused most by literary subjects of high standing. In spite of failure at their first performances both works became worldwide successes continuing to the present day.The three extracts selected here all of them pieces complete within the larger framework are a testimony to the fact that the brilliant orchestrator Bizet had a special predilection for the flute.This is a wonderful selection ofextracts from Bizet's two great works Carmen and the L'Alesienne Suite No.2 which have been skilfully arranged for Flute with Piano Accompaniment by Werner Richter.The solo flute part is also included on a separate insert.

Petite Suite?for Flute and Piano is a piece written for the Paris Conservatoire contest by Pierre Petit. Really melodious it lasts eight minutes and is divided into three distinct movements. The first part ?Gai et allant? is quite fast and has to be played joyfully. It uses the whole range of the instrument with some really high notes and includes a Cadenza.? The second part ?Lent et très chanté? is slower slightly lower in range and really melodious. It is quite short compared to the other parts.? The third and final movement has the same kind of range as the first one. Fast it features apart to be played at Marzuka tempo and one to be played at the same tempo than the beginning. The piece ends on a really high trill. Petite Suite?is really enjoyable to play and to listen to. It however requires some strong skills in terms of technique and sonority that would be acquired by advanced players: the difficulty is therefore rated at 7°.

Ten short and popular encores for Flute and Piano edited by James Galway with Piano transcriptions for accompaniments by Phillip Moll. Includes Bach/Gounod's 'Ave Maria' and Mozart's 'Rondo Alla Turca' . Suitable for playersaround Grade 4-5 standard.

Cecile Chaminade's Concertino For Flute And Piano provides quite a workout for the flutist with its wide-ranging highly decorative solo part. A broad and graceful melody opens the work. After a more active central section marked Più animato agitato in the score a short oboe phrase leads into a cadenza for the soloist. A reprise of the opening melody and a rousing coda conclude this melodic and attractive work.

A challenging Sonatina from 1957 in three short movements for Flute and Piano by Nicholas Maw.