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Franz Schubert: Lieder - Volume 5: Voice: Vocal Album
High voice, Piano
[Sheet music]
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Advanced
Barenreiter
Hohe Stimme / High Voice-As a continuation of the new Urtext edition of the Schu...
(+)
Hohe Stimme / High Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch?s Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. The firsteleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg?s ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104 /Lied aus der Ferne D 107 (1st version) / Lied aus der Ferne D
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A Celebration of Song: Voice: Vocal Album
High voice, Piano
[Sheet music]
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Intermediate/advanced
Universal Edition
At the turn of the 20th century Vienna was the centre of a surge in artistic cre...
(+)
At the turn of the 20th century Vienna was the centre of a surge in artistic creativity that enveloped all the arts and continued for two decades. A celebration of Song showcases songs written by composers of this period well- and lesser-known and explores the diverse musical styles of these Viennese musical elite as well as offering short biographical information on each individual. Thus this album will appeal to any high voice singer wishing to become better acquainted with this vibrant period and will hopefully serve as an introduction to more in-depth study of the featured composers whose vast works can only be touched on here. For English speakingsingers separate literal translations of the songs are provided for the purpose of aiding interpretation.
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W Denis Browne: 6 Songs High: High Voice: Vocal Album
High voice, Piano
Thames Publishing
Gems in their own right these songs offer tantalizing glimpses of what might ha...
(+)
Gems in their own right these songs offer tantalizing glimpses of what might have been had Browne been granted time.The life of gifted composer Organist musician and teacher W Denis Browne was cut cruelly short when at age 26 he was mortally wounded at the battle for Gallipoli just a few weeks after he buried his friend the poet Rupert Brooke on Skyros. In his brief years he had a particularly active musical life showing brilliance in his music criticism and composing a few works most of which were destroyed at his request after his death. These six songs and in particular To Gratiana Dancing and Singing demonstrate great gifts proceeding from bud to bloom andanticipating some of the impressionistic later works of Debussy.
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James Burton: The Lost Words: Upper Voices and Piano/Organ: Vocal Score
High voice, Piano
Peters
for Upper Voices and Orchestra. The Lost Words by composer James Burton takes it...
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for Upper Voices and Orchestra. The Lost Words by composer James Burton takes its inspiration and text from the award-winning ?cultural phenomenon? and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children?s dictionary. Both the book and Burton?s 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or ?spell?, magically brought to life in Burton?s music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton?s piece was co-commissioned by the Hallé Concerts Society for the Hallé Children?s Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children?s Choir, of which Burton is founder and director. The Hallé Children?s Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic.
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