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GUITAR
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Felix Mendelssohn Bartholdy: Overture in C major Op.101 Trumpet Overture:
Orchestra
[Sheet music]
Barenreiter
Trompeten-Ouvertüre-The Overture in C major the so-called “Trumpet Overt...
(+)
Trompeten-Ouvertüre-The Overture in C major the so-called “Trumpet Overture” with its brass fanfare was composed in 1826 and a second version with considerable revisions was made in 1833 for performances in D?sseldorf and London.The Overture in C major was first published posthumously in 1867.Christopher Hogwood’s Urtext edition takes into account both Mendelssohn’s autograph now held in the Biblioth?que nationale in Paris which has two endings as well as the London manuscript copy made for the performance there in 1834; this manuscript contains three separate trombone parts in Mendelssohn’s hand. ?The newB?renreiter edition presents the work as found in Mendelssohn’s autograph for the first time. ?Christopher Hogwood also documents the development of the overture with facsimiles from the 1826 version. Full score & parts (BA9052) available for sale
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Felix Mendelssohn Bartholdy: Overture in C major Op.101 Trumpet Overture:
Orchestra
Barenreiter
Trompeten-Ouvertüre-The Overture in C major the so-called “Trumpet Overt...
(+)
Trompeten-Ouvertüre-The Overture in C major the so-called “Trumpet Overture” with its brass fanfare was composed in 1826 and a second version with considerable revisions was made in 1833 for performances in D?sseldorf and London.The Overture in C major was first published posthumously in 1867.Christopher Hogwood’s Urtext edition takes into account both Mendelssohn’s autograph now held in the Biblioth?que nationale in Paris which has two endings as well as the London manuscript copy made for the performance there in 1834; this manuscript contains three separate trombone parts in Mendelssohn’s hand. ?The newB?renreiter edition presents the work as found in Mendelssohn’s autograph for the first time. ?Christopher Hogwood also documents the development of the overture with facsimiles from the 1826 version. Full score & parts (BA9052) available for sale
69.00 GBP - Sold by Musicroom UK
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Chamber Music I
Orchestra
Schott
La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz...
(+)
La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz '. Le succès sans précédent de cet opéra a éclipsé tous ses autres travaux et a contribué à leur chute croissante dans l'oubli. Certaines oeuvres telles que , Preciosa ' , Oberon ', et , Euryanthe ', les ouvertures , concertos en solo et sonates pour piano , des lieder et Chamber Works jouissait d'une grande popularité et ont été largement connu en Allemagne et à l'étranger aussi tard que la deuxième moitié de la 19e siècle . Cependant, toute chance d'une renaissance de Weber influents etoeuvre considérable a été gaspillé dans les années 1920 , quand une édition complète - commencé par Hans Joachim Moser et avec les contributeurs potentiels, dont Wilhelm Kempff , Hans Pfitzner , Max von Schillings, Fritz Stein et Richard Strauss - a échoué après le troisième volume.Depuis , il ya eu de nombreuses tentatives pour relancer une édition complète des oeuvres de Weber , mais comme ce genre de projet , il aurait fallu la collaboration de chercheurs des deux côtés de la frontière inter -allemande, la situation politique après 1945 n'était pas propice à une telle entreprise . Négociations approfondies ont conduit aux premières étapes tangibles dans les années 1980. L'intention , dès le début , était de placer l'oeuvre de Weber dans son contexte, et de ne pas séparer sa production musicale de son travail influent comme un écrivain , critique et organisateur dans le domaine musical , mais de publier ses compositions avec ses lettres, journaux intimes et autre production littéraire comme le meilleur moyen de documenter la fertilisation croisée entre ses activités musicales , littéraires et pratique. / Score
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Overtures (SCHUBERT FRANZ)
Orchestra
[Sheet music]
Barenreiter
New Edition of the Complete Works V/5. Par SCHUBERT FRANZ. In addition to his sy...
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New Edition of the Complete Works V/5. Par SCHUBERT FRANZ. In addition to his symphonies, Franz Schubert also wrote and handed down to posterity a total of eight finished concert overtures (two of them in two versions) between ca. 1811 and 1819. With the exception of the “Overture in D” (D 4) to the comedy “Der Teufel als Hydraulicus” (“The Devil as Engineer”) and the “Overture in D” (D 26), whose original title was cut out of the manuscript, they are all compositions which are associated neither with a drama nor a programme. They thus embody the type of the pure concert overture at an astonishingly early point in the history of music and are also in keeping with this terminologically by virtue of explicitly not having any other appellations whatsoever in the title: the epithet common for two works “in the Italian style” was only added posthumously. Our volume sees publication for the first time of the “Italian Overture in C” (D 591) in its two authentic versions, this being in contrast to the performance tradition based on a potpourri of the sources. The widely handed-down but corrupted musical course of the “Overture in D” (D 590) has likewise been rectified for the first time. Overshadowed by his symphonies, Schubert’s overtures have hitherto been largely undervalued both in their reception and in musical practice – including the “Overture in E minor” (D 648), which sees Schubert venturing into radically new spheres of expression to a greater extent than in virtually any other of his works./ Recueil / Orchestre
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Johann Sebastian Bach: Orchestral Suite - Overture No.1 In C BWV 1066:
Orchestra
[Sheet music]
Barenreiter
J.S. Bach?s Four Orchestral Suites belong to that select group of works one coul...
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J.S. Bach?s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suitesnow presents the Urtext as found in the ?New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ? Violino concertato ? is included.- Full scores study scores and performance material available for sale.
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Wolfgang Amadeus Mozart: Symphony No.36 In C K.425 Linz: String Ensemble: Score
Orchestra
[Sheet music]
Barenreiter
Linz Symphony-Mozart composed the Symphony In C Major K.425 known as the ?Linz ...
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Linz Symphony-Mozart composed the Symphony In C Major K.425 known as the ?Linz Symphony? within a few days in October/early November 1783 in the palace of Count Johann Joseph Anton von Thun-Hohenstein (1711 1798) in Linz where together with Constanze he stayed for three weeks on the way back from a trip to Salzburg. ?On Tuesday the fourth of November? wrote Mozart to his father on 31 October (the day after his arrival in Linz) ?I will be giving a concert in the theatre and since I have no symphony with me I am writing one as fast as I can for it must be ready by then?. Accordingly this work was performed for the first time in the theater inLinz on 4 November 1783.Urtext of the New Mozart EditionFull score and parts (BA4704) and study score format 22.5 x 16.5cm (TP16) available for sale
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Symphonia En Fa Majeur/ Sinfonia En La Mineur/2 Violons Et B.C/Ption/Pties
Français
Orchestra
[Sheet music]
Leduc, Alphonse
La partition Symphonia En Fa Majeur/ Sinfonia En La Mineur/2 Violons Et B.C/Ptio...
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La partition Symphonia En Fa Majeur/ Sinfonia En La Mineur/2 Violons Et B.C/Ption/Pties a été composée pour Orchestre. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Orchestre / Partition
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Jean-Philippe Rameau: Symphonien:Acante et Céphise ou La sympathie RCT21:
Orchestra
Barenreiter
Pastorale héroïque in three acts - Paperback-The genre pastorale h?ro?que is a...
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Pastorale héroïque in three acts - Paperback-The genre pastorale h?ro?que is a legacy of the grand si?cle of Louis XIV. However in the 18th century it only rarely reached the stage. But in the second period of his career Rameau turned to this genre again: the more unconventional world of shepherds and nymphs gave him greater freedom in terms of dramatic action stage d?cor and musical virtuosity compared to the trag?die lyrique. This is demonstrated to masterly effect in Acanthe Et C?phise (1751) where even the ballets are fully integrated into the plot. This edition contains all the instrumental numbers from this popular pastorale in a newcritical edition by Nathalie Berthon-Blivet. Performance material available for hire. Based on the Opera Omnia Rameau. Distributed exclusively by B?renreiter.
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Franz Joseph Haydn: Symphony in C minor Hob I:78: Wind Ensemble: Score
Orchestra
Barenreiter
Symphony in C minor Hob I:78
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Concerto Nr. 5 C-Dur (WOODCOCK ROBERT)
Orchestra
-
Easy
Doblinger
Zwei Concerti, F. 2 Sopr.Blfl., Str. (Ohne Vla.) U. B.C.. Par WOODCOCK ROBERT. 2...
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Zwei Concerti, F. 2 Sopr.Blfl., Str. (Ohne Vla.) U. B.C.. Par WOODCOCK ROBERT. 2Vl Vc Kb Bc / Niveau : Assez Facile / Répertoire / Orchestre
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Wolfgang Amadeus Mozart: Mass in C minor K427: Mixed Choir: Study Score
Orchestra
Barenreiter
Mass in C minor K427
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Sinfonie In C (HAYDN JOSEPH)
Orchestra
[Score]
Barenreiter
Par HAYDN JOSEPH. Haydn Symphony No.69 in C major (Laudon) (Hob.I:69) (Full Scor...
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Par HAYDN JOSEPH. Haydn Symphony No.69 in C major (Laudon) (Hob.I:69) (Full Score) Letters of the composer have come down to us only on a few of Haydn’s symphonies, amongst them the “Laudon” Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher’s suggestion to name the symphony after the widely known and favoured general Gideon Ernst von Laudon (1717-1790). By using this name, both composer and publisher hoped to increase the commercial success of the work which possibly deserved a military eponym considering its instrumentation with timpani and trumpets. Also, the symphony requires two bassoons, but no flutes, corresponding with the available musicians at the court of Esterházy between 1775 and 1776. In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition “Joseph Haydn Works” published by G. Henle Verlag. - First performing Urtext edition - Urtext of the Complete Edition “Joseph Haydn Works” published by G. Henle Verlag - Orchestral parts in the format 25.5 cm x 32.5 cm / Date parution : 2022-07-20/ Répertoire / Orchestre
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Pyotr Ilyich Tchaikovsky: Serenade In C Op.48 / Suite No.4 'Mozartiana':
Orchestra
Dover Publications
Available here in one collection is the full score of Pyotr Ilyich Tchaikovsky's...
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Available here in one collection is the full score of Pyotr Ilyich Tchaikovsky's Serenade In C Op.48 and Suite No.4 'Mozartiana' Op.61. Both the Serenade and the suite appear here faithfully reproduced from authoritative sources.
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Beethoven L.v. - Mass C Major Op.86 - Vocal Score
Orchestra
[Vocal Score]
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Advanced
Barenreiter
Beethoven’s sacred works include two settings of the Mass. The “Mass in C ma...
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Beethoven’s sacred works include two settings of the Mass. The “Mass in C major”, completed and premiered in 1807, has been unjustly described as a preliminary step towards the great “Missa solemnis”. Yet it is a self-contained and, for its time, decidedly modern piece of church music. Drawing on the rich body of sources, Beethoven specialist Barry Cooper suggests practical solutions to the work’s musical and interpretative problems. His deep study of the sources convinced him to include a fully realized organ part in the score, just as Beethoven envisioned it for the first printed edition. As stated in the sources, the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages. Rounding off this Urtext edition are a Foreword on the work’s genesis and a detailed Critical Commentary. • Score with realization of the organ part • Bilingual Foreword (Eng/Ger) and Critical Commentary (Eng) • Idiomatic piano reduction
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Augustin Lara: Granada Key Of C (Arr. Guinovart): Vocal and Other Accompaniment:
Orchestra
Peermusic Classical
Granada Key Of C (Arr. Guinovart)
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Ludwig van Beethoven: Triple Concerto Op.56 and: Orchestra: Score
Orchestra
Dover Publications
Fantasia In C Minor Op.80 (Choral Fantasy)-This volume contains two of Beethoven...
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Fantasia In C Minor Op.80 (Choral Fantasy)-This volume contains two of Beethoven's most unusual highly innovative and original works: the Concerto in C Major Op. 56 for piano violin cello and orchestra; and the Fantasia in C Minor Op. 80 for piano chorus and orchestra.To this day the 'Triple Concerto' remains part of a rare breed in the literature--a fascinating symphonic framework of interaction between the classical orchestra and a trio of intimately interdependent soloists. The work remains a favorite vehicle of the great Beethoven specialists with numerous recordings by legendary performers.The 'Choral Fantasy' is a rarity in the Beethoven canon of ensemble music uniting thevirtuoso display of a semi-improvisational solo piano with the vocal and instrumental richness of chorus and orchestra. Said to have been composed under great time pressure the Fantasy concludes with an extensive choral setting of a text by an unknown poet: 'Schmeichelnd hold und lieblich klingen' ('Flatteringly lovely and fair are the sounds of our life?s harmonies...Accept gladly the gifts of beautiful art...').Reprinted from the authoritative Breitkopf & Härtel editions this volume offers musicians and music lovers an inexpensive high-quality full score of two exceptional works.
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John Williams: Harry Potter Symphonic Suite: Orchestra: Instrumental Work
Orchestra
[Score and Parts]
Alfred Publishing
The Harry Potter Symphonic Suite arranged for full orchestra by Jerry Brubaker. ...
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The Harry Potter Symphonic Suite arranged for full orchestra by Jerry Brubaker. This medley based on the endearing themes from the box office smash hit Harry Potter and the Sorcerer's Stone weaves the vivid imagery of the film with varied textures to produce a work that will be loved by all. Wonderful symphonic literature certain to be a hit on any concert program. Duration 7:20. Score and all parts. 1 Conductor 1 1st C Flute/C Piccolo (Alto Flute Opt. Recorder) 1 2nd C Flute (Opt. Recorder) 2 Oboe (English Horn) 1 1st Bb Clarinet 1 2nd Bb Clarinet 1 Bb Bass Clarinet 2 Bassoons 1 1st Horn In F 1 2ndHorn In F 1 3rd Horn In F 1 4th Horn In F 1 1st Bb Trumpet 1 2nd Bb Trumpet 1 3rd Bb Trumpet 1 1st Trombone 1 2nd Trombone 1 3rd Trombone 1 Tuba 4 Percussion 1 (Orchestra Bells Xylophone Antique Bells Marimba Glockenspiel) 1 Percussion 2 (Hand Drums Antique Bells Timpani) 4 Percussion 3 (Vibraphone Chimes Small Tuned Drums Tambourine Snare Drum Suspended Cymbal) 4 Percussion 4 (Suspended Cymbal Small Tambourine Small Triangle Tam-Tam Bass Drum Crash Cymbals) 1 Celeste 1 Harp 8 1st Violin 8 2nd Violin 5 Viola 5 Cello 5 String Bass
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Morton Gould: Declaration Suite: Orchestra: Study Score
Orchestra
[Sheet music]
Schirmer
Study Score-Declaration Suite consists of the orchestral movements from 'Declara...
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Study Score-Declaration Suite consists of the orchestral movements from 'Declaration - a symphonic narrative' for Orchestra two solo speakers and speaking chorus. In its original form the work includes a setting of theDeclaration of Independence.The composition was comissioned by Station WRC and WRC-TV of the National Broadcasting Company Washington D. C. for the National Symphony Orchestra of that city and was composed during thesummer and fall of 1956. The National Symphony Orchestra Dr. Howard Mitchell conducting gave the first complete performances at the Inaugural Concert in Constitution Hall Washington D. C. January 20 1957 and during theOrchestra's regular subscription series the week following.Declaration Suite was first performed by the Symphony of the Air under Dr. Mitchell in Carnegie Hall New York February 14 1957 as part of theannual WNYC American Music Festival.The movements are:I. Liberty Bell (Passacaglia)II. Midnight Ride (Scherzo)III. Concord Bridge (Memorial)IV. Summer '76 (Serenade)V. Celebration (Chorale and Fugue)
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Arthur Bliss: Arthur Bliss Two Studies for Orchestra: Orchestra: Study
Orchestra
Novello & Co Ltd.
Arthur Bliss’s first orchestral compositions his studies for Full Orches...
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Arthur Bliss’s first orchestral compositions his studies for Full Orchestra are believed to have been composed in 1920. The first performance in 1921 was conducted by Arthur Bliss. Orchestration: 2 Flutes Oboe Cor Anglais 2 Clarinets in Bflat Bass Clarinet in Bflat 2 Bassoons Contrabassoon 4 Horns in F 2 Trumpets in C 3 Trombones Tuba Timpani Percussion Harp Celesta Strings. Full score and orchestral parts are available on hire from the publishers. Duration: c. 12 minutes.
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Carl Maria von Weber: Great Overtures In Full Score: Orchestra: Score
Orchestra
Dover Publications
This convenient playing and study edition marks the first single-volume publicat...
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This convenient playing and study edition marks the first single-volume publication of five great staples of the orchestral repertoire: Jubilee Overture overture to the play Preciosa and overtures to the operas Der Freischütz Euryanthe and Oberon.One of the Romantic school's first composers of note Carl Maria von Weber devised novel conceptions of orchestration and subject matter that helped to lay the foundations for nineteenth-century opera. Marschner Meyerbeer and Wagner were influenced by Weber's works as well as latter-day composers such as Hindemith Mahler Stravinsky and Debussy who remarked that the sound of the Weber orchestra derived from thecomposer's scrutiny of the soul of each instrument.Reprint of 'Preciosa' from a Breitkopf and Härtel Leipzig n.d. edition. All others from Overtüren für Orchester von C.M. von Weber C. F. Peters Leipzig n.d.
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Johann Strauss Sr.: Paris Op. 101: Orchestra: Score
Orchestra
[Sheet music]
Musikgruppe Hermann
Instrumentation: Fl. Picc. / 2 / 2 (C-Es C-B) / 2 • 4 (1. 2. in C-Es-B-G ...
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Instrumentation: Fl. Picc. / 2 / 2 (C-Es C-B) / 2 • 4 (1. 2. in C-Es-B-G 3. 4. in C) / 4 (1. in F-Es-D 2. in C-F-Es 3. 4. in C) / 1 / 1 • Pk. / Schlw. (gr. Tr. m. Bck. kl. Tr.) • Streicher
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Hans Abrahamsen: Four Pieces For Orchestra: Orchestra: Score
Orchestra
Wilhelm Hansen
Four Pieces For Orchestra was composed by Hans Abrahamsen in 2000-2003. Programm...
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Four Pieces For Orchestra was composed by Hans Abrahamsen in 2000-2003. Programme note: In 1983 Hans Abrahamsen wrote the first seven of his Ten Studies for Piano. In the early eighties most composers who wrote for the piano were still making strenuous efforts to distance themselves from the instrument?s romantic past for example treating it as a percussion instrument rather than exploiting its expressive ?singing? potential. The piano?s modern identity as a mechanical rational emotionally cool instrument is reflected in Abrahamsen?s studies 5 7; but in the first four studies Abrahamsen allows the piano to?recollect? its past: especially what the composer calls ?the golden German romantic time full of expression night timelessness dream and the irrational?. Accordingly these first four studies were given German one might specifically say Schumanesque - titles: Traumlied (?Dreamsong?) Sturm (?Storm?) Arabeske (?Arabesque?) and Ende (?End?). While Abrahamsen was in no way dissatisfied with the first four Studies as piano music he soon felt the urge to expand them in both time and space. In their new identity as Four Pieces for Orchestra created between 2000-2003 the original studies nearly doubled in length while the forces required expanded from one soloist to an orchestra of Mahlerian/Straussian dimensions including instruments beloved by the late-romantics: Wagner tubas bass trumpet guitar mandolin and the hammer used so memorably in Mahler?s Sixth Symphony and Alban Berg?s Three Pieces for Orchestra. The results are not so much ?arrangements? of the four piano studies more recompositions. A helpful comparison might be made with certain painters: Cézanne portraying the same mountain from different angles; or Monet obsessively returning to Rouen Cathedral in different lights and weather conditions. Abrahamsen himself remembers an important visit to the Munch Museum in Oslo where he saw how Munch painted the same subject
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Witold Lutoslawski: Little Suite (For Symphony Orchestra): Orchestra: Study
Orchestra
[Sheet music]
Chester
The original version of this work scored for chamber orchestra was written in ...
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The original version of this work scored for chamber orchestra was written in 1950 in response to a commission from Warsaw Radio. In the following year the composer revised and slightly extended the work and rescored it forsymphony orchestra. The first performance was given by the Warsaw Radio Symphony Orchestra conducted by Grzegorz Fitelberg in Warsaw in April 1951. The work uses folk melodies from the village of Machow in the region ofRzeszow east of Cracow. Duration c.11 mins. Full score and orchestral parts available on hire from the publisher.
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Peter Maxwell Davies: Sinfonietta Accademica: Orchestra: Miniature Score
Orchestra
[Sheet music]
Chester
This work written by Maxwell Davies in 1983 for chamber orchestra was commissi...
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This work written by Maxwell Davies in 1983 for chamber orchestra was commissioned to celebrate the quartercentenary of Edinburgh University. The first performance was given by the Scottish Chamber Orchestra conducted by EdwardHarper in October 1983. Duration c. 29mins.This work was thought through in outline following a visit to the ruined pre-Reformation church of Hoy in Orkney on a fine Spring afternoon after Maxwell Davies had played theharmonium for the tiny congregation in its large bleak Victorian replacement. The old church was surrounded by the graves of centuries the more recent ones with familiar names largely of people who lived in houses now ruinous crofters fishermen clerics sea-captains. Next to it stood the chief farmhouse the Bu going back to Viking times. He thought of the lives and deaths encompassed there expressed through hundreds of years of music in thechurch and in the big barn of the farm.The plainsongs ‘Dies Irae’ and ‘Victimae Paschali Laudes’ are used throughout the work the first concerning the Day of Judgement from the Mass for the Dead the second particular toEaster Sunday and the Resurrection. These are subject to constant transformation the intervallic contour slowly changes from one into the other and their notes are made to dance through Renaissance astrological ‘magic square’patterns.The orchestra consists of double woodwind two horns two trumpets and strings.
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Peter Maxwell Davies: The Turn Of The Tide: Orchestra: Miniature Score
Orchestra
[Sheet music]
Chester
The task: to write a piece that could involve children as players singers and c...
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The task: to write a piece that could involve children as players singers and composers alongside a professional symphony or chamber orchestra. The solution: a peace-cry for the biosphere in which the collaborative nature of theenterprise is a metaphor for a wished-for human enlightenment to the ways of the natural world. Davies provides five musical elements and five ways of development and uses these to illustrate five branches of life on earth:water-plants trees fish birds and mammals (including man). There is a space for answers from children's instrumental groups and then a larger space in which the children can develop the given ideas perhaps with members of theorchestra. Davies returns as composer to depict through an excess of development creation turned sour. Finally everyone comes together with a unison hymn with orchestra and instrumental groups celebrating the turn of thetide.This work for young instrumentalists children's chorus and orchestra was commissioned by the Association of British Orchestras as the centrepiece of an education project which coincided with the implementation of theNational Curriculum for music in schools in England and Wales echoing similar developments in Scotland and Northern Ireland.Score. Duration c. 25mins.
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Witold Lutoslawski: Trois Poemes D'henri Michaux: Orchestra: Instrumental Work
Orchestra
[Sheet music]
Chester
Trois po?mes d?Henri Michaux was written for the Zagreb Biennale and first perfo...
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Trois po?mes d?Henri Michaux was written for the Zagreb Biennale and first performed there by the orchestra and choir of Radio Zagreb conducted by the composer and Slavko Zlatic on 9 May 1963. It is composed for 20-part choirand an orchestra similar to that of the Symphony of Psalms though without the lower strings of the latter.Lutoslaswski has said that the general outline of the work came to him first and only then did he choose the threepoems. These reflect his Francophile taste: Henri Michaux was born in Belgium in 1899 and later became a painter: the trenchant Le Grand Combat with its onomatopoeic invented words dates form the 1920s; the other two texts which are more philosophic than pictorial form the 1930s. Choir and orchestra need separate conductors even though throughout they alternate more often than they combine.A description of the course of the music itself will bemore useful than any discussion of its technical processes or of its notation. A quiet section of orchestral polyphony which brass sforzandi punctuate with increasing frequency frames the beginning and end of Pens?es. Afterthe choir?s first unaccompanied passage the woodwind have a staccato section over which the female voices singing downward glissandi are superimposed (?Ombre de mondes infimes??). Then the woodwind and both pianos join in alapping ostinato which illustrates the text of the next forte choir entry ?Pens?es la nage merveilleuse?? The climax of the movement comes as these characteristic woodwind figures alternate with the tintinnabulation of agamelan-like ensemble of vibraphone c?leste harp and pianos.
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Johann Strauss Sr.: Philomelen Walzer Op. 82: Orchestra: Score
Orchestra
[Sheet music]
Musikgruppe Hermann
Instrumentation: Fl. Picc. / 1 / 2 (C) / 1 • 4 (C-G C; 1. 2. auch 3. 4. ...
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Instrumentation: Fl. Picc. / 1 / 2 (C) / 1 • 4 (C-G C; 1. 2. auch 3. 4. Trp. in B-G F-D) / 2 (C-D) / 1 / 0 • Pk. / Schlw. (gr. Tr. m. Bck.) • Streicher
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Threnos (MANTOVANI BRUNO)
Français
Orchestra
[Sheet music]
Lemoine, Henry
Par MANTOVANI BRUNO. Le mot 'Thrénos' vient de la Grèce antique et désigne un...
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Par MANTOVANI BRUNO. Le mot 'Thrénos' vient de la Grèce antique et désigne une lamentation funéraire, pouvant être musicale ou littéraire. Même si certains compositeurs modernes tels qu'Igor Stravinsky ou Krzysztof Penderecki ont donné ce titre à certaines de leurs oeuvres, la Renaissance constitue l'âge d'or des lamentations contemplatives. Généralement, un 'thrénos' est une pièce lente, voire statique. J'ai fait le choix opposé. Cela entraîne ici une célébration à la fois violente, virtuose et extravertie. L'aspect militaire vient de l'utilisation de 4 caisses claires, créant un continuo étendu à l'orchestre à travers les trémolos des cordes et les bisbigliandi des instruments à vent. Le tissage est ainsi dense, même dans les passages les plus éthérés, tirant vers le son blanc, voire jusqu' à la saturation. Thrénos est une commande du Chicago Symphony Orchestra à l'occasion de la célébration du centenaire de l'Armistice de la Première guerre mondiale. Bruno Mantovani/ Répertoire / Orchestre
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Boden: Verona: Orchestra: Score
Orchestra
[Sheet music]
Cadenza Music
Mark David Boden's Verona for Orchestra.Premiered by the London Philharmonic Orc...
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Mark David Boden's Verona for Orchestra.Premiered by the London Philharmonic Orchestra at the Royal Festival Hall February 2012.Duration: c. 3.5 minutes
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