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Piano and Orchestra
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Organ
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Georg Friedrich Händel: The King Shall Rejoice HWV 260 Coronation Anthem: Mixed
Organ
Barenreiter
Coronation Anthem for Mixed Choir and Orchestra-Zadok The Priest HWV 258 (BA1025...
(+)
Coronation Anthem for Mixed Choir and Orchestra-Zadok The Priest HWV 258 (BA10258) and The King Shall Rejoice HWV 260 (BA10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king’s anointment HWV 260 his actual coronation. Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for Large Choir and Orchestra it comes as no surprise that motifs from Zadok the priest have found their way into the official hymn of the UEFA Champions League. The present editions by the authoritative Handel scholar Stephan Blaut are the first to offerthese two anthems based on the Urtext from the Halle Handel Edition. Bilingual Forewords (Ger/Eng) Idiomatic Piano reductions Based on the Halle Handel Edition Full score parts and vocal score available for sale
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Georg Friedrich Händel: Zadok The Priest HWV 258 Coronation Anthem: Mixed Choir:
Organ
Barenreiter
Coronation Anthem for Mixed Choir and Orchestra-Zadok The Priest HWV 258 (BA1025...
(+)
Coronation Anthem for Mixed Choir and Orchestra-Zadok The Priest HWV 258 (BA10258) and The King shall rejoice HWV 259 (BA10259) are the best-known of the four coronation anthems that Handel wrote for the crowning of George II in London (1727). HWV 258 accompanied the king’s anointment HWV 260 his actual coronation.Thanks to their festive and majestic structure befitting the occasion as well as their spacious scoring for large choir and orchestra it comes as no surprise that motifs from Zadok The Priest have found their way into the official hymn of the UEFA Champions League.The present editions by the authoritative Handel scholar Stephan Blaut are thefirst to offer these two anthems based on the Urtext from the Halle Handel Edition.Bilingual Forewords (Ger/Eng).Idiomatic Piano reductions.Based on the Halle Handel Edition.Full score parts and vocal score available for sale.
9.00 GBP - Sold by Musicroom UK
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Giovanni Battista Pergolesi: Mass in F major - Missa Romana: Double Choir: Part
Organ
Barenreiter
Organ Coro II-The Missa in F of 1734 for two or four choirs is probably Pergoles...
(+)
Organ Coro II-The Missa in F of 1734 for two or four choirs is probably Pergolesi’s most important work for choir and orchestra. The nickname 'Missa Romana' was added later in reference to a performance given in Rome during Pergolesi’s lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome. Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound. This allows the work to be performed not only with two choirs but also in the delightful enlarged version for fourchoirs. Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).First publication with choirs III and IV.Can be performed with both two or four choirs.Idiomatic well-presented Piano reduction.Full score performance material (BA8958) and vocal score (BA8958-90) available for sale.
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Johann Sebastian Bach: Arioso and Air: Organ: Instrumental Work
Organ
[Sheet music]
-
Intermediate
Edwin Ashdown
Arioso from Piano Concerto in F minor arranged by H. Leferve Pope. Air from S...
(+)
Arioso from Piano Concerto in F minor arranged by H. Leferve Pope. Air from Suite for Orchestra in D arranged by Alec Rowley.
8.99 GBP - Sold by Musicroom UK
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Richard Wagner: Pilgerchor: Organ: Instrumental Work
Organ
[Sheet music]
-
Intermediate
Schott
from the Opera 'Tannhauser'-During his time in Weimar (1848 1861) Liszt develop...
(+)
from the Opera 'Tannhauser'-During his time in Weimar (1848 1861) Liszt developed a then entirely new organ style which stands out for both orchestral and pianistic elements. Together with the choirmaster Alexander Wilhelm Gottschalg (1827 1908) from Tiefurt he regularly initiated so-called 'organ conferences'. And it was at the suggestion of Gottschalg that the present arrangement of the Pilgrim's Choir from the opera 'Tannhäuser' was written. With his version for organ Liszt by means of this example laid the foundations for the (not always undisputed) tradition extending to the present day of organ transcriptions from the operas of Wagner. 'Organistic' elements in the Pilgrims' Choir are theclassical chorale theme the solemn 'sacred' atmosphere of the solemn tempo as well as the expressive cantability. The linear intensification from the antiphonal-organ-like piano dolce of the beginning to the 'full organ' can be realized in a convincing manner with an orchestrally conceived three-manual organ with the sensitive use of the swell box and the successive seamless build-up of the crescendo pedal being of particular significance. Important repertoire piece marking the 200th birthday of Richard Wagner in 2013.
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Claude Debussy: Clair De Lune: Organ: Instrumental Work
Organ
[Sheet music]
Edwin Ashdown
Debussy’s beautiful beloved Clair De Lune was written as the third movem...
(+)
Debussy’s beautiful beloved Clair De Lune was written as the third movement of his Suite Bergamasque at the turn of the last century. It was inspired by a poem of contemporary Paul Verlaine and is asignificant example of Debussy’s innovative use of key time and tonal colour. The piece has been arranged for Orchestra though not by Debussy Harp Guitar and many other instrumental combinations.Clair De Lune was composed for Piano in D flat and has here been transposed to C.
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Felix Mendelssohn Bartholdy: Psalm 42 Op.42 - As The Hart Pants: Mixed Choir:
Organ
Barenreiter
The setting of Psalm no. 42 op. 42 ?Wie der Hirsch schreit nach frischem Wasser?...
(+)
The setting of Psalm no. 42 op. 42 ?Wie der Hirsch schreit nach frischem Wasser? (?As the hart pants after the waterbrooks?) for soloists mixed choir and full orchestra dates back to 1837.The well-known Mendelssohn specialist John Michael Cooper has evaluated the first printed edition of the score prepared by the composer himself as well as taking all other important sources into account.This Urtext edition is rounded off by a detailed critical commentary (Ger/Eng). The piano reduction is by Mendelssohn and is an authentic part of this edition.Psalm with a large orchestral scoring in a Urtext editionBilingual foreword(Ger/Eng)Original German as well as English textIncludes a piano reduction by the composer
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