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GUITAR
CLASSICAL - BAROQUE - ROMANTIC
Piano, Voice
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Schubert Franz - Complete Song Cycles - Voice
Piano, Voice
[Sheet music]
Dover Publications
Description All 54 songs from 'Die Schone Mullerin', 'Die Winterreise' and 'S...
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Description All 54 songs from 'Die Schone Mullerin', 'Die Winterreise' and 'Schwanengesang'. Breitkopf & Hortel edition. Songlist [Unknown] Abschied. Rellstab. Ade! Du Muntre, Du Frohliche Stadt Am Feierabend. Hatt Ich Trausend Arme Zu Ruhren Am Meer. Heine. Das Meer Erglanzte Weit Hinaus Auf Dem Flusse. Der Du Do Lustig Rauschtest Aufenthalt. Rellstab. Rauschender Strom, Brausender Wald Danksagung An Den Bach. War Es Also Gemeint Das Fischermadchen. Heine. Du Schones Fischermachen Das Wandern. Das Wandern Ist Des Mullers Lust Das Wirthshaus. Auf Einen Todtenacker Hat Mich Mein Weg Gebracht Der Atlas. Heine. Ich Unglucksel'ger Atlas Der Doppelganger. Heine. Still Ist Die Nacht, Es Ruhen Die Gassen Der Greise Kopf. Der Reif Hat Einen Weissen Schein Der Jager. Was Sucht Denn Der Jager Am Muhlbach Hier Der Leiermann. Druben Hinterm Dorfe. (First Version) Der Leiermann. Druben Hinterm Dorfe. (Later Version) Der Lindenbaum. Am Brunnen Vor Dem Thore Der Muller Und Der Bach. Wo Ein Treues Herze In Liebe Vergeht Der Neugierige. Ich Schnitt' Es Gern In Alle Rinden Ein Der Sturmische Morgen. Wie Hat Der Sturm Zerrissen Der Wegweiser. Was Vermeid' Ich Denn Die Wege Des Baches Wiegenlied. Gute Ruh, Gute Ruh, Thu Die Augen Zu Des Mullers Blumen. Am Bach Viel Kleine Blumen Steh'n Die Bose Farbe. Ich Mochte Ziehn In Die Sie Mir Gab Die Krahe. Eine Krahe War Mit Mir Die Liebe Farbe. In Grun Will Ich Mich Kleiden Die Nebensonnen. Drei Sonnen Sah Ich Am Himmel Steh'n Die Post. Von Der Strasse Her Ein Posthorn Klingt Die Schone Mullerin. Miller: Die Stadt. Heine. Am Fernen Horizonte Die Taubenpost. Seidl. Ich Hab' Eine Brieftaub' In Meinem Sold Die Wetterfahne. Der Wind Spielt Mit Der Wetter-fahne Die Winterreise. Muller: Eifersucht Und Stolz. Wohin So Schnell, So Kraus Und Wild Einsamkeit. Wie Eine Trube Wolke. (First Version) Einsamkeit. Wie Eine Trube Wolke. (Later Version) Erstarrung. Ich Such' Im Schnee Vergebens First Section: Fruhkingssehnsucht. Rellstab. Sauselnde Lufte, Wehend So Mild Fruhlingsraum. Ich Traumte Von Bunten Blumen Gefror'ne Thranen. Gefror'ne Tropfen Fallen Gute Nacht. Fremd Bin Ich Eingezogen Halt! Eine Muhle She' Ich Blinken Ihr Bild. Heine. Ich Stand In Dunklen Traumen Im Dorfe. Es Bellen Die Hunde, Es Rasseln Die Ketten In Der Ferne. Rellstab. Wehe Dem Fliehenden Welt Hinaus Ziehenden Irrlicht. In Die Tiefsten Felsengrunde Kriegers Ahnung. Rellstab. In Tiefer Ruh Liegt Um Mich Her Letzte Hoffnung. Hie Und Da Ist An Den Baumen Liebesbotschaft. Rellstab. Rauschendes Bachlein, So Silbern Und Hell Mein! Bachlein, Lass Dein Rauschen Sein Mit Dem Grunen Lautenbande. Schad' Um Das Schone, Grune Band Morgengruss. Guten Morgen, Schone Mullerin Muth. Fliegt Der Schnee Mir Ins Gesicht Pause. Mein Laute Hab' Ich Gehangt An Die Wand Rast. Nun Merk' Ich Erst, Wie Mud' Ich Bin. (First Version) Rast. Nun Merk' Ich Erst, Wie Mud' Ich Bin. (Later Version) Ruckblick. Es Brennt Mir Unter Beiden Sohlen Schwanengesang: Second Section: So Traulich Beisammen Standchen. Rellstab. Leise Flehen Meine Lieber Tauschung. Ein Licht Tanzt Freundlich Vor Mir Her Thrananregen. Wir Sassen Wasserfluth. Manche Thran Aus Meinen Augen Wohin? Ich Hort Ein Bachlein Rauschen
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Ernest Chausson: 25 Selected Songs For Voice And Piano: Voice: Vocal Album
Piano, Voice
Dover Publications
Selected Songs For Voice And Piano is a superb collection of 25 exquisite melodi...
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Selected Songs For Voice And Piano is a superb collection of 25 exquisite melodies spotlighting the work of Ernest Chausson (1855 1899). All reproduced from authoritative sources these songs take the poetry of Shakespeare Gautier Verlaine Maeterlinck and others as their inspiration. Complete lyrics along with new translations appear for Nocturne Amour dâ??Antan Printemps triste Nos Souvenirs Les Temps de Lilas Serre chaude Les Heures Chanson de Clown Les Couronnes and 16 others.
17.30 GBP - Sold by Musicroom UK
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Complete Songs With Piano Accompaniment Band 2 (PFITZNER HANS)
Piano, Voice
Schott
With Appendix: Early Songs And Fragments. Par PFITZNER HANS. En dehors de ses oe...
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With Appendix: Early Songs And Fragments. Par PFITZNER HANS. En dehors de ses oeuvres musicales dramatique, chansons de Hans Pfitzner forment la partie plus homogène et cohérente de son oeuvre. Les chansons de 106 constituent une contribution importante à l'histoire de la chanson et particulièrement pour le genre de la chanson de l'art du XXe siècle. Comme un compositeur de la chanson, Pfitzner est un digne successeur de Schumann, à l'interaction de la parole et de la musique. La palette de ses varie de chansons de ' simples ' chansons folkloriques avec des textes impressionnistes, les chansons développé de manière symphonique. Les poèmes choisis par Pfitzner couvrent une période de plus de 700 ans de l'histoire littéraire. Comme Vol. 1 (op. 1-18), Vol. 2 (op. 19-41) transmet également la richesse des thèmes, des formes et des textures dans le oeuvre de la chanson de Pfitzner./ Répertoire / Chant et Piano
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Gabriel Fauré: Complete Songs Volume 2: Medium Voice: Vocal Work
Piano, Voice
Peters
33 Songs for Voice and Piano - Critical edition-Numbering more than 100 in total...
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33 Songs for Voice and Piano - Critical edition-Numbering more than 100 in total and composed across a 60-year period Gabriel Fauré's songs form the single most influential contribution to the field of French art song.Despite their importance the songs have long been riddled with misprints and inconsistencies. This first complete critical edition is based on study of hundreds of manuscript and printed sources along with evidence and interpretative advice from artists who worked with Fauré;. Above all it is a practical edition informed by extensive work with musicians in performances masterclasses and workshops.This second volume comprises the songs of Fauré's creative maturity including popular favourites (Les Roses d'Ispahan Clair de lune) alongside some lesser-known gems together with his three vocal duets and the delightful four-voice Madrigal.
27.95 GBP - Sold by Musicroom UK
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Ludwig van Beethoven: Complete Songs for Voice and Piano Volume III: Voice:
Piano, Voice
G. Henle
Complete Songs for Voice and Piano Volume III
5.75 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Complete Songs for Medium Voice & Piano: Voice: Vocal
Piano, Voice
Barenreiter
Mozart's lieder reveal him to be a dramatist in miniature. Even if he failed to ...
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Mozart's lieder reveal him to be a dramatist in miniature. Even if he failed to cultivate this genre systematically he nevertheless directed his creative powers toward the lied at all stages of his career. His first effort (now lost) was written at the age of six or seven and he took up the genre again and again at irregular intervals down to the final year of his life. None the less Mozart usually chose to write a lied only when there was a special occasion for doing so. Even the preface to the firt complete edition of his lieder published in 1799 by Breitkopf
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Ludwig van Beethoven: Complete Songs: High Voice: Vocal Album
Piano, Voice
[Sheet music]
Peters
Complete songs is a 67 song anthology of works for High or Medium Voice by Ludwi...
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Complete songs is a 67 song anthology of works for High or Medium Voice by Ludwig Van Beethoven.
28.95 GBP - Sold by Musicroom UK
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Edvard Grieg: Complete Songs Vol.1: Voice: Vocal Album
Piano, Voice
[Sheet music]
Peters
Grieg's Complete Songs Volume 1 for Cello and Piano.
44.00 GBP - Sold by Musicroom UK
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Je Crois En Toi Varioustes Chant Seul (DELETTRE JEAN)
Piano, Voice
[Score]
Salabert
Par DELETTRE JEAN. / Classique / Feuillet / Chant et Piano
2.47 EUR - Sold by LMI-partitions
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Vivaldi A. - Orlando Furioso - Chant-piano
Français
Piano, Voice
Editions Buissonnieres
L'œuvre lyrique de Vivaldi reste paradoxalement méconnue : l'extraordinaire su...
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L'œuvre lyrique de Vivaldi reste paradoxalement méconnue : l'extraordinaire succès rencontré par un petit nombre de concertos a éclipsé tout un pan de ses compositions, notament les opéras, auxquels il consacra pourtant l'essentiel de sa carrière. De 1713 à 1741, Vivaldi donna le jour à une œuvre colossale, préservée en grande partie par la Bibliothèque de Turin : plus de 450 compositions manuscrites, en grande partie autographes. Orlando furioso, drame héroïco-magique représenté au Teatro S. Angelo de Venise à l'automne 1727, prend place à l'exacte mi-temps de la carrière lyrique de Vivaldi. Quatorze années plus tôt, au mois de mai 1713, le Prete Rosso présentait à Vicence son premier opéra connu, Ottone in villa. Quatorze années plus tard, il s'éteignait dans l'oubli après avoir vainement tenté de faire représenter à Vienne son ultime opéra, L'Oracolo in Messenia. Grâce au travail remarquable du librettiste, Grazio Braccioli, qui a su conserver de l'œuvre originale d'Arioste son essence poétique et sa dimension humaniste, Vivaldi y fait éclater le schéma conventionnel du dramma per musica, explorant les formes musicales les plus variées, bousculant la hiérarchie classique des personnages et superposant les actions dramatiques, toutes conduites avec une remarquable efficacité. Près de trois siècles après sa création, l'on demeure confondu face à l'extraordinaire richesse musicale et dramatique de l'œuvre, pièce éblouissante où se mêlent toutes les formes existantes du théâtre chanté. La reconstitution de l'opéra a nécessité un important travail préparatoire sur le manuscrit turinois, particulièrement complexe, mêlant des feuillets soigneusement calligraphiés à des feuillets griffonnés à la hâte et comportant de multiples insertions, fragments ou retranchements, ainsi qu'une numérotation irrégulière des scènes. Jacques Manet en a enfin réalisé une version pour clavier très attendue par les chanteurs, mettant ainsi à la portée du plus grand nombre une œuvre dans sa version complète, telle qu'elle fut conçue en 1727 par Vivaldi. Réduction chant et clavier : format A4, 286 pages, sur papier ivoire - Arrangement pour clavier : Jacques Manet - Présentation : Frédéric Delaméa - Traduction en anglais : Elizabeth Szostak-Clerc
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Wolfgang Amadeus Mozart: Die Entführung Aus Dem Serail: Mixed Choir: Vocal Score
Piano, Voice
[Sheet music]
Barenreiter
German singspiel in three acts-?I know for a fact that the Emperor is proposing ...
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German singspiel in three acts-?I know for a fact that the Emperor is proposing to mount a German opera in Vienna and that he is making every effort to find a young Kapellmeister who understands German has talent and is capable of striking out on a new path. [...] I think it would be a good thing for me provided of course that the pay is good. If the Emperor will give me a thousand gulden I will write a German opera for him.?Thus Mozart in a letter of 10 11 January 1778 from Mannheim to his father Leopold. He continued by asking his father to ?write to every good friend in Vienna you can think of and say that it is in my power to do honor to the Emperor. If he won?t take meon any other terms then let him try me with an opera. After that he can do what he likes for all I care.?Urtext of the New Mozart EditionFull score (BA4591-01) vocal score (BA4591-90) and study score format 22.5 x 16.5cm (TP311) available for salePerformance material available for hire (BA4591-72)
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Ave Maria Opus 52 n°6 ? Voix Elevées (Collection Anacrouse) (SCHUBERT FRANZ)
Piano, Voice
[Sheet music]
EBR Editions Bourges
Par SCHUBERT FRANZ. La collection ANACROUSE offre aux pianistes novices et confi...
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Par SCHUBERT FRANZ. La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d??uvres classiques, allant de la Renaissance à l?époque moderne. Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d?une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l?unité, a fait l?objet d?un travail éditorial attentif, tant sur le plan de l?établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces ?uvres. Les partitions sont proposées sous la forme d?ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement. Franz Schubert compose « l'Ave Maria » pour voix et piano en 1825. Celui-ci est publié en 1826 sous l'opus 52 n°6, en Sib Majeur. A cette époque, il voue une grande admiration à la Sainte Marie, la mère de Jésus. Il met en musique un extrait de la poésie de « Madame du lac » écrit par l'écrivain anglais Walter Scott qui a été traduit en Allemand par Adam Storck. « L'ave Maria » est appelé par Schubert son dritter Gesang « la troisième chanson d'Ellen ». L'héroïne de la poésie, Ellen Douglas, prie la vierge en se cachant. Dans une de ses correspondances avec ses parents, il avoue exprimer dans cette chanson un hymne à la Sainte Marie. Les mots d'origines de Walter Scott incluent beaucoup de référence à la prière latine de « l'Ave Maria ». Finalement, les mots latins adaptés de la prière est maintenant la version la plus généralement exécutée. L'ave Maria s'inscrit dans le répertoire marial du 19ème siècle. Encore aujourd'hui, cette pièce musicale reste une des oeuvres les plus prisées des amoureux pour l'accompagnement de la cérémonie du mariage. / Date parution : 2023-03-21/ Répertoire / Chant et Piano
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Antonín Dvo?ák: Songs II for High Voice and Piano: High Voice: Vocal Album
Piano, Voice
Barenreiter
Songs II for High Voice and PianoFollowing the publication of Dvorák’s ea...
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Songs II for High Voice and PianoFollowing the publication of Dvorák’s early set of love songs “Cypresses” (BA9569) all his other songs with piano accompaniment are now appearing in Urtext editions.“Songs II” includes the mature works from Dvorák’s late period. Besides the well-known cycle “Love Songs” and the less well-known cycle “Three Modern Greek Songs” the volume also contains some entirely unknown and previously unpublished pieces: “Lullaby” and the posthumously published “Song from The Smith of Lešetín” completedby Josef Suk.The songs are presented in chronological order in volumes for high and low voice. Each volume contains the vocal text underlaid in three languages (Cz/Eng/Ger). For the most part the translations have been taken from the first edition.- Second volume of the new five-volume Urtext edition of the complete songs- First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor- Some songs appear for the first time in print- Vocal texts in three languages (Cz/Eng/Ger)
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Antonín Dvo?ák: Songs II for Low Voice and Piano: Low Voice: Vocal Album
Piano, Voice
Barenreiter
Songs II for Low Voice and PianoFollowing the publication of Dvorák’s ear...
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Songs II for Low Voice and PianoFollowing the publication of Dvorák’s early set of love songs “Cypresses” (BA9569) all his other songs with piano accompaniment are now appearing in Urtext editions.“Songs II” includes the mature works from Dvorák’s late period. Besides the well-known cycle “Love Songs” and the less well-known cycle “Three Modern Greek Songs” the volume also contains some entirely unknown and previously unpublished pieces: “Lullaby” and the posthumously published “Song from The Smith of Lešetín” completedby Josef Suk.The songs are presented in chronological order in volumes for high and low voice. Each volume contains the vocal text underlaid in three languages (Cz/Eng/Ger). For the most part the translations have been taken from the first edition.- Second volume of the new five-volume Urtext edition of the complete songs- First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor- Some songs appear for the first time in print- Vocal texts in three languages (Cz/Eng/Ger)
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Manuel de Falla: El Amor Brujo (1915 Version) - Vocal Score: Voice: Vocal Score
Piano, Voice
[Vocal Score]
Chester
Regarded as the greatest Spanish composer of the 20th century Manuel De Falla (...
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Regarded as the greatest Spanish composer of the 20th century Manuel De Falla (1876-1946) had a distinctively nationalistic style. His Andalusian influences are clearly seen in his ballet El AmorBrujo which is often praised for its originality while at the same time preserving the beauty of the Andalusian folk themes. The libretto was written by Gregorio Mart nez Sierra and the ballet was firstpublished in 1915. The composer issued several revisions during his lifetime but his original work is given here. The Voice part has been paired with a Piano reduction making it ideal for rehearsal accompaniment private study or recital performance.
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Franz Schubert: Complete Song Cycles: Voice: Mixed Songbook
Piano, Voice
Dover Publications
Die Schöne Müllerin - Die Winterreise - Schwanengesang-All 54 songs from 'Die ...
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Die Schöne Müllerin - Die Winterreise - Schwanengesang-All 54 songs from 'Die Schone Mullerin' 'Die Winterreise' and 'Schwanengesang'. Breitkopf
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Antonio Vivaldi: La Dorilla RV 709: Vocal: Vocal Score
Piano, Voice
[Vocal Score]
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Easy
Ricordi
Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé-The ...
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Ed. critica di Ivano Bettin - Riduzione per canto e pianoforte di A. Frigé-The present reduction derives from the critical edition of the score published in this catalog in November 2019. Antonio Vivaldi?s La Dorilla a heroic-pastoral opera on a libretto by Antonio Maria Lucchini was premiered at the Teatro Sant?Angelo in Venice on 6 November 1726. Six years later it was revived in a much shortened and altered form at the Sporck Theatre in Prague. In 1734 it returned for the last time to the Venetian stage at the Teatro Sant?Angelo where despite being greatly revised it was once again successful. Many of its recitatives had been shortened and several arias replaced some with movements borrowed from other operas by Vivaldi and some with arias taken from ones by other composers such as Johann Adolf Hasse Geminiano Giacomelli Domenico Sarro and Leonardo Leo. The adaptation was the work of the Venetian man of letters Bartolomeo Vitturi who adjusted the libretto with the precise aim of satisfying the demands of the public which wished to hear the most famous pieces by the composers who were fashionable in those years. This vocal-score edition includes a synthetic introduction of the historical context the description of the main source employed and a choice of the critical Notes to the musical text.
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Manuel de Falla: Cancion Del Fuego Fatuo: Voice: Vocal Work
Piano, Voice
[Sheet music]
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Intermediate
Chester
Also known as Chanson Du Feu Follet. For Voice and Piano.
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Robert Schumann: Lieder I - For Medium Voice: Voice: Vocal Album
Piano, Voice
[Sheet music]
Peters
Volume 1 of the complete edition of Robert Schumann's Songs for Medium Voice and...
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Volume 1 of the complete edition of Robert Schumann's Songs for Medium Voice and Piano edited by Friedlander.Contains Dichterliebe Myrthen Frauenlibeund Leben Liederkreis.
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Ludwig van Beethoven: An die ferne Geliebte op. 98: Vocal: Vocal Work
Piano, Voice
Barenreiter
“My angel my all my selfâ€. With these words Beethoven in July 181...
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“My angel my all my selfâ€. With these words Beethoven in July 1812 began his passionate love letter to a woman whose identity has eluded discovery to the present day. Was he perhaps addressing the same woman four years later when he composed “An die ferne Geliebte†his song cycle on poems by Alois Jeitteles?Barry Cooper discusses this and many other questions in the Introduction to his new edition of Beethoven’s only song cycle. Not only does he present a meticulously edited musical text he also delves into questions of performance practice that previous critical editions have overlooked.
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Pyotr Ilyich Tchaikovsky: Eugene Onegin: Mixed Choir: Vocal Score
Piano, Voice
Schirmer
Tchaikovsky wrote Eugene Onegin in 1878 using a libretto by Konstantin Shilovsk...
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Tchaikovsky wrote Eugene Onegin in 1878 using a libretto by Konstantin Shilovsky based on the epic poem by Pushkin. Flirtatious Olga and shy bookish Tatyana are sisters Olga being happily engaged to Lenski. One day Lenski arrives with a friend Eugene Onegin and Tatyana is smitten. She writes him a letter but he rudely rebuffs her and she is devastated. At the dance that night he dances with Olga making Lenski jealous also. They fight a duel in which Lenski is killed.Six years later Tatyana has become a beauty and married Prince Gremin unbeknownst to Onegin who has become a wanderer. Onegin enters Gremin’s house for a party seesTatyana falls in love and pleads with her to come with him but Tatyana though confessing she still loves him refuses him she is married. Eugene is left alone and heartbroken.This is the Schirmer edition of the Vocal Score in an English translation by Henry Reese.
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Ludwig van Beethoven: Adelaide Op.46 Voice & Piano Urtext: Voice: Vocal Work
Piano, Voice
G. Henle
Original Key for High Voice-No singer is able to ignore Beethoven’s Adelai...
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Original Key for High Voice-No singer is able to ignore Beethoven’s Adelaide. There are thousands of recordings and many amateurs also love this lyrical setting of Friedrich von Matthisson’s poem. Matthisson himself said of it: “Severalcomposers have breathed life into this little lyrical fantasy with music; but none of them have I deeply believe so put the text into the shade with their melody as the genius Ludwig van Beethoven in Vienna.” We arepublishing the Lied in a new practical single edition that follows the musical text of the Beethoven Complete Edition with a detailed preface by the specialist on Beethoven’s Lieder Helga Lühning.
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Gabriel Fauré: Vocalises - Medium-High Voice & Piano: Voice: Instrumental Work
Piano, Voice
[Sheet music + Audio access]
Peters
This collection of Vocalises contains 45 vocal exercises devised by innovative t...
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This collection of Vocalises contains 45 vocal exercises devised by innovative teacher Gabriel Fauré. When Gabriel Fauré was appointed Director of the Paris Conservatoire in 1905 one of his most pressing concerns – and first achievements – was a complete reform of the teaching of singing. He was determined to introduce mandatory study of art song along with 'exercises developing vocal suppleness articulation and voice placement and production which are the basis of singing teaching'. To this end between 1906 and 1916 he composed a substantial body of accompanied vocalises for use in theConservatoire’s sight-singing examinations. For a century these vocalises – all but one now held in the Archives nationales de France in Paris – have lain unknown to the musical world at large. Their first publication here marks a major event for the vocal teaching repertoire (as well as some entrancing music); a marvellous resource of skilfully devised vocal exercises ranging from elementary to advanced virtuoso level all from one of history’s greatest song composers.
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