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Sonata - Landscape (KLEIN GIDEON)
Piano, Voice
[Score]
Barenreiter
Sonáta - Krajina. Par KLEIN GIDEON. The extraordinarily gifted composer and pia...
(+)
Sonáta - Krajina. Par KLEIN GIDEON. The extraordinarily gifted composer and pianist Gideon Klein (1919?1945) was murdered in the Fürstengrube concentration camp at the age of 25. One of the undeniable highlights of his small compositional legacy is his Sonata for Piano. Its three movements were written in reverse order in the Terezín concentration camp in 1943; only a three-measure draft of the intended fourth movement has survived. This first Urtext edition of the piano sonata has been expanded to include the previously unpublished short melodrama ?Landscape? (entitled ?Topol? / ?Poplar? in existing literature) in which the pianist can also take over the recitation part if required. In July 1939, shortly after Klein completed his studies at the conservatory, he composed this setting of the same-named poem by Vilém Závada (1905?1982) in the style of free atonality. - First Urtext edition of the sonata - First publication of the melodrama ?Krajina? (Landscape) with translations (Ger/Eng) of the Czech text in the prefix - Includes the draft of the fourth movement printed as a facsimile - Foreword (Cz/Eng/Ger) on the genesis and reception as well as a Critical Commentary / Date parution : 2022-11-29/ Répertoire / Piano et Récitant
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OPERARIA MEZZOSOPRAN 2 Dramatique
Piano, Voice
[Sheet music]
Breitkopf & Härtel
Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Wh...
(+)
Par . “Una voce poco profonda”: Curtain up for Trouser Roles and Heroines Whether the voice is lyric light or heavy, whether it can master coloratura, perhaps even has dramatic potential – in the OperAria mezzo-soprano and alto volumes, singers with a deeper voice and a special talent for the trouser role through to the heroine find everything they need for their performance. Throbbing of the heart? Yes, that’s simply part of the game! Feeling nervous? No, because actually nothing can go wrong with OperAria. The best vocal coach for auditions and current theatre practice. Only the voice needs to do its bit. Toi, toi, toi! “Our goal is to give the user a modern-day, systematically structured vocal coach who satisfies the demands of present-day theater practice. At long last a consistent repertoire and a well-ordered conflation of respective audition arias for all vocal genres.” (Peter Anton Ling and Marina Sandel, editors) OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot an evaluation from the singer’s point of view with “phonetic assistant” and “text assistant” aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2022-11-04/ Recueil / Chant et Piano
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Rued Langgaard: Sange / Songs Vol. 2: Voice: Vocal Album
Piano, Voice
[Sheet music]
-
Intermediate
Rued Langgaard Edition
Collected Songs Vol. 2 - Songs to Danish and Norwegian texts (1906-15) by Rued L...
(+)
Collected Songs Vol. 2 - Songs to Danish and Norwegian texts (1906-15) by Rued Langgaard for Voice and Piano. Critical edition by Ole Ugilt Jensen and Bendt Viinholt Nielsen. Rued Langgaard (1893-1952) is one of the most important Danish composers of the 20th century. He has however only acquired this status many years after his death. Langgaard was an eminent musical talent but with his romantic and symbolist view of art he ended up as an outsider in an era when the trend-setting musical life of the time was permeated by Carl Nielsen's sober and modern attitude. Rued Langgaard's production within the lied genre comprises125 songs. Half of them were composed in the short span of years between 1914 and 1918 when the composer was in his early twenties.With this publication in three volumes Langgaard's important and personal contribution to the genre is presented in its entire range. Only 27 of the songs have previously been published. The songs are set to German Danish and Norwegian poems. The poems in Danish and Norwegian are included in an English translation (though not designed for performance purposes). Each volume is accompanied by an introduction source descriptions and a critical apparatus in Danish and English. The Rued Langgaard Edition (RLU) was established in 2000 the aim being to present practical performance-oriented publications of Langgaard's works on a critical scholarly basis.
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Tchaikovsky P.i. - Songs Band 2 - Medium Voice And Piano
Piano, Voice
Boosey & Hawkes
20 Romances Instrument : medium (low) voice and piano Nombre de Pages : 104 Co...
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20 Romances Instrument : medium (low) voice and piano Nombre de Pages : 104 Content : My Guardian, My Angel, My Friend - A Tear Hangs There op. 6/4 - None But The Lonely Heart op. 6/6 - Rest You Now, O My Heart op. 25/1 - No Answer Now op 28/5 - Don Juan's Serenade op. 38/1 - At The Ball op. 38/3 - O, Could You But for One Short Hour op. 38/4 - The Love of One Dead op. 38/5 - Pimpinella op. 38/6 - O Sleep, Unhappy Friend op. 47/4 - I Greet You All, You Woods and Forests op. 47/5 - On Golden Meadows Now op. 57/2 - Bravery op. 60/11 - The Stars Looked Tenderly upon Us op. 60/12 - I Opened My Window op. 63/2 - The Lights Were Being Dimmed op. 63/5 - Night op. 73/2 - Now the Sun's Departed op. 73/4 - Ah! Once Again All Alone op. 73/6 - Appendix
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Rued Langgaard: Sange / Songs Vol. 3: Voice: Vocal Album
Piano, Voice
[Sheet music]
-
Intermediate
Rued Langgaard Edition
Collected Songs Vol. 3 - Songs to Danish and Norwegian texts (1916-49) by Rued L...
(+)
Collected Songs Vol. 3 - Songs to Danish and Norwegian texts (1916-49) by Rued Langgaard for Voice and Piano. Critical edition by Ole Ugilt Jensen and Bendt Viinholt Nielsen. Rued Langgaard (1893-1952) is one of the most important Danish composers of the 20th century. He has however only acquired this status many years after his death. Langgaard was an eminent musical talent but with his romantic and symbolist view of art he ended up as an outsider in an era when the trend-setting musical life of the time was permeated by Carl Nielsen's sober and modern attitude. Rued Langgaard's production within the lied genrecomprises 125 songs. Half of them were composed in the short span of years between 1914 and 1918 when the composer was in his early twenties. With this publication in three volumes Langgaard's important and personal contribution to the genre is presented in its entire range. Only 27 of the songs have previously been published. The songs are set to German Danish and Norwegian poems. The poems in Danish and Norwegian are included in an English translation (though not designed for performance purposes). Each volume is accompanied by an introduction source descriptions and a critical apparatus in Danish and English. The Rued Langgaard Edition (RLU) was established in 2000 the aim being to present practical performance-oriented publications of Langgaard's works on a critical scholarly basis.
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Rued Langgaard: Sange / Songs Vol. 1: Voice: Vocal Work
Piano, Voice
[Sheet music]
-
Intermediate
Rued Langgaard Edition
Collected Songs Vol. 1 - Songs to German texts (1907-15) by Rued Langgaard for ...
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Collected Songs Vol. 1 - Songs to German texts (1907-15) by Rued Langgaard for Voice and Piano. Critical edition by Ole Ugilt Jensen and Bendt Viinholt Nielsen. Rued Langgaard (1893-1952) is one of the most important Danish composers of the 20th century. He has however only acquired this status many years after his death. Langgaard was an eminent musical talent but with his romantic and symbolist view of art he ended up as an outsider in an era when the trend-setting musical life of the time was permeated by Carl Nielsen's sober and modern attitude. Rued Langgaard's production within the lied genre comprises 125 songs.Half of them were composed in the short span of years between 1914 and 1918 when the composer was in his early twenties. With this publication in three volumes Langgaard's important and personal contribution to the genre is presented in its entire range. Only 27 of the songs have previously been published. The songs are set to German Danish and Norwegian poems. The poems in Danish and Norwegian are included in an English translation (though not designed for performance purposes). Each volume is accompanied by an introduction source descriptions and a critical apparatus in Danish and English. The Rued Langgaard Edition (RLU) was established in 2000 the aim being to present practical performance-oriented publications of Langgaard's works on a critical scholarly basis.
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Rued Langgaard: Collected Songs Vol. 1-3: Voice: Vocal Album
Piano, Voice
[Sheet music]
Rued Langgaard Edition
Collected Songs Vol. 1-3 - by Rued Langgaard for Voice and Piano. Critical edit...
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Collected Songs Vol. 1-3 - by Rued Langgaard for Voice and Piano. Critical edition by Ole Ugilt Jensen and Bendt Viinholt Nielsen / The Rued Langgaard Edition. Rued Langgaard (1893-1952) is one of the most important Danish composers of the 20th century. He has however only acquired this status many years after his death. Langgaard was an eminent musical talent but with his romantic and symbolist view of art he ended up as an outsider in an era when the trend-setting musical life of the time was permeated by Carl Nielsen's sober and modern attitude.Rued Langgaard's production within the lied genre comprises 125 songs. Half of themwere composed in the short span of years between 1914 and 1918 when the composer was in his early twenties.With this publication in three volumes Langgaard's important and personal contribution to the genre is presented in its entire range. Only 27 of the songs have previously been published. The songs are set to German Danish and Norwegian poems. The poems in Danish and Norwegian are included in an English translation (though not designed for perform- ance purposes). Each volume is accompanied by an introduction source descriptions and a critical apparatus in Danish and English. The Rued Langgaard Edition (RLU) was established in 2000 the aim being to present practical performance-oriented publications of Langgaard's works on a critical scholarly basis. Vol. 1-3 are also available separately: WH32785 WH32786 WH32787.
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Louis Durey: Le Bestiaire: Voice: Instrumental Work
Piano, Voice
[Sheet music]
Chester
Durey’s song-cycle (written for voice and piano or thirteen instruments) ...
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Durey’s song-cycle (written for voice and piano or thirteen instruments) is made up of 25 individual songs each to a text by Guillaume Apollinaire and each very short. Most take just a page or two of music and contain just aline or two of verse. The concept of the work is nearly identical to that of Camille Saint-Saens’ Carnival of the Animals: each song of Le Bestiare describes an individual animal.
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Dir Mir Zu
Piano, Voice
Barenreiter
This short, highly compact song is based on an excerpt from a poem by Philipp Lu...
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This short, highly compact song is based on an excerpt from a poem by Philipp Luidl. Thanks to the narrow ambitus of the vocal part, it is suitable for every vocal register. The piano part is strictly bound to the musical text, whereas the vocal part, though precisely notated, is granted almost unlimited leeway in performance. Almost anything is permitted, from traditional song interpretation to uninhibited Sprechgesang in which even pitches can be redefined. The imagery of the poem - a stone constantly rolled back by the sea - gives rise to music of great flexibility. Piano and voice complement each other while preserving their independence. / Chant Et Piano
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Verdi G. - Messa Da Requiem - Vocal Score
Piano, Voice
[Vocal Score]
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Advanced
Barenreiter
Verdi, Giuseppe Messa da Requiem In this new scholarly-critical edition of the ...
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Verdi, Giuseppe Messa da Requiem In this new scholarly-critical edition of the “Messa da Requiem”, the editor, on the basis of all available sources, succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work. A hitherto unexamined handwritten reduction for voice and piano casts a new light on the evaluation of several known sources and leads to new philological and editorial decisions. This edition presents a detailed Critical Commentary as well as a preface on the genesis and history of the work. In addition the preface includes a short section on the most important editions published in the 19th century and compares them with regard to problematic passages in the work and the suggestions they made to solve musical problems. • Verdi’s monumental work in a Bärenreiter Urtext edition • Trilingual preface (Ital/Eng/Ger) • Detailed Critical Commentary (Eng) • Idiomatic well-presented piano reduction Edition no.: BA 7590-90 ISMN: 9790006541591 Editor: Uvietta, Marco Arranger: Campora, Andrea Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Paperback Pages / Format: X, 154 S. - 27,0 x 19,0 cm
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Idina Menzel Kristen Bell: Making Today a Perfect Day (from Frozen Fever): Vocal
Piano, Voice
[Sheet music + Audio access]
Hal Leonard
The new single from the short Frozen Fever. This sheet music features an arrange...
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The new single from the short Frozen Fever. This sheet music features an arrangement for Piano and Voice with Guitar chord frames with the melody presented in the right hand of the Piano part as well as in the vocal line. The sheet also includes access to online recorded backing tracks that you can play along with to sound like a pro.
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In The Locked Room
Piano, Voice
Schott
Taking Thomas Hardy's short story as its starting point, we are transported to t...
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Taking Thomas Hardy's short story as its starting point, we are transported to the present for a contemporary take on the novella which explores the power the mind can have over that person's actions. A closed door sparks an obsession so strong that the boundaries between reality and fantasy begin to blur.Ella and her high-finance husband Stephen rent a room in a holiday home on the coast, owned by Susan. Ella discovers that a locked room in the house is rented by a poet - Ben Pascoe - whose work holds a deep fascination for her. The room is held for Pascoe, though he visits rarely.Ella's obsession with Pascoe grows in parallel with the progress of Stephen's biggest City deal. She begins by imagining the poet's voice as she reads his work, but this quickly grows to fantasised encounters with Pascoe in his locked room. Stephen returns from the City and makes love to Ella, but it is not him she wishes for. We see the real Pascoe only once, with Susan.As Stephen's financial dreams are realised and Ella's fantasy consumes her, she learns of Pascoe's death. Despite her changed circumstances, Ella chooses to stay in her new world. / Voix Et Piano
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Lorenz Hart Richard Rodgers: Pal Joey: Vocal Solo: Score
Piano, Voice
[Vocal Score]
Hal Leonard
14 selections from Rodgers and Hart's musical based on a series of New Yorker sh...
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14 selections from Rodgers and Hart's musical based on a series of New Yorker short stories. Includes: Bewitched Å? Do It the Hard Way Å? I Could Write a Book Å? Pal Joey Å? Take Him Å? What Is a Man? Å? and more. 14 selections from Rodgers and Hart's musical based on a series of New Yorker short stories. Includes: Bewitched · Do It the Hard Way · I Could Write a Book · Pal Joey · Take Him · What Is a Man? · and more.
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Mario Castelnuovo-Tedesco: Shakespeare Songs Book 10: Voice: Vocal Work
Piano, Voice
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Intermediate
Chester
Like many composers who found themselves in exile during the war years Castelnu...
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Like many composers who found themselves in exile during the war years Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style reviving more traditional or antiquated ideas of melody tonality and texture. Hiscollection of Shakespeare Songs feature settings of verse from across the full range of the Bard's plays and have proved to be great critical successes still widely performed today. Suitable to be adapted by most voices.the songs are interwoven with complex and thrilling Piano accompaniments that bring colour and energy to the often liberally edited texts.Book ten contains a set of six short songs adapted from King Lear.
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Lili Boulanger: Quatre Chants (Four Songs): Voice & Piano: Instrumental Work
Piano, Voice
Hal Leonard
Lili Boulanger was the sister of the famous music teacher Nadia Boulanger. She w...
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Lili Boulanger was the sister of the famous music teacher Nadia Boulanger. She was a composer for the last 10 years of her tragically short life - she died at 25. Her music is generally beautiful delicately coloured and touching standing in the main line of French music exemplified by Faure albeit somewhat tinged with the influence of Debussy's Impressionism.These four Songs are settings of texts by de Calone and Maeterlinck among others with an English version by Jane May. The first song Dans l'immense tristesse speaks of a mother's grief on the death of a child. Attente (Expectation) is about the anticipation of love Reflets isgentle and reflective yet tinged with fear which breaks out towards the end whereas Le Retour (The Return) deals with the return of Ulysses to Ithaca.
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John McKenna: The Fortune Seekers Score: Voice: Classroom Musical
Piano, Voice
[Sheet music]
Chester
John McKenna and Laurie Brown. Based on ‘The Treasure Seekers’ by E...
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John McKenna and Laurie Brown. Based on ‘The Treasure Seekers’ by Edith Nesbit the story concerns Victorian children in the 1890s. Thirteen songs including some two-part singing with short pieces of music to link the scenes. Theamount of solo singing can vary according to the capabilities of the performers.
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Wolfgang Amadeus Mozart: The Violet: Voice: Vocal Work
Piano, Voice
[Sheet music]
Edwin Ashdown
Das Veilchen-The elegant playful endlessly creative pen of Mozart wrote this s...
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Das Veilchen-The elegant playful endlessly creative pen of Mozart wrote this short song on 8 June 1785 in Vienna. The three-verse poem by Goethe had already been set to music by at least four composers before Mozart was inspired to write.While the poem has three equal stanzas the song has three distinct moods relating to the words. They tell the sad tale of a violet symbolizing a young man who loves a young shepherdess. The shepherdess carelessly tramplesthe violet who manages to die happily for love. Mozart himself added a final sympathetic line of text. The range is not demanding and there are useful notes in this edition on ornamentation making this a charming addition toa younger singer’s repertoire as well as to an experienced singer’s collection.
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Fernando Obradors: Canciones Clasicas Espanolas Volume 4: Voice: Mixed Songbook
Español
Piano, Voice
Unión Musical Ediciones
Fernando Obradors (1897-1945) was a self-taught composer and conductor. Born and...
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Fernando Obradors (1897-1945) was a self-taught composer and conductor. Born and raised in Catalonia he spent most of his working life in the Canary Islands but returned to Barcelona shortly before his death. Today he is remembered best for his four volumes of classic Spanish folk songs which he collected and arranged for solo Voice with Piano accompaniment. Canciones Clasicas Espanolas Vol. 4 is the last of these written c.1941.
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Cy Coleman: Little Me: Vocal and Piano: Mixed Songbook
Piano, Voice
Hal Leonard
Vocal Selections-The original Tony-nominated version of this Neil Simon play sta...
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Vocal Selections-The original Tony-nominated version of this Neil Simon play starred Sid Caesar and the 1998 revival won a Tony for Martin Short who took over the lead role. Our folio features a dozen highlights from the show: Deep Down Inside · Dimples · Don't Ask the Lady What the Lady Did Before · Here's to Us · I Wanna Be Yours · I've Got Your Number · Le Grand Boom Boom · Little Me · On the Other Side of the Tracks · Poor Little Hollywood Star · Real Live Girl · To Be a Performer. All songs are in standard piano/vocal format with the melody in the piano part.
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Lassus Motets For Five Voices Renaissance Masters
Piano, Voice
Novello & Co Ltd.
All the motets in this volume are quite early works, taken from the collection '...
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All the motets in this volume are quite early works, taken from the collection 'Sacrae Cantiones Quinque Vocum', published in 1562 at Nuremburg. The typical features of these works are their virtuoso character and exuberance. These are achieved through the use of predominantly bright tonalities, frequent variation of textures and dramatic harmonic and melodic touches. Edited by Ivan Moody, this is part of a series of short volumes, each devoted to a single composer or appropriate group of composers, thoroughly exploring the unlimited resources of Renaissance sacred polyphony. Contains keyboard part for rehearsal purposes. / Chant Et Piano
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Songs II GA/CE vol. 11 (SZYMANOWSKI KAROL)
Piano, Voice
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in ...
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Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano
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