The big recorder ensemble book: score
An anthology published by the Flanders Recorder Quartet
?Fantasia in C Major? ? Johann Sebastian Bach
(1685-1750) The original organ work (BWV 570) was arranged for recorder quartet
?Ut te per omnes celitus? ? Johannes Ciconia
for 4 recorders (2A / 2T)
The motet manuscript, dedicated to Francesco Zarabella, is located in Museo Civico, Bologna
Sonata à tre Flauti ? Gottfried Finger
Originally in D major, the sonata was transposed a little third up for 3 treble recorders.
?Drei Melodien? (?Three Melodies ) ? Matthias Maute
for recorder quartet
Sonata in D major à 5 ? Johann Rosenmüller
(2S/A/T/B) Nuremberg 1682
Concerto in G major ?Alla Rustica? ? Antonio Vivaldi
for 4 recorders (2S/A/B)
The source (R. op.51/4 for strings and b.c.) is kept in Biblioteca Nazionale, Turino
/ Partitions classique / Bois / Flûte à bec / MIEROPRINT

The Schott Recorder Consort Anthology presents a wealth of music from the fifteenth to the seventeenth centuries. Although the bulk of the collection is laid out for a variety of four-part ensembles there are also duets and trios as well as five- and six-part pieces.The repertoire includes both original instrumental works and transcriptions of vocal pieces. There are lively and stately dances fantasias and arrangements of expressive madrigals catchy chansons and more restrained religious pieces; all are chosen for their effective realization by recorder consorts. 136 Renaissance pieces with notes on sources editorial technique and interpretation. Volume I contains avaluable introduction to the series and to the art of consort playing. 2-6 recorders: Descant Treble Tenor Bass in various combinations.

German and Dutch Music-The Schott Recorder Consort Anthology presents a wealth of music from the fifteenth to the seventeenth centuries. Although the bulk of the collection is laid out for a variety of four-part ensembles there are also duets and trios as well as five- and six-part pieces.The repertoire includes both original instrumental works and transcriptions of vocal pieces. There are lively and stately dances fantasias and arrangements of expressive madrigals catchy chansons and more restrained religious pieces; all are chosen for their effective realization by recorder consorts. 136 Renaissance pieces with notes on sources editorial technique and interpretation. Volume I contains avaluable introduction to the series and to the art of consort playing. 2-6 recorders: Descant Treble Tenor Bass in various combinations.