Spanish pianist and composer Isaac Albéniz (1860-1909) was a child prodigy. He passed the Piano entrance exam for the Paris Conservatoire at age seven but he was refused entry due to his young age. He composed many works containing Spanish influence Three Pieces for Saxophone Quartet being no exception. When he was 16 Albéniz studied at the Leipzig Conservatory and the Royal Conservatory of Brussels. His concert career saw him perform all over the world. The Three Pieces are 1) Love Song 2) Berceuse and 3) Summer. This collection adapted for Saxophone Quartet by Marcel Mule is asublime addition to the ensemble's repertoire.

Paul Creston (1906-1985) was a well-known composer in his day who made rhythm the cornerstone of his work. Born to Italian immigrant parents in New York City he was essentially a self-taught composer because of poor family finances. He is especially recognized for his contributions to the literature of neglected instruments such as marimba trombone harp accordion and saxophone - such as this saxophone quartet.

This set of six Scottish Welsh and Irish folksongs includes versions of My Darling Ploughman Boy My Love She’s A Venus The Barnyards O’Delgaty The Factory Girl The Queen Among The Heather and Brian O’Linn. They are expertly rendered for the ranges of the instruments.Paul Harvey is a highly respected clarinetist bass clarinetist contrabass clarinetist and Saxophonist music educator and composer of hundreds of works for clarinet and Saxophone. During his long career Harvey was bass clarinet of the Scottish National Orchestra freelanced in London for the BBC Symphony Orchestra and many West End musicals as well as performing on many film and television recordingsessions. He was co-founder and leader of the Londong Saxophone Quartet and Professor of Clarinet at the Royal Military School of Music. He has been recognized for his contributions to the world of the clarinet. Among his many commissions is a work for Bass Clarinet Choir which was given its premiere by a choir of 149 bass clarinetists conducted by Harvey himself.

Four easy pieces for Saxophone Quartet-Quatre pièces faciles pour quatuor de saxophones.

for Four Saxophones and Percussion-Dedicated to the first worldwide hit in 5/4 - Take Five Gimme Five! uses a rhythm that is identical to the classic jazz hit. It also reflects the semi-modal approached used by saxophonist Paul Desmond when he performed one of the few jazz melodies that is instantly recognisable. This swinging piece will bring back memories of the Dave Brubeck Quartet and will be extremely popular with both players and audiences.

An adventurous and unusual work for Saxophone Quartet by John Harle. Composed fopr the Myrha Quartet the piece was first performed on BBC Radio 3 in 1980. The music follows a pitch centre progression moving gradually from low tohigh using chromatic clusters surrounding each pitch. Sporadic solo passages differing in character to the rest of the piece are used to punctuated the music with cadenza-like solos from each Saxophonist in turn making this anexciting and challenging work for all players involved. This title is the score.

Parts only for Richard Rodney Bennett's Saxophone Quartet. Score available: NOV120773

Roland Kernen has arranged the legendary Queen epic 'Bohemian Rhapsody' for Saxophone Quartet. Guaranteed to be an excellent addition to your ensemble's repertoire! Bohemian Rhapsody was written by Freddie Mercury for the band's 1975 album A Night at the Opera. This hugely popular song is a six-minute suite consisting of several sections without a chorus that promises to be bursting with nostalgia.

Voici une partition musicale pour Saxophone et plus spécialement pour 4 Saxophones Alto Ou Tenor que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique, cette partition dont le titre est 6 PIECES FACILES VOLUME F - SAXOPHONE MIB a été composée par le célèbre compositeur Desloges Jacques. C'est l'éditeur Billaudot sous la référence GB2273 1 qui a les droits pour éditer cette partition. / 4 Saxophones Alto Ou Tenor / Partition

' Jesous ahatonhia ', pour quatuor de saxophones, est une commande de la Fondazione Adkins Chiti: Donne in Musica pour sa saison de concerts ControCanto: Natale in Musica dans la région du Lazio (Italie) en 2013, La pièce a été créée par le Kommandaria Sax Quartet à Rome le 18 Décembre 2013,' Jesous ahatonhia ' (' Jésus est né ') est basée sur un chant de Noël écrit par le missionnaire Jean de Brébeuf en langue huronne en 1641 ou 1642, / 4 Saxophones

5 Original Pieces for Saxophone Quartet. A composition in five movements that sound as if from a former age. They are in fact newly composed pieces but, stylistically speaking, are ?historically accurate?. They can be performed separately or one after the other. The important thing is that the lead part at any point is given enough ?space? in terms of dynamics and overall balance. Old music, newly composed, at times cheerful and at others solemn, which create the very special charm of this composition.

Written for saxophone quartet this work was first performed by Saxofourte in 2004.

Conducteur et parties Saxophone Quartet (SATB) The Three Songs (Trois Chansons) dating from 1914/15 were arranged for four a cappella voices by Ravel immediately after he had written the music of these pieces. The lyrics were penned by the composer himself. The songs represent Ravel’s sole contribution to choral literature. The first song consists of three sections and tells the story of Nicolette, who sets out to pick flowers in the fields. Just like Little Red Ridinghood, she meets a wolf who asks her if she is on her way to her grandmother’s house (M.1-13). Fleeing from him, she meets a page who wonderswhether she would like to have him as her “lover true”. She dismisses his proposition though she finds it hard to do so (M. 14-39). In the third section, she encounters a plump, unhandsome man (lento!). He speaks to her:”Stay, stay, my Nicolette, all this gold I give to thee”, and - “VIVO” - Nicolette takes refuge in his arms. (M.40 to end). The Three Lovely Birds from Paradise are sky-blue, white as fallen snow and bright red - just like the colors of the Tricolore, the national flag of France - which has been interpreted in many reviews as a sign of an increasingly nationalistic attitude becoming apparent in the war year of 1914. This song mourns the loss of the beloved one who went to war. The Ronde is also made up of three sections. The old women are the first to sing (M.1-28). They warn the young maidens against entering the forest since it is inhabited by all kinds of dangerous (male) beasts. Then (M. 29 – 56) the old men warn the young lads against going into the woods because of the numerous (female) demons living there. The irony of the story is to be found in the final answer of the young people (as of M. 57), who conclude: “We will not go into the woods since the old folks have frightened off all the beasts, anyway.”