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GUITAR
Soli, Mixted choir and accompaniment
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Franz Schubert: Mass In B-Flat Major Op.Post.141 D 324: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
Despite the pressures of his teaching position Franz Schubert created a particu...
(+)
Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.Urtext of the New Schubert EditionFull score performance material (BA5621) and vocal score (BA5621-90) available for sale
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Antonio Vivaldi: Gloria RV 589 (Vocal Score): Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions an...
(+)
Today the Gloria RV 589 (BA 7674) is one of Vivaldi?s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period.Vivaldi wrote the ?Gloria? as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Piet around 1716. In the twelve movements of the ?Gloria? Vivaldi displays the whole range of his mastery from festive sublime outer movements to tender transparently scored solopassages.The same mastery has also been applied to the ? Kyrie? RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages.Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works.- Attractive choral pieces which can be combined to form a short mass.- Vocal score as well as choral score available for the ?Gloria?.- Informative foreword (Ger/Eng).
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Antonio Vivaldi: Gloria RV 589 (Full Score): Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositi...
(+)
Today the Gloria RV 589 (BA 7674) is one of Vivaldi’s best-known compositions and one of the most frequently performed sacred vocal works from the Baroque period. Vivaldi wrote the “Gloria” as a self-contained work in the style of a concertante mass. However it was probably also performed within church services. The scoring of the solo voices (SSA) suggests that the work was written during his period at the Ospedale della Pietà around 1716. In the twelve movements of the “Gloria” Vivaldi displays the whole range of his mastery from festive sublime outer movements totender transparently scored solo passages. The same mastery has also been applied to the “ Kyrie” RV 587 (BA 8950) scored for two choirs and two groups of stringed instruments. The date of its composition remains unclear. It is a purely a choral work without solo passages. Both works can be performed independently but can also be combined as a kind of short mass. Although the authenticity of the autograph manuscript score is beyond doubt these new editions contain some re-evaluations in phrasing and performance practice which go beyond what other editions have to offer. The Piano reductions are straightforward clearly presented and preserve the character of the works. - Attractive choral pieces which can be combined to form a short mass. - Vocal score as well as choral score available for the “Gloria”. - Informative foreword (Ger/Eng).
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Antonio Vivaldi: Kyrie RV 587 - SSAA: SSAA: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
(+)
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice.Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The?Kyrie? RV 587 (BA 8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.- Effective arrangements for female choir- Forewords in English and German- Straightforward idiomatic piano reductions- Kyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Missa Brevis In B (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, ...
(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The choral parts are not too difficult for well-trained amateur singers. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
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Missa Brevis In B (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, ...
(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The choral parts are not too difficult for well-trained amateur singers. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
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Missa Brevis In B (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, ...
(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The choral parts are not too difficult for well-trained amateur singers. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
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Missa Brevis In B (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, ...
(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The choral parts are not too difficult for well-trained amateur singers. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
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Missa Brevis In B (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, ...
(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The choral parts are not too difficult for well-trained amateur singers. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
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Missa Brevis In B (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, ...
(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The choral parts are not too difficult for well-trained amateur singers. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
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Missa Brevis In B (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, ...
(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The choral parts are not too difficult for well-trained amateur singers. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
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Missa Brevis In B (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, ...
(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. To a greater extent than almost any others, Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are, in most of Mozart's Masses, short enough to meet the requirements of a festive service, today as in his time. The choral parts are not too difficult for well-trained amateur singers. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
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Georg Friedrich Händel: Alessandro: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Oratorio in three parts-In quite characteristic fashion for the times Handel&rs...
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Oratorio in three parts-In quite characteristic fashion for the times Handel’s opera “Alessandro” looks at various episodes in the life and rule of Alexander the Great (356 323 BC). This legendary warrior and military commander conquered large parts of the world before meeting an untimely end at the age of 32. A central conflict in Handel’s opera is Alessandro being in love with two women Lisaura and Rossane who compete for his favour. In addition his claim to be of divine parentage is underlined occasioning him to demand the subservience of his followers which meets with vigorous disapproval.Handel composed “Alessandro” for the Royal Academyof Music to a libretto by Paolo Antonio Rolli in the 1725/26 season. The work was premiered at the King’s Theatre in London on 5 May 1726. “Alessandro” was the first of five operas for the Royal Academy operas which saw Handel compose for three of the most famous singers of his time: Francesco Bernardi (called Senesino) Francesca Cuzzoni and Faustina Bordoni.Ortensio Mauro’s libretto “La superbia d’Alessandro ” which was performed for the first time in Hanover in 1690 in a musical setting by Agostino Steffani and staged again in the city the following year under the title “Il zelo di Leonato” but with numerous alterations served as the source text for Handel’s “Alessandro”. One of the main aspects Rolli had to consider when preparing the libretto for the London performances was to keep the roles of the famous singers of the Royal Academy well balanced yet at the same time to engineer a musical contest between the prima donnas Cuzzoni and Bordoni (Lisaura and Rossane) as well. From a business point of view it made good sense for such rivalry would surely increase public interest in the opera.It is no longer possible to ascertain which changes Handel made during the following performance series of the 1727/28 season. For the performance series of 1732/33 Handel made substantial revisions to the opera: six numbers were deleted in their entirety the finale in part as well and the recitatives were made much shorter with the parts of Cleone and Leonato omitted
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Giuseppe Verdi: Requiem: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Trilingual preface (Ital/Eng/Ger) Detailed critical commentary (Eng)Straight-for...
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Trilingual preface (Ital/Eng/Ger) Detailed critical commentary (Eng)Straight-forward well-presented Piano reduction (Lat)In this new scholarly-critical edition of the Messa da Requiem the editor on the basis of all available sources succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work. A hitherto unexamined handwritten reduction for Voice and Piano casts a new light on the evaluation of several known sources and leads to new philological and editorial decisions.This edition presents a detailed critical commentary as well as a preface on the genesis andhistory of the work. In addition the preface includes a short section on the most important editions published in the 19th century and compares them with regard to problematic passages in the work and the suggestions they made to solve musical problems.
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Giuseppe Verdi: Requiem: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Urtext edition-Trilingual preface (Ital/Eng/Ger) Detailed critical commentary (E...
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Urtext edition-Trilingual preface (Ital/Eng/Ger) Detailed critical commentary (Eng)Straight-forward well-presented Piano reduction (Lat)In this new scholarly-critical edition of the Messa da Requiem the editor on the basis of all available sources succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work. A hitherto unexamined handwritten reduction for Voice and Piano casts a new light on the evaluation of several known sources and leads to new philological and editorial decisions.This edition presents a detailed critical commentary as well as a preface on the genesis andhistory of the work. In addition the preface includes a short section on the most important editions published in the 19th century and compares them with regard to problematic passages in the work and the suggestions they made to solve musical problems.
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Georg Friedrich Händel: Samson: Opera: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Novello & Co Ltd.
Samson an oratorio for soloists mixed chorus and orchestra by George Frideric ...
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Samson an oratorio for soloists mixed chorus and orchestra by George Frideric Handel libretto by Newburgh Hamilton after Milton’s Samson Agonistes. Edited by Donald Burrows. This latest addition to the Novello Handel Edition is the first complete modern edition of the composer’s longest oratorio prepared after examination of all known contemporary sources both music and word-books. The publication embodies the complete text known to have been performed at the Covent Garden premiere in 1743 as well as identifying the later shorter versions and additions performed regularly by Handel and an Appendix of allfurther variants created by him and performed during his lifetime. It is thus a comprehensive and flexible edition for between four and eight soloists with an abundance of choral writing and some of Handel’s most sublime writing for voices.Includes an historical preface extensive notes on the performance of the different versions and useful practical notes on the interpretation of Handel.
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Wolfgang Amadeus Mozart: Missa brevis in D major K.194: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The Missa brevis K.194 is one of a series of shorter mass settings written durin...
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The Missa brevis K.194 is one of a series of shorter mass settings written during Mozart's time is Salzburg - K.194 dates from August 1774.Scored for SATB soloists SATB chorus and orchestra it displays a range of expressive contrasts and is a work of great solemnity.Urtext of the New Mozart EditionFull score & parts (BA5342) & Vocal score (BA5342-90) available for sale
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Wolfgang Amadeus Mozart: Missa brevis in D major K.194: Mixed Choir: Parts
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The Missa brevis K.194 is one of a series of shorter mass settings written durin...
(+)
The Missa brevis K.194 is one of a series of shorter mass settings written during Mozart's time is Salzburg - K.194 dates from August 1774.Scored for SATB soloists SATB chorus and orchestra it displays a range of expressive contrasts and is a work of great solemnity.Urtext of the New Mozart EditionFull score & parts (BA5342) & Vocal score (BA5342-90) available for sale
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Wolfgang Amadeus Mozart: Missa brevis in D major K.194: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The Missa brevis K.194 is one of a series of shorter mass settings written durin...
(+)
The Missa brevis K.194 is one of a series of shorter mass settings written during Mozart's time is Salzburg - K.194 dates from August 1774.Scored for SATB soloists SATB chorus and orchestra it displays a range of expressive contrasts and is a work of great solemnity.Urtext of the New Mozart EditionFull score & parts (BA5342) & Vocal score (BA5342-90) available for sale
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Wolfgang Amadeus Mozart: Missa brevis in D major K.194: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
The Missa brevis K.194 is one of a series of shorter mass settings written durin...
(+)
The Missa brevis K.194 is one of a series of shorter mass settings written during Mozart's time is Salzburg - K.194 dates from August 1774.Scored for SATB soloists SATB chorus and orchestra it displays a range of expressive contrasts and is a work of great solemnity.Urtext of the New Mozart EditionFull score & parts (BA5342) & Vocal score (BA5342-90) available for sale
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Wolfgang Amadeus Mozart: Requiem KV 626: SATB
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Carus Verlag
Süssmayr-Version-The history of the genesis of the Requiem is entwined with leg...
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Süssmayr-Version-The history of the genesis of the Requiem is entwined with legends and anecdotes. The burdens of the composition and performance of La Clemenza di Tito and Die Zauberflöte and an acute infection led to the collapse and death of the composer following a short illness. Mozart left his wife in considerable debt. Constanze therefore turned to Mozart?s friends asking them to complete the fragment. After two failed attempts the task passed to Mozart?s pupil Franz Xaver Süßmayr who completed the Requiem in the form known today using working materials that are no longer extant and perhaps verbal instructions from the composer. Today the Süßmayr version is still the most well known and it is doubtless the one with the closest historical ties to Mozart. Süßmayr?s version of the Requiem has been published in a new edition which is true to the original sources.
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Georg Friedrich Händel: Israel in Egypt HWV 54: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
[Vocal Score]
Barenreiter
Oratorio in three parts-Israel in Egypt HWV 54Oratorio in three partsThe version...
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Oratorio in three parts-Israel in Egypt HWV 54Oratorio in three partsThe versions of the 1739 and 1756?7 performancesThe distinguishing feature of our new edition is that it reproduces Israel in Egypt in its complete three-part form: The Lamentation of the Israelites for the Death of Joseph Exodus and Moses? Song. It was in this form that the work was given at its London premiere on 4 April 1739.Handel made extensive changes for the second performance. The reason is often said to have been the audience?s dissatisfaction with the work?s unusual design. However he may possibly only have wanted to satisfy the whims of asoprano who felt under-represented with solo material.Israel in Egypt is made up of a series of contrasting and artfully constructed choruses separated only by a few numbers for solo voice. Part 1 is entirely given to the chorus Part 2 largely so and Part 3 while containing most of the solo numbers still gives ample room to the chorus. Handel shortened several choral numbers and may have taken the opportunity to alter the opening of Exodus. He also added five arias and a recitative for the soprano Elisabeth Duparc. These arias had already been written for insertion in other works of the 1730s and two of them had been sung a short while previously in An Oratorio (1738). There is no libretto containing the changes introduced at the second performance. All the insert arias are reproduced in Appendix 1 of Volume I/14 of the complete edition.The next performance of the piece did not occur until 1756. Handel now compiled an entirely new Part 1 containing a balanced proportion of choral and solo numbers by selecting items from Solomon the Occasional Oratorio and the Peace Anthem. The two other parts retained their original form apart from a few cuts in the choruses and the addition in Part 3 of the aria ?Hope hope a pure and lasting treasure? from the second version of Esther (for both 1756 and 1757) and the aria ?Toss?d from thought to thought? from Alexander Balus (for 1757).Our new edition makes it possible for the first time to perform Israel in Egypt in three different versions: that of the premiere
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Wolfgang Amadeus Mozart: Missa brevis in B KV 275 [272b]: SATB
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Carus Verlag
B-Dur-To a greater extent than almost any others Mozart's Masses combine a very...
(+)
B-Dur-To a greater extent than almost any others Mozart's Masses combine a very high degree of artistic accomplishment and tonal beauty with fulfilment of the demands made by the Liturgy. Even the textually expansive movements 'Gloria' and 'Credo' are in most of Mozart's Masses short enough to meet the requirements of a festive service today as in his time. The choral parts are not too difficult for well-trained amateur singers.
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