In his seventh string quartet, the well-known Swiss composer Rudolf Kelterborn has achieved something special in terms of form: the title and subtitle already suggest that this quartet plays with a distinctively fragmented inner structure. It is highly appealing how the succession of short individual fragments becomes a cohesive one-movement whole.Both performers and audience encounter a skilful dramaturgy enabling them to experience the diverse spectrum of expression which this genre, steeped in tradition, opens up. / 2 Violons, Alto Et Violoncelle

Schubertâ??s composition of a new string quartet begun in December 1820 was alas never to get beyond the first movement the heavily reworked autograph breaks off at the outset of the second movement. But the fragmentary work that later came into the hands of Johannes Brahms from Schubertâ??s estate delighted its new owner so much after its premiere in 1867 that Brahms had the first movement published three years later as Schubertâ??s â??Posthumous Workâ? â?? thus paving the way into audiencesâ?? hearts for this little gem. Schubertâ??s autograph manuscript features such numerous divergences in dynamics and articulation that editor Egon Voss suspects it to be one of Schubertâ??s experiments withvariations. This is why in his Urtext edition he proceeds with extreme restraint in issuing additions and changes with respect to parallel passages ¬â?? thus making Schubertâ??s diversity of ideas comprehensible for performing musicians. For all who want a peek inside Schubertâ??s workshop the few measures of the second movement are included as a bonus! Schubertâ??s composition of a new string quartet begun in December 1820 was alas never to get beyond the first movement the heavily reworked autograph breaks off at the outset of the second movement. But the fragmentary work that later came into the hands of Johannes Brahms from Schubertâ??s estate delighted its new owner so much after its premiere in 1867 that Brahms had the first movement published three years later as Schubertâ??s â??Posthumous Workâ? â?? thus paving the way into audiencesâ?? hearts for this little gem. Schubertâ??s autograph manuscript features such numerous divergences in dynamics and articulation that editor Egon Voss suspects it to be one of Schubertâ??s experiments withvariations. This is why in his Urtext edition he proceeds with extreme restraint in issuing additions and changes with respect to parallel passages ¬â?? thus making Schubertâ??s diversity of ideas comprehensible for performing musicians. For all who want a peek inside Schubertâ??s workshop the few measures of the second movement are included as a bonus!

8 Evergreens für Streicher-A fourth collection of eight classics for String Quartet all arranged by Bill Thorp. From Grieg to Bernstein Joplin to Borodin the huge diversity of styles within the selection means that there will be something for everybody here. The tunes are ideal for all occasions from Weddings receptions to busking! Contains all the parts for each piece this fabulous volume is just what all String quartets were waiting for.

La référence FP 562 de l'éditeur Fertile Plaine dont l'auteur célèbre est Fleurette Bernard, qui a pour titre Chant du désert ( harpe et quatuor à cordes ), a été écrite et composée pour Harpe et plus particulièrement pour Harpe Et Instruments Divers. Cette partition musicale appartient à la catégorie Classique. / Harpe Et Instruments Divers / Partition