Easy String Quartets Book 2 is the second volume in this highly popular collection of classics. Each piece has been easily arranged for String Quartet by Watson Forbes and is designed to givedeveloping string players the chance to rehearse and perform in ensemble as early as possible. Each work is well known and relatively straightforward enabling the musicians to obtain a sense of achievement and get maximumenjoyment from their playing.Watson Forbes (1909-1997) was a British Viola player arranger and broadcaster. He studied both Violin and Viola at the Royal Academy of Music before specialising on the Viola withSevcik. He played with many string ensembles during his career before becoming Head of Music for BBC Scotland in 1964. His is best remembered for his extensive series of educational arrangements of classical music for variousstring instruments both solo and in ensemble.

Arrangements for string quartet of Romance for string orchestra, op 11 (1928), Elegy for violin and piano, op 22 (1940), and Prelude for string orchestra, op 25 (1940s). Romance (8 mins) was first performed in 2009 by the Finzi Quartet at London's Wigmore Hall, and has been recorded by them on Resonus Classics RES 10109. Elegy (9 mins) and Prelude (5 mins) were first performed in 2014 by the Marilla Quartet at Downe House School, Berkshire, UK. The arrangements are presented as three separate works and form an attractive addition to the string quartet repertory.Difficulty:Prelude: intermediateRomance and Elegy:intermediate/advanced. / Quatuor De Cordes

This is a fun collection of seven String Quartet arrangements of famous pieces of music including Debussy's 'Cake walk' and the aria 'In the depths of the temple' from Bizet's 'The Pearl Fishers'. The arrangements feature prominent Viola parts (and very good 2nd Violin parts too!) and were created by Maxine Komlos with assistance by Danny Glancy as a result of most composers only giving the Viola occasional short solos in their works.

No. 31 no. 30 no. 28 and no. 35-Arranged for four violas by Miche le Penniello-Roudon and Jean Roudon.

'Il est donc tout à fait tort de placer les joueurs juste mécaniques ou médiocre à l'alto', a averti Christian Friedrich Daniel Schubart en 1784/85 dans son 'Ideen zu einer der Ästhetik Tonkunst'. Un certain mépris pour l'instrument existe encore aujourd'hui, si vous pensez que le grand nombre de blagues alto. Mais sérieusement, l'alto a bien sûr s'émanciper et a bien sûr eu sa place dans l'orchestre, comme instrument soliste ou en musique de chambre, même si, il est vrai, le répertoire est plus faible que pour le violon ou le violoncelle. Wolfgang Birtel a étendu le répertoire en ajoutant six quatuors alto, arrangements allant de titres classiques tels que le fameux air de Bach, une mazurka de Chopin, 'Salut d'amour' d'Elgar à des titres plus divertissants: de la mélodie entraînante de la Gavotte par Gossec à Martini 'Plaisir d'amour', qui n'est pas moins résistant à l'oreille, et enfin de la musique de salon avec Noack 'Heinzelmännchens Wachparade '- tous très divertissant, à la fois pour la lecture et l'écoute! / 4 Altos