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GUITAR
CLASSICAL - BAROQUE - ROMANTIC
Violin and Piano
NARROW BY INSTRUMENTATION
NARROW BY INSTRUMENTATION
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Leos Janacek: Works for Violin and Piano: Violin: Instrumental Work
Violin and Piano
-
Intermediate
Barenreiter
This edition contains all of Janá ek?s works for Violin and Piano - the Sonata ...
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This edition contains all of Janá ek?s works for Violin and Piano - the Sonata as well as the Romance and Dumka composed while he was still a student.Though probably written as early as 1914 Janá ek?s Sonata for Violin and Piano was revised several times before finally appearing in a definitive version in 1922. This new edition of the Sonata and the Romance is based on the Complete Critical Edition of the Works of Leo? Janá ek (Vol. E/1) with a clearer notation to optimise readability.For the Dumka the editor has drawn on the sole autograph source the Violin part (still considered lost when the above mentioned Complete Edition volume waspublished) and the revised version contained therein. Unlike the first edition it also contains Janá ek?s detailed dynamic markings.Newly engraved edition with notation adapted to conform with modern usage.Revised version of Dumka with original dynamic markings.Foreword by leading Janá ek scholar Alena N mcová (Cz/Eng/Ger)
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Edward Mollenhauer: The Boy Paganini: Violin: Instrumental Work
Violin and Piano
-
Easy
Barenreiter
Fantasia for Violin and Piano-Born in Erfurt the composer Edward Mollenhauer (1...
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Fantasia for Violin and Piano-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics and pizzicato.This showpiece (BA 10691) can be accomplished by young violinists who can play in first to third position and who are nearing completion of theSassmannshaus Early Start on the Violin volume 4.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves.On the Violin (BA 10692) the technical requirements call for first to fifth position. Violinists should have completed volume 4 of Early Start on the Violin in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.
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Antonín Dvo?ák: Romantic Pieces for Violin and Piano op. 75: Violin:
Violin and Piano
Barenreiter
Composed in 1887 the Romantic Pieces Op.75 were originally intended for two Vio...
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Composed in 1887 the Romantic Pieces Op.75 were originally intended for two Violins and Viola. Immediately after completing these four short pieces Dvo ák rewrote them for Violin with Piano accompaniment and published the new version that very year. This edition presents the musical text from the Complete Edition of the Works of Anton n Dvo ák with a new foreword by David R. Beveridge.The Violin part contains fingering by Josef Micka.New foreword by Dvo ák scholar David R. Beveridge (Eng/ Cz /Ger).Violin part with fingering.
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Pyotr Ilyich Tchaikovsky: Serenade Melancolique Op 26 For Violin & Piano:
Violin and Piano
G. Henle
for Violin and Piano-Following the publication of the Valse-Scherzo we continue...
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for Violin and Piano-Following the publication of the Valse-Scherzo we continue Henle's edition of Tchaikovsky?s complete works for violin and piano with the enchanting Sérénade mélancolique op. 26. This was Tchaikovsky?s first concertante work forviolin the beginning of a path that was to lead to his Violin Concerto three years later. He composed the Sérénade mélancolique in 1875 for violinist Leopold Auer originally for violin and orchestra but later also in a versionfor violin and piano. Since the autograph sources are lost this Henle edition is based on the Russian first editions which even in Tchaikovsky?s lifetime were issued in a number of revised versions. The editor RussianTchaikovsky scholar Alexander Komarov brings exemplary clarity to the confused state of the sources while Ingolf Turban unlocks the notation of the violin part with his accomplished fingerings and bowings.
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Ludwig van Beethoven: Violin Concerto In D Op.61 - Piano Reduction: Piano:
Violin and Piano
[Reduction]
Barenreiter
Beethoven's famous concerto for Violin and Orchestra has appeared in many editio...
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Beethoven's famous concerto for Violin and Orchestra has appeared in many editions over the last 150 years but none has truly done justice to the work. Now the acclaimed Beethoven scholar Jonathan Del Mar has achieved just that.Working with all known sources Del Mar finally presents us with Beethoven's intended solo Violin articulation dynamics and slurring; there are even note corrections in the solo part. Additions made by various editors and violin players over the years have been deleted. For the first time we also now have clarity regarding the meaning of Beethoven's Solo and Tutti markings.All in all a groundbreaking scholarly-critical edition;a must have for every violin player orchestra and music library.
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Claude Debussy: Oeuvres Pour Violon et Piano: Violin: Instrumental Album
Violin and Piano
Barenreiter
Claude Debussy had difficulties finishing his last major work the Sonata for Vi...
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Claude Debussy had difficulties finishing his last major work the Sonata for Violin and Piano. This can be seen in the many drafts which have been handed down and the fact that the cycle for which it was conceived was left unfinished. The work originated under the impact of Debussy’s progressing illness as well as the First World War.The first edition published during the final year of Debussy’s life contains many rhythmic errors. The non-autograph metronome marks as well as the discrepancies between the separate violin part and the violin part in small print in the piano score are two problems that have affected the work’s later reception.Both are examined here in a fresh light.In addition to the Sonata this edition contains arrangements of La fille aux cheveux de lin and Il pleure dans mon coeur by the American violinist Arthur Hartmann. It was Hartmann who inspired Debussy to make an arrangement of his well-known piano piece Minstrels also included in our edition.- Debussy’s complete works for violin and piano- With arrangements by Debussy’s acquaintance Hartmann- Informative Foreword (Eng/Fr/Ger)- Critical Commentary (Eng)
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Edward Elgar: Chanson de matin- Chanson de nuit: Violin: Instrumental Work
Violin and Piano
[Sheet music]
-
Intermediate
Peters
In the earlier part of Elgar's career as a composer he wrote several short piec...
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In the earlier part of Elgar's career as a composer he wrote several short pieces which became very popular. Chanson de Nuit and Chanson de Matin both carried his name far and wide before he composed his larger orchestral works. These two pieces which together complete Op.15 were published in several versions at once: for string orchestra for small orchestra for violin and piano and so on - so it is almost impossible to say with any degree of certainty which was the original version. However Elgar himself was a good violinist and so it may well be that he would have played this tune through to himself on the violin before adding a piano part andsending it off to his publishers for their consideration. In any event it remains a beautiful theme of considerable character and style.This Urtext edition provides you with an accurate representation of the composer’s original intentions and thoroughly detailed editorial marking and suggestions with commentary as edited by Donald Burrows.This is the version for Solo Violin with Piano Accompaniment. The solo violin part is also included on a separate insert.
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Clara Schumann: Drei Romanzen op. 22: Violin and Accomp.: Instrumental Album
Violin and Piano
Barenreiter
für Violine und Klavier. The Romances op. 22 are today among Clara Schumann?s m...
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für Violine und Klavier. The Romances op. 22 are today among Clara Schumann?s most popular chamber music works. For violinists and pianists, they?re also of particular importance due to the wealth of information by Schumann, Joseph Joachim, and Wilhelm Joseph von Wasielewski on fingering, bowing, and phrasing in these three pieces. While working on the composition and publication of the Romances op. 22, Schumann was in close contact with these two great violinists of the nineteenth century. She consulted Wasielewski while completing an early version of Romance no. 1, while Joachim was involved in a later, complete version and the preparation of the first edition. Jacqueline Ross? scholarly-critical edition is the first to include, in addition to the first edition, the numerous manuscript sources that survive today, such as: Schumann?s draft manuscript, presentation autographs for Wasielewski and Joachim, as well as copyists? parts once owned by the two violinists. This edition has two separate parts for the violin, allowing its use in two ways: first, as a straightforward Urtext edition: and second, as an edition informed by historical performing practice, supported by the detailed Performing Practice Commentary on nineteenth-century violin and piano technique.
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Jean Sibelius: Humoresque IV Op. 89b: Violin: Instrumental Work
Violin and Piano
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
Among the best of Jean Sibelius’ oeuvre are his 1917 compositions the Hu...
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Among the best of Jean Sibelius’ oeuvre are his 1917 compositions the Humoresques. This fabulous and charming concerto was divided into two groups for publication Opus 87 and Opus 89 and demonstrates his sublime skill with the Violin. He used a considerably smaller Orchestra accompaniment to the Violin in the second group but maintained the subtlety of depth and texture. Though there are traditional elements to all parts of this opus Humoresque No. 4 harks back to the past the most reminiscent of the delicacy of mid-nineteenth century musical miniatures. Virtuosic and challenging the soloist has the opportunity to indulge in a more traditionallyexhibitionistic display. This work features a seperate Violin part with a Piano reduction of the String Orchestra by Karl Ekman.
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Sonata No 2 for Violin and Piano (SAINT-SAENS CAMILLE)
Violin and Piano
[Sheet music]
Barenreiter
In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th cen...
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In E-flat major Op.102. Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.2 was written in 1896 during a stay of several months by the composer in Egypt: he began the main themes of all four movements as well as the canonic trio in Luxor and Aswan. The sonata was then completed on the Nile journey back to Cairo. That same year the sonata was premiered by Saint-Saëns and Pablo Sarasate in a concert celebrating the composer?s fiftieth stage anniversary. Astoundingly, he had first appeared on stage when he was only ten years old. This performing edition edited by Fabien Guilloux and François de Médicis is based on ?Saint-Saëns ? ?uvres instrumentales complètes?, volume III/4. It reflects the most up-to-date state of research on this work which the edition presents in a spacious engraving. - With a detailed Foreword (Fr/Eng/Ger) on the genesis and performance history - Performing edition based on the Urtext of the ?Saint-Saëns ? ?uvres instrumentales complètes? - Optimum layout in the violin part and piano score / Date parution : 2022-11-08/ Répertoire / Violon et Piano
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Wolfgang Amadeus Mozart: Violin Sonatas - Fragments: Violin: Instrumental Album
Violin and Piano
G. Henle
Violin Sonatas Fragments-This Urtext edition contains rewarding discoveries for...
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Violin Sonatas Fragments-This Urtext edition contains rewarding discoveries for all lovers of Mozart.Mozart left behind a total of eight unfinished works for Piano and Violin predominantly discontinued sonata movements. Themusic is so wonderful that Henle have published a separate volume with this group of works all of which (aside from a fragment in the appendix of this edition) have been completed so that they can be performed.They notonly include the familiar completed versions by Maximilian Stadler but also new ones by Robert D. Levin. He has contributed five each of which is full of Mozartian spirit. A preface with a critical report presents the facts indetail and incorporates the most recent scholarly findings. Benjamin Schmid and Ariane Haering have provided fingerings for this edition that is in every sense unique.
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Wolfgang Amadeus Mozart: Violin Sonatas - Volume 3: Violin: Instrumental Album
Violin and Piano
G. Henle
(Spätere Wiener) Urtextausgabe mit einer bezeichneten und einer unbezeichneten ...
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(Spätere Wiener) Urtextausgabe mit einer bezeichneten und einer unbezeichneten Streicherstimme-This is the third volume of Mozart’s Complete Sonatas for Piano and Violin and contains fully revised versions of his five sonatas for Piano and Violin K.454 K.481 K.526 and K.547 also known as Die spateren WienerSonatas and also includes the Violin Sonata In B Flat K.570.This authoritative Henle Urtext edition has been carefully edited by Wolf-Dieter Seiffert with fingerings by Walther Lampe and Karl Rohrig and provides you with the most accurate realisation of the composer’s original intentions with thoroughly comprehensive and detailed editorial markings and suggestions.
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Sonata for Violin and Piano (KILPINEN YRJO)
Violin and Piano
[Sheet music]
Fennica Gehrman
Viulusonaatti. Par KILPINEN YRJO. Yrjö Kilpinen (1892-1959) is most known for h...
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Viulusonaatti. Par KILPINEN YRJO. Yrjö Kilpinen (1892-1959) is most known for his hundreds of lieds and song cycles. His instrumental compositions have been less know, ie. the six piano sonatas and suite for gamba and piano. Large-scale Sonata for violin and piano is dated in 1935 with opus number 87. The work was never finished, and National Library in Helsinki holds several sketches and versions in its Kilpinen collection. In 2015 violinist Frida Backman commissioned a completion of the Sonata from composer Walter Wolff. Wolff worked on the sketches and versions until 2018, when the work was completed and the Sonata premiered. The present publication is the first publication of the Sonata. It sheds light to Kilpinen as an instrumental composer. The movements are: Allegro - Andante - Andante Moderato - Allegro / Date parution : 2022-05-31/ Répertoire / Violon et Piano
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Johannes Brahms: Violin Concerto In D Major Op.77 - Piano Reduction: Violin:
Violin and Piano
G. Henle
Brahms' only Violin concerto was given a very warm reception by his contemporari...
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Brahms' only Violin concerto was given a very warm reception by his contemporaries and has been an important piece in the Violin repertoire ever since. It bears witness to Brahms' fruitful collaboration with Joseph Joachim whocontributed a cadenza. The composer's original and extremely demanding piano reduction has been carefully simplified for our edition by Johannes Umbreit. This Urtext edition follows the musical text of the new Brahms CompleteEdition. The appendix also contains an alternative version of Joachim's cadenza that to date has not been published in a practical edition. Alongside Joachim's original fingerings and bowings there are also fingering suggestionsby Frank Peter Zimmermann.
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Wolfgang Amadeus Mozart: Single Movements For Violin And Orchestra: Violin:
Violin and Piano
[Reduction]
G. Henle
For years Henle has been issuing urtext Piano reductions of Mozart?s works for V...
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For years Henle has been issuing urtext Piano reductions of Mozart?s works for Violin and Orchestra at six-month intervals. Now the time has come for the three Single Movements. These incomparabletreasures of the Violin literature are too well-known to require special praise here. Each solo part appears in an impeccable urtext edition accompanied by cadenzas improvised lead-ins (Eingänge) fingering and bowing marks. ThePiano reduction sounds beautiful and is easy to play or to quote Mozart?s own words 'it comes off as smooth as silk'.
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Romanesca Op. 13/1
Violin and Piano
Schott
Any violinist who hears the name Sitt nowadays will probably just think of the a...
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Any violinist who hears the name Sitt nowadays will probably just think of the author of studies and exercises that have long been a familiar feature in instrumental lessons. Of course the Prague violinist, music teacher and composer Hans Sitt (1850-1922) made a significant impact on methods of violin teaching, but he also wrote a whole series of other works worth listening to: concertos for violin, viola and cello and chamber music for various combinations of instruments. Sitt studied the violin in Prague and was then appointed first as leader of the orchestra and then as musical director in Breslau (now called Wroc?aw).After posts as director of music in Prague, Chemnitz - where he championed the work of Smetana - and Nice, he was eventually appointed professor of violin, orchestral playing and score reading at the Leipzig Conservatoire from 1884-1921. Besides this he also played viola in the Brodsky Quartet, organised concerts and was conductor of the Bach Society. The composers Franco Alfano - who completed Puccini's unfinished opera Turandot- and Frederick Delius studied with Sitt, as did the conductor Václav Talich. Three Album Leaves op. 13 were also composed during his time in Leipzig, published by Bosworth and Co in 1894. Romanesca, #1 in that collection, is a pretty, slightly melancholy piece of music with romantic appeal that draws out lyrical and expressive playing and is thus eminently suitable for tuition purposes and concert performances. / Violon Et Piano
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Wolfgang Amadeus Mozart: Violin Sonatas Volume 2: Violin: Instrumental Album
Violin and Piano
[Sheet music]
Peters
This complete edition of the Mozart sonatas for violin and keyboard has been res...
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This complete edition of the Mozart sonatas for violin and keyboard has been researched and prepared by Cliff Eisen one of the most distinguished Mozart scholars of our time. Professor Eisen recognizes that many of the apparent inconsistencies and idiosynchrasies of Mozart's notation are perfectly deliberate and that the attempts in many other editions to impose uniformity upon similar phrases or musical paragraphs can bemisguided. As he writes in the preface '...the notion that the classical style represents a model of symmetry balance and clarity is for the most part an 19th-century fiction...it has little to do with Mozart's actual practice which is basedprimarily on variety of both content and articulation.' So in this new edition alternative readings found in parallel passages are preserved rather than being sterilized by a spurious quest for conformity. Naturally all such instances are noted within the Critical Commentary. The highly individual beaming within Mozart's autographs is also respected in the new edition as this often contributes to our aural perceptions of phrase structure and accent. Professor Eisenis is conscious that there is no single 'Urtext' for this music. On the contrary he believes that 'there is compelling evidence that Mozart's later performances of his works were characterized by changes--sometimes substantial changes--in the musical text.' It is the achievement of this edition to indicate how far this freedom of musical expression can extend and as such it is likely to take pride of place in the collections of all those involved in the study and performance of these masterpieces.Contents: Sonatas K296 K376-K380; Andante and Fugue K402 (completed by Stadler); Sonata K403 (completed by Stadler).
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Claude Debussy: Sonata For Violin And Piano In G Minor: Violin: Instrumental
Violin and Piano
G. Henle
Debussy wrote his solitary Violin Sonata in the closing days of his life plague...
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Debussy wrote his solitary Violin Sonata in the closing days of his life plagued by the distress of the ongoing Great War financial difficulties and health issues of a terminal cancer. Shortly afterits completion in April the first performance took place on May 5th 1917 with Debussy himself at the Piano. This was the composer?s last public appearance before his death in 1918.The Sonata For Violinand Piano was the third and final composition in a cycle intended to consist of six sonatas for various instruments. It has an overall atmosphere of melancholy while also capturing contradictory characteristics such asjoy and silliness presented in a form closer to a fantasia than a sonata. The three expressive movements (Allegro vivo Intermede and Finale) are written in a French nationalistic spirit withdistinctive influences from Spanish and gypsy music throughout. This ambiguousness and ambivalence in form sound and character all attribute to Debussy?s innovative language of ?musical impressionism? which has become afavourite of musicians and audiences alike.The comments at the end of this Urtext edition provide detailed information on the sources and alternative readings while the preface by François Lesure in German English andFrench gives historical and biographical context. Two copies of the Violin solo are included as separate inserts.
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Camille Saint-Saëns: Danse macabre op. 40: Violin and Accomp.: Instrumental Work
Violin and Piano
Barenreiter
Transcription for Violin and Piano by the Composer. In his symphonic poem ?Danse...
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Transcription for Violin and Piano by the Composer. In his symphonic poem ?Danse macabre? Saint-Saëns takes up a poem by Henri Cazalis that he had already set as an art song. Here the Devil brings the dead to life by playing his violin. Although the orchestral work was given a lukewarm reception in its early performances, or was even rejected, it became highly popular and internationally famous in the years that followed. Of the countless later arrangements and variations (e.g. by Franz Liszt), Saint-Saëns? own version for violin and piano stands out as particularly successful. Céline Drèze?s advance edition for a future volume of the ?Saint-Saëns Complete Edition of the Instrumental Works? is the first modern scholarly edition of this celebrated piece. This Urtext edition draws on the original print of the 1877 version, while eliminating its many misprints and anomalies on the basis of the autograph.
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Wolfgang Amadeus Mozart: Violin Sonatas - Volume 2: Violin: Instrumental Album
Violin and Piano
G. Henle
(Aurnhammer) Urtextausgabe mit einer bezeichneten und einer unbezeichneten Stre...
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(Aurnhammer) Urtextausgabe mit einer bezeichneten und einer unbezeichneten Streicherstimme-This is the second volume of Mozart’s Complete Sonatas for Piano and Violin and contains fully revised versions of his six sonatas for Piano and Violin K.296 and K.376-80 also known as the Aurnhammer SonatasOp.2.This authoritative Henle Urtext edition has been carefully edited by Wolf-Dieter Seiffert with fingerings by Walther Lampe and Karl Rohrig and provides you with the most accurate realisation of thecomposer’s original intentions with thoroughly comprehensive and detailed editorial markings and suggestions.
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Wolfgang Amadeus Mozart: Violin Sonatas - Volume 1: Violin: Instrumental Work
Violin and Piano
G. Henle
(Kurfürstin) Urtextausgabe mit einer bezeichneten und einer unbezeichneten Stre...
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(Kurfürstin) Urtextausgabe mit einer bezeichneten und einer unbezeichneten Streicherstimme-This is the first volume of Mozart’s Complete Sonatas for Piano and Violin and contains fully revised versions of his six sonatas for Piano and Violin K.301-306 also known as the Kurfustin Sonatas Op.1. This authoritative Henle Urtext edition has been carefully edited by Wolf-Dieter Seiffert with fingerings by Walther Lampe and Karl Rohrig and provides you with the most accurate realisation of the composer’soriginal intentions with thoroughly comprehensive and detailed editorial markings and suggestions.
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Franz Schubert: Rondo For Violin And Piano B Minor Op.70 D 895: Violin:
Violin and Piano
[Sheet music]
Barenreiter
for Violin and Piano-F. Schubert: Rondo For Violin And Piano B Minor Op. 70 D 89...
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for Violin and Piano-F. Schubert: Rondo For Violin And Piano B Minor Op. 70 D 895.The New Schubert Edition is a scholarly-critical complete edition reflecting current knowledge of the sources and the latest research findings. It is thus indispensable for the study and authentic performance of Schubert's music.
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Franz Schubert: Three Sonatas for Violin and Piano op. 137 1-3: Violin:
Violin and Piano
[Sheet music]
Barenreiter
for Violin and Piano-F. Schubert's Three Sonatas 'Sonatinas' For Violin And Pian...
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for Violin and Piano-F. Schubert's Three Sonatas 'Sonatinas' For Violin And Piano Op. 137.Sonata in D major Op.post. 137 1: D 384.Sonata in A minor Op.post. 137 2: D 385.Sonata in G minor Op.post. 137 3: D 408.The New Schubert Edition is a scholarly-critical complete edition reflecting current knowledge of the sources and the latest research findings. It is thus indispensable for the study and authentic performance of Schubert's music.
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Johannes Brahms: Violin Sonatas: Viola: Instrumental Work
Violin and Piano
-
Intermediate/advanced
Peters
Johannes Brahms an uncompromising perfectionist was one of the leading compose...
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Johannes Brahms an uncompromising perfectionist was one of the leading composers of his time. His popularity and influence were considerable and his music is firmly rooted in the structures and compositional techniques of the Baroque and Classical masters. Johannes Brahms: Violin Sonatas (Complete) contains expertly arranged sheet music for Violin and Piano. Including Violin Sonatas Op.78 100 and 108.
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Wolfgang Amadeus Mozart: Violin Concerto No.1 B Flat K.207: Violin: Instrumental
Violin and Piano
G. Henle
This is not only Mozart’s first concerto for the Violin but his first con...
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This is not only Mozart’s first concerto for the Violin but his first concerto altogether. He composed it at the age of 17 writing it in Salzburg in 1773 two years before his other four Violin concertos. And what aconcerto it is! This new publication completes Henle’s series of Mozart‘s violin concertos and single movements all of which are now available in exemplary urtext editions with easy-to-play Piano reductions.
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Sonata #2
Violin and Piano
Schott
Dans cette deuxième sonate Krzysztof Penderecki montre les fruits presque cinq ...
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Dans cette deuxième sonate Krzysztof Penderecki montre les fruits presque cinq décennies de poursuivre le développement artistique. Alors que la première sonate par l\'étudiant ans 20 était déjà une remarquable expérience stylistique en mélangeant les qualités sonores des deux instruments, ce travail de cinq-mouvement nouveau avec sa profondeur du pouvoir de réflexion et expressive démontre l\'habileté magistrale du compositeur expérimenté. Comme le deuxième Concerto pour violon et orchestre, \' Metamorphosen \', cette nouvelle Sonate a donné son premier spectacle, Anne-Sophie Mutter et se consacre à lui. / Violon Et Piano
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