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GUITAR
Violin and Piano
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CD (98)
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Timpani (50)
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Hautbois, Clarinette et Basson… (48)
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1 Piano, 6 hands (48)
Bass Clarinet (48)
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String Quintet: 2 violins, 2 v… (47)
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2 Trombones (duet) (47)
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Autoharp (32)
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Choeur d'Enfants, Solistes, In… (31)
Quintette (31)
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Flûte 1 Hautbois 1 Clarinette… (28)
Flûte, Hautbois, Clarinette, … (28)
C Trumpetor et Trompette Sib/C… (28)
Ensemble Instrumental et Petit… (28)
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2 Hautbois, 2 Clarinettes, 2 B… (28)
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Handbells (28)
Piccolo, Piano (28)
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Oboe and Orchestra (26)
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ENS::Ensemble d'cole (25)
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2 Hautbois, 3 Trompettes, Timb… (24)
Trompette 2 Violons 1 Alto 1 V… (24)
Quatuor de Cordes (24)
Flûte Traversière 3 Clarinet… (24)
Hautbois 2 Violons 1 Alto 1 Vi… (24)
Trompette 3 Clarinettes Sib 1 … (24)
Guitare Flatpick et Plectre (24)
Exemplaire Complet (24)
Choeur Mixte (SATTB/SATTB), So… (24)
String Quintet: 2 violins, vio… (24)
Clarinette 2 Violons 1 Alto 1 … (24)
Flûte Traversière 2 Violons … (24)
Guitar Tab, Voice, Bass, Drum (24)
Flute, Viola and harp (24)
Flute, Piano Trio (bass, drum,… (24)
Soprano Saxophone (24)
2 Bassoons (duet) (24)
Xylophone (24)
Flûte Traversière, Hautbois,… (23)
4 Cellos (23)
Parties Supplémentaires (23)
Cornet (23)
2 Trumpets, Keyboard (piano or… (23)
Vocal duet (23)
Violon, Instruments à Cordes … (23)
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Livres (23)
String quartet: 4 violins (23)
Clavier Electronique et Ligne … (23)
Djembe (23)
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Trompette Solo (22)
Solistes SATB, Choeur SATB, 2 … (22)
Piccolo (22)
Saxophone and Orchestra (22)
Soli and Orchestra (22)
Saxophone Baryton (22)
Trombone Solo (22)
Descant (Soprano) Recorder, Ba… (22)
Soprano Saxophone and Piano (22)
Clavecin Et Instruments A Cord… (21)
Violon, Ensembles de Cordes et… (21)
Horn and Orchestra (21)
Baritone Ukulele (21)
Euphonium Ensemble (21)
Trompette et Concert Band ou H… (21)
String quintet (21)
2 Clarinets, Piano (21)
Solistes (SATB), Choeur Mixte … (21)
Clarinette, Alto et Piano (21)
Partition D'Orchestre (21)
Cor en Fa (21)
Cello, Guitar (duet) (21)
Batterie et Percussions (21)
2 Choeurs Mixtes (SATB Et SATB… (20)
Violon, Alto, Violoncelle et C… (20)
Ensemble De Cuivres Et Percuss… (20)
Trio de Cuivres (20)
Oboe, Clarinet, Bassoon (trio)… (20)
2 Violons, Alto, Basses et Cla… (20)
Organ, Piano (duet) (20)
Flûte Traversière, Hautbois,… (20)
Violon 2 (20)
Clavier ou Orgue Electronique (20)
Piano, Bass, Drums (trio) (20)
Brass ensemble, Organ (20)
Violon, Cordes Et Basse Contin… (20)
Violin, Horn and Piano (20)
3 Trombones (trio) (20)
Bugle (19)
Soli (ATB), Choeur Mixte (SATB… (19)
Solistes SATBB, Choeur SATB, 2… (19)
Violin, Organ (19)
Bagpipe (19)
Saxophone Alto Solo (19)
Flute, Violin, Keyboard (basso… (19)
Ensemble à Cordes (19)
2 French horns (duet) (19)
Reportage (19)
String Trio: 3 cellos (19)
Choral Soprano solo, SATB, Key… (19)
Oboe, Bassoon (duet) (18)
Euphonium ou Saxhorn Solo (18)
Flute Quartet: Flute, Violin, … (18)
Clarinette et Orchestre (18)
Brass Quartet: 4 trumpets (18)
Piano Quartet: piano, 2 violin… (18)
Voice, String Quartet (18)
Brass Trio (18)
String Trio: 2 violins, viola (18)
Choral, Organ (18)
String trio (18)
Violin, Viola and Orchestra (18)
Bassoon, Orchestra (18)
DVD Show / Broadway (18)
Gemischter Chor (SATB) und Orc… (18)
Ensemble Moyen Contemporain (18)
4 Clarinettes en Sib et Clarin… (18)
Libretto (18)
Woodwind Quartet (18)
Trompette en Sib (18)
Flûte à Bec Alto et Basse Co… (18)
Guitare ou Luth (18)
3 Bassons (18)
Ukulélé Soprano (18)
Hautbois Solo (18)
Solistes STBB, Choeur SATTBB, … (17)
2 Trompettes (duo) (17)
Solistes SATB, Choeur SATB, 2 … (17)
Conga (17)
Children choir, Instruments (17)
Cor en Fa Solo (17)
Voix Mixtes SAB et Piano (17)
Violon Solo (17)
Voice, Organ (17)
Flûte à Bec et Piano (17)
Trombone, Organ (17)
Baritone Saxophone (17)
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2 Violons et Violoncelle ou 3 … (16)
Quatuor à vent (16)
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2 Violons et 2 Violoncelles (16)
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Cello, Organ (16)
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Choeur Mixte a Cappella (16)
Livre Musical (16)
Bass Trombone and Piano (16)
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Trumpet ensemble (16)
Drum set and Piano (16)
Solistes ST, Choeur SATB, Flû… (15)
Solo SATB, Choeur SATB, Hautbo… (15)
2 Trompettes, Cordes et Basse … (15)
Quatuor à Cordes et Piano (15)
Clarinette, Violon et Piano (15)
Choeur SATB, 2 Hautbois, 2 Cla… (15)
Saxhorn and Piano (15)
Flute, Violin, Viola (15)
2 Hautbois (15)
Percussions Diverses (15)
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Piano, Violon Et Violoncelle (15)
5 Instruments à Vent (15)
Bass Clarinet, Piano (15)
Gemischter Chor (SSATB/SSATB/S… (15)
Violon 1 (15)
Soprano (15)
Saxophone Quintet: 5 Saxophone… (15)
Cornet et Brass Band (15)
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2 Oboes (duet) (15)
SB, 4 Parties Mixtes et Orches… (14)
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Quatuor de Cuivres, Orgue et V… (14)
Flûte Traversière, Violon, I… (14)
3 Violons, Basse Viol et Basse… (14)
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Flûte à Bec Alto ou Flûte T… (14)
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Cor en Mib (14)
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Guitare Tablatures Classique e… (14)
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Clarinet, Guitar (duet) (14)
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Voix Et Orchestre (14)
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Bass Trombone (14)
3 Percussions (14)
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Flute, Violoncello (14)
Flûte Traversière, Hautbois … (14)
Guitare Tablatures Electrique (14)
Harp, Orchestra (14)
Violine und Orchester (14)
Clarinette en Sib et Clarinett… (13)
Clarinette Solo (13)
Double bass, Orchestra (13)
2 Violons, 2 Altos et 2 Violon… (13)
Sextuor à Cordes (13)
Trompette, Trombone, Tuba et P… (13)
Partition D'Orchestre In 16 Po… (13)
4 Bassoons (13)
Flute, Violin, Piano (13)
Alto et Orchestre (13)
Saxophone, Clarinet (duet) (13)
Flûte Traversière ou Flûte … (13)
Voix Et Instruments Divers (13)
Voice Mezzo-Soprano, Orchestra… (13)
Guitare Tablatures Classique (13)
Choeur Mixte (SATB/SATB), Soli… (13)
Marimba, Piano (duet) (13)
Violon II (13)
Alto Solo (13)
Guitare (Flatpick) Et Plectre (13)
Sextuor de Cuivres (12)
Solistes SBar, Choeur SSATB, 2… (12)
Flute, Organ (duet) (12)
Saxhorn Basse en Sib et Piano (12)
3 Trombones et Fanfare (12)
Flûte à Bec Solo (12)
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Violon ou Violoncelle, Violonc… (12)
Saxhorn en Sib (12)
Viola, Guitar (duet) (12)
Euphonium ou Saxhorn en Clé d… (12)
Oboe and String quartet (12)
Voice Soprano, Cello (12)
Voice, Clarinet, Piano (12)
Quatuor à Cordes et Quintette… (12)
Clarinette, Violon, Violoncell… (12)
Flûte Traversière ou Flûte … (12)
2 Oboes, 2 Horns and 2 Bassoon… (12)
3 Violons et Basse Continue ou… (12)
Clarinette, 2 Violons, Alto et… (12)
Choeur d'Enfants à 2 Parties … (12)
Saxhorn en Sib Basse Continue (12)
Instruments à Vent (12)
Hautbois 1 Clarinette en Sib 1… (12)
Sextuor (12)
Choeur Mixte et Orchestre (12)
4 Tubas (12)
Piccolo et 3 Flûtes (12)
Vibraphone, Piano (12)
Brass ensemble, Percussion (12)
Choeur d'Enfants, Flûte Trave… (12)
Baryton ou Tuba et Brass Band (12)
Flute, Clarinet and Bassoon. (12)
Accordéon et Quatuor à Corde… (12)
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VCE/PFA::Voice, Piano Accompan… (12)
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3 Hautbois et Cor Anglais (12)
Bongos (12)
Partition D'etude (12)
Recorder, Bass Continuo (12)
Fake Book (12)
Flügelhorn (12)
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3 Pianos (11)
Concert Band ou Harmonie et Cl… (11)
Choeur d'Enfants (SSA) et Pian… (11)
Quatuor Avec Piano (11)
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Orff-Instruments (11)
Voix Seule (11)
Base Musicale (11)
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Violon, Instruments A Cordes E… (11)
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2 Flûtes Traversières et Vio… (11)
Viola da Gamba, Basso continuo… (11)
Flûte Traversière, Violoncel… (11)
Gemischter Chor (SSAATBB) und … (11)
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SATBasse (2 Grands Choeurs Mix… (11)
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Saxophone (band part) (11)
Ensemble De Cuivres Et Timbale… (11)
4 Percussions (11)
Concert Band ou Harmonie et Fl… (11)
Violon I (11)
Guitare Tablatures Flatpick et… (11)
Piano Trio: Violin, Viola, Pia… (11)
Voix et Piano Réduction (11)
Choeur SATB et Orchestre (11)
Carillon (11)
Timbales (11)
Flûte Traversière et Cordes (11)
Choral SSATBB (11)
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Accordion - Piano, Voice, Guit… (11)
Flute and String Quartet (10)
Cor en Mib et Brass Band (10)
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Kathy Blackwell David Blackwell: Solo Time For Violin Book 2: Violin:
Violin and Piano
[Sheet music + CD]
Oxford University Press
16 Concert Pieces For Violin And Piano-Solo Time For Violin is a three-volume se...
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16 Concert Pieces For Violin And Piano-Solo Time For Violin is a three-volume series of concert pieces for the intermediate to the more advanced level violinist. Featuring arrangements or original pieces by these award-winning authors each volume introduces styles and techniques from the Baroque to the modern age. They cover keys and technical challenges suited to the level while providing sophisticated repertoire for the developing performer.A graded series of pieces ranging from intermediate to more advanced levels.16 pieces in each book displaying an exciting variety of styles and techniques and drawn from the Baroque to the modern era. Carefully selected and arrangedby the award-winning authors of the Fiddle Time series. Helpful fingering and bowing suggestions plus informative notes on the pieces and performance techniques. Idiomatic Piano part and CD backing tracks with each book. A selection of full performances available online.
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Johannes Brahms: Sonatas In F Minor And E-Flat For Violin: Violin: Instrumental
Violin and Piano
Barenreiter
for Violin and Piano-Brahms had already announced his ?retirement? from composit...
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for Violin and Piano-Brahms had already announced his ?retirement? from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year.Brahms conceived an alternate version of the works for Viola from the beginning and already before the publication of these two versions he intended to do another one for Violin a version which was to require changes and was to result in an independent edition. While the Clarinet and Viola versions havedeveloped a rich performance tradition the Violin version is almost unknown. Yet for the Violin version the composer revised the original Clarinet part much more extensively than he did for the Viola version and also rewrote the Piano part to achieve a thoroughly convincing Violin and Piano idiom. This Bärenreiter edition aims to bring the neglected Violin Sonatas Op. 120 back into players? hands.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and
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Claude Debussy: Sonata For Violin And Piano In G Minor: Violin: Instrumental
Violin and Piano
G. Henle
Debussy wrote his solitary Violin Sonata in the closing days of his life plague...
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Debussy wrote his solitary Violin Sonata in the closing days of his life plagued by the distress of the ongoing Great War financial difficulties and health issues of a terminal cancer. Shortly afterits completion in April the first performance took place on May 5th 1917 with Debussy himself at the Piano. This was the composer?s last public appearance before his death in 1918.The Sonata For Violinand Piano was the third and final composition in a cycle intended to consist of six sonatas for various instruments. It has an overall atmosphere of melancholy while also capturing contradictory characteristics such asjoy and silliness presented in a form closer to a fantasia than a sonata. The three expressive movements (Allegro vivo Intermede and Finale) are written in a French nationalistic spirit withdistinctive influences from Spanish and gypsy music throughout. This ambiguousness and ambivalence in form sound and character all attribute to Debussy?s innovative language of ?musical impressionism? which has become afavourite of musicians and audiences alike.The comments at the end of this Urtext edition provide detailed information on the sources and alternative readings while the preface by François Lesure in German English andFrench gives historical and biographical context. Two copies of the Violin solo are included as separate inserts.
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Lullaby for Leo (HYUNG-KI JOO RICHARD)
Violin and Piano
Universal Edition
Par HYUNG-KI JOO RICHARD. Hyung-ki Joo, a phenomenal piano talent, is often seen...
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Par HYUNG-KI JOO RICHARD. Hyung-ki Joo, a phenomenal piano talent, is often seen touring with violinist Alexsey Igudesman, while composing, arranging, recording, and generally promoting the performance and enjoyment of classical music. Surprisingly, Lullaby for Leo represents his first published piece, 'one of the most personal pieces I've ever written,' according to the composer. A sleepless baby inspired Hyung-ki Joo to write this very personal piece. Whether the calming music for violin and piano was able to get Leo to sleep is unknown, but he loves the piece. This memorable gem takes young and old alike into the land of dreams and is suitable for concerts and competitions. An enchanting lullaby which cleverly suggests another and makes you smile – from one who, with his comedy duo partner Aleksey Igudesman, is world famous!/ Répertoire / Violon et Piano
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G.H. Fiocco: Allegro for Violin and Piano G Major: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Barenreiter
The series 'Bärenreiter?s Concert Pieces' presents a new edition of Allegro in ...
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The series 'Bärenreiter?s Concert Pieces' presents a new edition of Allegro in G by Joseph-Hector Fiocco.All editions contain a solo violin part and a piano part for the piano accompanist. The series is edited by Kurt Sassmannshaus the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition. His forewords introduce these little gems and include tips for successful first concerts. These editions form an ideal continuation of the Sassmannshaus violin school tradition and can be used in parallel from the third volume onwards or alongside any violin method. The series will be continued andwill introduce students to more demanding repertoire with a gradually increasing level of difficulty.
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Forme di Felicita (CAMPOGRANDE NICOLA)
Violin and Piano
[Sheet music]
Breitkopf & Härtel
Par CAMPOGRANDE NICOLA. For a long time after Romanticism had come to the fore, ...
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Par CAMPOGRANDE NICOLA. For a long time after Romanticism had come to the fore, it was generally agreed that Brahms somehow ?did not get it?: History and Progress ? it was thought - were proceeding along one clear path and Brahms ? who was composing sonatas and symphonies instead of nocturnes and symphonic poems ? had taken the wrong way. Almost one century later, Schönberg wrote an essay, Brahms, der Fortschrittliche ( Brahms, the progressive ), in which he explained that it wasn?t like that at all. Fully assuming the risk to appear somehow irreverent, I have to confess: Over the years, I came to the conclusion that the present ? and the future ? can be created only by loving the past. As Brahms had shown us, it is only by accepting the challenge of taking our heritage into our own hands, that we can create something new. We cannot avoid engaging with the past. Therefore, starting with my Sinfonia n. 1 , I began to flirt with such a strong and effective musical structure like the sonata form. I re-read and freely transformed it, because it is a sturdy and resilient structure, but also a theatrical and colorful one. For me, it is a happy structure. And I think that today more than ever we need something like this: We need to find places ? even imaginary ones ? where we can give happiness a form of its own. Nicola Campogrande, December 2020 / Date parution : 2022-10-12/ Répertoire / Violon et Piano
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Concerto D Major Op. 61 For Violin And Orchestra
Violin and Piano
G. Henle
Considéré par beaucoup comme le dernier représentant du classicisme viennois,...
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Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont Concerto D major op. 61 for Violin and Orchestra pour Violon et plus particulièrement pour Violon Et Piano. Ce sont les éditions Henle qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / Violon Et Piano / Chanson En Séparée
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Concerto For Violin And Orchestra A Minor Bwv 1041
Violin and Piano
[Sheet music]
G. Henle
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...
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Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Concerto for Violin and Orchestra a minor BWV 1041 qui a été écrite pourViolon Et Piano. Les éditions Henle qui ont éditées cette oeuvre l'ont répertoriée sour la référence 671. / Violon Et Piano / Partition
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Wolfgang Amadeus Mozart: Complete Works For Violin And Piano - Volume 2: Violin:
Violin and Piano
[Sheet music]
Barenreiter
Viennese Sonatas 1781-1788 with fragments and variations-This new publication in...
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Viennese Sonatas 1781-1788 with fragments and variations-This new publication in two volumes contains all the completed works by Wolfgang Amadeus Mozart for Violin and Piano (BA5761 BA5762). Several works by Mozart which are not found in competing editions are presented in the new Bärenreiter Edition with the Urtext of the New Mozart Edition: Sonatas 6–9 Sonatas 26–31 the Andante and Allegretto in C major K. 404 as well as the three sonata fragments K. 372 403 and 402 completed by Maximilian Stadler. All this with the Urtext of the New Mozart Edition and in the large format 24 3 x 31 cm plus a new preface by the Mozart scholar Dietrich Berke. Not just some but all the works for Violinand Piano Urtext violin part plus an additional violin part prepared with fingerings and bowings Large format 24 3 x 31 cm New informative preface by Mozart scholar Dietrich Berke 'The result is impressive and should have a widerspread appeal among scholars and performers alike… Thankfully Bärenreiter have made it far easier for amateurs students and professional musicians alike to choose their own course and free themselves from such intervention.' (The Concort Summer 2007) '... a highly researched performing edition that will be of great interest to all violonists ...' (ESTA – News Views“ Spring 2006)
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Wolfgang Amadeus Mozart: Complete Works For Violin And Piano - Volume 1: Violin:
Violin and Piano
[Sheet music]
Barenreiter
Early Sonatas / Frühe Sonaten 1764-1779-This new two volume publication contain...
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Early Sonatas / Frühe Sonaten 1764-1779-This new two volume publication contains all the completed works by Wolfgang Amadeus Mozart for Violin and Piano (BA5761 BA5762). Several works by Mozart which are not found in competing editions are presented in the new B?renreiter Edition with the Urtext of the New Mozart Edition: Sonatas 6–9 Sonatas 26–31 the Andante and Allegretto in C major K. 404 as well as the three sonata fragments K. 372 403 and 402 completed by Maximilian Stadler. All this with the Urtext of the New Mozart Edition and in the large format 24 3 x 31 cm plus a new preface by the Mozart scholar Dietrich Berke. Not just some but all the works for Violinand Piano Urtext violin part plus an additional violin part prepared with fingerings and bowings Large format 24 3 x 31 cm New informative preface by Mozart scholar Dietrich Berke 'The result is impressive and should have a widerspread appeal among scholars and performers alike… Thankfully B?renreiter have made it far easier for amateurs students and professional musicians alike to choose their own course and free themselves from such intervention.' (The Concort Summer 2007) '...a highly researched performing edition that will be of great interest to all violonists ...' (ESTA – News Views“ Spring 2006) Volume 1 contains: Sonatas KV 6-9 Sonatas KV 26-31 Sonatas KV 301-306 Sonata in C-Dur KV 296 Sonata in B-Dur KV 378
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Sonata in D minor for Violin and Piano op. 108: Violin: Instrumental Work
Violin and Piano
Barenreiter
Brahms composed his ?Violin Sonata In D Minor? during the summer of 1886. The wo...
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Brahms composed his ?Violin Sonata In D Minor? during the summer of 1886. The work quickly became part of the standard repertoire and has remained so until today. It is presented here in a fine Bärenreiter Urtext edition and comes with an unmarked Urtext part as well as a second part marked with fingering and bowing by Clive Brown which are based on the practices of Brahms? contemporaries.An important part of this edition is the extensive preface. Firstly it informs about the works? origins its compositional process pre-publication performances its publication history as well as early reception. Truly remarkable is theunique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.A pioneering Urtext edition.With an unmarked Urtext part.With a second part including fingering and bowing based on the practices of Joseph Joachim and other contemporaries of Brahms.With an extensive Performance Practice Commentary.For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms? Chamber Music? text booklet BA 9600.
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Johannes Brahms: Sonata in A major for Violin and Piano op. 100: Violin:
Violin and Piano
Barenreiter
Brahms composed his ?Violin Sonata In A Major? during the summer of 1886. The wo...
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Brahms composed his ?Violin Sonata In A Major? during the summer of 1886. The work quickly became part of the standard repertoire and has remained so until today. It is presented here in a fine Bärenreiter Urtext edition and comes with an unmarked Urtext part as well as a second part marked with fingering and bowing by Clive Brown which are based on the practices of Brahms? contemporaries.An important part of this edition is the extensive preface. Firstly it informs about the works? origins its compositional process pre-publication performances its publication history as well as early reception. Truly remarkable is theunique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.A pioneering Urtext edition.With an unmarked Urtext part.With a second part including fingering and bowing based on the practices of Joseph Joachim and other contemporaries of Brahms.With an extensive Performance Practice Commentary.For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms? Chamber Music? text booklet BA 9600.
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Maurice Ravel: Tzigane For Violin And Piano: Violin: Score
Violin and Piano
G. Henle
Tzigane for Violin and Piano-Maurice Ravel's Tzigane for Violin and Piano. Urtex...
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Tzigane for Violin and Piano-Maurice Ravel's Tzigane for Violin and Piano. Urtext edition full score.Composed in 1924 there are three versions of this work: with Piano with Orchestra and with Luthéal a device forKeyboard instruments to extend the timbre.?Virtuoso piece in the style of a Hungarian rhapsody? thus reads Ravel?s entry on Tzigane in the so-called 'Autobiographical Sketch'.Tzigane was inspired by the Hungarian-English violinist Jelly d?Aranyi to whom Ravel had already promised a virtuoso piece in 1922 following Franz Liszt?s ?Hungarian Rhapsodies?. Work progressed slowlyand d?Aranyi only received the music four days before the première but she still gave a brilliant performance.
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Alfred Mistowski: Hornpipe for Violin And Piano: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Chester
Alfred Mistowski was a pianist Violinist violist and composer who as a former ...
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Alfred Mistowski was a pianist Violinist violist and composer who as a former student of Trinity College of Music in London became after studying at Oxford a professor at Trinity who appears to have been a champion of theTrinity Examination system. Mistowski composed many dramatic cantatas String quartets symphonies and concertos as well as a series of pieces to prepare Violin students for their exams. He travelled the world as a Trinityexaminer covering India South Africa Tasmania New Zealand Singapore and the Straits Islands. In addition he was music tutor to the Maharaja of Mysore and conductor of the Mysore Palace Orchestra. Perhaps his many seajourneys inspired this sprightly Hornpipe for Violin and Piano a perennial of the Trinity exam list.
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Wolfgang Amadeus Mozart: Concerto For Violin In D K.271a: Violin: Instrumental
Violin and Piano
[Reduction]
Barenreiter
Mozart?s concertos for Violin and Orchestra belong to that elite group of works ...
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Mozart?s concertos for Violin and Orchestra belong to that elite group of works determining a Violin players abilities; they are elegant and transparent with demanding passage-work. The Concerto In D Major K.2 271a the ?6th? Mozart Violin concerto has come down to us in two separate sources a French set of parts and score copy as well as a Berlin score. The editorial board of the New Mozart Edition considers this concerto to be of doubtful authenticity. There are however many musicologists who feel that the work has numerous Mozart attributes.This new publication takes both the above mentioned sources into account andincludes the cadenzas from the respective New Mozart Edition volume appendix although these are certainly not from Mozart's pen.- The ?6th? Mozart Violin concerto!- Cadenzas from the sources.- With an alternative ending.- Additional solo part with fingerings and bowings.- Straight-forward Piano reduction.- Full score and performance material (BA5769) and Violin and Piano reduction (BA5769-90) available for sale.
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Ede Poldini Nikolai Rimsky-Korsakov: Collection 2: Violin: Instrumental Work
Violin and Piano
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Intermediate/advanced
Carl Fischer
Original compositions in the style of, transcriptions and arrangements for Violi...
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Original compositions in the style of, transcriptions and arrangements for Violin and Piano. Compilation and introductory notes by Eric Wen, and foreword by Isaac Stern.
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Naji Hakim: Concerto for Violin: Violin: Score
Violin and Piano
Leduc, Alphonse
Born in 1955 Lebanese-French composer organist and improviser Naji Hakim studi...
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Born in 1955 Lebanese-French composer organist and improviser Naji Hakim studied under Jean Langlais at the Paris Conservatoire before succeeding Olivier Messiaen as organist of the Saint Trinity Church in Paris. Considering his significant musical training Hakim's compositions are created from a wealth of knowledge and understanding Concerto For Violin being no exception. Composed in 2002 Concerto For Violin with String Orchestra or Piano reduction accompaniment is highly modern in composition. With a typical performance lasting about 35 minutes the concerto is made up of three movements. Thesolo Violin line addresses many virtuosic techniques including double and triple stops articulation complex rhythms varying bowings and a huge range of performance directions amongst other aspects. For all advanced violinists seeking varied modern repertoire Hakim's Concerto For Violin is an essential addition to the repertoire. This is a reduction for Violin and Piano.
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Leos Janacek: Works for Violin and Piano: Violin: Instrumental Work
Violin and Piano
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Intermediate
Barenreiter
This edition contains all of Janá ek?s works for Violin and Piano - the Sonata ...
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This edition contains all of Janá ek?s works for Violin and Piano - the Sonata as well as the Romance and Dumka composed while he was still a student.Though probably written as early as 1914 Janá ek?s Sonata for Violin and Piano was revised several times before finally appearing in a definitive version in 1922. This new edition of the Sonata and the Romance is based on the Complete Critical Edition of the Works of Leo? Janá ek (Vol. E/1) with a clearer notation to optimise readability.For the Dumka the editor has drawn on the sole autograph source the Violin part (still considered lost when the above mentioned Complete Edition volume waspublished) and the revised version contained therein. Unlike the first edition it also contains Janá ek?s detailed dynamic markings.Newly engraved edition with notation adapted to conform with modern usage.Revised version of Dumka with original dynamic markings.Foreword by leading Janá ek scholar Alena N mcová (Cz/Eng/Ger)
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Mario Castelnuovo-Tedesco: Chant Hébraïque For Violin And Piano. Sheet Music for Violin Piano Accompaniment
Violin and Piano
[Sheet music]
Leduc, Alphonse
Born into a family that had lived in Florence since the expulsion of the Jews fr...
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Born into a family that had lived in Florence since the expulsion of the Jews from Spain in 1492 Mario Castelnuovo-Tedesco (1895-1968) entertained only a distant relationship with the music he heard at synagogue: a Renaissance church held more appeal for the Florentine artist than the Oriental décor of his forefathers’ place of worship. It was only when he discovered Schelemo a rhapsody for cello and orchestra written in 1916 by Ernest Bloch that he began to understand what “Jewish music” could be. It would take until the death of his maternal grandfather and the discovery of a collection of prayers set to music among his papers for the youngCastelnuovo-Tedesco to begin to explore Jewish music. In 1928 two years after publishing the Dances of King David he wrote this Vocalise-Étude for medium voice and piano at the request of vocal teacher Amédée-Landély Hettich who wanted to include it in the Répertoire moderne de Vocalises-Études published by Leduc. The piece became so popular that it led to several adaptations and the composer asked his close friend Gioacchino Maglioni (1891-1966) to transcribe it for violin and piano. Divided into three sections the work opens with a poignant lamento that grieves the tragic fate of the Jewish people. Countering what he felt to be a tendency of Jewish music to transform into a “Wailing Wall” Castelnuovo-Tedesco follows the lamento with a folk dance whose brisk “lively and stubborn” movement has great panache. The third section returns to the initial poignant theme before briefly reiterating the dance motif allowing the piece to conclude on a hopeful note.
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Franz Schubert: Rondo For Violin And Strings In A D.438: Violin: Instrumental
Violin and Piano
[Sheet music]
Barenreiter
Complementing Bärenreiter's editions of the works for violin and piano based on...
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Complementing Bärenreiter's editions of the works for violin and piano based on the Urtext of the 'New Schubert Edition' comes Schubert's utterly charming Rondo in A major for Solo Violin and Strings. The Rondo dated 1816 is a one movement work containing lyrical as well as virtuoso solo passages and can equally be performed with single strings or with a larger string ensemble.Our new edition contains an informative introduction (Ger/Eng) by Schubert scholar Michael Kube who is also the arranger of the piano reduction.- A new edition of Schubert's perhaps most charming work for violin- Urtext of the 'New Schubert Edition'Barenreiter No. BA5653A
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Helen Grime: Romance for Violin and Piano: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Chester
'Romance for violin and piano is a short reflective piece that exploits the lyr...
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'Romance for violin and piano is a short reflective piece that exploits the lyrical qualities inherent in the combination. Originally written for a very young but talented violinist Romance travels through numerous moods andcolours within a continuous musical development of the opening material. At first gentle and reflective with increasing dramatic outbursts outlined by the violin sforzandi and parallel sixths in the piano writing numerous shortsolo passages in both instruments culminate in a fiery climax. Quickly subsiding into the calmer yet now more melancholy strains of the earlier stages of the piece the ending is somewhat incomplete. This seems to suggest acontinuous turn of events alluded to in the music.'???????????? - Helen GrimeBorn in 1981 Helen studied oboe with JohnAnderson and composition with Julian Anderson and Edwin Roxburgh at the Royal College of Music. She graduated from the BMus course with First Class Honours and completed her Masters with Distinction in 2004. From 2005-07 Helenwas a Legal & General Junior Fellow at the Royal College of Music. In 2003 she won a British Composer Award for her Oboe Concerto and was awarded the intercollegiate Theodore Holland Composition Prize in 2003 as well as allthe major composition prizes in the RCM. In 2008 she was awarded a Leonard Bernstein Fellowship to study at the Tanglewood Music Center where she studied with John Harbison Michael Gandolfi Shulamit Ran and Augusta Read Thomas.Helen has had works commissioned by some of the most established performers and organisations including ENO London Symphony Orchestra BCMG Britten Sinfonia BBC Scottish Symphony Orchestra and the Tanglewood Music Center.Conductors who have performed her work include Daniel Harding Oliver Knussen Pierre Boulez and Yan Pascal Tortelier. Helen is the 2010 recipient of the Lili Boulanger Memorial Fund and Associate Composer of The Hall? from the
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Violin Exam Pieces from 2024, ABRSM Grade 3
Violin and Piano
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Intermediate
ABRSM Publishing
This book contains nine pieces from ABRSM?s Grade 3 Violin syllabus from 2024, t...
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This book contains nine pieces from ABRSM?s Grade 3 Violin syllabus from 2024, three pieces chosen from each of Lists A, B and C ? ideal for both Practical and Performance Grade exams. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. An edition of this book with audio is also available - it includes downloadable recordings of all nine pieces, plus piano accompaniment tracks.
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Felix Mendelssohn Bartholdy: Konzert In E - Performing Edition: Violin:
Violin and Piano
Barenreiter
Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is...
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Für Violine und Orchester Op. 64-Mendelssohn’s Violin Concerto op. 64 is a key work of the 19th century adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David who worked closely with the composer during its composition and played it at the premi?re; the ‘child prodigy’ Joseph Joachim; and Hubert L?onard a young Belgian virtuoso about whom little is known.As proof sheets for the Violin Concerto in E minor were long considered lost it could be described as somewhat of a sensation when proofs for the soloviolin part resurfaced together with a letter from Mendelssohn to L?onard.The letter informs us that the composer invited L?onard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to L?onard.The recently discovered proofs reveal how L?onard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering they also show how L?onard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.It is safe to assume that all of this was done with Mendelssohn’s approval. That the young violinist made a positive impression on the composer is confirmed in the latter’s correspondence following their joint performance. Mendelssohn is full of praise for L?onard’s playing and offers to lend his support in finding employment in Germany.This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.The editor Clive Brown is an acknowledged expert on Romantic performance practice.- New source situation owing to recently rediscovered proofs- Revised Urtext edition- With a separate booklet on performance practice (BA9060) (Eng/Ger)- Full score in the revised early and late (popular) versions (BA9099)
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Classics for Weddings: Violin: Instrumental Album
Violin and Piano
[Sheet music + CD]
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Intermediate
Fentone Music
Violin with piano accompaniment-This book contains the best-known and most beaut...
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Violin with piano accompaniment-This book contains the best-known and most beautiful wedding classics. Filled with music from the great composers from different eras from Johann Sebastian Bach to Richard Wagner. With stately as well as cheerfully informal melodies Classics for Weddings offers ample choice. On the CD you will find demo as well as play-along versions of all the pieces - a fine aid for studying! Also includes a piano part which is also suitable for organ (manuals only).
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Seven (EOTVOS PETER)
Violin and Piano
Schott
(Memorial for the Columbia Astronauts). Par EOTVOS PETER. Eötvös wrote this pi...
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(Memorial for the Columbia Astronauts). Par EOTVOS PETER. Eötvös wrote this piece in memory of the seven astronauts who lost their lives in the Space Shuttle Columbia tragedy in 2003. The number 7 determines the musical, rhythmic and formal structure of the work: 49 musicians are divided into seven groups, and as well as the solo violin there are six further violins arranged correspondingly around the hall; and the solo violin itself portrays each of the astronauts and their different origin, from America via Israel to India, in folkloristically tinged cadenzas. 'The violin concerto Seven is a very personal monologue and the musical expression of my sympathy towards the seven astronauts who lost their lives while exploring space in fulfilment of a fundamental dream of mankind.' (Peter Eötvös)/ Répertoire / Violon et Piano
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