Fingerstyle maître Al Petteway vous montre comment utiliser une variété d'ajustements apportés - D standard, ignoré, G ouvert et faible C - pour créer de belles dispositions des instruments traditionnels d'irlandais et écossais. Vous apprendrez comment trouver la mélodie d'une mélodie, puis il hors de la chair avec embellissements tels que les notes de cornemuse ressemblant drone, déplacement des lignes de basse, substitutions de la corde et la ' Snap écossais '. Les patrons de rythme, d'amortissement des effets, harmoniques, main droite rouleaux et autre aide techniques que vous tourner ordinaire tunes en morceaux de guitare élégant. Al fournit des exercices pour le développement de droit et la dextérité de vitesse de main gauche, avec des arrangements complètes pour cinq instruments. / Guitare

Par RALSTON GAVIN. Un livre sur la manière d'accompagner la musique traditionnelle irlandaise à la guitare. Découvrez les nouveaux styles accompagnement passionnant utilisés par des joueurs d'aujourd'hui de Steve Cooney d'Arty McGlynn. Ecrit en d a chuté de réglage, que ce livre contient la tablature, des formes alternatives de corde, des mélodies bass, basse s'exécute, grattage, rouleaux de flamenco et plus encore. Notation et tablature. Mfg. Walton et UK produit # WM1310. / Niveau : Intermédiaire / Celtic/Irish - Accompaniment / Méthode / Guitare Flatpick et Fingerpick

Par GELO DAN. Une collection pétillante et exhaustive de 75 animé flatpicking guitare ' fiddle tunes ' ! En commençant par 18 pages d'introduction, de performance et de notes tutorial. Les titres de tous les Irlandais sont présentés dans les sections : bobines, des strathspeys, ventilations, hornpipes, gabarits, glissement-turluttes, danses set, airs et valses. Tous les morceaux est écrits comme seule ligne mélodies pour cordes de guitare flat-picked sur le personnel. Additional notes et références, plus une discographie est incluse à la fin. Les airs du livre sont dérivés de cultures différentes, il y a peu ou pas de chevauchement des titres concernant le livre et le ' Complète Fiddle Tunes pour guitare acoustique ' (95471). Dans la notation et tablature. L'enregistrement de split-piste comprend l'enseignement de Dan Gelo sur les diverses techniques. / Niveau : Intermédiaire / Celtic/Irish - Solos / Tablatures / Guitare Tablatures Flatpick et Plectre

Par BERTHOUD PHILIP JOHN. Ideal for the intermediate-level guitarist, these 17 traditional tunes from the UK plus one from France are arranged to be played with your electric guitar plugged-in. The transformation that occurs in switching from acoustic to electric instruments adds an unmistakable Celtic rock element to the author's companion recording.The tunes are all played twice through on the recording and transcribed note-for-note in the book. The recording features backup from both electric bass and a second electric guitar, often played with a slide and a little 'dirt? thrown into the mix. Skillful bodhrán and djembe playing on many of the tracks adds to the dynamic nature of the recording.Many of these tunes can be played in lower positions but a few venture as high as the 14th fret. Playing one note at a time within a narrow range, if you don't read particularly well now, working through these tunes will help you improve and gain confidence as a sight reader.Written in standard notation and guitar tablature. Includes access to online audio. / Niveau : Intermédiaire / Musique traditionnelle anglaise, irlandaise, écoss / Tablatures / Guitare Electrique

Expand the horizons of your Guitar playing with this unique guide to the sounds and styles of the Celtic lands. Explore the wide variety of music and disciplines from Scotland Ireland and Wales. The author's authority and expertise lend the title an important level of authenticity and the tutorial material is fully comprehensive in both notation and Tab.An accompanying CD features recordings of all examples so that you can here exactly how these unusual and exciting musical approaches actually sound!

Rob MacKillop is regarded as one of Scotland's finest musicians. In this groundbreaking book he defines a uniquely Scottish way of playing the guitar incorporating rich traditions into later material - from Gaelic songs to traditional airs and dances. His arrangements reflect the origins of the tunes with appropriate ornaments and phrasing. The accompanying CD helps players gain a deeper understanding of the subtle art of phrasing. Tunings used are DADGAD Open D and Open G.

Turlough O'Carolan (1670-1738) was the most famous Irish composer of his time. His memorable melodies influenced both by European classical music and by ancient Gaelic harp traditions have remained popular through the centuries and lend themselves especially well to fingerstyle guitar. The arrangements in this volume are of intermediate difficulty and are a pleasure to play for guitarists of almost any skill level. There are a few well-known tunes here but most of the arrangements are O'Carolan 's lesser known works though they rank with his best music.

A master solo collection by classic guitarist James Bellizzi containing 16 English airs and country dances; 21 Irish tunes by O' Carolan and others; and 14 lively Scottish tunes and country dances. The arrangements capture theunique tone and spirit of these wonderful folk melodies and compositions. In notation and tablature.

The matching folio to Scottish singer/songwriter Paolo Nutini’s debut album These Streets. All songs from the album including the bonus track have been carefully arranged for Piano Vocal and Guitar chord accompaniments with full lyrics album artwork and photographs.

This book presents six contemporary guitar works by Irish composers. These works are fairly evenly divided with reference to their position in the composer?s output and also to the composers? age: three of the six are early works(Farrell Bromhead and Fennessy) while the remaining three were produced during the composers? more mature years (O?Leary Sweeney and Bodley); also three generations of living composers are represented. The six works chosen varywidely in compositional style approach to writing for the guitar and technical requirements thus presenting a generally good overview of contemporary Irish guitar music. This collection spans the period from 1970 to 2006 andincludes ?Gemini? by Jerome de Bromhead the first Irish solo concert work for guitar. A short introduction to each composer and a background to his/her work is included

The Many Moods Of Celtic Christmas-This book includes Christmas melodies as well as lesser-known tunes from Ireland and Scotland paired with seasonal titles. All the songs can be played solo or with other instruments. A CD is included with recordings of the author playing using both steel and nylon string Guitars.

15 Irish Favourites arranged for solo guitar in notes and tab. The arrangements in this book are carefully written for intermediate level guitarists. Each solo combines melody and harmony in one superb fingerpicking arrangement.

This collection of traditional music from Ireland and Scotland arranged for solo guitar is the result of a passionate study of the tradition by some of the finest musicians playing in this genre. Compiled by Stefan Grossman thisbook includes arrangements by Pierre Bensusan El McMeen Martin Simpson Pat Kirtley Duck Baker Tom Long & Steve Baughman. Looking back less than a century you would find this music performed on fiddle pipes button accordion flutes and whistles in solo and ensemble settings but never guitar even in its basic role of providing rhythm. The challenge for those who attempt to translate Celtic traditional music for fingerstyle guitar is to preserve theunique qualities which are the essence of the style. The popularity of alternate tunings in this music tends to come from two different directions. One is in the desire for production of tonalities of droninginstruments á la the bagpipes and tunings such as DADGAD and EADEAE make this effect relatively easy. On the other hand there are guitar tunings which lend themselves easily to the melodic steps and fullness found in thediatonic Celtic harp such as DGDGBD (open G tuning) and the CGDGAD.