Based on Mayas Music's award winning Acoustic Guitar course, this 2 in 1 DVD method includes both a Spanish version and an English version. With this intermediate course you'll take an in depth look at chords, the legendary bolero rhythm, popular melodies and much more! Plus, we've included a bonus reference section that's jam-packed with useful tools and information! Basado en el premiado curso para Guitarra de Mayas Music, este método andldquo - 2 en 1andrdquo - en DVD incluye versiones tanto en Español como en Inglés. Con este curso de nivel intermedio usted podrá conocer más a fondo sobre los acordes, el legendario ritmo del bolero, melodías populares y ¡mucho más! También incluye una seccion adicional de referencia cargada de information y herramientas ¡muy útiles! / Guitare / 60 pages / niveau : Intermédiaire / Dvd - Format: 7,25 X 4,25

John Duarte was passionate about introducing English musicians to the cultural wealth of their own indigenous folk songs. Using the great collection of folk songs that were ‘run to earth’ in the early 1900’s by Cecil Sharpe and Ralph Vaughan Williams among many others Duarte has made a selection of what he considered beautiful characterful tunes set them for the Guitar student and collected them in Sixteen English Folk Songs.Duarte originally earned a degree in chemistry and worked as an industrial chemist for year before abandoning that life to devote himself to music. His life as a Guitarist composer teacher and writer was long and fulfilling. He composed 150 works mainly for Guitar ranging widely over many styles including various national idioms.

Par STRAUBE RUDOLPH. Langue: English, Format: 30, 5 x 28, 0/ Répertoire / Guitare Anglaise

A fantastic collection of traditional English Carols that are sure to be enjoyed over and over again.

Fantasy on an Old English Melody is based on a fragment of melody called The Leaves be Green which was popular in Elizabethan times. Queen's Temple Publications is delighted to publish this wonderful work which was recorded in 2009 by the Eden Guitar Ensemble on their CD 'Music for an Island' (BGS117).

John Renbourn, guitariste britanique, compose à partir d'éléments de country blues, modern jazz, ragtime et classique. Dans ce concert solo enregistré à Tonroto en 1990, il explore les différents styles musicaux. Sweet Potato, Medley : Abide With Me,/ Great Dreams From Heaven, Lord Franklin, Little Niles, Lindsay, From Sandwood Down To Kyle, Medley : The South Wind / The Blarney Pilgrim, Kokomo Blues, Medeley : Lament For Owen Roe O'Neill/ Mist Covered Mountains Of Home / The Orphan, Medeley : Bunyan's Hymn / I Saw Three Ships / The English Dance And Cherry. / Guitare / Dvd

Par STING. A collection of 18 songs from one of the UK's most important, unpredictable and talented solo artists, all arranged for Piano, Voice and Guitar. Front-man, bassist, singer, songwriter, film star, activist and cultural critic, Sting's career has been built upon integrity and purpose. His singles reflect his life, times and surroundings in a way that is always candid and beautifully evocative. From the savvy jazz of Englishman In New York to the pure soul of If You Love Somebody Set Them Free , every song has become a musical world all of its own, and the very best are presented here for you to play and enjoy. This book is specially bound to help the pages lay flat while you are playing. / Niveau : Elémentaire / Rép International / Recueil / Piano, Chant et Guitare

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument intermediate players can use it for training and theoretical work and advanced players can explore the sections on advanced theory extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm.Part 1 (pitch) begins withthe properties of string harmonics and tuning systems. It then moves methodically through pitch information beginning with locating all versions of a single pitch building pentatonic heptatonic and all possible symmetricalscales. This is followed by a study of intervals with all possible locations of every two pitches and a long study that moves through every possible fingering of three pitches with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation.Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation with a focus on efficiency accuracy speed dynamics and groove. It is followed by a study of legato playing working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse playing two simultaneous tempos.The book concludes with a study of polyrhythm playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described

Volume Two-The performances in this DVD series present two generations of artists who have advanced the acoustic guitar’s cause with formidable boldness. We clearly hear their folk blues and country roots even as they develop other distinctly personal harmonic and melodic pathways. Thinking coupled with the 90% perspiration 10% inspiration formula is evident in the performances here no less than in the artful arrangements in the original compositions. There are English guitarist playing original music tinged by American blues and American guitarists picking with English accents. There are guitarists from everywhere bringing music from the keyboard and othersources to the guitar. There is an apparent user-friendly adaptability happening around the instrument: the example of these players encourages the rest of us to tinker with arrangements explore open tunings try varied techniques of picking. The means they demonstrate are flexible. And the ends? Endless. As the redoubtable Claw Jerry Reed once remarked I don’t go to see a man pick. I go to see a man think. Dave Evans Stagefright John Renbourn Rosslyn Stefan Grossman Tightrope John Knowles Coastin' Pat Donohue The Mooch Marcel Dadi Saturday Night Shuffle Duck Baker Blood Of The Lamb Chris Proctor Interstate John Renbourn Little Niles Stefan Grossman Bermuda Triangle Exit El McMeen My Mary Of The Curling Hair Joe Miller Ivory Coast John Knowles Waltz Forever Pat Donohue High Society Duck Baker 'Round Midnight Chris Proctor Morning Thunder El McMeen Angels We Have Heard On High Marcel Dadi Je Te Veux Bonus Instructional Tracks: Stefan Grossman Diddie Wa Diddie and Pat Donohue High Society

Playford's The Dancing Master is the classic compendium of English country dance tunes. First published in 1651 it went through eighteen editions in almost 80 years. In its day it was the most popular collection of its kind and engendered numerous imitations. The tunes selected by Playford and his successors were taken from many sources and demonstrate the extraordinary richness and vitality of popular melody in England during the late 17th and early 18th centuries. This book brings together for the first time under one cover 535 tunes and their variants from the eighteen original editions. It provides a fund of musical material for performers whether folk musicians orbaroque instrumentalists and for class and instrumental music teachers. It is also an invaluable reference book for anyone interested in the history of English music.

The first complete anthology of lute music contained within Thomas Mace’s historic treatise Musick’s Monument (1676) transcribed and edited for classical guitar by Andrew Shepard-Smith. An exquisite and intriguing collection ofearly English Baroque lute music containing twelve preludes eight complete lute suites transcription notes and a detailed table of ornaments (as outlined in Musick’s Monument). Originally written as a pedagogical text for luteand theorbo Mace’s lute music contains wonderful insights into the performance practice of the time. A very valuable addition both the performance repertoire and to the guitar reference literature. Staff notation; moderate toadvanced.

2Nd Edition, Bilingual: Portuguese And English. Par NAZARETH ERNESTO. La série ' classiques le Choro brésilien - vous êtes le soliste!' vous permet de découvrir le style Choro grâce à l'expérience incomparable d'effectuer les compositions vous-même, accompagné d'un Ensemble de Choro. Chaque volume de la série comporte un compositeur célèbre de ce style de musique incroyable, y compris ses compositions principales dans un CD audio numérique maîtrisé et un livre de musique imprimée de qualité avec les correspondants scores C, Bb et Eb, ainsi que des entrevues, Biographie et pertinence de l'auteur de l'histoire du Choro. À l'aide du CD, écouter les pistes stéréo complètes (avec les solistes) pour votre référence. Régler votre instrument (flûte, saxophone, clarinette ou mandoline) en utilisant les notes de réglage. Maintenant avoir du plaisir étant le soliste, en utilisant les pistes d'accompagnement mettant en vedette un important Ensemble de Choro du Brésil. Maintenant vous pouvez jouer avec votre propre ' Ensemble de Choro, ' qui toujours seront là pour vous, que ce soit à la maison, sur la route ou à la plage. Ont le plaisir et la bonne formation ! Bilingue : Portugu... / Niveau : Intermédiaire à Avancé / Brazilian - Solos / Recueil / Guitare Classique

Par BACH JOHANN SEBASTIAN. Langue: English(US)/Deutsch/Français/Nederlands / Date parution : 1905-07-01/ Répertoire / Guitare