Par GANGEL WILLIAM. Les Solos de la meilleures Ragtime MBGU Fingerstyle Curriculum : offre le guitariste Fingerstyle une collection diversifiée de pièces de ragtime, allant des chiffons de piano classiques de Scott Joplin et Tom Hayden aux ' bluesier ' chiffons typiques des guitaristes du Delta du Mississippi. Notation standard de guitare et tablature sont fournis tout au long de pour la commodité de ceux qui sont plus à l'aise de lecture dans un style ou d'une autre. Tous les morceaux dans le livre est inclus sur le CD. / Niveau : Intermédiaire / Ragtime - Solos / Tablatures / Guitare Tablatures

In these lessons for the intermediate fingerstyle guitarist Dave Van Ronk presents his arrangements of blues and a classic rag. The book includes a conversation with Dave, a discography, 6 tunes in notation and tablature, and 3 CDs teaching each tune phrase by phrase. LESSON ONE: A blues in 12/8 with Leroy Carr's Midnight Hour Blues. Blood Red Moon follows played in a dropped D tuning. The lesson ends with Blind Lemon Jefferson's One Kind Favor. LESSON TWO: Sunday Street is an original Dave Van Ronk song and is an excellent example of Dave's arranging skills. Four choruses are taught demonstrating how this tune can develop. Bessie Smith's classic blues You've Been A Good Old Wagon is taught in the key of E. LESSON THREE: Dave's arrangement of St. Louis Tickle was the first great challenge for fingerpickers interested in classic ragtime. This four sectioned rag is played in the keys of C and F. It is an excellent example of contemporary ragtime guitar. / Guitare (Fingerpick) / 32 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Rev. Gary Davis is the real thing. The authentic blind-seer. He is a genius with a brightly burning spirit enormous musical intelligence technical brilliance an encyclopedic memory driving passion deep faith araunchy and gracious sense of humor. A mystic. He is an icon of the style of Guitar he was born into known today as the Piedmont blues. Through players of the first half of the twentieth century like Alfred Shultz Mose Ranger Merle Travis and Chet Atkins this is the signature American fingerpicking style that would so deeply inform the country folk blues and even rock and roll of our day.Rev. Davis (1896-1972) was born black indeep poverty in South Carolina blind from an early age. He overcame these longest of odds to become world famous a giant of American music. He brought together black and white styles country gospel folk themes blues jazz ragtime minstrel songs dance tunes and popular song. He developed his own brilliant fingerpicking style that was deep economical and adaptable enough to easily cover all these genres. Supporting all his creativity was anunshakable faith that pulled him through the obscurity the bitter hard times and crushing poverty he would endure until the folk music awakening of the fifties and sixties caught up to him.Ernie Hawkins has transcribed 13of Rev. Davis' best known blues and ragtime arrangements. Tunes such as Candyman Cocaine Blues Hesitation Blues Baby Let Me Lay It on You Spoonful and Delia are included alongside the ragtimeinstrumental tour de forces of Slow Drag (Cincinnati Flow Rag) and Make Believe Stunt (Maple Leaf Rag).The playing of Rev. Davis has influenced generations of Guitar players from Blind Boy Fullerto Dave Van Ronk Bob Dylan David Bromberg Ry Cooder Jorma Kaukonen Bob Weir Stefan Grossman and Woody Mann. His tunes have been recorded by a host of today's finest rock musicians: The Grateful Dead Hot Tuna Bob Dylan

For Fingerstyle Guitar. Par GROSSMAN STEFAN. Ragtime is in many ways the quintessential American music. It arrived at the turn of the last century with many transitions, notably the discovery of the means to record sound, and the determination of Afro-Americans of genius to be appreciated as artists. The music we call ragtime represents not only a moment of great anticipation (as the advent of jazz was on hand) but also of fulfillment. There are perhaps, 200 classic ragtime pieces that represent a corpus of extraordinary beauty - some of the most straightforward, melodious, and out and out joyful music that there ever was. In the early 1960?s guitar players started to tackle arranging this music. David Laibman and Dave Van Ronk were in the vanguard of this movement. Van Ronk?s arrangement of St. Louis Tickle became a rite of passage for fingerstyle guitarists. Laibman?s arrangements of Scott Joplin?s classic rags amazed and challenged the fingerpickers from coast to coast and across the Atlantic Ocean to Europe. By the 1970s other guitarists tried their skills playing ragtime. In the last fifty years this pursuit has carried on. This collection presents eight outstanding guitarists and their approaches to arranging and playing cake walks and classic rags. Tackling the material in this collection will greatly help your development and mastery of the fretboard and what Rev. Gary Davis called your six-string piano. Both your hands will get a complete aerobic workout! An audio download link is included with performances of each title. / Date parution : 2022-01-14/ Recueil / Guitare

This collection covers ragtime guitar styles and techniques from the ?stumblin? bass? of Blind Blake to the evergreen piano sounds of Scott Joplin. Playing the Guitar like a Piano: Shake That Thing , 99 Year Blues, The Bald-Headed End of a Broom, Buck Dancer?s Choice, A Salty Dog Rag, See That Girl Sitting on a Fence. Raggin? The Blues: Blake?s Breakdown, Ton of Blues, That Won?t Do, Cincinnati Flow Rag/Slow Drag. Ragtime Songs, Marches

Classic Ragtime Arranged for Fingerstyle Guitar Volume 1 presents staples of the ragtime repertoire as interpreted by David Laibman. The 'rags' are presented in standard music notation as well astablature. The book includes three CDs worth of instructional audio covering each of the six pieces broken down section-by-section. These are complex and challenging arrangements but ones that will certainly tickle yourfingers!

Classic Ragtime Arranged for Fingerstyle Guitar Volume 1 presents staples of the ragtime repertoire as interpreted by David Laibman. The 'rags' are presented in standard music notation as well astablature. The book includes three CDs worth of instructional audio covering each of the six pieces broken down section-by-section. These are complex and challenging arrangements but ones that will certainly tickle yourfingers!

In this unique lesson David Laibman teaches two Classic Ragtime compositions: Red Carpet Rag and Scott Joplin???s 1899 famous Maple Leaf Rag. These are difficult arrangements but they are taught section by section includingsplit-screen segments where you can see exactly what the left and right hands are doing. David explains fingerings slides hammer-ons and pull-offs harmonics and any other technical points. Also complete music and tablatureare included. As David says often in the lesson 'Fingerstyle guitar is a creative process and there is no single right way to do things. I am always discovering new ways to play certain bits and then wondering why ittook me so long to find them. If the fingering of a passage seems difficult and you want to change it go right ahead! Fingerings should work for the music and for you. Above all ragtime should be fun. Enjoy!' A detailedprinted tab/music instructional booklet is included as well as a PDF file of the booklet on the DVD.

The guitar styles and techniques of Blind Blake Big Bill Broonzy and Rev. Gary Davis combine blues and ragtime techniques into a style that can be best described as raggin' the blues. This exciting and challenging approach tofingerstyle playing combines complex right hand picking with intricate left hand fingerings single string runs and rhythmic licks. In this lesson Stefan Grossman illustrates and explains seven famous ragtime blues instrumentals.A detailed 44-page tab/music PDF booklet is included.