SKU: FZ.700
ISBN 9790230607001. 24.00 x 33.00 cm inches.
This facsimile of an original by Friedrich Wilhelm Marpurg is part of our Dominantes collection. Classical music scores - Sheet music - Marpurg - Fughe e capricci pel' clavicembalo o per l'organo Opera primera - Harpsichord organ. Edition : Berlin, (undated = 1777). These fugues and caprices are designed for the keyboard: organ, harpsichord, clavichord. Introduction by Philippe Lescat: I. Edition - II. Hints for performance. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France(Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Central Library of Zurich (Suisse). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: CL.053-1777-00
Rock.
SKU: BR.OB-5295-26
When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden?
ISBN 9790004338438. 10 x 12.5 inches.
When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden? Henrik Wiese sheds new light into the confusion wrought by Mozart himself. Wiese, solo flutist of the Bavarian State Orchestra, has made an outstanding name for himself as soloist and editor, and is viewed in professional circles as one of the best specialists of Mozart's wind works. He has focused on the work's genesis, but especially on the music text, having consulted all known scribal copies of the work and all available copies of the first edition. The version for flute and piano also contains a facsimile of the solo part from the first edition as well as cadenzas which stem from the earliest hand-written sources or which were composed by the editor in Mozart's style.When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden?
SKU: BR.OB-5295-19
ISBN 9790004338421. 10 x 12.5 inches.
SKU: BR.OB-5295-15
ISBN 9790004338407. 10 x 12.5 inches.
SKU: BR.OB-5295-16
ISBN 9790004338414. 10 x 12.5 inches.
SKU: M7.BRP-1777
SKU: BR.OB-5295-30
ISBN 9790004338445. 10 x 12.5 inches.
SKU: M7.AV-1777
ISBN 9790203905127.
SKU: BA.BA08809
ISBN 9790006568970. 31 x 24.3 cm inches. Key: B-flat major. Preface: Gudula Schutz.
Mozart composed his two â??Lodron Serenadesâ? for open-air performances on the name day of Countess Antonia Lodron in June 1776 and 1777. Their bright â??al frescoâ? character is immediately recognisable. Alfred Einstein considered these two divertimentos to be â??among the purest, gayest, most satisfying, and most perfect that ever assumed musical formâ?.For both works Mozart chose an ensemble of two horns, two violins, viola and bass instruments. However, the second Lodron Serenade, the Divertimento in B-flat major K. 287, stands out from this sextet format by assigning a remarkably virtuosic solo role to the first violin, from the richly diverse opening movement to the finale with its almost ironic recitative and an exhilarating passage on the folk song â??Dâ??Bäurin hat dâ??Katz verlornâ?. Mozart himself played first violin in the 1777 performance. Later he wrote, â??They all opened their eyes! I played as though I were the finest fiddler in all Europeâ?.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.5425749
ISBN 9790007226121. Language: Latin.
Johann Michael Haydn's oeuvre includes more than thirty works in Latin or German for two or three descants, composed for his dear choirboys of the Salzburg 'Kapellhaus'. The first setting of the ordinary in this series was the Missa Sancti Aloysii, composed in 1777. It was initially intended for the Commemoration of the Holy Innocents on 28 December, when the chapel boys celebrated their principal feast day. This exceptionally charming mass, characterized by a wonderfully effervescent joyfulness, is an insider's tip for anyone looking for new repertoire for three-part women's, girls' or boys' choir. By virtue of ist scoring, the mass is also eminently suitable for small-scale performances. Score and part available separately - see item CA.5425700.
SKU: BR.CHB-3560-02
You will find the string and organ parts under OB 5281 of Mozart, Missa brevis in B-dur KV 275 (272B) - Breitkopf Urtext.
ISBN 9790004404881. 7.5 x 10.5 inches. Latin.
For all we know Wolfgang Amadeus Mozart composed the Missa brevis K. 275 (272 b) in 1777 before going on an extensive concert tour with his mother, taking him as far as Paris in March 1778. He learned of the first performance of the mass shortly before Christmas 1777 by a letter from his father who praises the peerless singing technique of the castrato Francesco Ceccarelli. Mozart particularly cherished this mass setting, as repeated requests to send him the work for performance can be gathered from his letters.Siegfried Strohbach's arrangement for female choir opens up additional options for performances of Mozart's Missa in B-flat major. As orchestral material the Breitkopf Urtext edition by Franz Beyer can be used.
SKU: CA.5425711
ISBN 9790007226091. Language: Latin.
SKU: BR.PB-5301
ISBN 9790004212295. 6.5 x 9 inches.
SKU: HL.49020891
ISBN 9783254002648. German.
Der Herausgeber hat gute Grunde, wenn er dem Leser eine komprimierte Fassung jenes Briefwechsels vorlegt, den Mozart wahrend seiner sechzehnmonatigen Reise nach Mannheim und Paris mit dem in Salzburg verbliebenen Vater gefuhrt hat. Denn von ganz wenigen Briefen abgesehen ist die hier herangezogene mozartische Korrespondenz einem breiten Leserpublikum noch unbekannt. Dabei muss es als Glucksfall angesehen werden, dass gerade dieser in eine fur Mozarts Personlichkeitsentwicklung besonders wichtige Lebensphase fallende Briefwechsel von beiden Seiten nahezu vollstandig erhalten ist, also dialogisch nacherlebt werden kann. Die von Ende 1777 bis Anfang 1779 zwischen Vater und Sohn so umfang- wie themenreich ausgetauschten Briefe fuhren in einzigartiger Weise in Mozarts unmittelbare personliche Nahe. Diese Nahe jenen Musikliebhabern zu vermitteln, die uber das Musikerlebnis hinaus an dem Menschen Mozart, seinen Problemen und Lebensbedingungen interessiert sind, ist die Absicht dieses Buches.Eine lohnenswerte, anregende Lekture, die das zeitlose und spannende Thema Vater und Sohn beleuchtet.
SKU: CA.5425712
ISBN 9790007226107. Language: Latin.
SKU: CA.5425411
ISBN 9790007226060. Language: Latin.
Just by reason of its scoring the Missa Sancti Hieronymi occupies a special place not only among the settings of the Mass by Haydn, but also in the repertoire of church music at the Royal Court of Salzburg. Other than the Hieronymus Mass and the Proprium motet Timete Dominum MH 256, which is connected with it, there are no additional surviving works in the Salzburg repertoire with this type of instrumentation. The unusual instrumentation, the contrapuntal style in the fugal sections, as well as the melodic invention and harmonic elaboration show that this Mass is a masterpiece. Score and part available separately - see item CA.5425400.
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