Celtic Music For Flute And Guitar by Allan Alexander and Jessica Walsh contains 20 pieces transcribed for flute and guitar most of them originating from Ireland and Scotland. Five of them are charming original pieces written in the Celtic style by Allan and Jessica. The music is presented in both music notation and guitar tablature for people who do not read music.Take a musical journey with dances that were written more than 400 years ago and experience Celtic traditional music that is the mainstay of modern players. If you are learning and looking for great music this is one book that you will not be able to put down. If you are a performer looking for highquality material these great pieces expertly arranged will become part of your permanent repertoire.The accompanying CD gives the musician the advantage of being able to hear how these pieces should be played by experts in this genre of music and will make the learning process easier. Some of the pieces were written for the Lute; however Allan Alexander has found that they work very well on the guitar. Being an accomplished player of both lute and guitar he has the knowledge to make accurate musical transcriptions. Other pieces in this book are traditional tunes that have been arranged specifically for guitar. Many of the selections have variations on the original melodies. This adds another dimension to the music and enhances the performance.

Par THOMAS MACE. The first complete anthology of lute music contained within Thomas Mace's historic treatise Musick's Monument (1676), transcribed and edited for classical guitar by Andrew Shepard-Smith. An exquisite and intriguing collection of early English Baroque lute music containing twelve preludes, eight complete lute suites, transcription notes, and a detailed table of ornaments (as outlined in Musick's Monument). Originally written as a pedagogical text for lute and theorbo, Mace's lute music contains wonderful insights into the performance practice of the time. A very valuable addition both the performance repertoire and to the guitar reference literature. Staff notation - moderate to advanced. / Niveau : Intermédiaire / Recueil / Guitare

For Classical Guitar. Par SCHUETT LAUDON. This book will prove to be a treasure trove to any aspiring lutenist or afficionado of the lute and early music. Instead of attempting to create a comprehensive lute method, the first section covers topics that students often ignore, while the second offers a fresh repertoire of newly revised and edited original music for the intermediate or advanced player. On a broader scale, vocalists and students of any instrument would do well to take note of the book?s musical and interpretive concepts.The author not only offers his own insights to technique and performance, but also provides a glossary of period musical vocabulary and includes comments on general musicianship from authentic Renaissance and Baroque resources. These include John and Robert Dowland, Jean-Baptiste Besard, Nicolas Vallet, Thomas Mace, and other historic lutenists and theorists. If early music specialist Laudon Schuett had been born during the Renaissance, he would have been the court lutenist and possibly the jester in some kingdom or principality.Written in French tablature for the 6-course Renaissance lute and in standard notation for the classic guitar with the 3rd string lowered to F#, the author provides 30 original compositions in the contrapuntal polyphonic style characteristic of the 16th and early 17th centuries. / Date parution : 2022-05-31/ Méthode / Guitare Classique

The Renaissance Guitar. This book/audio series provides solos, duets and songs covering four centuries of composers for the guitar and lute family. Taken from original sources, and carefully fingered for the modern player, the transcriptions are as faithful as possible to the original while at the same time offering a practical performing score. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

Renaissance Lute Repertoire-Guitar Tablature Edition can be viewed as either a supplement to the popular Introduction to the Lute: for Lute and Guitar Players or as a standalone edition of 16th-century lute tablatures reset in guitar tab. Play from beautifully-typeset scores, music by John Dowland, Francesco da Milano, Vicenzo Galilei (father of the famous astronomer), and many others, including vihuela composers, Narváez and Milán. Together, this collection provides in guitar tab a beautiful and extensive overview of music for the Renaissance lute. TUNING: To get Renaissance lute tuning on a guitar, all you need to do is tune the 3rd string, G, down one semitone to Fâ?¯. That's it. Then just read the tab as normal. This edition is in guitar tablature. There is a separate edition in lute tablature, Renaissance Lute Repertoire-Lute Tablature Edition.

With Online Audio-This volume contains some of the most popular traditional carols arranged for Flute and Guitar. Most of these duet arrangements allow as much dialogue and interplay between the two instruments as possible whilemaintaining each carol's character and spirit. While the Flute often carries the melody the Guitar has frequent solo passages of its own to help break the 'melody with chords' monotony found in many arrangements of this kind.Modulations imitative counterpoint and quotations from works by well-known composers will hopefully make these little pieces enjoyable for performers as well as listeners. For intermediate level Flutists and Guitarists.Standard notation only. Includes access to online audio and downloadable PDF of the Flute part.

Mozart?s ?Adagio? Bach?s ?Bourrée? and ?Solveig?s Song? by Grieg are amongst this selection of popular pieces set for flute and guitar. The flute plays the melody and the guitar?s notated chordal accompaniment provides harmonic and rhythmical structure while remaining light and subtle.From the contents?Bourrée? (BWV 966) (J. S. Bach) ?Les coucous bénévoles? (F. Couperin) ?Menuet in G? (J. S. Bach) ?Musette? (J. S. Bach) ?German Dance? (J. Haydn) ?Adagio? (W. A. Mozart) ?Der Vogelfänger bin ich ja? (W. A. Mozart) ?Allegro? K. 3 (W. A. Mozart) ?Waltz? (J. Brahms) ?Wiegenlied? (J. Brahms) ?Solveig?s Song? (E. Grieg) ?The Moldau? (B. Smetana) ?Boléro?(M. Ravel)The authorBerthold Kloss is an editor for educational music at Bärenreiter and Bosse. He has published numerous choir and songbooks conducts a choir and plays flute and guitar.

For Guitar and Flute Plus Percussion-Here is a collection of Latin masterpieces arranged for flute guitar and percussion. From the fabled Granada and Franþois Borne's rousing Fantasy on Themes from Bizet's Carmen to Brasilian superstar Celso Machado's magnificent Suite Popular Brasileira and Astor Piazzolla's Libertango there is a wealth of thrilling music for every flutist. Listen to virtuosi Katarzyna Bury and Christian Reichert perform these classic pieces in a complete reference recording. Then you take Mr. Richert's place alongside Mr. Reichert and the percussionist for a Latin music-fest that you will never forget! Bravo! Includes a newly engraved authoritative printed solo part and a compact disccontaining a complete version with soloist in digitally recorded stereo then a digital stereo version of the accompaniment minus the soloist. Performed by Christian Reichert guitar Accompaniment: Katarzyna Bury flute Jochen Hank percussion

2-CD Set-Performed by Edward Flower guitar Accompaniment: Jeremy Barlow flute The first in a two-album series for flute and guitar conceived and produced by noted guitarist Ed Flower. This album offers a broad range of musical experience spanning two centuries from Renaissance to Baroque. Jeremy Barlow flutist accompanies Ed in each duet. Become part of the most felicitous duet-sound in music the flute and guitar. This deluxe edition includes a second CD with a slow-tempo practice version to help you while you learn each piece. Includes a newly engraved music score printed on high-quality ivory paper; a compact disc containing a complete performance in stereo and asecond stereo performance minus the solo part; and a second compact disc containing a -20% slow-tempo practice version of the accompaniments.

Potes Suite is a set of four contemporary pieces for flute and guitar composed by the flute and guitar duo ?Nuclear Okra.? The pieces are inspired by the rich tapestry of diverse cultures living in the medieval mountain village of Potes, Spain. The suite incorporates a wide variety of musical styles, rhythms, and techniques drawn from folk, flamenco, Balkan, jazz, blues, country, classical, West African, and Latin American genres. Each piece is approximately four minutes in length. Includes access to online audio.

100 Hymns for Flute and Guitar is a collection of all-time favorite hymns arranged for flute solo with suggested written chordal accompaniment.Fingerstyle guitar and strum styles are indicatedon each solo and capo chords are shown where appropriate. Other chordal instrumentalists can also use the written material. The repertoire spans centuries and represents a wonderful assortment of solos which may be used aspreludes or offertories throughout the various seasons in the church year.

Brief tuneful melodies arranged for intermediate flutists and guitarists from early American (1817) popular music. Written in standard notation these delightful arrangements feature collections of popular melodies from that eraas well as airs and dances. In keeping with performance practice of the traditional music played during this time these arrangements are organized into sets of pieces as they may have been performed during this era. The setsinclude jigs slow airs and marches as well as melodies that were popular from the continent. These arrangements are appropriate both for background music as well as public concert performance. The arrangements are derived froma book of flute melodies entitled ?Riley?s Flute Melodies.? Published in 1816 and 1817 this book was possibly used as jazz musicians use lead sheets to develop spontaneous arrangements of pieces depending upon the occasion andthe musicians at hand. The guitar arrangements were modeled upon existing guitar practice during that time and use idiomatic guitar devices such as pizzicato and harmonics to provide an imaginative underpinning for the melodies.Many of the arrangements give equal treatment to both the guitar as a harmonic and melodic instrument.

Select 'Contradanzas Habaneras' by 19th century Cuban composer Manuel Saumell (1817-1870). Saumell is known as the 'Father of nationalism in Cuban music'. In more than 50 Contradanzas Habaneras Saumell never repeated himself forwithin those 8 or 16-bar phrases he was capable of astounding rhythmic and melodic invention. This group of contradanzas were originally written for the piano and arranged here for flute and guitar by Elias Barreiro. Presented instandard notation only with separate pull-out sections for guitar and flute.