Budget livres est une série de valeur-prix sensationnelle et ce volume présente des normes Jazz - une collection fantastique de la plus belle musique de spectacles et de comédies musicales. Une ressource considérable de 82 chansons de la vaste répertoire de standards de jazz et de swing classiques ! Y compris : Georgia On My Mind, I'll Be Seeing You, The Way You Look Tonight That Old Black Magic tous authentiquement disposés et pour Piano facile avec les paroles et les accords de symboles. / Piano/Vocal/Guitare (PVG) / 302 pages / Partition

Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternative à la pléthore de volumes mal conçues, illisibles, inexacts, mal edited qui abondent sur le marché aujourd'hui. Le livre Vocal réelle est extrêmement précis, soignée et vise, avant tout, pour un usage pratique. Tous les efforts réalisés pour le rendre agréable à effectuer. La sélection de musiques pour ce volume met en évidence les principaux compositeurs jazz du passé des années 60, avec une attention particulière pour les années 1960 et 1970. Un certain nombre de chansons par Rogers

Rock avec aujourd'hui la nouvelle génération de rock. Ce livre contient des charges de hits d'aujourd'hui plus récents et frappe plus durement les bandes, avec des paroles complètes, boîtes de corde de guitare, symboles de la corde et grattant les patrons. Comprend des chansons de Arctic Monkeys, The Fratellis, Klaxons, The Enemy, My Chemical Romance, le révérend et The Makers et The Hoosiers./ Tablatures / Guitare Tablatures

150 des plus célébres standards de jazz, speciallement arrangés pour piano, chant et guitare (accords) / Variétés Internationale / Partition /

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee?s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ?In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.? Over the last couple of years I moved back to Jelly Roll Morton?s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman?s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ?conversation with the gods? in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao?s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950?s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo?s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece?s characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles? Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don?t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach?s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bess.

A generous bumper collection of the greatest songs ever to grace the silver screen, all arranged for Piano, Voice and Guitar. It is impossible to imagine Goldfinger without the huge, rich voice of Shirley Bassey, Midnight Cowboy without Nilsson's lilting country whisper, Alfie without the Pop/Jazz of Cilla Black and Sonny Rollins, and Easy Rider just would not be the same without Steppenwolf. The greatest film songs are synonymous with the movies they embellish, capable of lifting a scene from the screen and into our hearts and minds. These songs will forever evoke memories of our favourite characters and situations, long after the film has ended. Learn to play 100 of the greatest film songs ever written with this great-value songbook, packed to the limits with all the laughs, tears, memories and surprises of the movies - a guaranteed hit no matter what the occasion! / Piano/Vocal/Guitare (PVG)

Retrouvez une compilation de 40 standards de Jazz arrangés pour piano, voix, guitare (symboles d'accords). Inclus les tubes Summertime et A Fine Romance. Titres : A fine romance; A foggy day; Anything goes; April in Paris; As time goes by; Autumn in New York; Bewitched; But not for me; Do do do; Dream a little dream of me; Embraceable you; Ev'ry time we say goodbye; Fascinating Rhythm; I get a kick out of you; I got rhythm; I hear a rhapsody; I'll build a stairway to paradise; It ain't necessarily so; It had to be you; It's only a paper moon; I've got a crush on you; I've got you under my skin; Let there be love; Liza (all the clouds `ll roll away); My baby just cares for me; Night and day; On the sunny side of the street; Round midnight; S wonderful; Somebody loves me; Soon; Stormy weather; Summertime; Swanee; The lady is a tramp; The man I love; Thriving from a riff (aka Anthropology); When I fall in love; Who wants to be a millionaire; You go to my head

Alfred's Best series centers around impeccable piano/vocal/guitar arrangements of the most loved and recognizable songs in modern music. / Piano/Vocal/Guitare (PVG)

Romberg's adaptation of melodies by Franz Schubert for Lilac Time (1921) and started him on the path to greatness. He subsequently wrote his best-known operettas, The Student Prince (1924), The Desert Song (1926) and The New Moon (1928), which were in a style similar to the Viennese operettas of Franz Lehar. He also wrote Rosalie (1928) together with George Gershwin. His later works, such as Up in Central Park (1945), are closer to the American musical in style, but they were less successful. Deep In My Heart, Dear; Drinking Song; Faithfully Yours; French Military Marching Song; Golden Days; I Bring A Love Song; Just We Two; Lover, Come Back To Me; Marianne; One Alone; One Flower Grows Alone In Your Garden; One Kiss; Road To Paradise; Romance; Serenade; Silver Moon ; Softly, As In A Morning Sunrise; Song Of Love; Stout Hearted Men; Student's Marching Song; The Desert Song; The Girl On The Prow; The Riff Song; Wanting You; When Hearts Are Young; When I Grow Too Old Dream; Will You Remember; You Will Remember Vienna; Your Land And My Land.

Nearly 70 big hits arranged in our easy to read and easy to play E-Z Play Today notation. Songs include: All About That Bass - All of Me - Baby - Bad Romance - Best Day of My Life - Blurred Lines - Brave - Call Me Maybe - Counting Stars - Cruise - Cups (When I'm Gone) - Firework - Forget You - Happy - Hello - Hey, Soul Sister - Ho Hey - I Knew You Were Trouble - I Won't Give Up - Jar of Hearts - Just Give Me a Reason - Let It Go - Mean - Moves like Jagger - Need You Now - Roar - Rolling in the Deep - Royals - Shake It Off - Shut up and Dance - Some Nights - Stay with Me - A Thousand Years - Uptown Funk - We Are Young - What Makes You Beautiful - and more. / Piano

Arrangements pour guitare (notations standards et tablatures) / Guitare Tablatures / Partition

Avec en profondeur leçons et 40 grands classiques du jazz, de la méthode Hal Leonard Guitar Jazz est votre guide complet pour apprendre la guitare jazz. Ce livre utilise de vrais morceaux de jazz pour vous enseigner les rudiments de la guitare jazz et l'improvisation d'accompagnement dans le style de Wes Montgomery, Joe Pass, Tal Farlow, Charlie Christian, Jim Hall et bien d'autres.Les leçons comprennent: les accords et les progressions, les balances et les lèche, maquettes et modèles- solo corde mélodie- intros et des fins- technique, le matériel et le son, et plus encore!Le CD contient 99 titres pour la démonstration et play-along. / Guitare

A Guide To Chord-Melody Jazz Guitar introduces intermediate and advanced players to the chord-melody style. It teaches the requisite skills needed to play and create original arrangements, basic chord forms and inversions, chord substitutions, walking bass lines and other tricks of the trade.The accompanying CD features recorded demos of the exercises and chord-melody arrangements in the book. / Guitare

Arr. John Stein. En savoir dix normes de guitare jazz, arrangées pour guitare solo. Ces arrangements performances prêtes à démontrer différentes façons d'interpréter des standards de jazz et de les rendre pour une performance solo de guitare. Chacune comprend une introduction technique de l'arrangeur, discuter de ses motivations et d'identifier quelques-uns des aspects qui définissent chacune de ces approches, telles que l'utilisation de la ligne de cliché, l'harmonie, la forme de chanson, et la modalité. En apprenant ces dispositions, vous gagnerez un aperçu de la façon de concevoir vos propres solos./ Tablatures / Guitare Tablatures