25 Stücke für Gitarre solo. Par DI GIROLAMO GIUSEPPE. This repertoire book presents 25 pieces for classical guitar inspired by pop music, designed to appeal to young students in particular. The collection contains melodic and atmospheric ballads as well as some great swing, Latin, ragtime and jazz style numbers. The pieces span a range of levels from easy to moderately difficult, with complete fingerings and tempo indications. The accompanying CD provides first-class performances by the up-and-coming concert guitarist Julia Trintschuk. These are intended to give an example of interpretation and to encourage a deeper study of the music. / Niveau : Facile à Intermédiaire / Date parution : 1905-07-10/ Recueil / Guitare

' Du toréador Song ' de Carmen. ' Un beau jour ' de Madame Butterfly, plus ' L'hilarant Song ', ' La femme est inconstant ' et onze mélodies opéra plus célèbres. Piano facile, les symboles de la corde et les mots. / Piano/Vocal/Guitare (PVG) / 48 pages / Partition

Piano, Chant, Accords de guitare (et clavier) Tablatures / Nb de Pages : 90 Langue : Français / M (Mathieu Chedid) / Dyonisos / Tous des tars / La mano Negra / Cali / Louise Attaque / Super Bus / Eiffel / La Grande Sophie / Sinsemilia / Matmatah / Les têtes raides /

Description Open tunings have been used by many country blues guitarists. From the alternating bass styles of Furry Lewis and Mississippi John Hurt to the evocative and haunting sounds of Skip James to the ragtime blues of Blind Blake. In this series we discuss some of the finest guitar arrangements played in open tunings. For the intermediate guitarist. Notation and tablature with three compact discs.

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

Par . La nouvelle collection The New Decade Series propose une compilation des meilleurs tubes pop-rock par décennies musicales arrangés pour Piano, Voix et Guitare. Découvrez les 4 premiers volumes de cette collection contenant environs 80 morceaux chacun : - les années 90 des Spice Girls à Oasis - les années 80 de Madonna à David Bowie - les années 70 d'ABBA à Queen - les années 60 des Beatles à Jimi Hendrix / Date parution : 2022-10-25/ Recueil / Piano/Vocal/Guitare (PVG)

Par QUEEN. Just the chords and lyrics for 20 of the biggest hits from this revolutionary British rock band, including: Another One Bites the Dust - Bohemian Rhapsody - Crazy Little Thing Called Love - Don't Stop Me Now - Fat Bottomed Girls - Killer Queen - Somebody to Love - Under Pressure - We Are the Champions - We Will Rock You - You're My Best Friend - and more./ Recueil / Guitare

Featuring: Bob Brozman, Vishwa Mohan Bhatt, Martin Simpson, Mike Auldridge and Freddie Roulette.As country singer John Anderson once said, the trouble with middle-of-the-road is 'a fella can get run over out there.' Slide guitar players have known this all along.Their music has mostly steered clear of the center line, and the fickle glare of public attention. This DVD features five modern slide guitar masters whose music is all over the map.The set of performances includes reincarnated Delta blues, Indian ragas, swinging bluegrass, and pop tunes. / DVD

Douze titres rock des plus grands groupes d'aujourd'hui. Inclus 'You Oughta Know', 'Say It Ain't So', 'People Of The Sun' et 'Wonderwall'. / Guitare

La série + Tab comprend des notes de performance et l'onglet précis pour les plus grandes chansons de tous les genres. De l'équipement essentiel, des techniques d'enregistrement et de l'information historique sur les techniques de droite et de gauche et autres conseils de jeu - tout est là.Avec Tab +: 25 Top Hard Rock Songs - Tab. Tone. Technique, apprendre à jouer 25 chansons hard rock, notamment Back in Black, Crazy Train, paranoïaque, Bienvenue dans la jungle et plus encore. / Guitare

Quatre décennies en 61 chansons des années 60 à 2000. Partition pour piano, chant et guitare.; Inclut le Jeu en DVD 'La Question' ? . Devinez l'identité de l'artiste ou du groupe à l'écran grâce aux indices. Réparties en sept catégories, ce jeu des questions sur plus de 100 artistes de renommée mondiale.Idéal pour la maison ou en salle de classe. Pour jouer à quatre joueurs ou en équipes.

The New Musical. Par SHAIMAN MARC / WITTMAN SCOTT. 13 piano/vocal arrangements (with the melody in the piano part) from the Broadway rendition of the Roald Dahl classic. Songs include: I've Got a Golden Ticket - If Your Father Were Here - It Must Be Believed to Be Seen - A Letter from Charlie Bucket - More of Him to Love - Pure Imagination - The Queen of Pop - Strike That, Reverse It - The View from Here - What Could Possibly Go Wrong? - When Veruca Says - When Willy Met Oompa - Willy Wonka! Willy Wonka! 13 piano/vocal arrangements (with the melody in the piano part) from the Broadway rendition of the Roald Dahl classic. Songs include I've Got a Golden Ticket - If Your Father Were Here - It Must Be Believed to Be Seen - A Letter from Charlie Bucket - More of Him to Love - Pure Imagination - The Queen of Pop - Strike That, Reverse It - The View from Here - What Could Possibly Go Wrong? - When Veruca Says - When Willy Met Oompa and Willy Wonka! Willy Wonka! / TV, Film, Comédie musicale / Répertoire / Piano, Chant et Guitare