| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Easy Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
(8)$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| The Real Little Classical Fake Book - 2nd Edition Piano solo - Intermediate Hal Leonard
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard
$27.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| Concerto in Eb Major Trumpet, Piano Carl Fischer
For Trumpet in Bb and Piano, S. 49. Composed by Johann Nepomuk Hummel (17...(+)
For Trumpet in Bb and Piano, S. 49. Composed by Johann Nepomuk Hummel (1778-1837). Edited by Elisa Koehler. Arranged by Elisa Koehler. Romantic. Score and part(s). With Standard notation. 36 8 pages. Carl Fischer #W002681. Published by Carl Fischer (CF.W2681).
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
|
| The Classic Piano Course, Book 1: Starting to Play Piano solo [Sheet music] - Beginner Music Sales
By Carol Barratt. For Piano. Folk, Blues, Classical. 64 pages. Published by Musi...(+)
By Carol Barratt. For Piano. Folk, Blues, Classical. 64 pages. Published by Music Sales
$10.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| COMPLETE MANDOLINIST, VOLUME 2: MUSIC IN CONTEXT Mandolin - Intermediate/advanced Mel Bay
Perfect binding. Exercises. Book. Mel Bay Publications, Inc #30782. Publishe...(+)
Perfect binding. Exercises.
Book. Mel Bay Publications,
Inc #30782. Published by Mel
Bay Publications, Inc
$34.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
|
| Enjoy Playing Guitar Tutor Book 1 (with CD) Guitar [CD] Oxford University Press
By Debbie Cracknell. For Guitar tutor. Enjoy Playing Guitar. 64 pages. Published...(+)
By Debbie Cracknell. For Guitar tutor. Enjoy Playing Guitar. 64 pages. Published by Oxford University Press
$20.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | |
|
| Concerto in E Major Trumpet Carl Fischer
Chamber Music Piano, Trumpet SKU: CF.W2682 For Trumpet in E and Piano,...(+)
Chamber Music Piano, Trumpet SKU: CF.W2682 For Trumpet in E and Piano, S.49. Composed by Johann Hummel. Edited by Elisa Koehler. Set of Score and Parts. With Standard notation. 36+8 pages. Carl Fischer Music #W2682. Published by Carl Fischer Music (CF.W2682). ISBN 9781491144954. UPC: 680160902453. 9 x 12 inches. Key: E major. Edited by Elisa Koehler, Associate Professor and Chair of the Music Department at Goucher College, this new edition of Johann Nepomuk Hummel's Concerto in E Major for trumpet in E and piano presented in its original key. The concerto by Johann Nepomuk Hummel (1778–1837)holds a unique place in the trumpet repertoire. Like theconcerto by Joseph Haydn (1732–1809) it was written forthe Austrian trumpeter Anton Weidinger (1766–1852) andhis newly invented keyed trumpet, performed a few timesby Weidinger, and then forgotten for more than 150 yearsuntil it was revived in the twentieth century. But unlikeHaydn’s concerto in Eb major, Hummel’s Concerto a Trombaprincipale (1803) was written in the key of E major for atrumpet pitched in E, not E≤. This difference of key proved tobe quite a conundrum for trumpeters and music publishersin the twentieth century. The first modern edition, publishedby Fritz Stein in 1957, transposed the concerto down onehalf step into the key of E≤ to make it more playable on atrumpet in Bb, which had become the standard instrumentfor trumpeters by the middle of the twentieth century.Armando Ghitalla made the first recording of the Hummel in1964 in the original key of E (on a C-trumpet) after editinga performing edition in 1959 in the transposed key of E≤ (forBb trumpet) published by Robert King Music. Needless tosay, the trumpet had changed dramatically in terms of design,manufacture, and cultural status between 1803 and 1957, andthe notion of classical solo repertoire for the modern trumpetwas still in its formative stages when the Hummel concertowas reborn.These factors conspired to create confusion regarding thenumerous interpretative challenges involved in performingthe Hummel concerto according to the composer’s originalintentions on modern trumpets. For those seeking the bestscholarly information, a facsimile of Hummel’s originalmanuscript score was published in 2011 with a separatevolume of analytical commentary by Edward H. Tarr,1 whoalso published the first modern edition of the concertoin the original key of E major (Universal Edition, 1972).This present edition—available in both keys: Eb and Emajor—strives to build a bridge between scholarship andperformance traditions in order to provide viable options forboth the purist and the practitioner.Following the revival of the Haydn trumpet concerto, acase could be made that some musicians were influencedby a type of normalcy bias that resulted in performancetraditions that attempted to make the Hummel morelike the Haydn by putting it in the same key, insertingunnecessary cadenzas, and adding trills where they mightnot belong.2 Issues concerning tempo and ornamentationposed additional challenges. As scholarship and performancepractice surrounding the concerto have become betterknown, trumpeters have increasingly sought to performthe concerto in the original key of E major—sometimes onkeyed trumpets—and to reconsider more recent performancetraditions in the transposed key of Eb.Regardless of the key, several factors need to be addressedwhen performing the Hummel concerto. The most notoriousof these is the interpretation of the wavy line (devoid of a “tr†indication), which appears in the second movement(mm. 4–5 and 47–49) and in the finale (mm. 218–221). InHummel’s manuscript score, the wavy line resembles a sinewave with wide, gentle curves, rather than the tight, buzzingappearance of a traditional trill line. Some have argued that itmay indicate intense vibrato or a fluttering tremolo betweenopen and closed fingerings on a keyed trumpet.3 In Hummel’s1828 piano treatise, he wrote that a wavy line without a “trâ€sign indicates uneigentlichen Triller oder den getrillertenNoten [“improper†trills or the notes that are trilled], andrecommends that they be played as main note trills that arenot resolved [ohne Nachschlag].4 Hummel’s piano treatisewas published twenty-five years after he wrote the trumpetconcerto, and his advocacy for main note trills (rather thanupper note trills) was controversial at the time, so trumpetersshould consider all of the available options when formingtheir own interpretation of the wavy line.Unlike Haydn, Hummel did not include any fermatas wherecadenzas could be inserted in his trumpet concerto. The endof the first movement, in particular, includes something likean accompanied cadenza passage (mm. 273–298), a featureHummel also included at the end of the first movement ofhis Piano Concerto No. 5 in Ab Major, Op. 113 (1827). Thethird movement includes a quote (starting at m. 168) fromCherubini’s opera, Les Deux Journées (1802), that diverts therondo form into a coda replete with idiomatic fanfares andvirtuosic figuration.5 Again, no fermata appears to signal acadenza, but the obbligato gymnastics in the solo trumpetpart function like an accompanied cadenza.Other necessary considerations include tempo choicesand ornamentation. Hummel did not include metronomemarkings to quantify his desired tempi for the movements,but clues may be gleaned through the surface evidence(metric pulse, beat values, figuration) and from the stratifiedtempo table that Hummel included in his 1828 piano treatise,where the first movement’s “Allegro con spirito†is interpretedas faster than the “Allegro†(without a modifier) of the finale.6In the realm of ornamentation, Hummel includes severalturns and figures that are open to interpretation. This editionincludes Hummel’s original symbols (turns and figuration)along with suggested realizations to provide musicians withoptions for forming their own interpretation.Finally, trumpeters are encouraged to listen to Mozart pianoconcerti as an interpretive context for Hummel’s trumpetconcerto. Hummel was a noted piano virtuoso at the end ofthe Classical era, and he studied with Mozart in Vienna asa young boy. Hummel also composed his own cadenzas forsome of Mozart’s piano concerti, and the twenty-five-year-oldcomposer imitated Mozart’s orchestral gestures and melodicfiguration in the trumpet concerto (most notably in the secondmovement, which resembles the famous slow movement ofMozart’s Piano Concerto No. 21 in C Major, K. 467). $34.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | |
|
| The Classical Piano Solos Collection Piano solo Willis Music
106 Graded Pieces from Baroque to the 20th C. Compiled and Edited by P. Low, ...(+)
106 Graded Pieces from
Baroque to the 20th C.
Compiled and Edited by P. Low,
S. Schumann, C. Siagian.
Composed by Various. Edited
by Charmaine Siagian. Willis.
Classical, Recital, Solos.
Softcover. Published by
Willis Music
$27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| J. S. Bach in Tablature Guitar notes and tablatures Classical guitar [Sheet music + Audio access] - Intermediate Mel Bay
Composed by Johann Sebastian Bach (1685-1750). Arranged by Jake Pincus. This ...(+)
Composed by Johann Sebastian
Bach (1685-1750). Arranged
by Jake Pincus. This
edition: perfect binding.
Editiones Classicae. Book
and online audio. 48 pages.
Published by Mel Bay
Publications, Inc
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
|
| The Definitive Classical Collection Piano solo [Sheet music] - Intermediate/advanced Hal Leonard
133 Selections by 43 Composers. Piano Solo Mixed Folio (Intermediate to advanced...(+)
133 Selections by 43 Composers. Piano Solo Mixed Folio (Intermediate to advanced piano arrangements with no lyrics). Size 9x12 inches. 480 pages. Published by Hal Leonard.
(1)$27.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| VIVALDI Violin Concerto in E major, op. 3, no. 12, RV265; Violin Concerto in C major, op. 8, no.6, RV180 'II Piacere' Violin [Sheet music + CD] Music Minus One
For Violin. Classical (orchestral). Includes a high-quality printed music score ...(+)
For Violin. Classical (orchestral). Includes a high-quality printed music score and compact disc with complete and stereo accompaniment recordings. Published by Music Minus One.
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| Modern Guitar Method Grade 2, Expanded Edition Guitar [Sheet music + CD] - Easy Mel Bay
By Mel Bay. For Guitar (All). Method. Modern Guitar Method. All Styles. Level: B...(+)
By Mel Bay. For Guitar (All). Method. Modern Guitar Method. All Styles. Level: Beginning-Intermediate. Book/CD Set. Size 8.75x11.75. 88 pages. Published by Mel Bay Publications, Inc.
(1)$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
|
| All About Music Theory Music Theory [Sheet music + Audio access] Hal Leonard
A Fun and Simple Guide to Understanding Music Online Audio Access. Music Instruc...(+)
A Fun and Simple Guide to Understanding Music Online Audio Access. Music Instruction. Music Theory. Softcover Audio Online. 224 pages. Published by Hal Leonard
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| Youth Album for Piano Piano solo [Sheet music] - Easy AMA Verlag
by Manfred Schmitz. For Piano. solos. AMA Verlag. Contemporary. Level: Beginning...(+)
by Manfred Schmitz. For Piano. solos. AMA Verlag. Contemporary. Level: Beginning-Intermediate. Book. Size 9x12. 216 pages. Published by AMA Verlag.
$22.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
|
| Johann Sebastian Bach: Inventions and Sinfonias - CD CD only [Listening CD] Alfred Publishing
(Two- and Three-Part Inventions) Played by Valery Lloyd-Watts, composed by Johan...(+)
(Two- and Three-Part Inventions) Played by Valery Lloyd-Watts, composed by Johann Sebastian Bach (1685-1750), edited by Willard A. Palmer. Performance CD. CD Only - no sheet music. Series: Alfred Masterworks Editions. Published by Alfred Publishing.
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
|
| Great Piano Literature Piano solo [Sheet music] - Advanced Hal Leonard
(The World's Great Classical Music) For piano. Format: piano solo book. With com...(+)
(The World's Great Classical Music) For piano. Format: piano solo book. With composer biographies. Baroque, classical period, romantic period and impressionistic. 240 pages. 9x12 inches. Published by Hal Leonard.
(13)$21.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| 15 Two- and Three-Part Inventions Piano solo Schirmer
Piano Solo. By Johann Sebastian Bach. Arranged by Carl Czerny. Piano Method. Siz...(+)
Piano Solo. By Johann Sebastian Bach. Arranged by Carl Czerny. Piano Method. Size 9x12 inches. 64 pages. Published by G. Schirmer, Inc.
(1)$8.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| Classic Guitar Duets (2 CDs) Guitar Classical guitar [Sheet music + CD] Music Minus One
For Guitar. Includes a high-quality printed music score with both primo and seco...(+)
For Guitar. Includes a high-quality printed music score with both primo and secondo guitar parts in dual-guitar duet format; and two compact discs, containing a complete performance in stereo; and a second compact disc containing minus primo and minus secondo recordings. Published by Music Minus One.
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| Johann Sebastian Bach: Two- and Three-Part Inventions Piano solo [Sheet music] Schirmer
(Complete) Composed by Johann Sebastian Bach (1685-1750), edited by Ferruccio B...(+)
(Complete) Composed by Johann Sebastian Bach (1685-1750), edited by Ferruccio Busoni (1866-1924). Collection for solo piano. 71 pages. Published by G. Schirmer, Inc.
(4)$9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| Mozart - Piano Sonata G Major K 283 Piano solo G. Henle
Piano SKU: HU.HN601 Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttr...(+)
Piano
SKU: HU.HN601
Composed by Wolfgang Amadeus Mozart. Edited by Ernst Herttrich. Piano Solo, Piano and Keyboard, Repertoire, Solos. Piano Sonata G major K. 283 (189h). Classical. Softcover Book. 19 pages. G. Henle #HN601. Published by G. Henle (HU.HN601).
$12.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | |
|
| 15 Two-Part Inventions Piano solo Schirmer
Piano Solo, arr. Mason. By Johann Sebastian Bach. Arranged by W Mason. Piano Met...(+)
Piano Solo, arr. Mason. By Johann Sebastian Bach. Arranged by W Mason. Piano Method. Size 9x12 inches. 36 pages. Published by G. Schirmer, Inc.
$7.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| 15 Two-Part Inventions Piano solo Schirmer
Piano Solo. By Johann Sebastian Bach. Arranged by Carl Czerny. Piano Method. Siz...(+)
Piano Solo. By Johann Sebastian Bach. Arranged by Carl Czerny. Piano Method. Size 9x12 inches. 36 pages. Published by G. Schirmer, Inc.
$7.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| Johann Sebastian Bach: 30 Two And Three Part Inventions
Piano solo [Sheet music] - Advanced Schirmer
Piano Solo. By Johann Sebastian Bach. Arranged by W. Mason. Piano Collection. Si...(+)
Piano Solo. By Johann Sebastian Bach. Arranged by W. Mason. Piano Collection. Size 9x12 inches. 64 pages. Published by Schirmer.
(3)$8.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| Guitarist's Treasury of Classic Themes Guitar notes and tablatures Classical guitar [Sheet music] - Beginner Mel Bay
A Collection of Popular Classical Themes Arranged for Guitar. By David Coe. By D...(+)
A Collection of Popular Classical Themes Arranged for Guitar. By David Coe. By David Coe. For Guitar (All). Tune Book. Archive Edition. Classic. Level: Beginning. Book. 168 pages. Published by Mel Bay Publications, Inc.
(1)$24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
|
| Two Part Inventions by J.S. Bach for Cello Duet 2 Cellos (duet) [Sheet music + Audio access] Hal Leonard
Arranged by Mr. and Mrs. Cello. By Mr. and Mrs. Cello. Cello Duet. Classical. ...(+)
Arranged by Mr. and Mrs.
Cello. By Mr. and Mrs. Cello.
Cello Duet. Classical.
Softcover Audio Online. 40
pages. Published by Hal
Leonard
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| J.S. Bach - Two-Part Inventions
Piano solo [Sheet music + Audio access] - Intermediate Schirmer
Composed by Johann Sebastian Bach (1685-1750). Edited by Christopher Taylor. Sch...(+)
Composed by Johann Sebastian Bach (1685-1750). Edited by Christopher Taylor. Schirmer Performance Editions. Classical. Softcover Audio Online. 48 pages. Published by G. Schirmer
(5)$11.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|
| Bach to the Future - Intermediate Wilhelm Hansen
Score Orchestra; Percussion - Grade 4 SKU: HL.14003062 Percussion and ...(+)
Score Orchestra; Percussion - Grade 4 SKU: HL.14003062 Percussion and Orchestra Score. Composed by Per Nø, Per Norgard, rd, and rgå. Music Sales America. Classical. Set. 134 pages. Duration 1200 seconds. Edition Wilhelm Hansen #KP00615. Published by Edition Wilhelm Hansen (HL.14003062). ISBN 9788759870075. 12.0x16.5x0.7 inches. Danish. Per Norgard BACH TO THE FUTUREFor many years I have been specially fascinated by three of the preludes of Bach's Well-tempered Piano, and I wish with this concerto-version for percussion-duo and orchestra to highlight some of the structural aspects of these pieces: It is my belief that there is a tradition in the music history, that makes it possible to let certain germs in an earlier period unfold into new, but not heterogenious, dimensions of a perhaps several hundred years later phase of the tradition.This concerto is a result of several years collaboration with Uffe Savery and Morten Friis (Safri-Duo), as well in original compositions - (Resonances, Repercussion, Resume in EchoZone I-III) as in arrangements of the 3 Bach preludes, preparing for the enormous stylistic challenges of this work.A few introductory comments to each movement:I Movement: The archetypal sequence of broken chords within C-major has established itself as almost a cultural code, allowing the composer of 1996 to tell his tale-in-tones only by stressing and colouring the tones in the original piece without changing the pitches or (relative) durations as a 'palimpsest' containing as well the old as the new musical tale simultaneously. Later in the movement, this singleline is multiplied by the, till then discrete, but permanently pervading, proportion - throughout the piece - very close to the 'Golden Section'(= 3:5:8.t.i:8 before repetition, 5 before starting anew from the deepest tone, 3 as the rest etc. unchanged). The 3 tonal levels as well as the 3 relative speeds are treated according to these proportions for certain passages, but even in those the main focal point is directed at the freely invented melody (by me) incarnating itself solely by the unpermutad sequels of the original prelude.II Movement: One feature of the F sharp-prelude pervades all the six minutes-long second movement: A 4 times identical rhythmic pattern = 6:4:3:2:3:4:6 - as an hourglass-shaped timeshape - inspired me by the closeness of this pattern to a shape within the infinity-drumming of my invention, called Wide-Fan and Narrow-Fan , referring to pattern consisting of 8:4:2:1:2:4:8, the familiarity with the above - quoted one being obvious. New and old elaborations of this pattern-pair permeates the movement, especially since the Safri-Duo by their performance of my Repercussion had augmented my appetite for including this idiom in a wider context:III Movement: Without the existence of the d-minor-prelude I doubt that I would have dared to write a work like this, since it is the inexhaustible, rare quality and pecularity of this piece, which has stimulated my feeling of wonder and 'modernity' (or: eternity!) of this piece, of which I know of no equal in its special respect: the perpetual ambiguity of melodic foothold in the rhythmic ostinato of a broken descending triad, co. $82.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | |
|
| J.S. Bach - Inventions Bass guitar [CD-ROM] Ricordi
Transcriptions for 2 Four-String Electric Basses. By Johann Sebastian Bach. Mis...(+)
Transcriptions for 2 Four-String Electric Basses. By Johann Sebastian Bach. Misc. CD-ROM only. Size 9x12 inches. 36 pages. Published by Ricordi.
$22.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
|