Par WATERFIELD POLLY / BEACH L.. This is a celebration of music from the time the pioneers explored the vast reaches of North America. A presentation of eleven imaginative and idiomatic arrangements for elementary Violin (Grade 1-3) with Piano. Helpful background notes help players to understand the style and spirit of the music. The book is also compatible with the Viola and Cello editions, giving an opportunity for young players to experience ensemble playing at quite an early stage. / Niveau : Assez Facile / Date parution : 2003-10-16/ Recueil / Violon et Piano

Par WATERFIELD POLLY / BEACH L.. This is a celebration of music from the time the pioneers explored the vast reaches of North America. A presentation of eleven imaginative and idiomatic arrangements for elementary cello Grade 1-3 with Piano. Helpful background notes help players to understand the style and spirit of the music. The book is also compatible with the Viola and Violin editions, giving an opportunity for young players to experience ensemble playing at quite an early stage. / Niveau : Facile / Date parution : 2003-10-16/ Répertoire / Violoncelle et Piano

for Violin. Par . Les musiciens apprécieront cette fabuleuse collection de 101 chansons classiques apaisantes : Ave Maria, Op. 52, No. 6 - Bridge over Troubled Water - Come Away with Me - Desperado - Edelweiss - Faithfully - In Your Eyes - Misty - Nobody Does It Better - Yesterday - et plus encore. / Date parution : 2022-05-31/ Recueil / Violon

Cette collection contient de nombreux morceaux bien connus du monde anglosaxon qui sont accrocheurs et d'une qualité dansant. Certaines mélodies sont vifs, certains rêveur mais tous sont faciles sur l'oreille. Les deux violonistes sont d'égale importance et la mélodie se déplace fréquemment d'un joueur à un autre. Lorsque le joueur prend le rôle d'accompagnement, il a l'occasion de remplacer la guitare et doit jouer des arpèges et des arrêts doubles faciles. La partie mélodique contient embellissements typiques du style. morceaux de musique folkloriques entraînants bien connus Les pièces équilibrées Divertissant et musique de rue digneD'après le contenu:'Morning has Broken', 'toute la nuit', 'Scarborough Fair', 'Le Foggy Dew', 'The Rolling Stones de', 'je vais Fly Away' et d'autresGeorge Speckert est un compositeur, auteur et conférencier dans la production multimédia et elearning. Il a composé et pièces pour de nombreuses éditions Bärenreiter arrangé. / 1 Ou 2 Violon(s)

37 Pièces pour violon auxquels vous aimez jouer le répertoire classique comporte des maîtres avec deux CD améliorés qui présentent des accompagnements de piano pour chaque pièce ainsi que les logiciels pour le réglage du tempo utilisation de l'ordinateur de CD-ROM. / Violon Et Piano

Par SCHLEE THOMAS DANIEL. For composer Thomas Daniel Schlee, the 'intimate sound possibilities of the string quartet” have the potential 'to formulate an, albeit 'only' individual, solution to the somewhat forlorn condition of new art music within society that we are unfortunately experiencing today.” Schlee's Fourth String Quartet opens with a pure C major sound, out of which he develops a harmonically free band of voices: 'The pure as a source, not pleasing”! After a melodically dominating episode and a continuation of the 'swinging tone-motion from the beginning”, a thematically solidified section follows. It is met by a second, more extensive melodic episode, followed by a 'nightly scene”. Coming full circle, the opening music of the piece finds its continuation, leading into a lament – first articulated by the ensemble, then finally as 'the viola's long, forlorn search for the melody symbolizing a farewell.”/ Répertoire / Quatuor à Cordes

Par BARGIELSKI ZBIGNIEW . After the first performance of my Fourth Quartet, in Salzburg in 1997, the artists of the excellent Hugo Wolf Quartett approached me with the appealing proposition that I write a new quartet. Rather problematic, however, proved to be the musicians’ delicate suggestion that I invest the work with elements of a more pungent expression and elements of folklore – ideally Polish. That suggestion meant that I did not immediately come to a decision, since folklore had not been (with the exception of a few works for accordion) the object of my interest. However, in defiance of my aesthetic outlook at that time, I decided to take up this interesting invitation and tackle what was for me a difficult problem. Ultimately, I found a way out of this rather ambiguous situation by employing a sort of dodge: I gave the new work a title. In a way, ‘The time that has passed’ substantiates the current to which I referred while writing this composition. The title and the subtitles of the work’s movements, which sound quite exotic in our day and age (there are as many as nine movements), justify the curious marriage between the somewhat nostalgic past and a present that has not yet been particularly well ‘assimilated’. I hope that these feuilles d’album will discharge their ‘toning’ function well. - Zbigniew Bargielski/ Répertoire / Quatuor à Cordes

Par RANDS BERNARD. This string quartet is in one continuous movement of fifteen sections, with each section being a ’transcription’ of the music in a previous section. In these transcriptions the changes can be somewhat minimal – a slight altering of register, dynamics, rhythms, or more radical resulting in new harmonic and contrapuntal relationships. With this compositional method Rands aims to create a continuous self-referential musical discourse that allows for recall and even repetition. String Quartet No. 3 was commissioned for the Ying Quartet by the Institute for American Music at the Eastman School of Music./ Répertoire / Quatuor à Cordes