SKU: BR.EB-10708
In Cooperation with G. Henle Verlag
ISBN 9790201807089. 9.5 x 12 inches.
Bruch's evergreen for the first time in Urtext Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto? The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.In Cooperation with G. Henle Verlag.
SKU: BR.SON-454
ISBN 9790004803646. 9 x 12 inches.
The Violin Concerto in E minor, op. 64, and the Sonata in F minor, op. 4, are the only works for solo violin that Mendelssohn had had printed during his lifetime. However, his complete oeuvre includes other completed or fragmentary compositions, including two further concertos and several unfinished sonatas and other individual pieces. He himself had an extraordinary command of the violin and entrusted the instrument in several other works, such as the Octet op. 20 or the concert aria Infelice! - Ah, ritorno, eta dell'oro, with special tasks. Nevertheless, with regard to details of playing technique, he usually sought advice from solo violinist friends, first from Eduard Ritz, then, after Ritz's early death, from Ferdinand David. The present volume contains all of the completed and fragmentary compositions for violin and piano that have survived - from the early Prelude and Fugue in D and G minor from Zelter's practice book (1820), which can be assigned without doubt, through to the Sonata in F major (1838) in their various versions.
SKU: BR.EB-6692
ISBN 9790004168950. 9 x 12 inches.
SKU: BR.BG-1168
ISBN 9790004132500. 9 x 12 inches.
SKU: BR.MN-9366
ISBN 9790004790427. 8.5 x 11.5 inches.
Miegs erstes vollgultiges Kammermusikwerk. Es zeigt charakteristische Merkmale des bisher in der Offentlichkeit nahezu unbekannten Fruhwerks des Komponisten. Rhythmische Akzente, Ostinati, motorische Elemente, polyphone und bitonale Gestaltungsmittel - ein faszinierender Einblick in Miegs experimentierfreudige fruhe Schaffensphase.
SKU: BR.EB-32042
ISBN 9790004186435. 9.5 x 12 inches.
SKU: BR.MR-1832A
ISBN 9790004488126. 9 x 12 inches.
SKU: BR.MR-1832B
ISBN 9790004488133. 9 x 12 inches.
SKU: BR.EB-8647
ISBN 9790004183403. 9 x 12 inches.
Gone are the days when chamber music was relegated to the sidelines of piano instruction. TWOgether contains two pieces each, mostly original, for piano and the most popular classical melody instruments. It is clear that the pieces make equal musical demands on both the piano and the melody instrument. Thanks to this stylistically varied book, young pianists or their teachers can go out recruiting all kinds of different musical partners. Facilitating their access to the pieces are the informative comments of the editors, which include thoughts on chamber music, and the intonations provided by Oskar Aichinger.
SKU: BR.EB-4179
ISBN 9790004162408. 9 x 12 inches.
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