Sarah Quartel's Snow Angel for SSAA solo Cello Djembe and Piano. Already a firm favourite with choirs across the world Snow Angel is an evocative five-movement choral work that explores themes of love rebirth and beauty through the eyes of children and the heavenly army of angels that watch over them yearning to make a difference to their lives. The work may be performed with narration in which three angels present their perspectives on their earthly charges. Sarah Quartel weaves a haunting and poignant Cello line throughout the work and a vibrant part for Djembe in movement four 'Sweet child' carriesthe listener from the ethereal and mystical realm the work predominantly inhabits into an emphatic anthem with a distinctly African feel. The musical language is emotive and pictorial allowing performers to play an active role in the storytelling. Snow Angel is also available in a version for SATB.

Regina caeli. for SSAA unaccompanied. This Marian text for Eastertide, Regina caeli, was set four times by Morales. This setting for four voices was first published in the Spanish composer's 1543 collection and notated in high clefs.

O Regem caeli. for SSAA unaccompanied. Consisting of two sections, this large-scale Christmas motet opens with a rich homophonic texture that is synonymous with Victoria's compositions. This is followed by imitation in the vocal lines before atriple-metre section of resounding 'alleluia's.

A Candlelight Carol from the ever impressive works by John Rutter is the Silent Night for the 20th century. A piece that truly sets the tone for the Christmans season. With beautiful harmonies and touching words this is the perfect piece for singing by candlelight.Written for SSAA and Organ.

For SSAA and three solo sopranos.Lament of the Pious Women of Jerusalem (2008) in memory of Wilfrid Mellers.

The Arrow and the Song. for SSSAAA unaccompanied This imaginative setting of Longfellow's poem encourages the use of evocative bird and wind noises to capture the text's natural imagery. In a fresh, a cappella style, Hawley's charismatic melodies soarthrough the vibrant texture, and offer plenty of opportunities for soloists.

for unaccompanied five-part women's chorus (SSSAA) Although quite short this is one of Clarke's boldest and in some respects most ambitious compositions. It sets Shelley's magnificent ode to the Evening Star.

Fauré's Cantique de Jean Racine has all the emotional appeal and refined elegance that one associates with its composer and has a cherished place in the repertory of both sacred and secular choirs. This arrangement for upper voices remains as faithful to the original as possible.

A sweet and tranquil lullaby for the Virgin Mary at the birth of Christ. This setting is for Upper Voices and Piano accompaniment with words and music by John Rutter.

The Nidaros Jazz Mass draws on a variety of jazz styles to present a fun and innovative setting of the Latin Missa brevis. With a gentle Kyrie funky Gloria ballad-like Sanctus laid-back Benedictus and passionate Agnus Dei this work breathes new life into familiar words perfectly combining the contemporary with the ancient. The stylistic piano part can be played as written or serve as a guide and an optional bass and drum kit part is available separately for jazz trio accompaniment. Ideal for all upper-voice choirs the Nidaros Jazz Mass will make a groovy and soulful addition to any concert programme.This work was commissioned by theNidaros Cathedral Girls' Choir of Trondheim Norway.